1. I. Allegro assai 00:08:022. II. Larghetto 00:08:333. III. Poco presto 00:07:524. I. Largo - Prestissimo - Largo - Prestissimo 00:10:105. II. Largo 00:07:356. III. Ziemlich geschwinde 00:06:017. I. Allegro molto 00:12:188. II. Adagio - Presto 00:06:539. III. Allegretto 00:06:29
Szósta księga madrygałów renesansowego kompozytora Carla Gesualdo w wykonaniu włoskiego zespołu La Compagnia del Madrigale skladającego się ze śpiewaków renomowanych zespołow La Venexiana i Concerto Italiano.
CD11. Música Religiosa (Vol. I), I. Adoramus Te (4 V.) CM 4: Adoramus Te Domine (Introducción) (Antífonia)2. Música Religiosa (Vol. I), I. Adoramus Te (4 V.) CM 4: Adoramus Te Domine (Antífonia)3. Música Religiosa (Vol. I), I. Adoramus Te (4 V.) CM 4: Crucem Tuam Adoramus (Antífonia)4. Música Religiosa (Vol. I), I. Adoramus Te (4 V.) CM 4: Ecce Enim Propter Lignum (Antífonia)5. Música Religiosa (Vol. I), I. Adoramus Te (4 V.) CM 4: Adoramus Te Domine (Antífonia)6. Música Religiosa (Vol. I), II. Ave Maris Stella (3 & 4 V.) CM 62: Ave Maris Stella (A 3) (Himno De Vísperas)7. Música Religiosa (Vol. I), II. Ave Maris Stella (3 & 4 V.) CM 62: Sumens Illud Ave (Schola) (Himno De Vísperas)8. Música Religiosa (Vol. I), II. Ave Maris Stella (3 & 4 V.) CM 62: Solve Vincla Reis (A 3) (Himno De Vísperas)9. Música Religiosa (Vol. I), II. Ave Maris Stella (3 & 4 V.) CM 62: Monstra Te Esse Matrem (Schola) (Himno De Vísperas)10. Música Religiosa (Vol. I), II. Ave Maris Stella (3 & 4 V.) CM 62: Virgo Singularis (A 4) (Himno De Vísperas)11. Música Religiosa (Vol. I), II. Ave Maris Stella (3 & 4 V.) CM 62: Vitam Praesta Puram (Schola) (Himno De Vísperas)12. Música Religiosa (Vol. I), II. Ave Maris Stella (3 & 4 V.) CM 62: Sit Laus Deo Patri (A 4) (Himno De Vísperas)13. Música Religiosa (Vol. I), II. Ave Maris Stella (3 & 4 V.) CM 62: Amen (Himno De Vísperas)14. Música Religiosa (Vol. I), III. Ave Maris Stella CM 76 (Damianus (Arpa))15. Música Religiosa (Vol. I), IV. Veni Sancte Spiritus (3 V.): Veni Sancte Spiritus (Dufay)16. Música Religiosa (Vol. I), IV. Veni Sancte Spiritus (3 V.): Veni Pater Pauperum (Dufay)17. Música Religiosa (Vol. I), IV. Veni Sancte Spiritus (3 V.): Consolator Optime (Dufay)18. Música Religiosa (Vol. I), IV. Veni Sancte Spiritus (3 V.): In Labore Requies (Dufay)19. Música Religiosa (Vol. I), IV. Veni Sancte Spiritus (3 V.): O Lux Beatissima (Dufay)20. Música Religiosa (Vol. I), IV. Veni Sancte Spiritus (3 V.): Sine Tuo Nomine (Dufay)21. Música Religiosa (Vol. I), IV. Veni Sancte Spiritus (3 V.): Lava Quod Est Sordidum (Dufay)22. Música Religiosa (Vol. I), IV. Veni Sancte Spiritus (3 V.): Flecte, Quod Est Rigidum (Dufay)23. Música Religiosa (Vol. I), IV. Veni Sancte Spiritus (3 V.): Da Tuis Fidelibus (Dufay)24. Música Religiosa (Vol. I), IV. Veni Sancte Spiritus (3 V.): Da Virtuis Meritum (Dufay)25. Música Religiosa (Vol. I), IV. Veni