Koncerty fortepianowe nr 2 i 4 Ludwiga van Beethovena w wykonaniu młodej pianistki Ingrid Jacoby oraz zespołu Sinfonia Varsovia pod dyrekcją Jacka Kaspszyka. Nagranie dokonane w studiu koncertowym Polskiego Radia w 2011 roku.
Lista ścieżek:1. Mega Mix2. Wie alles begann3. Daddy Cool4. No Woman No Cry5. Sunny6. Das Auge hört mit7. Ma Baker8. Belfast9. Brown Girl In The Ring10. Rivers Of Babylon11. Das Jahr 197812. Mary's Boy Child/Oh My Lord13. Rasputin14. Hooray! Hooray! It' s A Holi-Holiday15. Ribbons Of Blue16. El Lute17. El Lute18. Bahama Mama19. I'm Born Again20. Calendar Song (January, February, March...)21. Coverversionen22. Still I'm Sad23. Painter Man24. Two Of Us25. Gotta Go Home26. Oceans Of Fantasy27. Das 5. Mitglied28. I See A Boat On The River29. Children Of Paradise30. Boonoonoonoos31. Malaika32. Das Ende naht33. The Carnival Is Over (Goodbye True Lover)34. Kalimba De Luna35. Somewhere In The World36. Happy Song37. My Cherie Amour38. Interview mit Viktor Worms39. Dreadlock Holiday40. Daddy Cool - The Musicall
Wyjątkowe wydawnictwo na 25-lecie słynnej orkiestry Johanna Straussa.Już ćwierć wieku minęło odkąd maestro Rieu postanowił urzeczywistnić swoje największe marzenie – spopularyzować walca i bawić publiczność muzyką klasyczną. Nazwa dla nowo powstałej orkiestry Andre Rieu mogła być tylko jedna – król walca, Johann Strauss II, był tutaj oczywistym wyborem.Jak maestro świętuje swój jubileusz? Rzecz jasna w rodzinnym Maastricht z całą rzeszą zaproszonych gości i zapierającym dech w piersiach pokazem fajerwerków. W koncercie wziął udział m.in. 300-osobowy chór królewski the Maastrechter Staar. Andreu Rieu nie byłby sobą gdyby do koncertu nie wprowadził odrobiny humoru – tym razem zaprosił ojca chrzestnego smerfów - Vaddera Abrahama ze swoim słynnym utworem „Smurf Song”! Niech żyje Andre Rieu i the Johann Strauss Orchestra!Lista utworów:1. Seventy-Six Trombones2. Old Comrades, ARV_093. The Third Man4. Tiritomba5. Nessun Dorma6. Snow Waltz7. The Laughing Song8. Ballad For Adeline9. Emperor Waltz10. Entry March, ARV_1211. Aviators March, ARV_1012. Casta Diva13. When I'm Sixty-Four14. Habanera15. Manhã de Carnaval16. Oh Fortuna17. Radetzky March18. Strauss & Co.19. Libiamo, ARV_1020. The Smurf Song21. The Red Rose Café22. Opera Potpourri23. A Child's World (Medley)24. Zorba's Dance (Sirtaki)25. Maastricht Anthem, ARV_0926. Maastricht, City Of Jolly Singers27. Adieu, Little Captain Of My Heart28. Marina
Koncert nagrany w mistyczną noc sylwestrową w Great American Music Hall w San Francisco, w składzie: Mike Patton (Faith No More, Mr. Bungle, Peeping Tom), Buzz Osborne (Melvins), Dale Crover (Melvins), oraz Trevor Dunn (Mr. Bungle, Madlove). Wszystkie utwory z albumu The Director’s Cut oraz bis w postaci kowerów Al.’a Green’a i Marca Bolana/T.Rex. Dodatkowo komentarz autorstwa amerykańskiego komika Neila Hamburgera (wydającego płyty w Drag City). Cały projekt został wyreżyserowany przez Vincenta Forciera, zmiksowany przez Mike’a Pattona, a okładka zaprojektowana przez Mackie Osborne’a. Wersja audio występu będzie dostępna w sprzedaży cyfrowejSPIS UTWORÓW:1. The Godfather2. Night Of The Hunter (Remix)3. Cape Fear4. Experiment In Terror5. One Step Beyond6. Rosemary’sBaby7. The Devil Rides Out (Remix)8. Spider Baby9. The Omen (Ave Santani)10. Henry: Portrait Of A Serial Killer11. Vendetta12. Investigation Of A Citizen Above Suspicion13. Twin Peaks: Fire Walk With Me14. Der Golem15. Charade16. Intermission 17. Simply Beautiful (Al Green cover)18. Chariot Choogle (Marc Bolan/T.Rex cover)
Koncertowe DVD zarejestrowane w czasie występów w rodzinnym mieście Gwen Stefani, Anaheim. Tracklista: 1. Harajuku Girls 2. What You Waiting For? 3. The Real Thing 4. Crash 5. Luxurious 6. Rich Girl 7. Danger Zone 8. Long Way To Go 9. Wind It Up 10. Orange County Girl 11. Cool 12. Serious 13. Bubble Pop Electric 14. Hollaback Girl Bonus Material: - Meet The Band and Dancers - Photo Gallery - Countdown to Tour Documentary - The Real Thing Camera Remix
