Tracklista:CD 11. Prelude in B minor, BWV 9232. French Suite No. 3 in B minor, BWV 814: I. Allemande3. French Suite No. 3 in B minor, BWV 814: II. Courante4. French Suite No. 3 in B minor, BWV 814: III. Sarabande5. French Suite No. 3 in B minor, BWV 814: IV. Anglaise6. French Suite No. 3 in B minor, BWV 814: V. Menuet I-II7. French Suite No. 3 in B minor, BWV 814: VI. Gigue8. The Well-Tempered Clavier, Book 1, BWV 846-869: Prelude No. 15 in G major, BWV 860 9. French Suite No. 5 in G major, BWV 816: I. Allemande10. French Suite No. 5 in G major, BWV 816: II. Courante11. French Suite No. 5 in G major, BWV 816: III. Sarabande12. French Suite No. 5 in G major, BWV 816: IV. Gavotte13. French Suite No. 5 in G major, BWV 816: V. Bourree14. French Suite No. 5 in G major, BWV 816: VI. Loure15. French Suite No. 5 in G major, BWV 816: VII. Gigue16. Prelude in C minor, BWV 99917. French Suite No. 2 in C minor, BWV 813: I. Allemande18. French Suite No. 2 in C minor, BWV 813: II. Courante19. French Suite No. 2 in C minor, BWV 813: III. Sarabande20. French Suite No. 2 in C minor, BWV 813: IV. Air21. French Suite No. 2 in C minor, BWV 813: V. Menuet I-II22. French Suite No. 2 in C minor, BWV 813: VI. GigueCD 2    1. French Suite No. 4 in E flat major, BWV 815a (variante): I. Prelude2. French Suite No. 4 in E flat major, BWV 815: I. Allemande3. French Suite No. 4 in E flat major, BWV 815: II. Courante4. French Suite No. 4 in E flat major, BWV 815: III. Sarabande5. French Suite No. 4 in E flat major, BWV 815: IV. Gavotte6. French Suite No. 4 in E flat major, BWV 815: V. Air7. French Suite No. 4 in E flat major, BWV 815: VI. Menuet8. French Suite No. 4 in E flat major, BWV 815: VII. Gigue9. The Well-Tempered Clavier, Book 1, BWV 846-869: Prelude No. 6 in D minor, BWV 85110. French Suite No. 1 in D minor, BWV 812: I. Allemande11. French Suite No. 1 in D minor, BWV 812: II. Courante12. French Suite No. 1 in D minor, BWV 812: III. Sarabande13. French Suite No. 1 in D minor, BWV 812: IV. Menuet I-II14. French Suite No. 1 in D minor, BWV 812: V. Gigue15. The Well-Tempered Clavier, Book 1, BWV 846-869: Prelude No. 9 in E major, BWV 85416. French Suite No. 6 in E major, BWV 817: I. Allemande17. French Suite No. 6 in E major, BWV 817: II. Courante18. French Suite No. 6 in E major, BWV 817: III. Sarabande19. French Suite No. 6 in E major, BWV 817: IV. Gavotte20. French Suite No. 6 in E major, BWV 817: V. Menuet Polonais - Petit Menuet21. French Suite No. 6 in E major, BWV 817: VI. Bourree22. French Suite No. 6 in E major, BWV 817: VII. Gigue