Sancte Spiritus (3 V.): Amen (Dufay)26. Música Religiosa (Vol. I), V. Miserere Nostri / Vexilla Regis (4 V.) CM 106: Miserere Nostri (Anónimo / Dufay / Himno De Vísperas)27. Música Religiosa (Vol. I), V. Miserere Nostri / Vexilla Regis (4 V.) CM 106: Vexilla Regis Prodeunt (Schola) (Anónimo / Dufay / Himno De Vísperas)28. Música Religiosa (Vol. I), V. Miserere Nostri / Vexilla Regis (4 V.) CM 106: Quo Vulneratus Insuper (Anónimo / Dufay / Himno De Vísperas)29. Música Religiosa (Vol. I), V. Miserere Nostri / Vexilla Regis (4 V.) CM 106: Impleta Sunt Quae Concinit (Schola) (Anónimo / Dufay / Himno De Vísperas)30. Música Religiosa (Vol. I), V. Miserere Nostri / Vexilla Regis (4 V.) CM 106: Arbor Decora Et Fulgida (Anónimo / Dufay / Himno De Vísperas)31. Música Religiosa (Vol. I), V. Miserere Nostri / Vexilla Regis (4 V.) CM 106: Beata Cujus Brachiis (Schola) (Anónimo / Dufay / Himno De Vísperas)32. Música Religiosa (Vol. I), V. Miserere Nostri / Vexilla Regis (4 V.) CM 106: O Crux Ave, Spes Unica (Anónimo / Dufay / Himno De Vísperas)33. Música Religiosa (Vol. I), V. Miserere Nostri / Vexilla Regis (4 V.) CM 106: Te Summa Deus Trinitas (Schola) (Anónimo / Dufay / Himno De Vísperas)34. Música Religiosa (Vol. I), V. Miserere Nostri / Vexilla Regis (4 V.) CM 106: Miserere Nostri. Amen. (Anónimo / Dufay / Himno De Vísperas)35. Música Religiosa (Vol. I), VI. Fantasia (Instr.) CM 91 (Anónimo (Vientos))36. Música Religiosa (Vol. I), VII. Magnificat (4 V.) CM 74: Magnificat Anima Mea Dominum (Dufay)37. Música Religiosa (Vol. I), VII. Magnificat (4 V.) CM 74: Et Exsultavit Spiritus Meus (Dufay)38. Música Religiosa (Vol. I), VII. Magnificat (4 V.) CM 74: Quia Respexit Humilitatem (Dufay)39. Música Religiosa (Vol. I), VII. Magnificat (4 V.) CM 74: Quia Fecit Mihi Magna (Dufay)40. Música Religiosa (Vol. I), VII. Magnificat (4 V.) CM 74: Et Misericordia Ejus (Dufay)41. Música Religiosa (Vol. I), VII. Magnificat (4 V.) CM 74: Fecit Potentiam In Brachio Suo (Dufay) 42. Música Religiosa (Vol. I), VII. Magnificat (4 V.) CM 74: Desposuit Potentes De Sede (Dufay)43. Música Religiosa (Vol. I), VII. Magnificat (4 V.) CM 74: Esurientes Implevit Bonis (Dufay)44. Música Religiosa (Vol. I), VII. Magnificat (4 V.) CM 74: Suscepit Israel Puerum Suum (Dufay) 45. Música Religiosa (Vol. I), VII. Magnificat (4 V.) CM 74: Sicut Locutus Est Ad Patres Nostros (Dufay)46. Música Religiosa (Vol. I), VII. Magnificat (4 V.) CM 74: Gloria Patri Et Fiolio (Dufay)47. Música Religiosa (Vol. I), VII. Magnificat (4 V.) CM 74: Sicut Erat In Principio. Amen. (Dufay)48. Música Religiosa (Vol. I), VIII. Patres Nostri Peccaverunt (4 V.) Cm 2 (Cornago)49. Música Religiosa (Vol. I), IX. Cum Autem Venissem (4 V.) CM 120: Cum Autem Venissem Ad Locum (Anónimo / Himno Procesional)50. Música Religiosa (Vol. I), IX. Cum Autem Venissem (4 V.) CM 120: O Dulcissime