Tracklista:1. Interview

• Wykonawca Lee Geddy
• Data premiery 2016-01-22
• Nośnik CD

Istnieje (…) pewien instrument, czyli: środek realizacji muzycznej, przy pomocy którego muzyka staje się wprawdzie słyszalna, lecz w jakiś na poły niematerialny, niemal abstrakcyjny sposób, a przez to właśnie słyszalna w sposób szczególnie odpowiadający jej duchowej naturze, tym instrumentem zaś jest fortepian, który w sensie innych instrumentów w ogóle nie istnieje, brak mu bowiem jakichkolwiek cech specyficznych. Można go co prawda, jak i pozostałe, traktować jako instrument solowy i może stać się środkiem osiągnięcia wirtuozerii, lecz jest to wypadek szczególny, a właściwie, jeśli rzecz z bliska rozpatrzyć, nadużycie. Fortepian bowiem, prawdę mówiąc, jest bezpośrednim a suwerennym przedstawicielem muzyki w całym jej uduchowieniu (…)”. Twórczość Pawła Mykietyna – na fortepian i z udziałem fortepianu – wydaje się potwierdzać refleksję Tomasza Manna z „Doktora Faustusa”.

• Wykonawca Stempin-Jasnowska Anna
• Data premiery 2014-09-16
• Nośnik CD

Sony Classical zaprasza do wysłuchania Symfonii nr 1 Ludwiga van Beethovena oraz Symfonii nr 1 Dymitra Szostakowicza w doskonałym wykonaniu jednej z najstarszych orkiestr Niemiec - Filharmonii Drezdeńskiej pod dyrekcją Michaela Sanderlinga. To kolejny album z cyklu zwierającego, w założeniu, komplet symfonii obu tych kompozytorów, których poglądy polityczne skierowane były przeciwko totalitarnym rządom współczesnych im przywódców. Doskonałe wykonanie gwarantuje moc doznań artystycznych... Tracklista:  Ludwig van Beethoven (1770 – 1827)  Symphony No. 1 in C major, Op. 21 1. I Adagio molto – Allegro con brio 2. II Andante cantabile con moto 3. III Menuetto (Allegro molto e vivace) 4. IV Adagio – Allegro molto e vivace  Dmitri Shostakovich (1906 – 1975)  Symphony No. 1 in F minor, Op. 10 5. I Allegretto – Allegro non troppo 6. II Allegro 7. III Lento 8. IV Allegro molto

• Wykonawca Sanderling Michael
• Data premiery 2017-12-08
• Nośnik CD

Although Britten is particularly celebrated for the substantial body of music he composed for the tenor voice—almost all of it directly inspired by the artistry of his long-term partner and creative muse, Peter Pears—the composer also left an important legacy of music for baritone. Characteristically, Britten’s output for low voice was also inspired by the talents of specific performers with whom he was closely associated, among them Dietrich Fischer-Dieskau, John Shirley-Quirk, Owen Brannigan and Benjamin Luxon. In addition to song-cycles, individual songs and folksong arrangements, Britten wrote challenging baritone roles in operas as diverse as Billy Budd (1951), Owen Wingrave (1970) and Death in Venice (1972)—the title role of the second of these made very much Gerald Finley’s own in his magnificent interpretation in Margaret Williams’s 2001 television film of the opera. Even when Britten was writing for other singers, however, Pears’s influence remained apparent in the composer’s choice of texts for musical setting, which often reflected the tenor’s literary tastes as well as Britten’s own.The many poems set to music by Britten when he was a prolific schoolboy composer date from long before he met Pears, and the composer’s literary choices were at that early stage fairly conservative. Britten’s favourite poet during his youth was Walter de la Mare, and in 1968 the mature composer assembled a set of five of his juvenile settings of de la Mare’s poetry under the title Tit for Tat, which was given its first performance by John Shirley-Quirk and the composer at the Aldeburgh Festival in 1969. In his programme note written for the occasion, Britten commented that he had made his selection from songs composed between the ages of fourteen and seventeen; he said that he had ‘cleaned them very slightly, and here at this first performance, offer them in gratitude to the poet’s son, the wise and encouraging chairman of my new publishers, whose father’s poems have meant so much to me all through my life.’ (The reference was to Richard de la Mare, who was celebrating his seventieth birthday in that year, and who had become Chairman of Faber Music in 1966, having previously served as Chairman of the parent company Faber & Faber.) Britten’s punctilious attention to detail in his manuscripts meant that all the songs could be dated fairly precisely: ‘A Song of Enchantment’ was composed in January 1929, ‘Autumn’ (originally accompanied by string quartet) on 28 January 1931, ‘Silver’ on 13 June 1928, ‘Vigil’ on 23 December 1930, and the concluding title song in the first two weeks of 1929. In his preface to the published score, Britten noted that ‘oddly enough, the inadequacies seemed to be more striking in the later songs—new musical styles had appeared on the composer’s horizon too recently to be assimilated … At any rate, although I hold no claims whatever for the songs’ importance or originality, I do feel that the boy’s vision has a simplicity and clarity which might have given a little pleasure to the great poet, with his unique insight into a child’s mind.’Four years before Shirley-Quirk gave the premiere of Tit for Tat, the Aldeburgh Festival had also been the venue for a more substantial and challenging baritone cycle, the Songs and Proverbs of William Blake. Britten’s close association with the legendary German baritone Dietrich Fischer-Dieskau began in the early 1960s, and the baritone parts in Britten’s War Requiem (1962) and Cantata Misericordium (1963) had been written specifically for him to sing. Shortly afterwards the composer embarked on the composition of a solo song-cycle designed to showcase Fischer-Dieskau’s unique blend of intense lyricism and dramatic characterization, and Britten turned for inspiration to the vivid and sometimes visionary poetry of William Blake. Britten’s working title for the cycle—which was based on fourteen short but striking Blake texts selected by Pears—was Songs and Sentences of William Blake. The score was completed on 6 April 1965, the manuscript inscribed with the words ‘For Dieter: the past and the future’. The work, under its slightly revised title, was first performed by its dedicatee and composer at Aldeburgh’s Parish Church on 24 June 1965, and six months later the two men recorded their powerful interpretation for Decca at Kingsway Hall, London.Britten’s Blake cycle returns in places to the dark intensity of his much earlier Blake setting, ‘The Sick Rose’ (‘Elegy’) from the Serenade for tenor, horn and strings of 1943. Both the fully chromatic melody and striking image of cankerous corruption in the earlier song look directly ahead to the Songs and Proverbs—which are based on texts drawn from Blake’s Songs of Experience (1794), in which ‘The Sick Rose’ is also to be found. With the addition of one poem from the Songs of Innocence (1789) and several epigrams from the undated Proverbs of Hell, Britten created a continuous structure in which the Proverbs are set to recurrent but constantly reworked ritornello material, a structural plan familiar from other Britten works of the late 1950s and early 1960s (principally the orchestral song-cycle Nocturne, the opera A Midsummer Night’s Dream and the Cantata Misericordium). These stark Proverbs are clearly distinguished from the songs they punctuate by their disconcerting lack of metrical synchronization between voice and piano—a feature retained from the Church Parable Curlew River, composed in the previous year—and they also make limited use of twelve-note techniques.As so often in Britten’s later music, the tension between luminous diatonicism and elusive chromaticism is exploited throughout the cycle as a potent symbol for the conflict between innocence and experience at the heart of Blake’s poetry. The settings of ‘London’ and ‘Every Night and every Morn’ that frame the cycle are closely related in their ambiguous and subtly disturbing chromaticism, while greater tonal simplicity is reserved for natural scenes: the bright glow of ‘The Tyger’ and the lament for ‘The Fly’. Moments of tremendous rhetorical power are strategically located in ‘A Poison Tree’ and ‘Ah, Sun-flower’. ‘A Poison Tree’ features a highly original use of simple major and minor triads within a context of chromatic saturation. The young Britten had previously set this same Blake text to music on 2 March 1935; the earlier song remained unperformed until 1986, and is also included in the present recording. As in the opera The Turn of the Screw (1954), the intense chromaticism of the mature treatment of this gripping text serves as a graphic symbol of cankerous evil, and forms the utterly chilling core of the cycle.The last of Britten’s many published sets of folksong arrangements was prepared in the summer of 1976, shortly before his death, and featured harp rather than piano accompaniment since the composer had for some time been too ill to accompany Pears in public. The harpist Osian Ellis had accordingly become one of Pears’s regular accompanists, and the 1976 folksongs were designed to serve (as had Britten’s earlier folksong settings with piano) as popular encore items for the duo. ‘She’s like the swallow’ and ‘Bird Scarer’s Song’ were first performed in this capacity at the Aldeburgh Festival on 17 June 1976, and ‘Lemady’ was first performed at the University of Chicago on 10 November 1977. ‘David of the White Rock’ (‘Dafydd y Garreg Wen’) was a tribute to Ellis’s Welsh ancestry. The Eight Folksong Arrangements of which these songs formed part were published posthumously in two distinct editions in 1980, the original with harp accompaniment and an alternative version with piano accompaniment prepared by the composer’s music assistant Colin Matthews.The other songs on the present disc also received exposure and publication only after the composer’s death in December 1976. Several date from the early 1940s when Britten and Pears were beginning to make their names in the USA as a recital duo: these include the setting of ‘Greensleeves’ and ‘The Crocodile’, the latter performed on 14 December 1941 at a concert given under the Auspices of the American Women’s Hospitals Reserve Corps at Southold High School in upstate New York, as part of a programme that also included Charles Dibdin’s ‘Tom Bowling’ (1789)—a song of which Britten later prepared his own realization, launched at the Aldeburgh Festival in 1959 and recorded by Pears in the same year. ‘I wonder as I wander’ was frequently performed alongside Britten’s folksong arrangements in his recitals with Pears following their return to the UK in 1942, but they never recorded or published it since they subsequently discovered that the words and melody were not in the public domain: the song had been published by John Jacob Niles in 1934, and in direct consequence Britten’s version did not receive its first recording until 1995, thanks to a belated special arrangement between Niles’s publishers and the Britten Estate. The triptych ‘Evening’, ‘Morning’ and ‘Night’ (first published in 1988) originally formed part of the incidental music Britten composed in 1945 for the Masque and Anti-Masque of This Way to the Tomb, a play by Ronald Duncan, who in the following year went on to provide the libretto for Britten’s opera The Rape of Lucretia.Two other songs date from the 1950s, although the date of the second remains uncertain. In 1952, Britten prepared a comic duet arrangement of the Appalachian folksong ‘The Deaf Woman’s Courtship’ for Kathleen Ferrier to sing as part of a national tour with Pears and Britten conceived with the aim of raising funds for the English Opera Group. According to Britten’s memoir of Ferrier, she sang her part ‘in a feeble, cracked voice, the perfect reply to Peter’s magisterial roar. A masterpiece of humour, which had the audience rocking, but never broke the style of the rest of the concert.’ After Ferrier’s untimely death, the contralto part was taken over by Norma Procter, though the arrangement was to remain unpublished until 2001. Britten’s setting of Goethe’s ‘Um Mitternacht’ (published in 1994) was probably composed in 1959, shortly after the composer’s strong interest in German poetry had borne fruit in his tenor song-cycle Sechs Hölderlin-Fragmente. At this time, Pears was enjoying an enviable reputation as one of the leading exponents of Lieder in the world, repeatedly earning ecstatic reviews in the German press that inspired the BBC to capitalize on this success by carefully promoting his and Britten’s work in Germany.