Leutgeb, Ass, Ox and Jester...Mozart‘s instrumental concertos did not result from a random desire to compose, they were always composed to mark an occasion. Mozart wrote them either for personal use in concert, as was the case with his piano and violin concertos, or for at the behest of renowned and excellent soloists. Thus three of his four horn concertos and his Rondo in E flat were also tailor-made for the virtuoso and his instrument: Joseph Leutgeb (1732-1811) had played the French horn in the Salzburger Hofkapelle until 1777, and was already friendly with Mozart at the time. In 1781, the composer and the virtuoso met again in Vienna, where Leutgeb ran a lucrative cheese business alongside his musical activities. The relationship between the two of them must have been rather unusual, as is demonstrated by remarks such as "Wolfgang Amadé Mozart has taken pity on Leitgeb, ass, ox and jester in Vienna, May 27, 1783", which Mozart wrote in the manuscript of the concerto, which gave cause to this assumption. Was Leutgeb then truly naive, as has often been written; or, perhaps, does not the quality of the composition written by Mozart for Leutgeb prove that the relationship was characterised by artistic respect?Due to its rather modest musical capacities, the horn of the time was not a first choice for a solo instrument. As it did not yet have any valves, its tonal range was restricted to natural harmonics. Not until halfway through the 18th century was it possible, by means of so-called "stopping" (i.e. by inserting a hand in the bell of the instrument), to manipulate the pitch, which made it possible to play the notes in between the harmonics and thus diatonic scales in the lower reaches. Considering the numerous high demands made by Mozart of the soloists in his concertos, it is clear that Leutgeb must have virtually mastered this technique. Only a few years ago was it possible to pinpoint a relatively unambiguous period of composition for the horn concertos. All the works were written during the last decade of Mozart‘s life. The solitary Rondo in E flat, K. 371 (completion and cadenza by Alan Civil) dates from March 21, 1781. It is possible that it was really meant as the last movement of a further horn concerto, of which no more than a sketch for an introductory movement (K. 370b) has been preserved. The Concerto in E flat, K. 417 – from which manuscript the above-quoted "dedication" was taken – dates from May 27, 1783 and, despite the usual three-movement form, contains some unusual features. Thus for example the Rondo-Finale deviates to the realm of the minor key – most unusual for Mozart – and it also surprises the listener shortly before the end with a practical joke, which forces the musicians to make two new starts. On June 26, 1786 Mozart completed his Concerto in E flat, K. 495, the score of which he wrote in multi-coloured ink. Did he perhaps want to throw the "naive" Leutgeb, or perhaps – as is more likely – emphasise individual voices and thematic lines, and also mark subtle differences in dynamics? The relationship between K. 495 and its predecessor K. 417 has been discussed by numerous authors. Einstein even speaks "of a duplicate, though on a higher level, due to the fact that Mozart wrote it three years later ". In addition, echoes can be found of his Piano Sonata K. 497 and Cantata "Die Maurerfreude" K. 471. Although at first it was dated earlier, the Concerto in E flat, K. 447 is now believed to date from the year 1787, and is considered by connoisseurs and soloists alike to be the most important of the horn concertos. The complex structures confirm this most impressively. The two-movement Concerto in D, K. 386b with its Allegro K. 412 and the final Rondo K. 514 was only written the year Mozart died – 1791 – and was not completed. Neither is the definite version of the Rondo by Mozart, but by his pupil, Franz Xaver Süßmayer.
