Płyta „Śpij Kochanie” wprowadzi naszego maluszka w stan błogiego relaksu. Jest to kojąca muzyka oparta na tematach filmowych, często również wykorzystywana w klasycznych bajkach.
Podczas gdy “Cavalleria Rusticana” Mascagniego zajmowała ważne miejsce w repertuarze Marii Callas, opera Leoncavalla – „Pajace” – nie była przez nią wykonywana na scenie. Mimo to, jak pisano w Gramophone o tym nagraniu: „Gdy pojawiają się Callas (jako Nedda) i Gobbi (jako Tonio), rozwija się poruszający dramat”.
Tracklista: CD 1 1. Stand By Me 2. Look for the Silver Lining 3. I'll Bring It Home to You 4. What Shall I Do 5. Cause I Love You 6. Without Love (There Is Nothing) 7. You're My Desire 8. I'm Still in Love With You 9. Echo 10. At Last 11. I'll Try Something New 12. My Funny Valentine 13. The Love of a Boy 14. I'm the One 15. You Don't Have to Be a Tower of Strength 16. Heartbreaking Years 17. Your Wonderful Love 18. No Love 19. Stranger in My Arms 20. Nothing Can Change This Love 21. I'll Never Stop Loving You 22. I Love How You Love Me 23. Nothing in the World (Could Make Me Love You More Than I Do) 24. Oh My Angel 25. Will You Still Love Me Tomorrow CD 2 1. These Arms of Mine 2. Without the One You Love 3. Your Love Is Important to Me 4. Dream Lover 5. A Love of My Own 6. Am I Falling in Love 7. Will I Be the One 8. Don't Say Goodnight 9. I'm in Love 10. Every Beat of My Heart 11. Let's Love in the Moonlight 12. P.S. I Love You 13. Since I Fell for You 14. Formula of Love 15. Please Please Please 16. Your Heart Belongs to Me 17. I Want a Boy 18. (Dee Dee) Be My Girl 19. Dedicated to the One Love 20. Please Mr. Postman 21. Without Love 22. Talk to Me 23. Write Me a Letter 24. Am I Falling in Love 25. Fool That I Am
Tracklista: 1. First Mind2. Fever to the Form3. April4. Juramidam5. Cucurucu6. Ailsa Craig7. Meet Me There8. Nitrous9. Venus10. I Don't Want to Go Home11. The Trellis12. The World to Me13. Hold On, We're Going Home14. Meet Me There15. Venus16. Juramidam17. Look at Miss Ohio
Tracklista: 1. Al Jorn - Alonso 2. A Voi Gente 3. Trotto 4. Audite 5. Alle Psallite 6. Razon 7. Owe War Sint Verswunden 8. Sine Nomine 9. Al Jorn - Carceres 10. Non E Gran Cousa 11. Cry De La Mort 12. Quen Na Virgen 13. Estampie VIII 14. Non Devemos 15. Bona Condit 16. Al Jorn - Triana
Tracklista:1. Psycheground2. SuperStudio3. Faster Faster!4. Pragma5. Modulor6. ArchiZoom7. Ambienti8. Agogica9. Polymeri10. Modo11. Travelers
The Cardinall’s Musick’s award-winning Byrd series reaches its final volume, which includes some of the composer’s most sublime and adventurous music, drawn in the main from the 1591 Cantiones Sacrae collection. Throughout this series it has become evident that a comprehensive survey such as this shows the genius of the composer in a uniquely effective way: by demonstrating the extraordinary variety and unsurpassable quality of his musical and liturgical achievements. Andrew Carwood defines Byrd as the greatest composer of the age in his booklet note—as he writes: ‘If there is an English musician who comes close to Shakespeare in his consummate artistry, his control over so many genres and his ability to speak with emotional directness it must be William Byrd.’ The ‘title track’ of this volume, Infelix ego, is the crowning glory of Byrd’s achievement as a composer of spiritual words and one of the greatest artistic statements of the sixteenth century. This remarkable text, taking the form of a number of rhetorical statements and questions, shows the whole gamut of emotion from a soul in torment—guilt, fear, embarrassment, anger, but crucially the gift of release when Christ’s mercy is accepted. It can be seen as a microcosm of Byrd’s sacred music and a fitting crown to this series.
Tracklista:1. Go crystal tears, for 4 voices & lute (First Book of Songs) 6:292. Fantasia a 6 for viols No. 4 in G major 3:303. Now, O now I needs must part, for 4 voices & lute (First Book of Songs) 4:324. Go, nightly cares, the enemy to rest, for voice, trumpet, bass viols & lute (A Pilgrimes Solace) 4:025. Fantasia 2:556. Sorrow, come!, sacred song for soprano & 4 viols 3:597. Semper Dowland semper dolens, pavan for lute, P 9 3:318. The Right Honourable the Lady Rich, her Gaillard (Dowland's Bells), for lute, P 43 2:039. Have You Seen but a White Lily Grow? for voice & lute 2:5110. Though Amaryllis dance in green, madrigal for 5 voices (SSATB) 3:4311. Venus' Birds 3:3512. Full Fathom Five, for voice & lute 2:1013. Care-Charming Sleep, for high voice & lute 3:3814. Like as the day 4:0315. Work(s): A Fancy 3:2916. Time stands still, for voice, lute & bass viol (Third Book of Songs) 4:3917. Four-note pavan 4:4918. From silent night, true register of moans, for voice, trumpet, bass viols & lute (A Pilgrimes Solace) 4:0619. O Deathe, Rock Me A-Sleepe 2:5720. Fantasia ŕ 2, for bass viol & violin 3:1821. Come, heavy sleep, for 4 voices & lute (First Book of Songs) 5:02
The Dead Weather to nowa formacja założona przez Jacka White (The White Stripes, the Raconteurs) i nagrywająca dla jego wytwórni Third Man. W czteroosobowym składzie znaleźli się także: Dean Fertita (Queens Of The Stone Age), “Little” Jack Lawrence (The Raconteurs, The Greenhornes) i Alison Mosshart (The Kills). Od innych projektów White'a, The Dead Weather różnią sie m.in. kobiecym (często umyślnie zniekształconym) wokalem Alison i ciekawymi rozwiązaniami rytmicznymi. Wśród 11 piosenek na płycie nie zabrakło jednak wpływów bluesa i psychodelicznego rocka - wszystko jednak podane jest w przystępnej formie i - jak w przypadku projektów, w których macza palce wokalista White Stripes - oparte na chwytliwych, uzależniających wręcz melodiach.
Płyta zawiera teledysk "Święty, święty uśmiechnięty".