• Wykonawca Finley Gerald , Drake Julius
• Data premiery 2010-05-01
• Nośnik CD

Nagrania prezentują trzy podstawowe stylistyki muzyki harfowej. Przede wszsytkim oryginalne kompozycje barokowe – z okresu największego rozkwitu tego instrumentu, późniejsze, neobarokowe utwory w duchu osiemnastowiecznym oraz adaptacje muzyki barokowej nieprzeznaczone oryginalnie na harfę pochodzace głównie z późnego romantyzmu i klasycyzmu.

• Wykonawca Sellmann Volker
• Data premiery 2015-11-01
• Nośnik CD

„Symfonia nr 6” jest pozbawiona charakterystycznych cech symfonii brucknerowskich i najbardziej różni się od reszty symfonicznego repertuaru kompozytora. Utwór wybija się mistrzostwem klasycznej formy, subtelną i niezwykle pomysłową instrumentacją, wyjątkowo pięknymi tematami. W budżetowej serii z muzyka klasyczną wydawnictwa ZYX dzieło wykonuje Orkiestra Symfoniczna z Westfalii pod kierunkiem Huberta Reicherta. Tracklista: Symphonie Nr 6 A-Dur 1. Maestoso 2. Adagio 3. Scherzo 4. Finale

• Wykonawca Westphalian Symphony Orchestra
• Data premiery 2001-01-02
• Nośnik CD