Filie Sion (Anónimo / Himno Procesional)51. Música Religiosa (Vol. I), IX. Cum Autem Venissem (4 V.) CM 120: O Vos Qui Transitis Per Viam (Anónimo / Himno Procesional)52. Música Religiosa (Vol. I), IX. Cum Autem Venissem (4 V.) CM 120: O Nimis Triste Spectaculum (Anónimo / Himno Procesional)53. Música Religiosa (Vol. I), IX. Cum Autem Venissem (4 V.) CM 120: Cum Portaretur Ad Sepulcrum (Anónimo / Himno Procesional)54. Música Religiosa (Vol. I), IX. Cum Autem Venissem (4 V.) CM 120: Cum Vero Venissem Ad Locum (Anónimo / Himno Procesional)55. Música Religiosa (Vol. I), IX. Cum Autem Venissem (4 V.) CM 120: Amen (Anónimo / Himno Procesional)CD2 1. Música Profana (Vol.II), I.: Chiave, Chiave (Instr.) CM 131 (Toccata Instrumental) (Anónimo)2. Música Profana (Vol.II), I.: Merce Te Chiamo CM 89 (Ballatta) (Anónimo)3. Música Profana (Vol.II), I.: La Fille Guillemin (Instr.) CM 6 (Ballo) (Anónimo)4. Música Profana (Vol.II), I.: O Tempo Bono CM 132 (Strambotto) (Anónimo)5. Música Profana (Vol.II), II.: Zappay (Instr.) CM 20 (Strambotto Instr.) (Anónimo)6. Música Profana (Vol.II), II.: Piangendo Chiamo CM 24 (Disperata) (Anónimo)7. Música Profana (Vol.II), II.: Puisque Vos Me Lasses Seulete / Je Ne Vous Amare Marioneta CM 86 (Double Chanson) (Anónimo)8. Música Profana (Vol.II), II.: Alle Stamenge CM 133 (Canto Carnascialesco) (Anónimo)9. Música Profana (Vol.II), III.: Collinetto (Instr.) CM 22 (Ballo) (Anónimo)10. Música Profana (Vol.II), III.: Amor Tu Non Me Gabasti CM 23 (Barzelletta) (Anónimo)11. Música Profana (Vol.II), III.: Je Vos Pri Mon Tres CM 109 (Triple Chanson) (Dufay)12. Música Profana (Vol.II), III.: Correno Multi Cani CM 140 (Strambotto-Caccia) (Anónimo)13. Música Profana (Vol.II), IV.: Mort Tu As Navré / Miserere Pie Jhesu CM 107 - Miserere Pie Jesu (Ockeghem)14. Música Profana (Vol.II), IV.: Mort Tu As Navré / Miserere Pie Jhesu CM 107 - Mort Tu As Navré De Ton Dart (Ockeghem)15. Música Profana (Vol.II), IV.: Mort Tu As Navré / Miserere Pie Jhesu CM 107 - Retoricque, Se Dieu Me Gard (Ockeghem)16. Música Profana (Vol.II), IV.: Mort Tu As Navré / Miserere Pie Jhesu CM 107 - En Sa Jonesse Fut Soudart (Ockeghem)17. Música Profana (Vol.II), V.: La Spagna (Instr.) (Basse Dance) (Anónimo)18. Música Profana (Vol.II), V.: Qu'es Mi Vida Preguntais CM 10 (Canción) (Cornago / Ockeghem)19. Música Profana (Vol.II), V.: Viva Viva Rey Ferrando CM 111 (Canción) (Anónimo) 20. Música Profana (Vol.II), V.: De Tous Biens Plaine (Instr.) CM 85 (Chanson) (Van Ghizeghem)21. Música Profana (Vol.II), V.: Dindirindin CM 127 (Canzon Alla Villota0 (Anónimo)
Kantaty francuskiego kompozytora epoki baroku Andre Campry. Wykonawcy to zespół Les Arts Florissants pod dyrekcją Williama Christie. Płyta została wydana z okazji nawiązania ponownej współpracy między artystami a firmą Harmonia Mundi i jest reedycją albumu wydanego w latach 80-tych.