• Wykonawca Cates David
• Data premiery 2012-04-04
• Nośnik CD

"Woman‘s songs, embodying mostly love lyrics, were found throughout Europe during the Middle Ages and reflect a more popular character. The language in these poems tends to be simple and direct. The songs often incorporate aspects of nature: in German songs the linden tree, fields, woods, flowers, and birds are common, whereas the romance-language lyrics tend to utilize the images of the sea, waves, beaches, rivers, and wind. Even in modern the popular traditions of Portuguese fado or French chanson the image of the sea is still prevalent. Other prevailing themes may involve the conflict between the upper and lower classes, strife among married couples resulting in frustrated and dejected wives and suspicious and jealous husbands, dissension between mothers and daughters, as well as discrepancies between sisters, or intimacy between sisters. The woman‘s song unfolded in a variety of genres: strophic refrain songs, dance songs, ballads, chanson de toile, chanson de malmarée, pastourelles, dialogues, motets, etc.One may ask why a recording of primarily “woman‘s songs“ would contain no single song actually attributed to a female composer. The category of medieval woman‘s song embodies lyrics written not necessarily by women, but rather in the female voice – songs seen through the eyes of a woman, spoken by a female speaker. Such songs do not depict the typical male devotion to the lady and do not emphasize the high courtly love tradition of the unattainable lady, but they rather tell more seemingly personal, yet also archetypal stories of the wishes, desires, sorrows, and disappointments of young women. Woman‘s songs, mainly written by male composers – although many have been transmitted without authorship – could perhaps be thought to reflect the male desire and fantasy about women and their reflection of the female stereotype during the Middle Ages, as well as providing a diversion for an audience more sophisticated than the characters represented in the songs themselves. The trobairitz (female troubadour), like their male counterparts, on the other hand, composed mostly in the more artistic courtly love tradition, and except for a few dance songs, they did not seem to have written songs in the more popular style of the woman‘s song. This leads to the speculation that the creation of woman‘s songs could indeed have been a mostly male practice." (Parts of the text of the cd linernotes with this CD).

• Wykonawca Triphonia
• Data premiery 2010-08-01
• Nośnik CD

Tracklista:1. Trio Sonata for 2 Violins and Basso Continuo no 2 in A minor: 1st movement, Adagio2. Trio Sonata for 2 Violins and Basso Continuo no 2 in A minor: 2nd movement, Allegro3. Trio Sonata for 2 Violins and Basso Continuo no 2 in A minor: 3rd movement, Alla Siciliana4. Trio Sonata for 2 Violins and Basso Continuo no 2 in A minor: 4th movement, Allegro assai5. Trio Sonata for 2 Violins and Basso Continuo no 4 in C major: 1st movement, Adagio6. Trio Sonata for 2 Violins and Basso Continuo no 4 in C major: 2nd movement, Alla breve7. Trio Sonata for 2 Violins and Basso Continuo no 4 in C major: 3rd movement, Largo8. Trio Sonata for 2 Violins and Basso Continuo no 4 in C major: 4th movement, Gigue e presto9. Polonaises (24) for Keyboard: Polonaise in F major10. Polonaises (24) for Keyboard: Polonaise in D minor11. Sonata for 2 Violins and Basso continuo in C minor: 1st movement, Largo12. Sonata for 2 Violins and Basso continuo in C minor: 2nd movement, Allegro13. Sonata for 2 Violins and Basso continuo in C minor: 3rd movement, Grave14. Sonata for 2 Violins and Basso continuo in C minor: 4th movement, Gigue15. Polonaises (24) for Keyboard: Polonaise in E flat major16. Polonaises (24) for Keyboard: Polonaise in C minor17. Trio Sonata for 2 Violins and Basso Continuo no 1 in B flat major: 1st movement, Adagio18. Trio Sonata for 2 Violins and Basso Continuo no 1 in B flat major: 2nd movement, Allegro19. Trio Sonata for 2 Violins and Basso Continuo no 1 in B flat major: 3rd movement, Grave20. Trio Sonata for 2 Violins and Basso Continuo no 1 in B flat major: 4th movement, Ciacona21. Trio Sonata for 2 Violins and Basso Continuo no 3 in G minor: 1st movement, Adagio22. Trio Sonata for 2 Violins and Basso Continuo no 3 in G minor: 2nd movement, Allegro23. Trio Sonata for 2 Violins and Basso Continuo no 3 in G minor: 3rd movement, Tempo di Menuetto24. Polonaises (24) for Keyboard: Polonaise in G major25. Polonaises (24) for Keyboard: Polonaise in C major26. Sonata for 2 Violins and Basso continuo in F minor: 1st movement, Adagio27. Sonata for 2 Violins and Basso continuo in F minor: 2nd movement, Allegro28. Sonata for 2 Violins and Basso continuo in F minor: 3rd movement, Largo29. Sonata for 2 Violins and Basso continuo in F minor: 4th movement, Allegro ma non tanto

• Wykonawca Musica Alta Ripa
• Data premiery 2014-12-04
• Nośnik CD

Utwory wokalno-instrumentalne - kantaty i oda, angielskiego kompozytora barokowego Williama Hayesa w wykonaniu zespołu The SCB Hayes Players pod dyrekcją Anthonyego Rooley.