CD 11. Cantata: "Jauchzet Gott in allen Landen", BWV 51 (1999 Digital Remaster): Cantata: "Jauchzet Gott in allen Landen", BWV 51 (1999 Digital Remaster): I. Arie: Jauchzet Gott in allen Landen - Elisabeth Schwarzkopf/Philharmonia Orchestra/Peter Gellhorn 4:122. Cantata: "Jauchzet Gott in allen Landen", BWV 51 (1999 Digital Remaster): Cantata: "Jauchzet Gott in allen Landen", BWV 51 (1999 Digital Remaster): II. Reziativt: Wir beten zu dem Tempel an - Elisabeth Schwarzkopf/Philharmonia Orchestra/Peter Gellhorn 2:163. Cantata: "Jauchzet Gott in allen Landen", BWV 51 (1999 Digital Remaster): Cantata: "Jauchzet Gott in allen Landen", BWV 51 (1999 Digital Remaster): III. Arie: Höchster, mache deine Güter ferner - Elisabeth Schwarzkopf/Philharmonia Orchestra/Peter Gellhorn 4:264. Cantata: "Jauchzet Gott in allen Landen", BWV 51 (1999 Digital Remaster): Cantata: "Jauchzet Gott in allen Landen", BWV 51 (1999 Digital Remaster): IV. Choral: Sei Lob und Preis mit Ehren - Elisabeth Schwarzkopf/Philharmonia Orchestra/Peter Gellhorn 3:535. Cantata: "Jauchzet Gott in allen Landen", BWV 51 (1999 Digital Remaster): Cantata: "Jauchzet Gott in allen Landen", BWV 51 (1999 Digital Remaster): V. Arie: Alleluja - Elisabeth Schwarzkopf/Philharmonia Orchestra/Peter Gellhorn 2:086. Cantata: "Was mir behagt, das ist muntre Jagd", BWV 208: Cantata: "Was mir behagt, das ist muntre Jagd", BWV 208: VIII: Rezitativ: Soll den der Pales Opfer hier das letzte sein? - Elisabeth Schwarzkopf/Josef Niedermayer/Karl Reznicek/Karl Maurer/Isolde Ahlgrimm 0:427. Cantata: "Was mir behagt, das ist muntre Jagd", BWV 208: Cantata: "Was mir behagt, das ist muntre Jagd", BWV 208: IX: Arie: Schafe können sicher weiden - Elisabeth Schwarzkopf/Josef Niedermayer/Karl Reznicek/Karl Maurer/Isolde Ahlgrimm 4:598. Cantata: "Also hat Gott die Welt geliebt" BWV 68 (1999 Digital Remaster): Cantata: "Also hat Gott die Welt geliebt" BWV 68 (1999 Digital Remaster): II: Arie: Mein gläubiges Herze - Elisabeth Schwarzkopf/Sidney Sutcliffe/Raymond Clark/Geraint Jones/Manoug Parikian 3:479. Cantata: "Mein Herze schwimmt im Blut", BWV 199: Cantata: "Mein Herze schwimmt im Blut", BWV 199: I: Rezitativ: Mein Herze schwimmt im Blut - Elisabeth Schwarzkopf/Thurston Dart/Philharmonia Orchestra 2:1110. Cantata: "Mein Herze schwimmt im Blut", BWV 199: Cantata: "Mein Herze schwimmt im Blut", BWV 199: II: Arie: Stumme Seufzer, stille Klagen - Elisabeth Schwarzkopf/Thurston Dart/Philharmonia Orchestra 5:2211. Cantata: "Mein Herze schwimmt im Blut", BWV 199: Cantata: "Mein Herze schwimmt im Blut", BWV 199: III: Rezitativ: Doch Gott muß mir genädig sein - Elisabeth Schwarzkopf/Thurston Dart/Philharmonia Orchestra 1:0312. Cantata: "Mein Herze schwimmt im Blut", BWV 199: Cantata: "Mein Herze schwimmt im Blut", BWV 199: IV: Arie: Tiefgebückt und voller Reue - Elisabeth Schwarzkopf/Thurston Dart/Philharmonia Orchestra 6:0613. Cantata: "Mein Herze schwimmt im Blut", BWV 199: Cantata: "Mein Herze schwimmt im Blut", BWV 199: V: Rezitativ: Auf diese Schmerzens Reu - Elisabeth Schwarzkopf/Thurston Dart/Philharmonia Orchestra 0:1614. Cantata: "Mein Herze schwimmt im Blut", BWV 199: Cantata: "Mein Herze schwimmt im Blut", BWV 199: VI: Choral: Ich, dein betrübtes Kind - Elisabeth Schwarzkopf/Thurston Dart/Philharmonia Orchestra 1:4315. Cantata: "Mein Herze schwimmt im Blut", BWV 199: Cantata: "Mein Herze schwimmt im Blut", BWV 199: VII: Ich lege mich in diese Wunden - Elisabeth Schwarzkopf/Thurston Dart/Philharmonia Orchestra 0:4916. Cantata: "Mein Herze schwimmt im Blut", BWV 199: Cantata: "Mein Herze schwimmt im Blut", BWV 199: VIII: Wie freudig ist mein Herz - Elisabeth Schwarzkopf/Thurston Dart/Philharmonia Orchestra 2:1217. Klavierbüchlein für Anna Magdalena Bach, II (1999 Digital Remaster): Klavierbüchlein für Anna Magdalena Bach, II (1999 Digital Remaster): Aria, BWV508: Bist du bei mir - Elisabeth Schwarzkopf/Gerald Moore 2:5518. L'Allegro, il penseroso ed il moderato (pastoral ode in 3 parts) (Jennens after Milton) (1990 Digital Remaster), Parte prima - L'allegro: L'Allegro, il penseroso ed il moderato (pastoral ode in 3 parts) (Jennens after Milton) (1990 Digital Remaster), Parte prima - L'allegro: 12. Air: Sweet bird, that shun'st the noise of folly - Elisabeth Schwarzkopf/Josef Niedermayer/Wiener Philharmoniker/Josef Krips 7:2719. Exsultate, jubilate, K.165/K.158a (1990 Digital Remaster): Exsultate, jubilate, K.165/K.158a (1990 Digital Remaster): Exsultate, jubilate - Elisabeth Schwarzkopf/Philharmonia Orchestra/Walter Susskind 4:3220. Exsultate, jubilate, K.165/K.158a (1990 Digital Remaster): Exsultate, jubilate, K.165/K.158a (1990 Digital Remaster): Fulget amica - Elisabeth Schwarzkopf/Philharmonia Orchestra/Walter Susskind 1:0121. Exsultate, jubilate, K.165/K.158a (1990 Digital Remaster): Exsultate, jubilate, K.165/K.158a (1990 Digital Remaster): Tu virginum - Elisabeth Schwarzkopf/Philharmonia Orchestra/Walter Susskind 8:1622. Exsultate, jubilate, K.165/K.158a (1990 Digital Remaster): Exsultate, jubilate, K.165/K.158a (1990 Digital Remaster): Alleluia - Elisabeth Schwarzkopf/Philharmonia Orchestra/Walter Susskind 2:45CD 21. Ridente la calma, K.152/K.210a (2001 Digital Remaster) - Walter Gieseking/Elisabeth Schwarzkopf/New Philharmonia Wind Ensemble 3:222. Oiseaux, si tous les ans, K.307/K.284d (2001 Digital Remaster) - Elisabeth Schwarzkopf/Walter Gieseking/New Philharmonia Wind Ensemble 1:213. Dans un bois solitaire, K.308/K.295b (2001 Digital Remaster) - Elisabeth Schwarzkopf/Walter Gieseking/New Philharmonia Wind Ensemble 3:004. Die Kleine Spinnerin, K.531 (2001 Digital Remaster) - Elisabeth Schwarzkopf/Walter Gieseking/New Philharmonia Wind Ensemble 1:425. Als Luise die Briefe, K.520 (2001 Digital Remaster) - Elisabeth Schwarzkopf/Walter Gieseking 1:576. Abendempfindung, K.523 (2001 Digital Remaster) - Elisabeth Schwarzkopf/Walter Gieseking 5:097. Das Kinderspiel, K.598 (2001 Digital Remaster) - Elisabeth Schwarzkopf/Walter Gieseking 1:468. Die Alte, K.517 (2001 Digital Remaster) - Elisabeth Schwarzkopf/Walter Gieseking 4:389. Das Traumbild, K.530 (2001 Digital Remaster) - Elisabeth Schwarzkopf/Walter Gieseking 4:3410. Das Veilchen, K.476 (2001 Digital Remaster) - Elisabeth Schwarzkopf/Walter Gieseking 2:3811. Der Zauberer, K.472 (2001 Digital Remaster) - Elisabeth Schwarzkopf/Walter Gieseking 2:0312. Im Frühlingsanfang, K.597 (2001 Digital Remaster) - Elisabeth Schwarzkopf/Walter Gieseking 2:5013. Das Lied der Trennung, K.519 (2001 