‘One player, one instrument, one composer: Bach’s unaccompanied violin music has always been the greatest for any player, young or old. Alina Ibragimova, only 23, is already its equal’ (The Guardian) ‘Alina Ibragimova began to play unaccompanied Bach on the violin, and the hush became silence. This was spontaneous, the first sense that something new could happen’ (The Independent) The dazzling young virtuoso Alina Ibragimova has enthralled audiences for years with her live Bach performances. Critics have acclaimed her faultless intonation, achingly beautiful tone, superlative technique and a musical wisdom far beyond her years. Now, in this important new recording of Bach’s complete sonatas and partitas for solo violin, Ibragimova brings all these qualities and more to create an interpretation that is both excitingly original and profoundly humble. This is music of unfathomable subtlety, astounding virtuosity and great expressive and architectural beauty. SUNDAY TIMES CD OF THE WEEK ; GRAMOPHONE EDITOR'S CHOICE; BBC MUSIC MAGAZINE INSTRUMENTAL CHOICE ; DAILY TELEGRAPH CLASSICAL CD OF THE WEEK; SUNDAY TIMES BEST OF THE YEAR 'She's supremely alert to the idiomatic nuances of each dance … her technical accomplishment is awesome. The D minor Giga scampers along as if mindful of the transcendent monumentality of the Ciaccona lurking around the corner - and when it arrives, Ibragimova tip-toes and soars with aplomb' (BBC Music Magazine) 'Ibragimova reveals herself to be an exquisite interpreter of solo Bach … Her Bach comes as something of a revelation. The finesse we've previously admired in her playing is here combined with thoughtful stylistic awareness and a distinctive, individual approach … All her stylishness and technical refinement is at the service of an ingrained understanding of the music' (Gramophone) 'One baulks at reducing this sublime discourse to adjectives … These solo structures are thin yet monumental, linear yet multilayered, technically specialised yet altogether soul-rending, and she capitalises on every paradox. More simply, her sound is seductive, her virtuosity bracing and every movement a victory … A true enshrining of the violin's soul' (The Sunday Times) 'Alina Ibragimova's previous discs for Hyperion have all been of 20th-century repertoire … All in their different ways were first rate, but none of them gave any inkling of just how startlingly good Ibragimova's solo Bach recordings might be. This is an absolutely compelling set of performances, the kind that have you on the edge of your seat wondering at the freshness of it all and what she might do next. Every phrase in these familiar works seems newly minted, every bar totally alive' (The Guardian) 'Young, excellent and serious, this 24-year old violinist plays with a maturity far beyond her years. In this two CD-set she's right inside the music, whether Bach calls for roaring fire or the tenderest melancholy' (The Times)
