
Tracklista:1. Rebound2. Ginza3. Por Toda a Minha Vida4. Recco5. Eden6. Baile Funk7. Homilia8. Frevo9. Chorinho Pra Ele10. Moonmist11. Victor12. Tio!
- Data premiery 2014-10-20
- Nośnik CD
- Muzyka poważna / Recitale
- 7-10-2020, 04:48
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Tracklista:1. Rebound2. Ginza3. Por Toda a Minha Vida4. Recco5. Eden6. Baile Funk7. Homilia8. Frevo9. Chorinho Pra Ele10. Moonmist11. Victor12. Tio!

Kanadyjska orkiestra dęta założona w 1970 roku, nagrała ponad 80 płyt podczas swojej działalności. Zajmuje się muzyką klasyczną, jazzową, aranżacjami w stylu pop, różnymi transkrypcjami. Na 5 CD usłyszymy znane i lubiane utwory muzyki klasycznej epoki baroku i klasycyzmu (C. Monterverdi, G. Gabrieli, H. Purcell, J.S. Bach, A. Vivaldi, G.F. Haende, W.A. Mozart).

CD 1:1. Nocturne 1, Op.9, No. 1 in B-flat Minor 2. Nocturne 2, Op.9, No. 2 in E-flat Major3. Nocturne 3, Op.9, No. 3 in B Major4. Nocturne 4, Op.15, No. 1 in F Major5. Nocturne 5, Op.15, No. 2 in F sharp Major6. Nocturne 6, Op.15, No. 3 in G Minor7. Nocturne 7 , Op.27, No. 1 in C-sharp Minor8. Nocturne 8, Op.27, No. 2 in D-flat Major9. Nocturne 9, Op.32, No. 1 in B Major10. Nocturne 10, Op.32, No. 2 in A-flat Major11. Nocturne 11, Op.37, No. 1 in Minor12. Nocturne 12, Op.37, No. 2 in G Major13. Nocturne 13, Op.48, No. 1 in C Minor14. Nocturne 14, Op.48, No. 2 in F-sharp MinorCD 2:1. Nocturne 15, Op.55, No. 1 in F Minor2. Nocturne 16, Op.55, No. 2 in E-flat Major3. Nocturne 17, Op.62, No. 1 in B Major4. Nocturne 18, Op.62, No. 2 in E Major5. Nocturne 19, Op.72, No. 1 in E Minor6. Nocturne 20 in C-sharp Minor7. Nocturne 21 in C Minor8. Ballade No. 1 in G Minor, Op.239. Ballade No. 2 in F Major, Op.3810. Ballade No. 3 in A-flat Major, Op.4711. Ballade No. 4 in F Minor, Op.52

Wyjątkowe wydawnictwo: 2CD + nuty wszystkich utworów w miękkiej oprawie i opatrzone uwagami samego Lang Langa nuty utworu Dla Elizy Beethovena. Tracklista: CD 1 1. J.S. Bach: Prelude In C Major, BWV 846 [The Well-Tempered Clavier: Book 1, BWV 846-869] 2. Beethoven: Bagatelle No. 25 In A Minor, Woo 59 Für Elise 3. Richter: The Departure 4. Mendelssohn: 4. Presto Spinning Song [Lieder Ohne Worte, Op. 67] 5. Debussy: 3. Clair De Lune [Suite Bergamasque, L. 75] 6. Debussy: 1. Doctor Gradus Ad Parnassum [Children's Corner, L. 113] 7. Chopin: 15. Sostenuto In D-Flat Major, C. 180 Raindrop [24 Préludes, Op. 28, C. 166-189] 8. Mozart: 1. Allegro [Piano Sonata No. 16 In C Major, K. 545 Sonata Facile] 9. Clementi: 2. Andante [Sonatina No. 1 In C Major, Op. 36] 10. Czerny: 1. Presto [The School Of Velocity, Op. 299] 11. Tiersen: 4. La Valse d'Amélie [Six Pieces For Piano, Volume 2] 12. Debussy: Rêverie, L. 68 13. Schubert: 3. Allegro Moderato [6 Moments Musicaux, Op. 94, D. 780] 14. Grieg: 6. To Spring [Lyric Pieces Book III, Op. 43] 15. Schumann: 8. Wilder Reiter [Album Für Die Jugend, Op. 68 / Part 1: Für Kleinere] 16. Poulenc: 2. Staccato [Villageoises: Six Petites Pièces Enfantines Pour Piano, FP 65] 17. Huang: The Merry Shepherd Boy 18. Sakamoto: Merry Christmas Mr. Lawrence (Arr. For Piano) 19. Badarzewska-Baranowska: The Maiden's Prayer, Op. 4 20. - 32. Mozart: Tema [12 Variations In C Major On Ah, Vous Dirai-Je Maman, K. 265] 20. J.S. Bach: Minuet No. 1 In G Major, BWV Suppl. 114 CD 2 1. Kats-Chernin: 2. Eliza Aria (Arr. For Piano) [Wild Swans Suite] 2. De Lulli: The Celebrated Chop Waltz 3. Traditional: Jasmine Flower (Arr. For Piano Solo By Schindler) 4. Ginastera: 2. Danza De La Moza Donosa [Danzas Argentinas, Op. 2] 5. Traditional: Limu, Limu, Lima (Arr. By Schindler) 6. Elgar: No. 9 Nimrod (Arr. For Solo Piano By Elgar) [Variations On An Original Theme, Op. 36 Enigma] 7. Traditional: Arirang (Arr. For Piano Solo By Schindler) 8. Joplin: Maple Leaf Rag

