Tracklista: 1. Kyrie eleison 2. Christe eleison 3. Kyrie eleison II 4. Gloria in excelsis Deo 5. Et in terra pax 6. Laudamus te 7. Propter magnam gloriam tuam 8. Domine Deus 9. Qui tollis 10. Qui tollis II 11. Qui sedes 12. Quoniam tu solus sanctus 13. Sonata (Largo - Allegro assai) 14. Fastos caeli audite 15. Exultent filii Sion 16. Alleluja 17. Credo in unum Deum 18. Crucifixus 19. Et resurrexit 20. Et in Spiritum Sanctum 21. Et vitam venturi 22. Sanctus 23. Benedictus 24. Hosanna 25. Agnus Dei 26. Agnus Dei II 27. Dona nobis pacem 28. Aria: Pie Jesu, ad te refugio

• Wykonawca Orfeo Orchestra
• Data premiery 2018-10-12
• Nośnik CD

Muzyka na skrzypce z towarzyszeniem innych instrumentów francuskiego kompozytora barokowego Louisa-Gabriela Guillemain w wykonaniu Stéphanie Paulet - skrzypce i zespołu Aliquando. Muzyka wykonywana na oryginalnych instrumentach z epoki.

• Wykonawca Paulet Stephanie , Aliquando
• Data premiery 2012-11-12
• Nośnik CD

The Ensemble Caprice members are putting on their gypsy attire! Following a wild journey along with Vivaldi on the bohemian road, they do it again with Telemann! High-octane performances of the composer's oeuvre are intertwined with sparkling Matthias Maute's arrangements of gipsy pieces. All the colors and opulence of a unique cultural heritage offered to you.From Telemann's own writings, after listening to gypsy musicians and their music:One can hardly believe what wonderful imaginative ideas these pipers and fiddlers have as they improvise. In only a week, a composer could be inspired for an entire lifetime. I have written several major concertos in this style.Georg Philipp Telemann (1681-1767) was only 24 years old when he was appointed to his first position at court. Mostly self-taught, he was familiar with all orchestral instruments and could play the harpsichord, recorder, transverse flute, chalumeau (the baroque predecessor of the clarinet), brass instruments like the trombone, and even the calcedon (a 5-stringed lute) in addition to the mandatory string instruments. His versatility evidently outshone the talent of even the most multi-instrumentally trained baroque musicians.By 1705, the young Telemann's reputation as an innovative composer and flexible instrumentalist had advanced his career so quickly that he was appointed Kapellmeister to Reichsgraf Erdmann II at his castle in Sorau (in today's Poland). However, despite the auspicious beginning to his career, even a privileged courtly musician like Telemann was at the mercy of the political troubles of his times. In February 1706, the Great Northern War waged by Augustus II the Strong caused the entire court to flee from Sorau and Telemann was unable to return for four months. However, the industrious Telemann had visited Kracow and Pless during this time and familiarized himself with Polish and Moravian music, which he described as having "barbaric beauty”.As mentioned in his autobiographies, Telemann's encounters with Eastern European gypsy music influenced his own compositions. The young composer must have been enthralled by the wonderful inventiveness of this music, as typified in this recording with the last movements of the Caprice Symphony and the Concerto in e minor for recorder and flute.In addition to melodic construction in the pastoral genre that was considered aesthetically pleasing at the time, the fashionable Polonaise also contributed to making Eastern European folk and gypsy music court-worthy. The door to this eastern-oriented cultural expansion had only recently been opened as a consequence of the appointment of Augustus II, Prince Elector of Saxony, to the Polish Kingship in 1697 and Telemann did not lose the opportunity of embracing it.At this point, Telemann's infallible sense of sound colour became invaluable. The unusual instrumentation of the Caprice Symphony, with its constellation of solo instruments is unique in the history of western music and would have given this witty composer great pleasure. The piccolo transverse flute, which is strengthened by a regular flute doubling it an octave lower, is combined with an oboe and a chalumeau, as well as two solo double basses, all accompanied by a string ensemble.The gypsy melodies and dances presented here are from the spectacular Uhrovska Collection of 1730, a volume containing 350 melodies that were in all probability assembled by a scholar wishing to produce a comprehensive compendium of the gypsy people's music. This pancultural treasure of Eastern European music reveals Hungarian, Polish, Slovakian and geographically-indefinable European influences. True to the oral tradition of gypsy music, only the melodies themselves are documented, since it was assumed that any accompaniment would be improvised. In keeping with this practice, we have made our own arrangements, leaving room for improvisation while fully exploiting their harmonic and rhythmic richness. The untamed virtuosic strength and expressive melancholy of this music has lingered with us for some time, and yet we continue to discover fresh nuances in this lavishly developed gypsy art.In this recording, we are musically re-enacting the encounters of Telemann with the gypsies of Eastern Europe. The direct dialogue between individual movements from the Trio Sonata in d minor and the Paris Quartet with melodies from the Uhrovska Collection depicts a conversation in which commonalities as well as differences are made unabashedly explicit.Telemann's compositional methods in his "Polish” works follow his own self-imposed rules, as is illustrated by the last movement of the famous Concerto in E minor for recorder and flute, in which some of the Polish tutti melodies are interrupted by quintessentially baroque and virtuosic solo passages. The contrast and dazzlingly fast shifts from one culture to another result in a rich play of colour that captures our attention in the same way that it intrigued listeners during the eighteenth century. The "barbaric beauty” that Telemann discovered in Polish and Moravian music is also imbued with eternal youth.© Matthias MauteTranslation: Ragnar Müller-WilleEdited by: Amanda Pond