Digital Remaster) - Elisabeth Schwarzkopf/Walter Gieseking 5:3914. Die Zufriedenheit, K.349 (2001 Digital Remaster) - Elisabeth Schwarzkopf/Walter Gieseking 1:4615. An Chloe, K.524 (2001 Digital Remaster) - Elisabeth Schwarzkopf/Walter Gieseking 2:0516. Sehnsucht nach dem Frühling, K.596 (2001 Digital Remaster) - Elisabeth Schwarzkopf/Walter Gieseking 2:1117. Ch'io mi scordi di te...Non temer, amato bene, K.505 (2001 Digital Remaster) - Elisabeth Schwarzkopf/Alfred Brendel/London Symphony Orchestra/George Szell 11:1118. Vado, ma dove? oh Dei! K.583 (2001 Digital Remaster) - Elisabeth Schwarzkopf/London Symphony Orchestra/George Szell 4:2219. Alma grande e nobil core, K.578 (2001 Digital Remaster) - Elisabeth Schwarzkopf/London Symphony Orchestra/George Szell 4:2820. Nehmt meinen Dank, ihr holden Gönner, K.383 (2001 Digital Remaster) - Elisabeth Schwarzkopf/London Symphony Orchestra/George Szell 3:55CD 31. Il rè pastore, K.208 (2005 Digital Remaster): Il rè pastore, K.208 (2005 Digital Remaster): L'amerò, sarò costante (Aminta, Act II) - Elisabeth Schwarzkopf/Wiener Philharmoniker/Josef Krips 8:322. Idomeneo, K.366 (2005 Digital Remaster): Idomeneo, K.366 (2005 Digital Remaster): Zeffiretti lusinghieri (Ilia, Act III) - Elisabeth Schwarzkopf/Philharmonia Orchestra/Sir John Pritchard 5:573. Die Entführung aus dem Serail, K.384 (2005 Digital Remaster), Act II: Die Entführung aus dem Serail, K.384 (2005 Digital Remaster), Act II: Welcher Kummer... Traurigkeit (Konstanze) - Elisabeth Schwarzkopf/Wiener Philharmoniker/Josef Krips 9:044. Die Entführung aus dem Serail, K.384 (2005 Digital Remaster), Act II: Die Entführung aus dem Serail, K.384 (2005 Digital Remaster), Act II: Martern aller Arten - Elisabeth Schwarzkopf/Wiener Philharmoniker/Herbert von Karajan 8:495. Le Nozze di Figaro, K.492 (2005 Digital Remaster): Le Nozze di Figaro, K.492 (2005 Digital Remaster): Non so più cosa con (Cherubino, Act I) - Elisabeth Schwarzkopf/Philharmonia Orchestra/Sir John Pritchard 2:386. Le Nozze di Figaro, K.492 (2005 Digital Remaster): Le Nozze di Figaro, K.492 (2005 Digital Remaster): Porgi amor (La Comtessa, Act II) - Elisabeth Schwarzkopf/Philharmonia Orchestra/Sir John Pritchard 4:147. Le Nozze di Figaro, K.492 (2005 Digital Remaster): Le Nozze di Figaro, K.492 (2005 Digital Remaster): Voi che sapete (Cherubino, Act II) - Elisabeth Schwarzkopf/Philharmonia Orchestra/Sir John Pritchard 2:588. Le Nozze di Figaro, K.492 (2005 Digital Remaster): Le Nozze di Figaro, K.492 (2005 Digital Remaster): Dove sono i bei momenti (La Comtessa, Act III) - Elisabeth Schwarzkopf/Philharmonia Orchestra/Sir John Pritchard 4:559. Le Nozze di Figaro, K.492 (2005 Digital Remaster): Le Nozze di Figaro, K.492 (2005 Digital Remaster): Giunse alfin il memento... Deh vieni, non tadar (Susanna, Act IV) - Elisabeth Schwarzkopf/Philharmonia Orchestra/Sir John Pritchard 5:1810. Don Giovanni, K.527 (2005 Digital Remaster): Don Giovanni, K.527 (2005 Digital Remaster): Batti, batti o bel Masetto (Zerlina, Act I) - Elisabeth Schwarzkopf/Philharmonia Orchestra/Sir John Pritchard 3:3011. Don Giovanni, K.527 (2005 Digital Remaster): Don Giovanni, K.527 (2005 Digital Remaster): Vedrai carino (Zerlina, Act III) - Elisabeth Schwarzkopf/Philharmonia Orchestra/Sir John Pritchard 3:3212. Don Giovanni, K.527 (2005 Digital Remaster): Don Giovanni, K.527 (2005 Digital Remaster): In quali eccessi... Mi tradì quell'alma ingrata (Donna Elvira, Act II) - Elisabeth Schwarzkopf/Philharmonia Orchestra/Josef Krips 6:5113. Don Giovanni, K.527 (2005 Digital Remaster): Don Giovanni, K.527 (2005 Digital Remaster): Crudele?... Non mi dir (Donna Anna, Act II) - Elisabeth Schwarzkopf/Philharmonia Orchestra/Sir John Pritchard 7:2414. Die Zauberflöte, K.620 (2005 Digital Remaster): Die Zauberflöte, K.620 (2005 Digital Remaster): Ach, ich fühl's (Pamina, Act II) - Elisabeth Schwarzkopf/Philharmonia Orchestra/Warwick Braithwaite 4:26CD 41. Die Vögel, D.691 (2004 Digital Remaster) - Gerald Moore/Elisabeth Schwarzkopf 0:542. Liebhaber in allen Gestalten, D.558 (2004 Digital Remaster) - Gerald Moore/Elisabeth Schwarzkopf 1:093. An die Musik, D.547 (2000 Digital Remaster) - Elisabeth Schwarzkopf/Edwin Fischer 2:444. Im Frühling, D.882 (2000 Digital Remaster) - Elisabeth Schwarzkopf/Edwin Fischer 4:325. Wehmut, D.772 (2000 Digital Remaster) - Elisabeth Schwarzkopf/Edwin Fischer 3:026. Ganymed, D.544 (2000 Digital Remaster) - Elisabeth Schwarzkopf/Edwin Fischer 4:527. Das Lied im Grünen, D.917 (2000 Digital Remaster) - Elisabeth Schwarzkopf/Edwin Fischer 4:348. Gretchen am Spinnrade, D.118 (2000 Digital Remaster) - Elisabeth Schwarzkopf/Edwin Fischer 3:299. Nähe des Geliebten, D.162 (2000 Digital Remaster) - Elisabeth Schwarzkopf/Edwin Fischer 3:1810. Die Junge Nonne, D.828 (2000 Digital Remaster) - Elisabeth Schwarzkopf/Edwin Fischer 4:5211. An Silvia, D.891 (2000 Digital Remaster) - Elisabeth Schwarzkopf/Edwin Fischer 3:0712. Auf dem Wasser zu singen, D.774 (2000 Digital Remaster) - Elisabeth Schwarzkopf/Edwin Fischer 3:1913. Nachtviolen, D.752 (2000 Digital Remaster) - Elisabeth Schwarzkopf/Edwin Fischer 2:5214. Der Musensohn, D.764 (2000 Digital Remaster) - Elisabeth Schwarzkopf/Edwin Fischer 2:0515. Litanei auf das Fest Allerseelen, D.343 (2004 Digital Remaster) - Elisabeth Schwarzkopf/Gerald Moore 5:3616. Die Schöne Müllerin, D.795 (2004 Digital Remaster): Die Schöne Müllerin, D.795 (2004 Digital Remaster): Ungeduld - Elisabeth Schwarzkopf/Gerald Moore 2:5417. Heidenröslein, D.257 (2004 Digital Remaster) - Elisabeth Schwarzkopf/Gerald Moore 2:1018. Der Jüngling an der Quelle, D.300 (2004 Digital Remaster) - Elisabeth Schwarzkopf/Gerald Moore 1:5219. Der Einsame, D.800 (2004 Digital Remaster) - Elisabeth Schwarzkopf/Gerald Moore 4:3120. Die Forelle, D.550 (2004 Digital Remaster) - Elisabeth Schwarzkopf/Gerald Moore 1:5921. Lieber Schwarmt, D.239 No. 6 (2004 Digital Remaster) - Elisabeth Schwarzkopf/Gerald Moore 1:3122. Seligkeit, D.433 (2004 Digital Remaster) - Elisabeth Schwarzkopf/Gerald Moore 2:0123. An mein Klavier, D.342 (2004 Digital Remaster) - Elisabeth Schwarzkopf/Geoffrey Parsons 2:5224. Erlkönig, D.328 (2004 Digital Remaster) - Elisabeth Schwarzkopf/Geoffrey Parsons 3:45CD 51. 