Cykl utworów klawesynowych Jana Sebastiana Bacha nazywanych suitami francuskimi. Wykonawca jest brytyjski klawesynista Richard Egarr.

• Wykonawca Egarr Richard
• Data premiery 2016-05-20
• Nośnik CD

Album został wydany przez wytwórnię Signum Classics (SIGCD 2163).

• Wykonawca The Hertfordshire , Harlow and East London Choruses , London Philharmonic Orchestra , Olafimihan Tinuke , Wyn-Rogers Catherine , Roden Anthony , Kirkbride Simon , O’Donnell James
• Data premiery 2019-09-01
• Nośnik CD

Verdi Simon Boccanegra - DVD Live from the Royal Opera HouseDVD 11. Simon Boccanegra: Simon Boccanegra: Introduction by Antonio Pappano/Opening - Placido Domingo/Marina Poplavskaya/Ferruccio Furlanetto/Joseph Calleja/Jonathan Summers/Lukas Jakobski/Louise Armit/Lee Hickenbottom 0:012. Simon Boccanegra, Prologo: Simon Boccanegra, Prologo: Preludio - Che dicesti? - Placido Domingo/Marina Poplavskaya/Ferruccio Furlanetto/Joseph Calleja/Jonathan Summers/Lukas Jakobski/Louise Armit/Lee Hickenbottom 3:363. Simon Boccanegra, Prologo: Simon Boccanegra, Prologo: All'alba tutti qui verrete? - Placido Domingo/Marina Poplavskaya/Ferruccio Furlanetto/Joseph Calleja/Jonathan Summers/Lukas Jakobski/Louise Armit/Lee Hickenbottom 5:224. Simon Boccanegra, Prologo: Simon Boccanegra, Prologo: A te l'estremo addio - Placido Domingo/Marina Poplavskaya/Ferruccio Furlanetto/Joseph Calleja/Jonathan Summers/Lukas Jakobski/Louise Armit/Lee Hickenbottom 4:495. Simon Boccanegra, Prologo: Simon Boccanegra, Prologo: Suona ogni labbro il mio nome - Placido Domingo/Marina Poplavskaya/Ferruccio Furlanetto/Joseph Calleja/Jonathan Summers/Lukas Jakobski/Louise Armit/Lee Hickenbottom 5:506. Simon Boccanegra, Prologo: Simon Boccanegra, Prologo: Oh, de Fieschi implacata, orrida razza! - Placido Domingo/Marina Poplavskaya/Ferruccio Furlanetto/Joseph Calleja/Jonathan Summers/Lukas Jakobski/Louise Armit/Lee Hickenbottom 6:167. Simon Boccanegra: Simon Boccanegra: Introduction by Antonio Pappano - Placido Domingo/Marina Poplavskaya/Ferruccio Furlanetto/Joseph Calleja/Jonathan Summers/Lukas Jakobski/Louise Armit/Lee Hickenbottom 1:068. Simon Boccanegra, Atto Primo, Scena 1: Simon Boccanegra, Atto Primo, Scena 1: Introduzione - Come in quest'ora bruna - Placido Domingo/Marina Poplavskaya/Ferruccio Furlanetto/Joseph Calleja/Jonathan Summers/Lukas Jakobski/Louise Armit/Lee Hickenbottom 6:209. Simon Boccanegra, Atto Primo, Scena 1: Simon Boccanegra, Atto Primo, Scena 1: Cielo di stelle orbato - Placido Domingo/Marina Poplavskaya/Ferruccio Furlanetto/Joseph Calleja/Jonathan Summers/Lukas Jakobski/Louise Armit/Lee Hickenbottom 7:0510. Simon Boccanegra, Atto Primo, Scena 1: Simon Boccanegra, Atto Primo, Scena 1: Ah! - Che fia? - Placido Domingo/Marina Poplavskaya/Ferruccio Furlanetto/Joseph Calleja/Jonathan Summers/Lukas Jakobski/Louise Armit/Lee Hickenbottom 5:3811. Simon Boccanegra, Atto Primo, Scena 1: Simon Boccanegra, Atto Primo, Scena 1: Propozio ei giunge! - Placido Domingo/Marina Poplavskaya/Ferruccio Furlanetto/Joseph Calleja/Jonathan Summers/Lukas Jakobski/Louise Armit/Lee Hickenbottom 2:0412. Simon Boccanegra, Atto Primo, Scena 1: Simon Boccanegra, Atto Primo, Scena 1: Il Doge vien - Placido Domingo/Marina Poplavskaya/Ferruccio Furlanetto/Joseph Calleja/Jonathan Summers/Lukas Jakobski/Louise Armit/Lee Hickenbottom 4:3113. Simon Boccanegra, Atto Primo, Scena 1: Simon Boccanegra, Atto Primo, Scena 1: Orfanella il tetto umile m'accogliea - Placido Domingo/Marina Poplavskaya/Ferruccio Furlanetto/Joseph Calleja/Jonathan Summers/Lukas Jakobski/Louise Armit/Lee Hickenbottom 3:4614. Simon Boccanegra, Atto Primo, Scena 1: Simon Boccanegra, Atto Primo, Scena 1: Dinne, alcun là non vedesti? - Placido Domingo/Marina Poplavskaya/Ferruccio Furlanetto/Joseph Calleja/Jonathan Summers/Lukas Jakobski/Louise Armit/Lee Hickenbottom 4:2115. Simon Boccanegra, Atto Primo, Scena 1: Simon Boccanegra, Atto Primo, Scena 1: Che rispose? - Placido Domingo/Marina Poplavskaya/Ferruccio Furlanetto/Joseph Calleja/Jonathan Summers/Lukas Jakobski/Louise Armit/Lee Hickenbottom 4:4716. Simon Boccanegra: Simon Boccanegra: Introduction by Antonio Pappano - Placido Domingo/Marina Poplavskaya/Ferruccio Furlanetto/Joseph Calleja/Jonathan Summers/Lukas Jakobski/Louise Armit/Lee Hickenbottom 0:3017. Simon Boccanegra, Atto Primo, Scena 2: Simon Boccanegra, Atto Primo, Scena 2: Messeri, il re di Tartatia vi porge - Placido Domingo/Marina Poplavskaya/Ferruccio Furlanetto/Joseph Calleja/Jonathan Summers/Lukas Jakobski/Louise Armit/Lee Hickenbottom 3:0618. Simon Boccanegra, Atto Primo, Scena 2: Simon Boccanegra, Atto Primo, Scena 2: Tutto è silenzio - Placido Domingo/Marina Poplavskaya/Ferruccio Furlanetto/Joseph Calleja/Jonathan Summers/Lukas Jakobski/Louise Armit/Lee Hickenbottom 5:1819. Simon Boccanegra, Atto Primo, Scena 2: Simon Boccanegra, Atto Primo, Scena 2: Plebe! Patrizi! Popolo dalla feroce storia! - Placido Domingo/Marina Poplavskaya/Ferruccio Furlanetto/Joseph Calleja/Jonathan Summers/Lukas Jakobski/Louise Armit/Lee Hickenbottom 5:2220. Simon Boccanegra, Atto Primo, Scena 2: Simon Boccanegra, Atto Primo, Scena 2: Ecco la spada - Placido Domingo/Marina Poplavskaya/Ferruccio Furlanetto/Joseph Calleja/Jonathan Summers/Lukas Jakobski/Louise Armit/Lee Hickenbottom 5:11DVD 21. Simon Boccanegra: Simon Boccanegra: Introduction by Antonio Pappano - Placido Domingo/Marina Poplavskaya/Ferruccio Furlanetto/Joseph Calleja/Jonathan Summers/Lukas Jakobski/Louise Armit/Lee Hickenbottom 0:012. Simon Boccanegra, Atto Secondo: Simon Boccanegra, Atto Secondo: Quei due vedesti? - Placido Domingo/Marina Poplavskaya/Ferruccio Furlanetto/Joseph Calleja/Jonathan Summers/Lukas Jakobski/Louise Armit/Lee Hickenbottom 0:443. Simon Boccanegra, Atto Secondo: Simon Boccanegra, Atto Secondo: Prigioniero in qual loco m'adduci - Placido Domingo/Marina Poplavskaya/Ferruccio Furlanetto/Joseph Calleja/Jonathan Summers/Lukas Jakobski/Louise Armit/Lee Hickenbottom 2:324. Simon Boccanegra, Atto Secondo: Simon Boccanegra, Atto Secondo: Udisti? - Vil disegno! - Placido Domingo/Marina Poplavskaya/Ferruccio Furlanetto/Joseph Calleja/Jonathan Summers/Lukas Jakobski/Louise Armit/Lee Hickenbottom 1:445. Simon Boccanegra, Atto Secondo: Simon Boccanegra, Atto Secondo: Tu qui? - Amelia! - Placido Domingo/Marina Poplavskaya/Ferruccio Furlanetto/Joseph Calleja/Jonathan Summers/Lukas Jakobski/Louise