• Wykonawca Ensemble Caprice , Lariviere Sophie
• Data premiery 2010-11-01
• Nośnik CD

Wybitny kompozytor pochodzący z Niemiec Jan Sebastian Bach, urodzony w 1685 w Eisenach, zmarł w 1750 w Lipsku. Artysta był równie wirtuozem organ, komponował w epoce baroku i był kompozytorem dworskich. Jest to jedna z najwybitniejszych postaci w dziejach muzyki. Był to jeden z najbardziej wpływowych kompozytorów i jest to czołowa postać z rodu Bachów.  Album został wydany przez wytwórnię Passacaille (PAS 1058).

• Wykonawca Ghielmi Lorenzo
• Data premiery 2019-02-01
• Nośnik CD

Tracklista: 1. Missa Malheur me bat 2. Missa Fortuna desperata

• Wykonawca The Tallis Scholars
• Data premiery 2009-02-10
• Nośnik CD

Band pochodzący z Austrii grający muzykę klasyczną Ars Antiqua Austria. Zespół został założony w 1995 roku w Linz  z inicjatywy Gunara Letzbora i Michaela Omana i składa się z ośmiu muzyków. Wykonują oni muzykę z okresu baroku. 

• Wykonawca Ars Antiqua Austria
• Data premiery 2005-01-01
• Nośnik CD

Tracklista:1. Ouvertüre2. De l'implacabil Dio3. Sinfonia4. Udite, Donne, udite5. Bella madre d'Amor6. Ecco ver noi7. Ballo8. Dal tenebroso9. Ballo10. Ahi troppo è duro11. Incenerite spoglie12. Ditelo voi13. Darà la notte il sol14. Ma te raccolglie15. O chiome d'or16. Dunque amate reliquie

• Wykonawca Christie William , Les Arts Florissants
• Data premiery 2009-08-27
• Nośnik CD