6 Lieder, Op.34 (1995 Digital Remaster): 6 Lieder, Op.34 (1995 Digital Remaster): Auf Flügeln des Gesanges - Elisabeth Schwarzkopf/Gerald Moore 3:012. Liederkreis, Op.39 (1995 Digital Remaster): Liederkreis, Op.39 (1995 Digital Remaster): I. In der Fremde - Elisabeth Schwarzkopf/Geoffrey Parsons 2:073. Liederkreis, Op.39 (1995 Digital Remaster): Liederkreis, Op.39 (1995 Digital Remaster): II. Intermezzo - Elisabeth Schwarzkopf/Geoffrey Parsons 1:324. Liederkreis, Op.39 (1995 Digital Remaster): Liederkreis, Op.39 (1995 Digital Remaster): III. Waldesgespräch - Elisabeth Schwarzkopf/Geoffrey Parsons 2:285. Liederkreis, Op.39 (1995 Digital Remaster): Liederkreis, Op.39 (1995 Digital Remaster): IV. Die Stille - Elisabeth Schwarzkopf/Geoffrey Parsons 1:326. Liederkreis, Op.39 (1995 Digital Remaster): Liederkreis, Op.39 (1995 Digital Remaster): VIII. In der Fremde II - Elisabeth Schwarzkopf/Geoffrey Parsons 1:137. Liederkreis, Op.39 (1995 Digital Remaster): Liederkreis, Op.39 (1995 Digital Remaster): XI. Im Walde - Elisabeth Schwarzkopf/Geoffrey Parsons 1:338. Lieder und Gesänge III, Op.77 (1995 Digital Remaster): Lieder und Gesänge III, Op.77 (1995 Digital Remaster): V. Aufträge - Elisabeth Schwarzkopf/Gerald Moore 2:279. Myrthen, Op.25 (1995 Digital Remaster): Myrthen, Op.25 (1995 Digital Remaster): I. Widmung (Rückert) - Elisabeth Schwarzkopf/Gerald Moore 2:1110. Die drei Zigeuner, S.320 (1995 Digital Remaster) - Elisabeth Schwarzkopf/Geoffrey Parsons 6:2111. 5 Lieder und Romanzen, Op.84: 5 Lieder und Romanzen, Op.84: Vergebliches Ständchen - Elisabeth Schwarzkopf/Gerald Moore 1:4212. 5 Lieder, Op.105 (1995 Digital Remaster): 5 Lieder, Op.105 (1995 Digital Remaster): II. Immer leiser wird mein Schlummer (Lingg) - Elisabeth Schwarzkopf/Geoffrey Parsons 4:2013. 5 Lieder, Op.105 (1995 Digital Remaster): 5 Lieder, Op.105 (1995 Digital Remaster): I. Wie Melodien zieht es mir (Groth) - Elisabeth Schwarzkopf/Geoffrey Parsons 2:5014. 7 Lieder, Op.95 (1995 Digital Remaster): 7 Lieder, Op.95 (1995 Digital Remaster): IV. Der Jäger - Elisabeth Schwarzkopf/Geoffrey Parsons 1:0615. 6 Lieder, Op.3: 6 Lieder, Op.3: I. Liebestreu - Elisabeth Schwarzkopf/Geoffrey Parsons 2:2816. 5 Lieder, Op.106 (1995 Digital Remaster): 5 Lieder, Op.106 (1995 Digital Remaster): I. Ständchen - Elisabeth Schwarzkopf/Geoffrey Parsons 1:4017. Murmelndes Lüftchen, Op. 21/4 (1995 Digital Remaster) - Elisabeth Schwarzkopf/Gerald Moore 3:3618. Lieder aus 'Des Knaben Wunderhorn' (1995 Digital Remaster): Lieder aus 'Des Knaben Wunderhorn' (1995 Digital Remaster): X. Lob des hohen Verstandes - Elisabeth Schwarzkopf/Geoffrey Parsons 3:1219. 7 Children's Songs, Op.61 (1995 Digital Remaster): 7 Children's Songs, Op.61 (1995 Digital Remaster): III. Farmyard Song (Lok) - Elisabeth Schwarzkopf/Gerald Moore 0:4720. Melodies of the Heart, Op.5 (1995 Digital Remaster): Melodies of the Heart, Op.5 (1995 Digital Remaster): III. Ich liebe dich - Elisabeth Schwarzkopf/Geoffrey Parsons 3:0121. 6 Songs, Op.25 (1995 Digital Remaster): 6 Songs, Op.25 (1995 Digital Remaster): IV. An eine Wasserlilie - Elisabeth Schwarzkopf/Geoffrey Parsons 2:2622. 12 Songs, Op. 33 (1995 Digital Remaster): 12 Songs, Op. 33 (1995 Digital Remaster): II. Letzer Frühling - Elisabeth Schwarzkopf/Geoffrey Parsons 5:0023. 4 Songs, Op.21 (1995 Digital Remaster): 4 Songs, Op.21 (1995 Digital Remaster): I. Erstes Begegen - Elisabeth Schwarzkopf/Geoffrey Parsons 2:1524. 6 Songs, Op.48 (1995 Digital Remaster): 6 Songs, Op.48 (1995 Digital Remaster): V. Zur Rosenzeit (Goethe) - Elisabeth Schwarzkopf/Geoffrey Parsons 3:1825. 5 Songs, Op.26 (1995 Digital Remaster): 5 Songs, Op.26 (1995 Digital Remaster): IV. Mit einer Primula veris - Elisabeth Schwarzkopf/Geoffrey Parsons 2:1526. 6 Songs, Op.48 (1995 Digital Remaster): 6 Songs, Op.48 (1995 Digital Remaster): I. Lauf der Welt (Uhland) - Elisabeth Schwarzkopf/Geoffrey Parsons 1:4327. 7 Gipsy Melodies, B.104 (1995 Digital Remaster): 7 Gipsy Melodies, B.104 (1995 Digital Remaster): IV. Songs my mother taught me - Elisabeth Schwarzkopf/Gerald Moore 2:2728. 6 Songs, Op. 6 (1995 Digital Remaster): 6 Songs, Op. 6 (1995 Digital Remaster): VI. Nut wer die Sehnsucht kennt (Mey after Goethe) (1995 Digital Remaster) - Elisabeth Schwarzkopf/Gerald Moore 3:4729. In den Pilzen (1995 Digital Remaster) - Elisabeth Schwarzkopf/Geoffrey Parsons 1:2830. 12 Songs, Op.15 (1995 Digital Remaster): 12 Songs, Op.15 (1995 Digital Remaster): III. Selbstbetrug - Elisabeth Schwarzkopf/Nikolay Karlovich Medtner 1:2631. 12 Songs, Op.15 (1995 Digital Remaster): 12 Songs, Op.15 (1995 Digital Remaster): V. Aus 'Lila' (So Tanzet) - Elisabeth Schwarzkopf/Nikolay Karlovich Medtner 1:07CD 61. Mörike Lieder (2001 Digital Remaster): Mörike Lieder (2001 Digital Remaster): Im Frühling - Elisabeth Schwarzkopf/Wilhelm Furtwängler 5:562. Mörike Lieder (2001 Digital Remaster): Mörike Lieder (2001 Digital Remaster): Elfenlied - Elisabeth Schwarzkopf/Wilhelm Furtwängler 1:503. Mörike Lieder (2001 Digital Remaster): Mörike Lieder (2001 Digital Remaster): Lebewohl - Elisabeth Schwarzkopf/Wilhelm Furtwängler 2:154. Mörike Lieder (2001 Digital Remaster): Mörike Lieder (2001 Digital Remaster): Schlafendes Jesuskind - Elisabeth Schwarzkopf/Wilhelm Furtwängler 3:455. Phänomen from Goethe Lieder (2001 Digital Remaster) - Elisabeth Schwarzkopf/Wilhelm Furtwängler 2:086. Die Spröde from Goethe Lieder (2001 Digital Remaster) - Elisabeth Schwarzkopf/Wilhelm Furtwängler 2:137. Die Bekehrte from Goethe Lieder (2001 Digital Remaster) - Elisabeth Schwarzkopf/Wilhelm Furtwängler 3:038. Anakreons Grab from Goethe Lieder (2001 Digital Remaster) - Elisabeth Schwarzkopf/Wilhelm Furtwängler 3:029. Blumengruss from Goethe Lieder (2001 Digital Remaster) - Elisabeth Schwarzkopf/Wilhelm Furtwängler 1:3510. Epiphanias from Goethe Lieder (2001 Digital Remaster) - Elisabeth Schwarzkopf/Wilhelm Furtwängler 4:3911. XI. Wie lange schon war immer mein Verlangen (2001 Digital Remaster) - Elisabeth Schwarzkopf/Wilhelm Furtwängler 2:1512. XXXII. Was soll der Zorn, mein Schatz (2001 Digital Remaster) - Elisabeth Schwarzkopf/Wilhelm Furtwängler 2:0213. XII. Nein, junger Herr (2001 Digital Remaster) - Elisabeth Schwarzkopf/Wilhelm Furtwängler 1:0314. XXV. Mein Liebster hat zu Tische mich gelanden (2001 Digital Remaster) - Elisabeth Schwarzkopf/Wilhelm Furtwängler 1:1315. Bedekt mich mit Blumen (2001 Digital Remaster) - Elisabeth Schwarzkopf/Wilhelm Furtwängler 3:1416. Herr, was trägt der Boden hier (trans Heyse) from Spanisches Liederbuch, 'Spanish Songbook' (2001 Digital Remaster) - Elisabeth Schwarzkopf/Wilhelm Furtwängler 2:5717. In dem Schatten meiner Locken (trans Heyse) from Spanisches Liederbuch, 'Spanish Songbook' (2001 Digital Remaster) - Elisabeth