• Wykonawca The SCB Hayes Players
• Data premiery 2013-02-04
• Nośnik CD

Bestsellerowa seria Virgin Classics – Veritas - prezentująca muzykę dawną, wykonywaną na instrumentach z epoki zyskała sobie miano jednej z najwspanialszych tego typu kolekcji, a uznanie krytyki i słuchaczy zaowocowało rekordowym zaintereoswaniem – jak dotąd sprzedano ponad milion płyt z tej kolekcji!CD 11. Concerto in B flat major Op. 7 No. 1 (HWV 306): Concerto in B flat major Op. 7 No. 1 (HWV 306): I. Andante (including fragment from Passacaille from Suite VII, Suites de pieces pour le clavecin) - Bob van Asperen/Orchestra of the Age of Enlightenment 10:112. Concerto in B flat major Op. 7 No. 1 (HWV 306): Concerto in B flat major Op. 7 No. 1 (HWV 306): II. Largo e piano - Bob van Asperen/Orchestra of the Age of Enlightenment 2:523. Concerto in B flat major Op. 7 No. 1 (HWV 306): Concerto in B flat major Op. 7 No. 1 (HWV 306): III. Fuga (Organo ad libitum after Concerto Grosso Op. 6 No. 11) - Bob van Asperen/Orchestra of the Age of Enlightenment 2:304. Concerto in B flat major Op. 7 No. 1 (HWV 306): Concerto in B flat major Op. 7 No. 1 (HWV 306): IV. Adagio ad libitum (from Harpsichord Sonata in G minor HHA IV, 17 No. 22-Sonata, Larghetto) - Bob van Asperen/Orchestra of the Age of Enlightenment 2:265. Concerto in B flat major Op. 7 No. 1 (HWV 306): Concerto in B flat major Op. 7 No. 1 (HWV 306): V. Bourrée - Bob van Asperen/Orchestra of the Age of Enlightenment 2:316. Concerto Op.7 No.3 HWV 308 in B Flat Major: Concerto Op.7 No.3 HWV 308 in B Flat Major: I-Andante - Bob van Asperen/Orchestra of the Age of Enlightenment 4:517. Concerto Op.7 No.3 HWV 308 in B Flat Major: Concerto Op.7 No.3 HWV 308 in B Flat Major: II-Adagio e Fuga ad libitum(from Suite VIII, Suites de pieces pour le clavecin) - Bob van Asperen/Orchestra of the Age of Enlightenment 5:298. Concerto Op.7 No.3 HWV 308 in B Flat Major: Concerto Op.7 No.3 HWV 308 in B Flat Major: III-Spiritoso - Bob van Asperen/Orchestra of the Age of Enlightenment 4:299. Concerto Op.7 No.3 HWV 308 in B Flat Major: Concerto Op.7 No.3 HWV 308 in B Flat Major: IV-Menuet I & II - Bob van Asperen/Orchestra of the Age of Enlightenment 3:2810. Concerto in D minor Op. 7 No. 4 (HWV 309): Concerto in D minor Op. 7 No. 4 (HWV 309): I. Adagio - Bob van Asperen/Orchestra of the Age of Enlightenment 4:2811. Concerto in D minor Op. 7 No. 4 (HWV 309): Concerto in D minor Op. 7 No. 4 (HWV 309): II. Allegro così così - Bob van Asperen/Orchestra of the Age of Enlightenment 4:5512. Concerto in D minor Op. 7 No. 4 (HWV 309): Concerto in D minor Op. 7 No. 4 (HWV 309): III. Ad libitum (Air from Suite III, Suites de pieces pour clavecin) - Bob van Asperen/Orchestra of the Age of Enlightenment 3:0513. Concerto in D minor Op. 7 No. 4 (HWV 309): Concerto in D minor Op. 7 No. 4 (HWV 309): IV. Allegro - Bob van Asperen/Orchestra of the Age of Enlightenment 3:1914. Concerto in G minor Op. 7 No. 5 (HWV 310): Concerto in G minor Op. 7 No. 5 (HWV 310): I. Staccato ma non troppo allegro - Bob van Asperen/Orchestra of the Age of Enlightenment 3:4315. Concerto in G minor Op. 7 No. 5 (HWV 310): Concerto in G minor Op. 7 No. 5 (HWV 310): II. Adagio ad libitum - Bob van Asperen/Orchestra of the Age of Enlightenment 0:5016. Concerto in G minor Op. 7 No. 5 (HWV 310): Concerto in G minor Op. 7 No. 5 (HWV 310): III. Andante larghetto e staccato - Bob van Asperen/Orchestra of the Age of Enlightenment 4:1217. Concerto in G minor Op. 7 No. 5 (HWV 310): Concerto in G minor Op. 7 No. 5 (HWV 310): IV. Adagio ad libitum - Bob van Asperen/Orchestra of the Age of Enlightenment 0:3118. Concerto in G minor Op. 7 No. 5 (HWV 310): Concerto in G minor Op. 7 No. 5 (HWV 310): V. Menuet - Bob van Asperen/Orchestra of the Age of Enlightenment 2:2519. Concerto in B flat major Op. 7 No. 6 (HWV 311): Concerto in B flat major Op. 7 No. 6 (HWV 311): I. Pomposo - Bob van Asperen/Orchestra of the Age of Enlightenment 3:2220. Concerto in B flat major Op. 7 No. 6 (HWV 311): Concerto in B flat major Op. 7 No. 6 (HWV 311): II. Ad libitum (Adagio [3rd movt] from Suite II, Suites de pices pour le clavecin) - Bob van Asperen/Orchestra of the Age of Enlightenment 2:3821. Concerto in B flat major Op. 7 No. 6 (HWV 311): Concerto in B flat major Op. 7 No. 6 (HWV 311): III. Air - Bob van Asperen/Orchestra of the Age of Enlightenment 3:50CD 21. Concerto in A major Op. 7 No. 2 (HWV 307): Concerto in A major Op. 7 No. 2 (HWV 307): I. Ouverture - Bob van Asperen/Orchestra of the Age of Enlightenment 2:322. Concerto in A major Op. 7 No. 2 (HWV 307): Concerto in A major Op. 7 No. 2 (HWV 307): II. A tempo ordinario - Bob van Asperen/Orchestra of the Age of Enlightenment 4:273. Concerto in A major Op. 7 No. 2 (HWV 307): Concerto in A major Op. 7 No. 2 (HWV 307): III. Ad libitum (Gottlieb Moffat: Sarabande from Suite VI) - Bob van Asperen/Orchestra of the Age of Enlightenment 3:294. Concerto in A major Op. 7 No. 2 (HWV 307): Concerto in A major Op. 7 No. 2 (HWV 307): IV. Allegro - Bob van Asperen/Orchestra of the Age of Enlightenment 3:595. Concerto (No. 13 ) in F major HHA 295 'The Cuckoo & the Nightingale': Concerto (No. 13 ) in F major HHA 295 'The Cuckoo & the Nightingale': I. Larghetto - Bob van Asperen/Orchestra of the Age of Enlightenment 2:116. Concerto (No. 13 ) in F major HHA 295 'The Cuckoo & the Nightingale': Concerto (No. 13 ) in F major HHA 295 'The Cuckoo & the Nightingale': II. Allegro - Bob van Asperen/Orchestra of the Age of Enlightenment 3:407. Concerto (No. 13 ) in F major HHA 295 'The Cuckoo & the Nightingale': Concerto (No. 13 ) in F major HHA 295 'The Cuckoo & the Nightingale': III. Ad libitum (Adagio [1st movt] from Suite II, Suites de pieces pour le clavecin) - Bob van Asperen/Orchestra of the Age of Enlightenment 1:328. Concerto (No. 13 ) in F major HHA 295 'The Cuckoo & the Nightingale': Concerto (No. 13 ) in F major HHA 295 'The Cuckoo & the Nightingale': IV. Larghetto - Bob van Asperen/Orchestra of the Age of Enlightenment 3:189. Concerto (No. 13 ) in F major HHA 295 'The Cuckoo & the Nightingale': Concerto (No. 13 ) in F major HHA 295 'The Cuckoo & the Nightingale': V. Allegro - Bob van Asperen/Orchestra of the Age of Enlightenment 3:1310. Concerto (No. 14) in A major HHA 296a: Concerto (No. 14) in A major HHA 296a: I. Largo e staccato - Bob van Asperen/Orchestra of the Age of Enlightenment 4:2811. Concerto (No. 14) in A major HHA 296a: Concerto (No. 14) in A major HHA 296a: II. Ad libitum (from Flute Sonata Op. 1 No. 16) - Bob van Asperen/Orchestra of the Age of Enlightenment 0:5112. Concerto (No. 14) in A major HHA 296a: Concerto (No. 14) in A major HHA 296a: III. Andante - Bob van Asperen/Orchestra of the Age of Enlightenment 4:1413. Concerto (No. 14) in A major HHA 296a: Concerto (No. 14) in A major HHA 296a: IV. Grave ad libitum - Bob van Asperen/Orchestra of the Age of Enlightenment 0:4914. Concerto (No. 14) in A major HHA 296a: Concerto (No. 14) in A major HHA 296a: V. Allegro - Bob van Asperen/Orchestra of the Age of Enlightenment 6:0615. Concerto (No. 15) in D minor HWV 304: Concerto (No. 15) in D minor HWV 304: I. Andante - Bob van Asperen/Orchestra of the Age of Enlightenment 4:4316. Concerto (No. 15) in D minor HWV 304: Concerto (No. 15) in D minor HWV 304: II. Organo ad libitum; Adagio e Fuga (Adagio from Violin Sonata Op. 1 No. 3; Fuga from Harpsichord Suite II, Suites de pieces pour le clavecin) - Bob van Asperen/Orchestra of the Age of Enlightenment 3:0417. Concerto (No. 15) in D minor HWV 304: Concerto (No. 15) in D minor HWV 304: III. Allegro - Bob van Asperen/Orchestra of the Age of Enlightenment 4:1218. Concerto (No. 16) in F major HWV 305a: Concerto (No. 16) in F major HWV 305a: I. Ouverture - Bob van Asperen/Orchestra of the Age of Enlightenment 1:2319. Concerto (No. 16) in F major HWV 305a: Concerto (No. 16) in F major HWV 305a: II. Allegro - Bob van Asperen/Orchestra of the Age of Enlightenment 3:0120. Concerto (No. 16) in F major HWV 305a: Concerto (No. 16) in F major HWV 305a: III. Organo ad libitum (Adagio from Flute Sonata Op. 1 No. 5) - Bob van Asperen/Orchestra of the Age of Enlightenment 1:5221. Concerto (No. 16) in F major HWV 305a: Concerto (No. 16) in F major HWV 305a: IV. Allegro ma non troppo - Bob van Asperen/Orchestra of the Age of Enlightenment 3:1422. Concerto (No. 16) in F major HWV 305a: Concerto (No. 16) in F major HWV 305a: V. Adagio - Bob van Asperen/Orchestra of the Age of Enlightenment 1:1123. Concerto (No. 16) in F major HWV 305a: Concerto (No. 16) in F major HWV 305a: VI. Andante - Bob van Asperen/Orchestra of the Age of Enlightenment 3:2924. Concerto (No. 16) in F major HWV 305a: Concerto (No. 16) in F major HWV 305a: VII. Allegro - Bob van Asperen/Orchestra of the Age of Enlightenment 4:0325. Concerto (No. 16) in F major HWV 305a: Concerto (No. 16) in F major HWV 305a: VIII. Marche - Bob van Asperen/Orchestra of the Age of Enlightenment 1:29