Tracklista: CD 1 1. The King's Delight By Anonymous 2. All in a Garden Green By Anonymous - The King's Noyse, Paul O'Dette & David Douglass 3. Gathering Peascods By Anonymous 4. Blew-Cap for Me By Anonymous - The King's Noyse, Ellen Hargis, Paul O'Dette & David Douglass 5. Fortune My Foe (Lute Solo) By Anonymous - Paul O'Dette 6. Browning By William Byrd - The King's Noyse, Paul O'Dette & David Douglass 7. Jog On By Anonymous - The King's Noyse, Paul O'Dette, Ellen Hargis & David Douglass 8. Courante - Packington's Pound By Michael Prætorius 9. Daphne By Anonymous - The King's Noyse, Paul O'Dette & David Douglass 10. Huntsuppe (Lute Solo) Paul O'Dette 11. The Lovely Northerne Lasse By Anonymous - The King's Noyse, Ellen Hargis, Paul O'Dette & David Douglass 12. Tantz By Johann Schultz 13. O Nachbar Roland By Samuel Scheidt - The King's Noyse, Paul O'Dette & David Douglass 14. Dulcina By William Brade - The King's Noyse, Paul O'Dette & David Douglass 15. As att Noone Dulcina Rested By Anonymous - The King's Noyse, David Douglass, Ellen Hargis & Paul O'Dette 16. Grimstock (Cittern Solo) By Anonymous - Paul O'Dette 17. Robin Is to the Greenwood Gone By Anonymous - The King's Noyse, Paul O'Dette & David Douglass 18. Ricercar - Bonny Sweet Robin By Anonymous - The King's Noyse, Paul O'Dette & David Douglass 19. A Light Hearts a Jewell By Anonymous - The King's Noyse, Paul O'Dette, Ellen Hargis & David Douglass 20. Child Grove By Anonymous 21. Easter Thursday By Anonymous - The King's Noyse, Paul O'Dette & David Douglass 22. The Beggar Boy By Anonymous - The King's Noyse, Paul O'Dette & David Douglass 23. Mr. Issac's Maggot By Anonymous - The King's Noyse, Paul O'Dette & David Douglass 24. The Little Barley-Corne By Anonymous - The King's Noyse, Ellen Hargis, Paul O'Dette & David Douglass CD 2 1. The Happy Meeting By Anonymous 2. Boatman By Anonymous - The King's Noyse, Paul O'Dette & David Douglass 3. Trip and Go By Anonymous 4. Barbara Allen's Cruelty By Anonymous - The King's Noyse, Paul O'Dette, Ellen Hargis & David Douglass 5. Preludium By William Byrd - The King's Noyse, Paul O'Dette & David Douglass 6. Browning My Dear By Henry Stoning - The King's Noyse, Paul O'Dette & David Douglass 7. Hollis Berrie By Anonymous 8. Newcastle By Anonymous - The King's Noyse, Paul O'Dette & David Douglass 9. Newmarket By Anonymous 10. Now, O Now, I Needs Must Part By Anonymous - The King's Noyse, Ellen Hargis, David Douglass & Paul O'Dette 11. Coockow As I Me Walked By John Baldwine - The King's Noyse, Paul O'Dette & David Douglass 12. Sing Care Away By Anonymous 13. Souches Marche By Anonymous - The King's Noyse, Paul O'Dette & David Douglass 14. Emperor of the Moon By Anonymous 15. Tickle My Toe By Anonymous - The King's Noyse, Paul O'Dette & David Douglass 16. I Smell a Rat By Anonymous - The King's Noyse, Paul O'Dette, Ellen Hargis & David Douglass 17. Wilson's Wilde By Anonymous 18. Walsingham By John Marchant - The King's Noyse, Paul O'Dette & David Douglass 19. Begone, Sweit Night By Anonymous - The King's Noyse, Ellen Hargis, Paul O'Dette & David Douglass 20. Strawberries and Cream By Anonymous - The King's Noyse, Paul O'Dette & David Douglass 21. The Queen's Delight By Anonymous - The King's Noyse, Paul O'Dette & David Douglass 22. Half Hanniken By Anonymous 23. Nottingham Ale By Anonymous - The King's Noyse, Ellen Hargis, David Douglass & Paul O'Dette

• Wykonawca Various Artists
• Data premiery 2005-05-30
• Nośnik CD

Since early mediaeval times, the characteristic church services held in the Catholic Church have incorporated the prayer times of the Officium on Holy Thursday, Good Friday and Holy Saturday, particularly the Matins. These services were originally held in the early hours of the morning but were in later centuries transferred to the afternoon of the previous day. Each of these Matins consisted of three nocturnes in which Psalm recitations alternate with readings from the Lamentations of the prophet Jeremiah and texts by the theological teacher St Augustine and responses. Over the course of time, the settings of these texts became progressively more elaborate in their polyphony. The popularity of these Matins in Catholic Europe, particularly up to the end of the eighteenth century, was however not limited to their frequently rich musical design; the names given to these services such as “Pumpermetten” or “Finstermetten” accompanied by the customs of hammering on the church pews or the gradual extinguishing of the candles are testament to a great folk tradition. August the Strong’s conversion to Catholicism created a demand for ceremonial church services to cele-brate Holy Week at the court chapel in Dresden and Jan Dismas Zelenka was commissioned to compose the appropriate music. Zelenka wrote six Lamentationes Jeremia Prophetae ZWV 53 (of which only the firs lamentation is included on this CD) and the 27 Responsoria pro hebdomada sancta ZWV 55.The Collegium 1704 and Collegium Vocale 1704 under the direction of Vaclav Luks have produced a pair of extensive CDs with the firs complete recording of the nine nocturnes of Holy Week within their liturgical context with all lessons in church modes, the Gregorian antiphons and the entire collection of 27 responses from the Responsoria pro hebdomada sancta ZWV 55, conjuring up a comprehensive impression of the celebrations of Holy Week at the Dresden court chapel during the 1720s.

• Wykonawca Collegium Vocale , Collegium 1704
• Data premiery 2012-03-01
• Nośnik CD

Live recording from Fulda Cathedral. 4th CD of the choirs at Fulda Cathedral for querstand label. Contains a colourful program of advent-related music; contains the first part of Handel’s „Messiah“, one of the biggest „hits“ in the history of church music; contains the Magnificat in C by Christoph Graupner, a composer which is not in the focal point of today’s musical world although he was very popular in his times and wrote about 2000 church music works.

• Wykonawca Baroque Ensemble L'arpa festante , Domchor Fulda
• Data premiery 2012-03-01
• Nośnik CD