Schwarzkopf/Wilhelm Furtwängler 2:3018. Mögen alle bösen Zungen (2001 Digital Remaster) - Elisabeth Schwarzkopf/Wilhelm Furtwängler 2:0019. Wie glänzt der helle Mond (Keller) (2001 Digital Remaster) - Elisabeth Schwarzkopf/Wilhelm Furtwängler 3:4420. Wiegenlied im Sommer (Reineck) (2001 Digital Remaster) - Elisabeth Schwarzkopf/Wilhelm Furtwängler 3:5821. Nachtzauber from Eichendorff Lieder (2001 Digital Remaster) - Elisabeth Schwarzkopf/Wilhelm Furtwängler 5:2722. Die Zigeunerin from Eichendorff Lieder (2001 Digital Remaster) - Elisabeth Schwarzkopf/Wilhelm Furtwängler 3:27CD 71. Vier letzte Lieder, Op. posth (2000 Digital Remaster): Vier letzte Lieder, Op. posth (2000 Digital Remaster): 1. Frühling (Hesse) - Elisabeth Schwarzkopf/Philharmonia Orchestra/Otto Ackermann 3:292. Vier letzte Lieder, Op. posth (2000 Digital Remaster): Vier letzte Lieder, Op. posth (2000 Digital Remaster): 2. September (Hesse) - Elisabeth Schwarzkopf/Philharmonia Orchestra/Otto Ackermann 4:103. Vier letzte Lieder, Op. posth (2000 Digital Remaster): Vier letzte Lieder, Op. posth (2000 Digital Remaster): 3. Beim Schlafengehen (Hesse) - Elisabeth Schwarzkopf/Philharmonia Orchestra/Otto Ackermann 4:324. Vier letzte Lieder, Op. posth (2000 Digital Remaster): Vier letzte Lieder, Op. posth (2000 Digital Remaster): 4. Im Abendrot (Eichendorff) - Elisabeth Schwarzkopf/Philharmonia Orchestra/Otto Ackermann 7:165. Morgen mittag um elf! from Capriccio, Op.85 (2000 Digital Remaster) - Elisabeth Schwarzkopf/Philharmonia Orchestra/Otto Ackermann 17:446. Arabella (2000 Digital Remaster): Arabella (2000 Digital Remaster): Act 1: Ich danke, Fräulein (Arabella/Zdenka) - Elisabeth Schwarzkopf/Anny Felbermayer/Josef Metternich/Harald Pröglhöf/Murray Dickie/Walter Berry/Philharmonia Orchestra/Lovro von Matacic 8:217. Arabella (2000 Digital Remaster): Arabella (2000 Digital Remaster): Act 1, Finale: Mein Elemer! (Arabella/Zdenka) - Elisabeth Schwarzkopf/Anny Felbermayer/Josef Metternich/Harald Pröglhöf/Murray Dickie/Walter Berry/Philharmonia Orchestra/Lovro von Matacic 7:548. Arabella (2000 Digital Remaster): Arabella (2000 Digital Remaster): Act 2: Sie wollen mich heiraten (Arabella/Mandryka) - Elisabeth Schwarzkopf/Anny Felbermayer/Josef Metternich/Harald Pröglhöf/Murray Dickie/Walter Berry/Philharmonia Orchestra/Lovro von Matacic 8:529. Arabella (2000 Digital Remaster): Arabella (2000 Digital Remaster): Act 2: Und jetzt sag' ich adieu (Arabella/Domink/Elemer/Lamoral) - Elisabeth Schwarzkopf/Anny Felbermayer/Josef Metternich/Harald Pröglhöf/Murray Dickie/Walter Berry/Philharmonia Orchestra/Lovro von Matacic 8:5510. Arabella (2000 Digital Remaster): Arabella (2000 Digital Remaster): Act 3, Finale: Das war sehr gut, Mandryka (Arabella/Mandryka) - Elisabeth Schwarzkopf/Anny Felbermayer/Josef Metternich/Harald Pröglhöf/Murray Dickie/Walter Berry/Philharmonia Orchestra/Lovro von Matacic 6:00CD 81. Der Rosenkavalier (2001 Digital Remaster), Act I: Der Rosenkavalier (2001 Digital Remaster), Act I: Da geht er hin, der aufgeblasene schlechte Kerl (Marschallin) - Elisabeth Schwarzkopf/Philharmonia Orchestra/Herbert von Karajan 5:162. Der Rosenkavalier (2001 Digital Remaster), Act I: Der Rosenkavalier (2001 Digital Remaster), Act I: Ach, du bist wieder da! (Marschallin/Octavian) - Elisabeth Schwarzkopf/Christa Ludwig/Philharmonia Orchestra/Herbert von Karajan 3:013. Der Rosenkavalier (2001 Digital Remaster), Act I: Der Rosenkavalier (2001 Digital Remaster), Act I: Oh, sei er gut, Quinquin (Marschallin/Octavian) - Elisabeth Schwarzkopf/Christa Ludwig/Philharmonia Orchestra/Herbert von Karajan 2:224. Der Rosenkavalier (2001 Digital Remaster), Act I: Der Rosenkavalier (2001 Digital Remaster), Act I: Die Zeit im Grunde, Quinquin (Marschallin) - Elisabeth Schwarzkopf/Philharmonia Orchestra/Herbert von Karajan 2:435. Der Rosenkavalier (2001 Digital Remaster), Act I: Der Rosenkavalier (2001 Digital Remaster), Act I: Mein schöner Schatz (Octvaian/Marschallin) - Elisabeth Schwarzkopf/Christa Ludwig/Philharmonia Orchestra/Herbert von Karajan 3:576. Der Rosenkavalier (2001 Digital Remaster), Act I: Der Rosenkavalier (2001 Digital Remaster), Act I: Quinquin, Er soll jetzt geh'n (Octavian/Marschallin) - Elisabeth Schwarzkopf/Christa Ludwig/Philharmonia Orchestra/Herbert von Karajan 3:597. Der Rosenkavalier (2001 Digital Remaster), Act I: Der Rosenkavalier (2001 Digital Remaster), Act I: Ich hab'ihn nicht einmal geküßt! (Marschallin/Lakaien) - Elisabeth Schwarzkopf/Eberhard Waechter/Erich Majkut/Gerhard Unger/Harald Pröglhöf/Philharmonia Orchestra/Herbert von Karajan 3:488. Der Rosenkavalier (2001 Digital Remaster), Act III: Der Rosenkavalier (2001 Digital Remaster), Act III: Marie Theres'!...Hab'mir's gelobt (Sophie/Octavian/Marschallin) - Elisabeth Schwarzkopf/Christa Ludwig/Teresa Stich-Randall/Philharmonia Orchestra/Herbert von Karajan 4:479. Muttertändelei, Op.43/2 (Bürger) (1997 Digital Remaster) - Elisabeth Schwarzkopf/George Szell/Radio-Sinfonie-Orchester Berlin 2:0510. Waldseligkeit, Op.49/1 (1997 Digital Remaster) - Elisabeth Schwarzkopf/George Szell/Radio-Sinfonie-Orchester Berlin 3:1411. Zueignung, Op.10/1 (1997 Digital Remaster) - Elisabeth Schwarzkopf/George Szell/Radio-Sinfonie-Orchester Berlin 1:5112. Freundliche Vision, Op.48/1 (Bierbaum) (1997 Digital Remaster) - Elisabeth Schwarzkopf/London Symphony Orchestra/George Szell 3:0613. Die heiligen drei Könige, Op.56/6 (1997 Digital Remaster) - Elisabeth Schwarzkopf/George Szell/Radio-Sinfonie-Orchester Berlin 6:3914. Ruhe, meine Seele, Op.27/1 (1997 Digital Remaster) - Elisabeth Schwarzkopf/London Symphony Orchestra/George Szell 3:5415. Meinem Kinde, Op.37/3 (1997 Digital Remaster) - Elisabeth Schwarzkopf/London Symphony Orchestra/George Szell 2:5116. Wiegenlied, Op.41/1 (1997 Digital Remaster) - Elisabeth Schwarzkopf/London Symphony Orchestra/George Szell 4:4517. Morgen, Op.27/4 (1997 Digital Remaster) - Elisabeth Schwarzkopf/London Symphony Orchestra/George Szell 3:4618. Das Bächlein, Op.88/1 (1997 Digital Remaster) - Elisabeth Schwarzkopf/London Symphony Orchestra/George Szell 2:0319. Das Rosenband, Op.36 No. 1 (1997 Digital Remaster) - Elisabeth Schwarzkopf/London Symphony Orchestra/George Szell 3:1420. Winterweihe, Op.48/4 (1997 Digital Remaster) - Elisabeth Schwarzkopf/London Symphony Orchestra/George Szell 3:23CD 91. Die Fledermaus (1999 Digital Remaster), Act II: Die Fledermaus (1999 Digital Remaster), Act II: Dieser Anstand, so manierlich (Eisenstein/Rosalinde) - Herbert