Tracklista:1. I've Got You Under My Skin2. I Put a Spell On You3. Time After Time4. Ebb Tide5. Move Me6. Africa Gone Funky7. Ashes8. I Need You9. Sweet Ginny
‘One player, one instrument, one composer: Bach’s unaccompanied violin music has always been the greatest for any player, young or old. Alina Ibragimova, only 23, is already its equal’ (The Guardian) ‘Alina Ibragimova began to play unaccompanied Bach on the violin, and the hush became silence. This was spontaneous, the first sense that something new could happen’ (The Independent) The dazzling young virtuoso Alina Ibragimova has enthralled audiences for years with her live Bach performances. Critics have acclaimed her faultless intonation, achingly beautiful tone, superlative technique and a musical wisdom far beyond her years. Now, in this important new recording of Bach’s complete sonatas and partitas for solo violin, Ibragimova brings all these qualities and more to create an interpretation that is both excitingly original and profoundly humble. This is music of unfathomable subtlety, astounding virtuosity and great expressive and architectural beauty. SUNDAY TIMES CD OF THE WEEK ; GRAMOPHONE EDITOR'S CHOICE; BBC MUSIC MAGAZINE INSTRUMENTAL CHOICE ; DAILY TELEGRAPH CLASSICAL CD OF THE WEEK; SUNDAY TIMES BEST OF THE YEAR 'She's supremely alert to the idiomatic nuances of each dance … her technical accomplishment is awesome. The D minor Giga scampers along as if mindful of the transcendent monumentality of the Ciaccona lurking around the corner - and when it arrives, Ibragimova tip-toes and soars with aplomb' (BBC Music Magazine) 'Ibragimova reveals herself to be an exquisite interpreter of solo Bach … Her Bach comes as something of a revelation. The finesse we've previously admired in her playing is here combined with thoughtful stylistic awareness and a distinctive, individual approach … All her stylishness and technical refinement is at the service of an ingrained understanding of the music' (Gramophone) 'One baulks at reducing this sublime discourse to adjectives … These solo structures are thin yet monumental, linear yet multilayered, technically specialised yet altogether soul-rending, and she capitalises on every paradox. More simply, her sound is seductive, her virtuosity bracing and every movement a victory … A true enshrining of the violin's soul' (The Sunday Times) 'Alina Ibragimova's previous discs for Hyperion have all been of 20th-century repertoire … All in their different ways were first rate, but none of them gave any inkling of just how startlingly good Ibragimova's solo Bach recordings might be. This is an absolutely compelling set of performances, the kind that have you on the edge of your seat wondering at the freshness of it all and what she might do next. Every phrase in these familiar works seems newly minted, every bar totally alive' (The Guardian) 'Young, excellent and serious, this 24-year old violinist plays with a maturity far beyond her years. In this two CD-set she's right inside the music, whether Bach calls for roaring fire or the tenderest melancholy' (The Times)
Tracklista: CD 1 1. First music: Overture 2. Second music: Aire 3. Overture 4. Act I - Altar music from Bonduca 5. Act I - Woden, first to thee 6. Act I - The white horse neighed aloud 7. Act I - The lot is cast 8. Act I - Brave souls 9. Act I - I call you all the woden's hall 10. Act I - Come if you dare 11. Act I - First act tune 12. Act II - Hither, this way 13. Act II - Let not a moon-born elf 14. Act II - Hither, this way 15. Act II - Come follow me 16. Act II - How blest are shepherds 17. Act II - Shepherd, shepherd, leave decoying 18. Act II - Come, shepherds, lead up 19. Act II - Hornpipe 20. Act II - Second act tune: Aire 21. Act III - Prelude to the frost scene 22. Act III - What ho! Thou genius of this isle 23. Act III - What power art thou 24. Act III - Thou doting fool 25. Act III - Great love, I know thee now 26. Act III - No part of my dominion shall be waste 27. Act III - Prelude 28. Act III - See we assemble thy revels to hold 29. Act III - Dance 30. Act III - 'Tis I that have warm'd ye 31. Act III - Sound a parley 32. Act III - 'Tis love that hath warm'd up 33. Act III - Borée from The old bachelor 34. Act III - Third act tune CD 2 1. Act IV - Aire 2. Act IV - Soft musick 3. Act IV - Two daughters of this aged stream 4. Act IV - Passacaglia I How happy the lover 5. Act IV - In vain are our graces 6. Act IV - Fourt act tune: trumpet tune 7. Act IV - Ye blustering brethren 8. Act IV - Symphony 9. Act IV - Song tune I Round thy coasts 10. Act IV - For folded flocks 11. Act IV - Song tune I Your hay it is mow's 12. Act IV - Song tune I Fairest isle 13. Act IV - You say, 'tis love 14. Act IV - Trumpet tune 15. Act IV - Saint George, the patron of our isle 16. Act IV - Our natives not alone appear 17. Act IV - Grand chance: chaconne
Wallace Roney - amerykański trębacz jazzowy. Roney pobierał lekcja od Clarka Terry'ego i Dizzy'ego Gillespiego. Studiował także u Milesa Davisa. Wallace przypisuje Davisowi, że pomógł mu rzucić wyzwanie i ukształtować jego twórcze podejście do życia. Wallace Roney był jedynym trębaczem, którego mentorem był Miles Davis.
