Tracklista: CD 1 1. I. Allegro Moderato 2. II. Scherzo. Allegro Moderato - Trio. Langsam. Scherzo Da Capo 3. III. Adagio. Feierlich Langsam, Doch Nicht Schleppend CD 2 1. IV. Finale. Feierlich, Nicht Schnell 2. In a Summer Garden 3. I. Tempo Molto Moderato - Largamente - Allegro Moderato - Presto 4. II. Andante Mosso, Quasi Allegretto 5. III. Allegro Molto - Misterioso - Un Pochettino Largamente - Largamente Assai


  • Data premiery 2018-09-07
  • Nośnik CD / Album

Symfonie Josepha Haydna zwykło się dzielić na trzy cykle zależne i nazwane od miejsca pobytu kompozytora. W budżetowej serii z muzyką klasyczną wytwórni ZYX umieszczono Symfonię nr 83 z okresu "paryskiego" oraz Symfonię nr 101, zwaną "Zegarową", z o kresu "londyńskiego". Z obiema mierzy się Philharmonia Slovonica po dyrekcją Carlo Pantelli'ego Tracklista: Symphonie Nr 83 g-moll 1. Allegretto 2. Andante 3. Menuetto 4. Finale: Vivace Symphonie Nr 101 D-dur "Zegarowa" ("Die Uhr") 5. Adagio - presto 6. Andante 7. Menuetto  8. Finale: Vivace 


  • Wykonawca Various Artists
  • Data premiery 2001-01-01
  • Nośnik CD

Recognized as one of the great communicators on the concert stage today, Steven Isserlis has written the liner notes to this disc, his third release on BIS, noting that the bond between the works he has chosen to record is their tragic inspiration – ‘the most terrible, senseless conflict the world has ever known.’ The conflict in question is the First World War, and Ernest Bloch’s Schelomo and Frank Bridge’s Oration, subtitled ‘Concerto Elegiaco’, spring directly from their creators’ reactions to its ‘grey hopelessness and the mindless, irreplaceable waste’. Schelomo was composed during the war itself, inspired by the boundless despair expressed in the text of Ecclesiastes: ‘Vanity of vanities, saith the Preacher, vanity of vanities…’ Bloch, who had originally intended to use the text itself in the work changed his mind after an encounter with the Russian cellist Alexander Barjansky. Naming it after King Salomo, traditionally regarded as the author of Ecclesiastes, Bloch created what has become one of the most frequently performed works for cello and orchestra from the 20th century. Less well-known, but no less deeply felt, is Oration, composed in 1930 by Frank Bridge, whose early works had been in a traditional vein with influences from Fauré and Brahms. A convinced pacifist, Bridge had been horrified by the war, and this greatly contributed to the radical changes in his musical language. One of the finest examples of this is the present ‘Concerto Elegiaco’, which Steven Isserlis describes as ‘taking us, almost cinematically, into the mud and slaughter of the battlefields, its cries of brutal suffering forming a musical protest.’ Closing the programme is The Loneliest Wilderness, a work which takes its title from a poem by Herbert Read published in 1919. More than eighty years later Stephen Hough, who as a pianist has collaborated extensively with Isserlis, composed his elegy, but it still resonates with the anguish of the Great War.


  • Wykonawca Isserlis Steven , Tapiola Sinfonietta
  • Data premiery 2013-02-01
  • Nośnik SACD

Track list    1. Egmont, incidental music, Op. 84: Ouvertüre     Listen     Listen2. Symphony No. 1 in C minor, Op. 68: 1. Un poco sostenuto - Allegro     Listen     Listen3. Symphony No. 1 in C minor, Op. 68: 2. Andante sostenuto     Listen     Listen4. Symphony No. 1 in C minor, Op. 68: 3. Un poco allegretto e grazioso     Listen     Listen5. Symphony No. 1 in C minor, Op. 68: 4. Adagio - Più andante - Allegro non troppo, ma con brio


  • Wykonawca Thielemann Christian
  • Data premiery 2007-01-01
  • Nośnik CD

Following the success of their first release on ONYX, the BSO and Karabits turn to the Ukraine for the second release in the orchestra’s partnership with ONYX. Tchaikovsky’s most overtly nationalistic symphony, his 2nd known as the ‘Little Russian’ uses folk songs from the Ukraine, and is the nearest the composer came to the musical and cultural ideals proposed by ‘The Mighty Handful’. This group of composers – Borodin, Balakirev, Rimsky-Korsakov, Cui and Mussorgsky rejected the Western influences on Russian culture, and looked to the music, folklore and history of Mother Russia for inspiration. Mussorgsky, probably the most naturally gifted of this group composed A Night on the Bare Mountain in 1867, and the original version heard here was not published until 1968. It is a striking work, quite shocking in it’s modernity, and a world away from Rimsky’s better known re-composition of the piece. The suite Pictures at an Exhibition was written for piano in 1874 and inspired by paintings by his friend Victor Harmann displays Mussorgsky’s great gift of graphic evocation. Ravel’s masterly orchestration was made in 1922.


  • Wykonawca Various Artists
  • Data premiery 2011-09-01
  • Nośnik CD