Armit/Lee Hickenbottom 5:556. Simon Boccanegra, Atto Secondo: Simon Boccanegra, Atto Secondo: Figlia! - Si afflitto, padre mio? - Placido Domingo/Marina Poplavskaya/Ferruccio Furlanetto/Joseph Calleja/Jonathan Summers/Lukas Jakobski/Louise Armit/Lee Hickenbottom 4:357. Simon Boccanegra, Atto Secondo: Simon Boccanegra, Atto Secondo: Doge! Ancor proveran la tua clemenza - Placido Domingo/Marina Poplavskaya/Ferruccio Furlanetto/Joseph Calleja/Jonathan Summers/Lukas Jakobski/Louise Armit/Lee Hickenbottom 3:378. Simon Boccanegra, Atto Secondo: Simon Boccanegra, Atto Secondo: Perdon, Amelia - Placido Domingo/Marina Poplavskaya/Ferruccio Furlanetto/Joseph Calleja/Jonathan Summers/Lukas Jakobski/Louise Armit/Lee Hickenbottom 5:289. Simon Boccanegra, Atto Secondo: Simon Boccanegra, Atto Secondo: All'armi, all'armi, o Liguri - Placido Domingo/Marina Poplavskaya/Ferruccio Furlanetto/Joseph Calleja/Jonathan Summers/Lukas Jakobski/Louise Armit/Lee Hickenbottom 3:4910. Simon Boccanegra: Simon Boccanegra: Introduction by Antonio Pappano - Placido Domingo/Marina Poplavskaya/Ferruccio Furlanetto/Joseph Calleja/Jonathan Summers/Lukas Jakobski/Louise Armit/Lee Hickenbottom 0:3211. Simon Boccanegra, Atto Terzo: Simon Boccanegra, Atto Terzo: Evviva il Doge! - Placido Domingo/Marina Poplavskaya/Ferruccio Furlanetto/Joseph Calleja/Jonathan Summers/Lukas Jakobski/Louise Armit/Lee Hickenbottom 3:0912. Simon Boccanegra, Atto Terzo: Simon Boccanegra, Atto Terzo: Cittadini! Per ordine del Doge - Placido Domingo/Marina Poplavskaya/Ferruccio Furlanetto/Joseph Calleja/Jonathan Summers/Lukas Jakobski/Louise Armit/Lee Hickenbottom 4:3513. Simon Boccanegra, Atto Terzo: Simon Boccanegra, Atto Terzo: M'ardon le tempia - Placido Domingo/Marina Poplavskaya/Ferruccio Furlanetto/Joseph Calleja/Jonathan Summers/Lukas Jakobski/Louise Armit/Lee Hickenbottom 2:0414. Simon Boccanegra, Atto Terzo: Simon Boccanegra, Atto Terzo: Delle faci festanti al barlume - Placido Domingo/Marina Poplavskaya/Ferruccio Furlanetto/Joseph Calleja/Jonathan Summers/Lukas Jakobski/Louise Armit/Lee Hickenbottom 3:1415. Simon Boccanegra, Atto Terzo: Simon Boccanegra, Atto Terzo: Piango, perché mi parla in te - Placido Domingo/Marina Poplavskaya/Ferruccio Furlanetto/Joseph Calleja/Jonathan Summers/Lukas Jakobski/Louise Armit/Lee Hickenbottom 3:4916. Simon Boccanegra, Atto Terzo: Simon Boccanegra, Atto Terzo: Chi veggo! Tu qui? - Placido Domingo/Marina Poplavskaya/Ferruccio Furlanetto/Joseph Calleja/Jonathan Summers/Lukas Jakobski/Louise Armit/Lee Hickenbottom 3:2717. Simon Boccanegra, Atto Terzo: Simon Boccanegra, Atto Terzo: Gran Dio, li benedici - Placido Domingo/Marina Poplavskaya/Ferruccio Furlanetto/Joseph Calleja/Jonathan Summers/Lukas Jakobski/Louise Armit/Lee Hickenbottom 2:4518. Simon Boccanegra, Atto Terzo: Simon Boccanegra, Atto Terzo: Maria! - Placido Domingo/Marina Poplavskaya/Ferruccio Furlanetto/Joseph Calleja/Jonathan Summers/Lukas Jakobski/Louise Armit/Lee Hickenbottom 5:1019. Simon Boccanegra: Simon Boccanegra: Curtain Calls, Closing Credits - Placido Domingo/Marina Poplavskaya/Ferruccio Furlanetto/Joseph Calleja/Jonathan Summers/Lukas Jakobski/Louise Armit/Lee Hickenbottom 2:38