Sony Classical ma zaszczyt zaprosić do wysłuchania 2-płytowego zestawu nagrań suit na wiolonczelę solo Jana Sebastiana Bacha w wykonaniu amerykańskiego mistrza wiolonczeli pochodzenia chińskiego Yo – Yo Ma. Yo – Yo Ma to laureat nagrody Avery Fisher Prize w 1978 oraz wielu nagród Grammy, doktor honoris causa uniwersytetów: Harvarda (1991) i Princeton (2005). Odznaczony został w 2001 Prezydenckim Medalem Wolności i Narodowym Medalem Sztuki, zaś w 2012 roku otrzymał nagrodę muzyczną Polar Music Prize przyznawaną przez Stig Anderson Music Award Foundation. Tracklista: CD 1 Unaccompanied Cello Suite No. 1 in G Major, BWV 1007: 1. I. Prélude 2. II. Allemande 3. III. Courante 4. IV. Sarabande 5. V. Menuets I & II 6. VI. Gigue Unaccompanied Cello Suite No. 2 in D Minor, BWV 1008 7. I. Prélude 8. II. Allemande 9. III. Courante 10. IV. Sarabande 11. V. Menuets I & II 12. VI. Gigue Unaccompanied Cello Suite No. 3 in C Major, BWV 1009 13. I. Prélude 14. II. Allemande 15. III. Courante 16. IV. Sarabande 17. V. Bourrées I & II 18. VI. Gigue CD 2 Unaccompanied Cello Suite No. 4 in E-Flat Major, BWV 1010 1. I. Prélude 2. II. Allemande 3. III. Courante 4. IV. Sarabande 5. V. Bourrées I & II 6. VI. Gigue Unaccompanied Cello Suite No. 5 in C Minor, BWV 1011 7. I. Prélude 8. II. Allemande 9. III. Courante 10. IV. Sarabande 11. V. Gavottes I & II 12. VI. Gigue Unaccompanied Cello Suite No. 6 in D Major, BWV 1012 13. I. Prélude 14. II. Allemande 15. III. Courante 16. IV. Sarabande 17. V. Gavottes I & II 18. VI. Gigue

Michael Ohnimus i Lucas Chorosiński występują w zgranym duecie, efektownie łącząc brzmienie trąbki i organów. Artyści sięgają po znane kompozycje barokowych mistrzów: bachowski chorał „Bist du bei mir”, „Muzykę na Wodzie” Haendla, preludium do „Te Deum” Charpentiera i „Sinfonies des Fanfares” Moureta.Ponieważ kompozycje te przeznaczone były dla odmiennego aparatu wykonawczego konieczne było dokonanie transkrypcji, w których realizację partii orkiestrowej powierzono organom, zaś linię melodyczną ̵ trąbce. W przypadku Suity na trąbkę i organy Purcella oraz Koncertu g-moll Matthew Camidge'a transkrypcja nie była konieczna, ale oryginalność brzmienia cieszy tutaj słuchacza w nie mniejszym stopniu.