Tracklista: 1. Allegro 2. Theme And Variations 3. Recapitulation 4. Coda. Allegro Molto 5. Molto Placido 6. Andantino Con Moto 7. Finale. Allegro Vivace
Wydawnictwo „Up All Nite With Prince: The One Nite Alone Collection” łączy elektryzującą moc nagrań studyjnych i koncertowych Prince’a. Ten wyjątkowy zestaw 4CD / 1DVD zawiera album „One Nite Alone…” (pierwsze komercyjne wydanie na CD); dwupłytowy „One Nite Alone… Live!” I wysokoenergetyczny „One Nite Alone…The Aftershow: It Ain’t Over!” z gościnnymi występami George'a Clintona i Musiqa Soulchilda; oraz DVD „Live At The Aladdin Las Vegas”. One Nite Alone… (1 CD) One Nite Alone…Live! (2 CD) One Nite Alone: The Aftershow…It Ain’t Over Yet (1 CD) Prince Live At The Aladdin Las Vegas (DVD) Tracklista: CD 1 1. One Nite Alone... 2. U're Gonna C Me 3. Here On Earth 4. A Case of U 5. Have a Heart 6. Objects In the Mirror 7. Avalanche 8. Pearls B4 the Swine 9. Young and Beautiful 10. Arboretum CD 2 1. Rainbow Children 2. Muse 2 the Pharaoh 3. Xenophobia 4. Extraordinary 5. Mellow 6. 1+1+1 is 3 7. The Other Side of the Pillow 8. Strange Relationship 9. When U Were Mine 10. Avalanche CD 3 1. Family Name 2. Take Me With U 3. Raspberry Beret 4. Everlasting Now 5. One Nite Alone... 6. Adore 7. I Wanna B Ur Lover 8. Do Me, Baby 9. Condition of the Heart (Interlude) 10. Diamonds & Pearls 11. The Beautiful Ones 12. Nothing Compares 2 U 13. Free 14. Starfish & Coffee 15. Sometimes It Snows In April 16. How Come U Don't Call Me Anymore 17. Anna Stesia CD 4 1. Joy In Repetition 2. We Do This 3. Medley: Just Friends (Sunny) / If You Want Me to Stay 4. 2 Nigs United 4 West Compton 5. Alphabet Street 6. Peach (Xtended Jam) 7. Dorothy Parker 8. Girls & Boys 9. Everlasting Now (Vamp) DVD 1. Intro/Soundcheck 2. Pop Life 3. Money Don't Matter 2 Night/The Work 4. Push and Pull 5. 1+1+1=3 6. Strollin'/U Want Me 7. Gotta Broken Heart Again 8. Strange Relationship 9. Pass The Peas 10. Whole Lotta Love 11. Family Name 12. Take Me With U 13. The Everlasting Now 14. Sometimes It Snows In April 15. The Ride
DUO – wyjątkowa seria 2-płytowych albumów: - legendarne nagrania z katalogów Decca Classics - zremasterowany dźwięk - teksty utworów w języku oryginalnym i angielskim - specjalna cena!
Solowe DVD wokalisty Take That! Wydawnictwo dokumentuje pierwszą od 13-tu lat solową trasę koncertową Barlowa. DVD zawiera wyjątkowy koncert, jaki odbył się w rodzinnym mieście Barlowa – Manchesterze w grudniu 2012r. Obok artysty na scenie pojawili się zaproszeni goście – Mark Owen, JSL oraz Nicole Scherzinger.Lista utworów:1. Greatest Day2. Open Road3. Million Love Songs4. Pray5. Back For Good6. Piano Medley7. I've Got You Under My Skin8. Moondance9. Sing10. Sunday To Saturday11. Relight My Fire featuring Nicole Scherzinger12. The Flood13. Patience14. Candy15. Shine featuring Mark Owen16. Rule The World17. Never Forget18. Pray featuring James Corden19. Back For Good featuring JLS20. Forever Autumn