• Wykonawca Domingo Placido
• Data premiery 2011-01-10
• Nośnik DVD

Nagrania pochodzą z lutego 2016 r. Zarejestrowane zostały podczas Festiwalu Mendelssohna w Filharmonii Paryskiej pod dyrekcją młodego, elektryzującego dyrygenta Yannicka Nezet-Sequina – Dyrektora Muzycznego Philadelphia Orchestra oraz Metropolitan Opera New York. To pierwszy cykl symfonii nagrany w nowej Filharmonii Paryskiej, która otworzyła swe podwoje w styczniu 2015 r! Tracklista: CD 1  Symphony No. 1 in C Minor, Op. 11, MWV N 13 1. I Allegro di molto 2. II Andante 3. III Minuetto - allegro molto 4. IV Allegro con fuoco  Symphony No. 3 In A Minor, Op. 56, MWV N 18 - "Scottish" 5. I Andante con moto 6. II Vivace non troppo * 7. III Adagio 8. IV Allegro vivacissimo CD 2  Symphony No. 2 in B Flat, Op. 52, MWV A 18 - "Hymn Of Praise" 1. Sinfonia - Maestoso con moto - Allegro 2. Sinfonia - Allegretto un poco agitato 3. Sinfonia - Adagio Religioso 4. Allegro moderato maestoso - Allegro di molto 5. Molto piu moderato ma con fuoco 6. Recitativo 7. Allegro moderato 8. Chor - A tempo moderato 9. Andante 10. Allegro un poco agitato 11. Allegro maestoso e molto vivace 12. Choral - Andante con moto - Un poco piu animato 13. Andante sostenuto assai 14. Schlusschor - Allegro non troppo CD 3  Symphony No. 4 In A Major, Op. 90, MWV N 16 - "Italian" 1. I Allegro vivace 2. II Andante con moto 3. III Menuetto 4. IV Saltarello  Symphony No. 5 In D Minor, Op. 107, MWV N 15 - "Reformation" 5. I Andante - Allegro con fuoco 6. II Allegro vivace 7. III Andante 8. IV Recit 9. V Choral - Eine feste Burg - Andante con moto

• Wykonawca Nezet-Seguin Yannick
• Data premiery 2017-06-23
• Nośnik CD

Tracklista:1. Die sieben Worte unsers lieben Erlösers und Seeligmachers Jesu Christi, for soloists, 5 instruments & continuo, SWV 478 17:302. Die Auferstehung unsres Herren Jesu Christi, for 3 sopranos, 2 altos, 3 tenors, 2 basses, 4 viols & continuo, SWV 50 (Op. 3) 43:073. St. Matthew Passion, for 5 voices & orchestra: Sinfonia and Chorus 1:164. St. Matthew Passion, for 5 voices & orchestra: The last Supper 9:405. St. Matthew Passion, for 5 voices & orchestra: The Mount of Olives 7:336. St. Matthew Passion, for 5 voices & orchestra: The Arrest 9:277. St. Matthew Passion, for 5 voices & orchestra: Peter's Denial 4:098. Sonata for viols 2:049. St. Matthew Passion, for 5 voices & orchestra: Jesus before Pilate 14:5910. Intrada et Lamento, for viols 3:3311. St. Matthew Passion, for 5 voices & orchestra: The crucifixion 11:2512. St. Matthew Passion, for 5 voices & orchestra: The Burial in the Tomb 8:0513. Trauer-Klag (Funeral Lament), for viols 4:49

• Wykonawca Ricercar Consort
• Data premiery 2009-03-09
• Nośnik CD

Tracklista: CD 1 1. Praludium In G Minor (I) 2. In Dich Hab Ich Gehoffet, Herr 3. Auf Meinen Lieben Gott 4. Praludium In F Major 5. Herr Gott, Dich Loben Wir 6. Canzona In G Major 7. Christ Lag In Todes Banden 8. Jesus Christus, Wahr' Gottes Sohn CD 2 1. Praludium In G Minor (III) 2. I. Primus Versus 3. II. Secundus Versus 4. III. Tertius Versus 5. Was Kann Uns Kommen An Für Not (Version 1) 6. Komm, Heiliger Geist, Herre Gott 7. Was Kann Uns Kommen An Für Not (Version 2) 8. Praludium In G Minor (II)