• Wykonawca Van Asperen Bob
• Data premiery 2013-04-08
• Nośnik CD

Tracklista:

• Wykonawca Graindelavoix Ensemble
• Data premiery 2016-11-25
• Nośnik CD

Płyta z serii Alpha Collection, która zawiera reedycje najlepszych nagrań z katalogów firm Alpha i Zig Zag Territioires. Na płycie mamy utwory wokalne Guillaume Dufay w wykonaniu zespołu Diabolus in Musica pod dyrekcją Antoine Guerbera.

• Wykonawca Diabolus In Musica
• Data premiery 2019-09-13
• Nośnik CD

Tafelmusic  - zespół prowadzony przez Jeanne Lamon proponuje podróż przez barokowe koncerty wirtuozerskie. Zaproszeni soliści i sam szef zespołu znakomicie oddają ducha barokowej radości muzykowania.

• Wykonawca Lamon Jeanne , Teresi Dominic , Abberger John , Mahler Christiana
• Data premiery 2007-11-01
• Nośnik CD

Campra - Cantatas française / Feldman · Visse · Gardeil · Les Arts Florissants · Christie

• Wykonawca Christie William
• Data premiery 2006-03-07
• Nośnik CD

Niemieckie kantaty barokowe różnych kompozytorów w wykonaniu kontratenora Andreasa Scholla.

• Wykonawca Scholl Andreas
• Data premiery 2008-03-11
• Nośnik CD