1. Selections from Act I: Grand Entrance - "Su! Del Nilo al sacro lido" - "Ritorna vincitor!" - "L'insana parola" from Aida 2. Celeste Aida from Act I from Aida 3. Triumphal Scene from Act II "Gloria all'Egitto" - Egyptian March - "Vieni, o guerriero vindice" from Aida 4. Verdi: Otello: "Ave Maria" and Final Scene from Act IV 5. Verdi le fosche nolturne spogile (Anvil Chorus) from Act II from Il Trovatore 6. Di quella pira from Act III from Il Trovatore 7. Prelude from La Traviata 8. Introduction to Act I from La Traviata 9. Brindisi from Act I from La Traviata 10. Waltz from Act I from La Traviata 11. Un di fellice from Act I from La Traviata 12. Siempre livera degg'io from Act I from La Traviata 13. Di Provenza il mar, il suo! from Act II from La Traviata 14. Questa o quella from Act I from Rigoletto 15. Caro nome from Act II from Rigoletto 16. La donna e mobile from Act IV from Rigoletto 17. Un, di, se ben rammentomi from Act IV from Rigoletto 18. Tutto nel mondo e burla Finale from Act III from Falstaff 19. Va, pensiero (Prisoners' Chorus) from Act III from Nabucco

1. I Puritani, opera: Act 1. A te, o cara 3:372. Norma, opera: Act 1. Meco all'altar di Venere... Me protegge, me 6:123. La favorita, opera: Act 4. Favorita del Re!... Spirto gentil 4:584. Il Trovatore, opera: Act 3. Ah sě, ben mio... Di quella pira 7:145. Luisa Miller, opera: Act 2. Oh! fede negar potessi... Quando le sere al 5:196. La forza del destino, opera: Act 3. La vita č inferno... O tu che in seno agli 6:387. Macbeth, opera: Act 4. O figli, o figli miei!... Ah! la paterna ma 3:528. Rigoletto, opera: Act 3. La donna č mobile 2:319. Ernani, opera: Act 1. Mercé, diletti amici... Come rugiada... Oh, 4:5710. Un ballo in maschera, opera: Act 3. Forse la soglia attinse... Ma se m'č forza 5:1311. Aida, opera: Act 1. Se quel guerrier io fossi!... Celeste Aida 4:4712. Aida, opera: Act 3. Pur ti riveggo, mia dolce Aida... Ma dimmi 12:3013. Les Huguenots, grand opera in 5 acts: Act 1. Non lunge della torre... Bianca al par di n 5:2414. Loreley, opera (azione romantica) in 3 acts: Act 1. Nel verde maggio 2:2315. La Gioconda, opera in 4 acts: Act 2. Cielo e mar! 4:4616. Adriana Lecouvreur, opera: Act 2. L'anima ho stanca 2:2317. Cavalleria rusticana, opera (melodramma) in 1 act: Intanto amici... Viva il vivo spumeggiante 2:5718. Cavalleria rusticana, opera (melodramma) in 1 act: Mamma, quel vino č generoso 4:1019. Pagliacci, opera: Act 1. Un grande spettacolo... Un tal gioco 5:1720. Pagliacci, opera: Act 1. Recitar!... Vesti la giubba 3:4821. Pagliacci, opera: Act 2. No, Pagliaccio non son 6:2622. Manon Lescaut, opera: Act 1. Donna non vidi mai 2:3623. Tosca, opera: Act 1. Recondita armonia 3:0324. Tosca, opera: Act 3. E lucevan le stelle 3:2925. Turandot, opera: Act 1. Non piangere, Liů... Ah! per l'ultima volta 4:4526. Turandot, opera: Act 3. Nessun dorma 2:5527. Turandot, opera: Act 3. Principessa di morte! 5:3428. Andrea Chénier, opera: Act 1. Colpito... Un dě all'azzurro spazio 5:4129. Andrea Chénier, opera: Act 2. Credo a una posanza arcana 3:2630. Andrea Chénier, opera: Act 3. Legray!... Andrea Chénier!... Sě, fui solda 3:1931. Andrea Chénier, opera: Act 4. Come un bel dě di maggio 3:2532. Andrea Chénier, opera: Act 4. Vicino a te 7:5833. Le Cid, opera: Act 3. Ah! tout est bien fini... Ô souverain, ô ju 4:5334. Roméo et Juliette, opera: Act 1. Ange adorable 4:3635. Roméo et Juliette, opera: Act 2. L'amour... Ah! lčve-toi, soleil! 