Tracklista: CD 1 1. First music: Overture 2. Second music: Aire 3. Overture 4. Act I - Altar music from Bonduca 5. Act I - Woden, first to thee 6. Act I - The white horse neighed aloud 7. Act I - The lot is cast 8. Act I - Brave souls 9. Act I - I call you all the woden's hall 10. Act I - Come if you dare 11. Act I - First act tune 12. Act II - Hither, this way 13. Act II - Let not a moon-born elf 14. Act II - Hither, this way 15. Act II - Come follow me 16. Act II - How blest are shepherds 17. Act II - Shepherd, shepherd, leave decoying 18. Act II - Come, shepherds, lead up 19. Act II - Hornpipe 20. Act II - Second act tune: Aire 21. Act III - Prelude to the frost scene 22. Act III - What ho! Thou genius of this isle 23. Act III - What power art thou 24. Act III - Thou doting fool 25. Act III - Great love, I know thee now 26. Act III - No part of my dominion shall be waste 27. Act III - Prelude 28. Act III - See we assemble thy revels to hold 29. Act III - Dance 30. Act III - 'Tis I that have warm'd ye 31. Act III - Sound a parley 32. Act III - 'Tis love that hath warm'd up 33. Act III - Borée from The old bachelor 34. Act III - Third act tune CD 2 1. Act IV - Aire 2. Act IV - Soft musick 3. Act IV - Two daughters of this aged stream 4. Act IV - Passacaglia I How happy the lover 5. Act IV - In vain are our graces 6. Act IV - Fourt act tune: trumpet tune 7. Act IV - Ye blustering brethren 8. Act IV - Symphony 9. Act IV - Song tune I Round thy coasts 10. Act IV - For folded flocks 11. Act IV - Song tune I Your hay it is mow's 12. Act IV - Song tune I Fairest isle 13. Act IV - You say, 'tis love 14. Act IV - Trumpet tune 15. Act IV - Saint George, the patron of our isle 16. Act IV - Our natives not alone appear 17. Act IV - Grand chance: chaconne
Tracklista:1. Sinfonia in E minor, Wq. 178, H. 653: I. Allegro assai2. Sinfonia in E minor, Wq. 178, H. 653: II. Andante moderato3. Sinfonia in E minor, Wq. 178, H. 653: III. Allegro4. Cello Concerto in B flat major, Wq. 171, H. 436: I. Allegretto5. Cello Concerto in B flat major, Wq. 171, H. 436: II. Adagio6. Cello Concerto in B flat major, Wq. 171, H. 436: III. Allegro assai7. Oboe Concerto in B flat major, Wq. 164, H. 466: I. Allegretto8. Oboe Concerto in B flat major, Wq. 164, H. 466: II. Largo e mesto9. Oboe Concerto in B flat major, Wq. 164, H. 466: III. Allegro assai10. Concerto for Harpsichord and Piano in E flat major, Wq. 47, H. 479: I. Allegro di molto11. Concerto for Harpsichord and Piano in E flat major, Wq. 47, H. 479: II. Larghetto12. Concerto for Harpsichord and Piano in E flat major, Wq. 47, H. 479: III. Vivace
Kompozycje religijne wielkiego twórcy muzyki renesansowej Rolanda de Lassus (Orlando di Lasso). Są to tzw. madrygały sakralne skomponowane na 7 głosów. Wykonawcy to zespół Ensemble Vocal Européen pod dyrekcją Philippe Herreweghe.
Powszechne stało się stwierdzenie, że Vivaldi skomponował jednen koncert - reszta to wariacje na temat tego koncertu. Wśród bardzo płodnych kompozytorów - jest Jan Sebastian Bach, który też miał szczęście być przypomnianym współczesnym przed Telemannem. Ale z pewnością wśród wielkich baroku i popularnej wtedy formy koncertu, Telemann zajmuje miejsce poczesne.
Album został wydany przez wytwórnię Coviello Classics (COV 91906). Wydawnictwo otrzymało nagrodę Classica 4 (Classica, 10-2019) Tracklista: 1. Concerto Settimo In A Minor 2. Concerto Ottavo In D Major 3. Concerto Nono In A Minor 4. Concerto Decimo In D Minor 5. Concerto Undecimo In E Minor 6. Concerto Duodecimo In A Major