• Wykonawca Cardi Emanuele
• Data premiery 2016-04-22
• Nośnik CD / Album

Winner of one Juno and three Prix Opus from Conseil québécois de la musique, notably “performer of the year” in 2010, Ensemble Caprice is renowned for its innovative interpretations of baroque music. The New York Times even called it “a group that encourages listeners to rehear the world.” This new recording of the Ensemble combines Johann Sebastian Bach’s famous Brandenburg Concertos, composed between 1712 and 1721D , with a few preludes and one fugue by mitri Shostakovich, as arranged by music director Matthias Maute. He explains the daring juxtaposition between the two composers: “When the Russian composer adjudicated at the International Johann Sebastian Bach Competition in Leipzig in 1950, he was deeply impressed by Bach’s two collections of the Welltempered Clavier. Upon returning to Moscow, Shostakovich followed Bach’s example and composed his own cycle of preludes and fugues in all 24 keys. Even though he holds firmly to his own musical language with its tonal liberties, his use of baroque elements provides a constant source of surprise. We have selected and orchestrated one prelude by Shostakovich for each of the Brandenburg Concertos. The First Brandenburg Concerto, however, is preceded instead by a fugue, the wonderful fugue op. 87 No. 7. As a touch of post‐modern thought we have reserved the prelude composed for this fugue to serve as a postlude at the end of the cycle of Brandenburg Concertos. This short but utterly beautiful and contemplative piece eems to be Shostakovich’s final personal comment on Bach’s overwhelming music, as seen from a contemporary point of view.” Under the artistic direction of Matthias Maute and Sophie Larivière, Ensemble Caprice is renowned for its innovative interpretations of baroque music since 20 years. It has received national and international acclaim for its performances of early music. Ensemble Caprice’s most recent albums on the Analekta label have all been highly acclaimed: Gloria! Vivaldi’s Angels won Canada’s prestigious 2009 JUNO award, Telemann and the Gypsies was recommended by Gramophone, Vivaldi and the Baroque GG ypsies had two nominations in 2009 for Echo Klassik awards in ermany. The Ensemble is also the winner of the Audience Appreciation Prize (2008‐2009) and Finalist (2009) of the Grand Prix de Montréal. Matthias Maute has achieved an international reputation as one of the finest recorder and baroque flute player of his generation, as a composer and as a director. Mr. Maute is also esteemed for his artistic direction of Ensemble Caprice, for whom he produces ingenious and fascinating programs.

• Wykonawca Ensemble Caprice
• Data premiery 2012-11-01
• Nośnik CD

W XVII i XVIII wieku na terenie Europy pojawiły się setki wydruków z muzyką gitarową. Zadziwiający jest fakt, że zaledwie dziewięć z nich dotyczy twórców hiszpańskich, a więc kraju, pochodzenia gitary. Tytuł płyty odnosi się do czwartej z nich, zawierającej wiele wspaniałych wariacji Hiszpańskich autorstwa Santiago de Murcii. Ich efekt w wykonaniu Private Musicke i Pierre'a Pitzla jest olśniewający.

• Wykonawca Private Musicke , Pitzl Pierre
• Data premiery 2016-08-01
• Nośnik CD

On previous discs, Christian Poltéra has combined concertos with chamber works by composers such as Frank Martin and Arthur Honegger. The recipe proved highly successful, resulting in more rounded portraits of each composer, as well as of the performer himself: while Poltéra’s performance of Martin’s Cello Concerto was described in Gramophone as having ‘an inspirational intensity to compare with the celebrated Du Pré/Barbirolli recording of the Elgar Concerto’, the reviewer in Fanfare praised him for ‘playing with the kind of semi-arrogant, swashbuckling carefree attitude that suits Honnegger to a tee’. As he now proceeds to Samuel Barber – some twenty years younger than both Martin and Honegger – Poltéra opens his programme with the Cello Concerto, tailored especially for the Georgian-born cellist Raya Garbousova in 1945. The 25-minute long work is one of only three concertos by Barber, and is remarkable for the way in which he balances out the natural lyric expressiveness of his earlier music with a more urgent, acerbic style, highly rhythmic and intense. That lyricism and expressivity is of course most famously heard in the enormously popular Adagio for strings, which closes the disc in a performance by the strings of the Bergen Philharmonic Orchestra under Andrew Litton. But before that, Christian Poltéra and his regular chamber-music partner Kathryn Stott gives a performance of the Sonata for Cello and Piano, composed while Barber was still a student, but brilliantly written for the two instruments.

• Wykonawca Poltera Christian , Stott Kathryn
• Data premiery 2012-11-01
• Nośnik SACD

Religijne kompozycje wokalne barokowego kompozytora włoskiego Nicola Antonio Porpory w wykonaniu zespołów Le Parlement de Musique i La Maitrise de Bretagne pod dyrekcją Martina Gestera.

• Wykonawca Various Artists
• Data premiery 2012-04-02
• Nośnik CD