4:4036. Roméo et Juliette, opera: Act 2. Ô nuit divine! 8:2337. Roméo et Juliette, opera: Act 5. C'est lŕ! Salut! tombeau! 6:3438. Ellens Gesang III ("Ave Maria"), song for voice & piano, D. 839 (Op. 52/6) 2:2439. Serse (Xerxes), opera, HWV 40: Act 1. Frondi tenere... Ombra mai fů 4:0640. Requiem Mass, for soloists, chorus & orchestra (Manzoni Requiem): Ingemisco 4:2741. Petite messe solennelle, for soloists, 2 pianos, harmonium & choir: Domine Deus 4:2742. Granada, for voice & orchestra (with chorus ad lib) 4:3643. Vaghissima sembianza, for voice & piano (or orchestra) 3:5544. Ti voglio tanto bene, for voice & orchestra 2:5945. Mon ciel, c'est toi, for voice & piano (or orchestra) 2:2746. Il canto della rinuncia, for voice & piano (or orchestra) 4:2747. Carretiere, for voice & piano (or orchestra) 3:4148. Tu Lo Sai 3:3349. Pourquoi fermer ton coeur 3:5950. Si tu m'amais, for voice & piano (or ensemble) 3:5951. Mammina Mia 3:5552. El Trust de los Tenorios, zarzuela: Te quiero, morena 3:0053. Core 'ngrato (Catari), for voice & orchestra 3:3354. Senza nisciuno for voice & orchestra 3:2555. Addŕ turnŕ, for voice & piano (or orchestra) 3:3956. 'O Paese D' 'O Sole for voice & orchestra 3:3357. Pecchč? for voice & orchestra 3:5658. Fenesta che (ca) lucive 3:4859. Piscatore 'E Pusilleco for voice & orchestra 3:1960. Tu, ca nun chiagne!, for voice & piano (or orchestra) 3:1061. I'te vurria vasa for voice & piano (or orchestra) 4:0462. Torna a Surriento, for voice & piano (or orchestra) 3:5063. Dicitencello vuje, for voice & piano (or orchestra) 3:3664. Guapparia, for voice & piano (or orchestra) 2:1865. Silenzio Cantatore, for voice & orchestra 3:2166. Voce 'e notte! for voice & orchestra 3:0767. O Marenariello, for voice & piano (or orchestra) 3:5168. Passione, for voice & piano (or orchestra) 4:0669. O sole mio, for voice & piano (or orchestra) 3:2070. O Surdato 'nnamurato, for voice & orchestra (with chorus, ad lib) 2:0071. A vucchella ("Arietta di Posilippo") for voice & piano (or orchestra) 2:5972. Addio, mia bella Napoli, for voice & orchestra 3:24

One of the most successful collaborations between legendary British countertenor James Bowman singing at the height of his powers and The King’s Consort. Universally praised on its first release, it here makes a welcome second outing on the Helios label. Handel’s Italian operatic arias put the virtuoso singer very much in the spotlight, and none more than the most precious voice-type of the era, the star castrato. This is a selection of Handel’s most famous and melodic heroic set-pieces for his operatic heroes, alternately sweetly reflective or sparkling with fire and energy, and all performed with Bowman’s unmistakeable panach

Wirtuoz skrzypiec Nigel Kennedy powraca z nową, wyjątkową płytą. Album nagrany w legendarnym Abbey Road Studio jest połączeniem klasycznych i jazzowych korzeni mistrza. To właśnie muzyka, którą dorastając był otoczony, inspiruje go najbardziej.