Tracklista: 1. Kyrie 2. Gloria 3. Credo 4. Sanctus & Benedictus 5. Agnus Dei 1 & 2 6. Nasce La Gioia Mia 7. Kyrie 8. Gloria 9. Credo 10. Sanctus & Benedictus 11. Agnus Dei 1 & 2
SCHUMANN C COMPLETE SONGS
BACH J - CANTATAS VOL 30:BWV 51, 1127
Tracklista: CD 1 1. Man That Is Born Of A Woman 2. Thou Knowest, Lord, The Secrets Of Our Hearts 3. Jehovah, Quam Multi Sunt Hostes Mei 4. My Heart Is Inditing 5. O Sing Unto The Lord 6. My Beloved Spake 7. They That Go Down To The Sea In Ships 8. Praise The Lord, O Jerusalem 9. Nunc Dimittis 10. O God, Thou Hast Cast Us Out 11. O Lord God Of Hosts 12. Remember Not, Lord, Our Offences 13. Lord, How Long Wilt Thou Be Angry? 14. O God, Thou Art My God CD 2 1. Benedicite Omnia Opera 2. Te Deum Laudamus 3. Jubilate Deo 4. Cantate Domino 5. Deus Misereatur 6. Magnificat 7. Nunc Dimittis 8. Magnificat
Tracklista:1. Prelude2. Ambapali's Song3. Anopama's Song4. Vimala's Song5. Interlude 16. Kisogotami's Song7. Vasitthi's Song8. Interlude 29. Punna's Song10. Mutta's Song11. Patacara's Song12. Mettika's Song13. Interlude 314. Sela's Song15. Soma's Song16. Khema's Song17. Uppalavanna's Song18. Interlude 419. Subha's Song
Pochodzący z Francji wybitny kompozytor Jean-Baptiste Morin, urodzony w 1677 roku, zmarł w 1745 roku. Artysta urodził się w Orleanie i jest autorem wielu dzieł, jednak najbardziej znany z nich to zbiór kantat (opublikowany e 1706-1712). Album został wydany przez wytwórnię Bis (BISSACD 2230). Wydawnictwo zostało wyróżnione nagrodami: Diapason 5 (Diapason, 06-2017); klassik heute 10 (Klassik Heute, 03-2017); ArkivMusic Best of (ArkivMusic.com, 03-2017); Classica 4 (Classica, 07-2017). Na płycie usłyszymy: „Le Naufrage d’Ulisse - Cantate Ive A Voix Seule Et Simphonie”, „Circé - Troisieme Cantate”, „Suite From l’Himen Et l’Amour, Épithalame” oraz „Psiché Et Ses Soeurs - Cantate Vie A Trois Voix”.
Tracklista:1. Im wunderschonen Monat Mai 00:01:23 2. Aus meinen Tranen spriessen 00:00:55 3. Die Rose, die Lilie, die Taube 00:00:41 4. Wenn ich in deine Augen seh' 00:01:48 5. Ich will meine Seele tauchen 00:01:04 6. Im Rhein, im heiligen Strome 00:02:22 7. Ich grolle nicht 00:01:41 8. Und wussten's die Blumen, die kleinen 00:01:19 9. Das ist ein Floten und Geigen 00:01:32 10. Hor' ich das Liedchen klingen 00:02:06 11. Ein Jungling liebt ein Madchen 00:01:13 12. Am leuchtenden Sommermorgen 00:02:27 13. Ich hab' im Traum geweinet 00:02:22 14. Allnachtlich im Traume seh' ich dich 00:01:24 15. Aus alten Marchen winkt es 00:02:34 16. Die alten, bosen Lieder 00:05:03 17. In der Fremde 00:01:56 18. Intermezzo 00:01:47 19. Waldesgesprach 00:02:22 20. Die Stille 00:01:26 21. Mondnacht 00:03:43 22. Schone Fremde 00:01:26 23. Auf einer Burg 00:02:41 24. In der Fremde 00:01:28 25. Wehmut 00:02:17 26. Zwielicht 00:03:02 27. Im Walde 00:01:24 28. Fruhlingsnacht 00:01:32 29. Marzveilchen 00:01:31 30. Muttertraum 00:03:08 31. Der Soldat 00:02:35 32. Der Spielmann 00:03:06 33. Verratene Liebe 00:01:06
1. The Sun Has Set 2. Cradle Song 3. Why? 4. Ah, Once Again Alone 5. So Soon Forgotten 6. None But The Lonely Heart 7. Cinq Poemes De Baudelaire - Le Balcon 8. Cinq Poemes De Baudelaire - Harmonie Du Soir 9. Cinq Poemes De Baudelaire - Le Jet D'eau 10. Cinq Poemes De Baudelaire - Recueillement 11. Cinq Poemes De Baudelaire - La Mort Des Amants 12. Standchen 13. Allerseelen 14. Gluckes Genug 15. Befreit 16. Ruhe, Meine Seele 17. Heimliche Aufforderung 18. Cacilie
The BBC Symphony Orchestra under Edward Gardner, music director of English National Opera and an exclusive Chandos artist, presents Volume 2 of their Polish Music series; a disc dedicated to vocal works by Witold Lutosławski. They are joined by the soloists Lucy Crowe, Toby Spence, and Christopher Purves in looking at some of the composer’s earlier works for voice and orchestra as well as three major works written after 1960: Paroles tissées, Les Espaces du sommeil and Chantefleurs et Chantefables. Among the earlier pieces, Lacrimosa is the only surviving fragment of an intended Requiem and the only sacred work in Lutosławski’s output. In complete contrast, the Silesian Triptych was written at the height of the post-war Soviet doctrine that called for music that connected with the broad masses. In this folk-based work, Lutosławski takes three Silesian songs about the trials of love, giving them sparkle as well as depth to lift them above the mundanity of everyday life. Both works here feature the soprano soloist Lucy Crowe. When Poland finally emerged from the cultural oppression of the post-war decade, its music scene flourished. For Lutosławski, it was a time for personal development. In the first half of the 1960s his music had a raw energy, but by 1965 it had developed a much more subtle tone. Paroles tissées, in which the tenor soloist here is Toby Spence, simply accompanied by strings, harp, and piano, was the first work really to show this new subtlety in his works. Les Espaces du sommeil, with the baritone soloist Christopher Purves, is another prime example of the new lyrical quality that came to colour many of Lutosławski’s later orchestral works. Chantefleurs et Chantefables is made up of nine charming and humourous songs which, inspired by the collection of childrens’ poems by the surrealist Robert Desnos, explores the vivid imagery and bright colours of the natural world through the innocent eyes of a child.