Tracklista:1. Animal Rites2. The White Powerless3. Your Temporary Custodian4. Just Lay Still5. Canaries In The Coal Mine6. Until It Goes7. Put Your Teeth In8. A Tale Told By An Idiot9. Who Could Love You Lucille?10. You Are Facing the Wrong Way
Tracklista:1. Nocturne in E-Flat Major2. I Remember You3. Blue Velvet4. Like Someone in Love5. Deep Purple6. An Affair to Remember7. Why Don't You Believe Me8. Smoke Gets in Your Eyes9. Misty10. They Say That Falling in Love Is Wonderful11. Blue Star12. San Francisco
Drugi album zespołu The Dumplings Sea You Later pojawił się także na winylu. Morze. Przestrzeń. Mrok. The Dumplings na swoim drugim albumie pokazują swoje dojrzałe oblicze. „Sea You Later” jest płytą zrealizowaną w autorski sposób. W całości jest skomponowana, napisana i wyprodukowana przez zespół. Za miksy wydawnictwa odpowiedzialny jest Piotr „Emade” Waglewski, a za mastering Jacek Gawłowski. „Sea You Later” jest krokiem zespołu w nowym muzycznym kierunku. Elektropopowy duet mocno stawia na elektronikę w duchu nowych brzmień, ale nie zapomina o chwytliwych piosenkach znaku rozpoznawalnym twórczości Justyny Święs i Kuby Karasia.
Tracklista:1. Sinfonia in E minor, Wq. 178, H. 653: I. Allegro assai2. Sinfonia in E minor, Wq. 178, H. 653: II. Andante moderato3. Sinfonia in E minor, Wq. 178, H. 653: III. Allegro4. Cello Concerto in B flat major, Wq. 171, H. 436: I. Allegretto5. Cello Concerto in B flat major, Wq. 171, H. 436: II. Adagio6. Cello Concerto in B flat major, Wq. 171, H. 436: III. Allegro assai7. Oboe Concerto in B flat major, Wq. 164, H. 466: I. Allegretto8. Oboe Concerto in B flat major, Wq. 164, H. 466: II. Largo e mesto9. Oboe Concerto in B flat major, Wq. 164, H. 466: III. Allegro assai10. Concerto for Harpsichord and Piano in E flat major, Wq. 47, H. 479: I. Allegro di molto11. Concerto for Harpsichord and Piano in E flat major, Wq. 47, H. 479: II. Larghetto12. Concerto for Harpsichord and Piano in E flat major, Wq. 47, H. 479: III. Vivace
Czy jest możliwe, by historię jazzu zawrzeć na czterech srebrnych krążkach ? Przebojowe standardy, mody i nastroje oraz jazzowi idole to trop jaki okazał się dla mnie najbardziej odpowiedni. Stylistyczne szufladki, do których z ogromną ochotą wrzucam najpiękniejsze nagrania jazzu. Bo z jednej strony historyczne YESTERDAY z niezapomnianymi nagraniami Louisa Armstronga, Milesa Davisa i Raya Charlesa; z drugiej jazzowy TODAY ,czyli najpopularniejsze i najpiękniejsze przeboje Norah Jones, Cassandry Wilson i Herbiego Hancocka. Ale także to, co jest pulsem i przyszłością TOMORROW jazzu : koncepcje trio Medeski Martin & Wood, Cinematic Orchestra i Kurta Ellinga. Oczywistym dopełnieniem tej historyjki jest jazz z Polski , z najróżniejszymi FROM POLAND WITH LOVE Leszka Możdżera, Agi Zaryan, Urszuli Dudziak…
Tracklista:1. The Concept2. The Emergence of Hierarchy3. Epistemologies of Rule4. The Legacy of Domination5. Justice - Equal and Exact6. The Legacy of Freedom7. From Saints to Sellers8. Two Images of Technologies9. The Social Matrix of Technology10. The Ambiguities of Freedom11. The Outlook