von Karajan/Nicolai Gedda/Philharmonia Orchestra and Chorus/Elisabeth Schwarzkopf/Rita Streich/Luise Martini/Helmut Krebs/Karl Dönch/Erich Kunz/Rudolf Christ/Erich Majkut/Franz Böheim/Philharmonia Chorus/Philharmonia Orchestra 5:062. Die Fledermaus (1999 Digital Remaster), Act II: Die Fledermaus (1999 Digital Remaster), Act II: Klänge der Heimat (Rosalinde) - Herbert von Karajan/Philharmonia Orchestra and Chorus/Elisabeth Schwarzkopf/Philharmonia Chorus/Philharmonia Orchestra 4:433. Der Zigeunerbaron (2001 Digital Remaster), Act I: Der Zigeunerbaron (2001 Digital Remaster), Act I: So elend und so treu....O habet acht (Saffi) - Elisabeth Schwarzkopf/Philharmonia Orchestra/Otto Ackermann 5:284. Der Zigeunerbaron (2001 Digital Remaster), Act II: Der Zigeunerbaron (2001 Digital Remaster), Act II: Wer uns getraut? (Barinkay/Saffi/Chor/Camero) - Elisabeth Schwarzkopf/Nicolai Gedda/Willy Ferenz/Philharmonia Orchestra/Otto Ackermann 4:265. Die lustige Witwe (The Merry Widow) (2000 Digital Remaster): Die lustige Witwe (The Merry Widow) (2000 Digital Remaster): III. Rezitativ: Frau Glawari darf keinen Pariser heiraten...Bitte, meine Herr'n (Zeta/Hanna/Cascada/Herren/St.Brioche) - Josef Knapp/Hanny Steffek/Elisabeth Schwarzkopf/Kurt Equiluz/Hans Strohbauer/Philharmonia Orchestra/Lovro von Matacic 3:106. Die lustige Witwe (The Merry Widow) (2000 Digital Remaster): Die lustige Witwe (The Merry Widow) (2000 Digital Remaster): Nun laßt uns aber wie dahein...Es lebt' eine Vilja (Viljalied)...Tanz: Mi velimo dase dase Veslimo! (Hanna/Chor) - Elisabeth Schwarzkopf/Philharmonia Orchestra/Philharmonia Chorus/Lovro von Matacic 4:517. Die lustige Witwe: Graf Danilo...Lippen schweigen (Act III) (2000 Digital Remaster) - Eberhard Waechter/Elisabeth Schwarzkopf/Philharmonia Orchestra/Philharmonia Chorus/Lovro von Matacic 3:308. Der Opernball: Im chambre séparée (1999 Digital Remaster) - Elisabeth Schwarzkopf/Otto Ackermann/Philharmonia Orchestra/Philharmonia Choir 3:069. Der Vogelhändler (1999 Digital Remaster): Der Vogelhändler (1999 Digital Remaster): Ich bin die Christel von der Post - Elisabeth Schwarzkopf/Otto Ackermann/Philharmonia Chorus/Philharmonia Orchestra 1:3710. Der Vogelhändler (1999 Digital Remaster): Der Vogelhändler (1999 Digital Remaster): Schenkt man sich Rosen in Tirol - Elisabeth Schwarzkopf/Otto Ackermann/Philharmonia Chorus/Philharmonia Orchestra 2:4511. Der Zarewitsch: Einer wird kommen (1999 Digital Remaster) - Elisabeth Schwarzkopf/Otto Ackermann/Philharmonia Chorus/Philharmonia Orchestra 3:3212. Der Graf von Luxemburg: Heut' noch werd' ich Ehefrau (1999 Digital Remaster) - Elisabeth Schwarzkopf/Otto Ackermann/Philharmonia Chorus 3:2113. Der Graf von Luxemburg: Hoch, Evöe, Angèle Didier (1999 Digital Remaster) - Elisabeth Schwarzkopf/Otto Ackermann/Philharmonia Orchestra/Philharmonia Chorus 3:3414. Casanova: Nonnenchor und das Lied der Laura (Nuns' Chorus and Laura's Song) (1999 Digital Remaster) - Elisabeth Schwarzkopf/Otto Ackermann/Philharmonia Orchestra/Philharmonia Chorus 4:0015. Die Dubarry (1999 Digital Remaster): Die Dubarry (1999 Digital Remaster): Ich schenk' mein Herz - Elisabeth Schwarzkopf/Otto Ackermann/Philharmonia Orchestra and Chorus/Philharmonia Orchestra/Philharmonia Chorus 3:3516. Die Dubarry (1999 Digital Remaster): Die Dubarry (1999 Digital Remaster): Was ich im Leben beginne - Elisabeth Schwarzkopf/Otto Ackermann/Philharmonia Orchestra and Chorus/Philharmonia Orchestra/Philharmonia Chorus 2:2917. Boccaccio: Hab' ich nur deine Liebe (1999 Digital Remaster) - Elisabeth Schwarzkopf/Otto Ackermann/Philharmonia Chorus/Philharmonia Orchestra 3:0218. Der Obersteiger: Sei nicht bös (1999 Digital Remaster) - Elisabeth Schwarzkopf/Otto Ackermann/Philharmonia Orchestra/Philharmonia Chorus 4:2019. Giuditta: Meine Lippen, sie küssen so heiss (1999 Digital Remaster) - Elisabeth Schwarzkopf/Otto Ackermann/Philharmonia Orchestra/Philharmonia Chorus 5:0820. Wien, du Stadt meiner Träume (1999 Digital Remaster) - Elisabeth Schwarzkopf/Otto Ackermann/Philharmonia Orchestra/Philharmonia Chorus 3:14CD 101. Der Rosenklavier, Op.59: Herrgott im Himmel! Mir ist die Ehre widerfahren (2000 Digital Remaster) - Elisabeth Schwarzkopf/Herbert von Karajan/Gerald Moore/Wiener Philharmoniker 11:152. Hänsel und Gretel (2000 Digital Remaster): Hänsel und Gretel (2000 Digital Remaster): Suse, liebe Suse - Brüderchen, komm mit mir (1 Akt) - Elisabeth Schwarzkopf/Philharmonia Orchestra/Josef Krips 9:243. Hänsel und Gretel (2000 Digital Remaster): Hänsel und Gretel (2000 Digital Remaster): Der kleine Sandmann bin ich-Abends, wil ich schlafen gehn (2 Akt) - Elisabeth Schwarzkopf/Philharmonia Orchestra/Josef Krips 4:444. Turandot (2000 Digital Remaster): Turandot (2000 Digital Remaster): Tu, che di gel sei cinta (Act III) - Elisabeth Schwarzkopf/Philharmonia Orchestra/Karl Böhm 2:525. Gianni Schicchi: Oh! mio babbino caro (2000 Digital Remaster) - Elisabeth Schwarzkopf/Wiener Philharmoniker/Herbert von Karajan 2:526. Der Freischutz, Act II: Wie nahte mir der Schlummer - Leise, leise, frommer Weise (2000 Digital Remaster) - Elisabeth Schwarzkopf/Walter Susskind/Philharmonia Orchestra 8:367. Tannhäuser (1988 Digital Remaster): Tannhäuser (1988 Digital Remaster): Dich, teure Halle, grüss' ich wieder (Elisabeth's Greeting) (Act II) - Elisabeth Schwarzkopf/Philharmonia Orchestra/Walter Susskind 5:128. Lohengrin (1988 Digital Remaster): Lohengrin (1988 Digital Remaster): Einsam in trüben Tagen (Elsa's Dream) (Act I) - Elisabeth Schwarzkopf/Philharmonia Orchestra/Walter Susskind 5:589. Messa da Requiem (1997 Digital Remaster), VII. Libera me: Messa da Requiem (1997 Digital Remaster), VII. Libera me: Requiem aeternam - Elisabeth Schwarzkopf/Christa Ludwig/Nicolai Gedda/Nicolai Ghiaurov/Philharmonia Orchestra and Chorus/Carlo Maria Giulini 3:0010. Così fan tutte (2000 Digital Remaster): Così fan tutte (2000 Digital Remaster): L'intatta fede che... - Elisabeth Schwarzkopf/Philharmonia Orchestra/Karl Böhm 5:2111. Soirées musicales.: Soirées musicales.: La regata veneziana. - Gerald Moore/Victoria de los Angeles/Elisabeth Schwarzkopf 4:5112. Cats' Duet (Duetto buffo di due gatti) (2003 Digital Remaster) - Gerald Moore/Victoria de los Angeles/Elisabeth Schwarzkopf 3:1513. 4 Duette, Op.78: 4 Duette, Op.78: Tanzlied - Elisabeth Schwarzkopf/Dietrich Fischer-Dieskau/Gerald Moore 2:2914. Goethe Lieder: Goethe Lieder: Mignon (Kennst du das Land) - Elisabeth Schwarzkopf/Gerald Moore 6:49

• Wykonawca Schwarzkopf Elisabeth
• Data premiery 2011-04-04
• Nośnik CD

Sony Classical ma zaszczyt zaprezentować 10 płytowy zestaw nagrań zatytułowany „Bernstein conducts Beethoven – Remastered”. Przedstawiany Państwu box to wybór doskonałych kreacji beethovenowskich Bernsteina dokonanych w latach 1958 – 1970 wraz z zespołem New York Philharmonic Orchestra. To obowiązkowa pozycja każdego melomana. Tracklista: CD 1 1. Beethoven: Symphony No. 2 in D Major, Op. 36 (Remastered) 2. Beethoven: Symphony No. 1 in C Major, Op. 21 (Remastered) CD 2  1. Beethoven: Symphony No. 3 in E-Flat Major, Op. 55 "Eroica" (Remastered) CD 3  1. Beethoven: Symphony No. 4 in B-Flat Major, Op. 60 (Remastered) 2. Beethoven: Symphony No. 8 in F Major, Op. 93 (Remastered) CD 4  1. Beethoven: Symphony No. 5 in C Minor, Op. 67 (Remastered) 2. How a Great Symphony was written - Leonard Bernstein Talks about the First Movement of Beethoven's Fifth Symphony (Remastered) CD 5  1. Beethoven: Symphony No. 6 in F Major, Op. 68 "Pastoral" (Remastered) CD 6  1. Beethoven: Symphony No. 7 in A Major, Op. 92 (Remastered) CD 7  1. Beethoven: Symphony No. 7 in A Major, Op. 92 (Remastered) CD 8  1. Beethoven: Symphony No. 9 in D Minor, Op. 125 "Choral" (Remastered) CD 9  1. Beethoven: Die Weihe des Hauses Overture, Op. 124 (Remastered) 2. Beethoven: King Stephen Overture, Op. 117 (Remastered) 3. Beethoven: Fidelio Overture, Op. 72b (Remastered) 4. Beethoven: Egmont Overture, Op. 84 (Remastered) 5. Beethoven: Leonore Overture No. 3, Op. 72a (Remastered) CD 10  1. Beethoven: Missa Solemnis in D Major, Op. 123 (Remastered)

• Wykonawca Bernstein Leonard
• Data premiery 2019-11-15
• Nośnik CD

Tracklista:1. The Ravens2. Superstitions3. Tramponuns4. Art Gallery5. Initials6. Religions

• Wykonawca Cook Peter , Moore Dudley
• Data premiery 2019-03-01
• Nośnik CD

Tracklista: CD 1 1. I. Allegro Ma Non Troppo 2. II. Andante - Lento E Mesto 3. III. Allegro - Tempo Giusto CD 2 1. I. Allegro Moderato E Tranquillo 2. II. Adagio Espressivo 3. III. Scherzo 4. IV. Allegro. Tempo Ordinario

• Wykonawca Triendl Oliver
• Data premiery 2018-03-29
• Nośnik CD