Tracklista:1. Star Wars a.Title Theme b.Imperial Attack c.The Desert & The e. The Land Of The Sand People f.Princess Leia's Theme g.Can2. Other Galactic Funk3. Star Wars Theme/Cantina Band 7'' Edit4. Star Wars Theme/Cantina Band 12'' Disco Mix
..DAUGHTER ON 180 GR. VINYL
Tracklista:1. My Home Town Is A One Horse Town2. Your Eyes Have Told Me So3. Be My Little Baby Bumble Bee4. Ain't We Got Fun5. By the Light of the Silvery Moon6. If You Were the Only Girl7. Just One Girl8. I'll Forget You9. Just One More Chance10. Thanks11. Nothing12. I'm Yours13. Bye, Honey Bye-Bye14. Walkin'15. There's a Lull in My Life16. I Miss You So17. The Lights Of Home18. Blame It On My Youth19. Say You're Mine Again20. The Song from 'Moulin Rouge'21. Oh, These Lonely Nights22. I Don't Want to Walk Without You23. No Stone Unturned24. Rather25. I Still Dream of You26. If It's the Last Thing I Do27. For the First Time
.. WHIPPERSNAPPERS
Tracklista: CD 1. Gunman 2. Fields Of Sorrow 3. Forlorn And Forsaken 4. Vampire In Ghost Town 5. Come With Me To The Other Side (feat. Liv Kristine) 6. The Face Of Silence 7. Ashen Rain 8. Down Here (Wanted: Dead Or Alive) 9. One Last Chance 10. Finis Coronat Opus DVD 1. Orden Ogan (Intro) 2. Ravenhead 3. Here At The End Of The World 4. We Are Pirates! 5. Deaf Among The Blind 6. Sorrow Is Your Tale 7. F.E.V.E.R 8. The Things We Believe In 9. In Grief And Chains (Outro)
Tracklista: Side A 1. Continuum 2. Worldly Whys 3. Fibre Optical Illusion 4. Fever Pitch 5. 2/3 Pure 6. Under Surveilance Side B 1. Cryonically Preserved 2. Overself 3. Protective Rage 4. Granted Wish 5. Shortfall 6. Incline 7. Time Folding Machine
After Berlin, Vienna was the music centre to which the conductor Wilhelm Furtwängler had the closest artistic connections. Under his direction the Vienna Philharmonic made a whole series of radio recordings that have now, for the first time, been carefully edited under the auspices of the Furtwängler specialist Gottfried Kraus and released by Orfeo on 18 CDs. The series commences with recordings from 1944/45, including one of Mozart’s g-minor symphony K550 in which Furtwängler demonstrates his clear sense of form from the very first bars. Beethoven’s third 'Leonore' Overture and an excerpt from Schubert’s 'Rosamunde' music complete our selection from this, the earliest of the recording sessions. Several works are to be found more than once in this anthology. Thus, Beethoven’s Eroica can be compared in an early version from 1944 and a later recording from 1953, just as Bruckner’s Eighth can be compared in recordings from 1944 and 1954. Beethoven’s Ninth Symphony is offered no less than three times here – from the years 1951, 1952 and 1953 – a work that surely no other conductor could make into such an 'event', an experience of universal import, as could Wilhelm Furtwängler. This was also true of his Brahms interpretations, represented here by the first two symphonies, the 'Haydn' Variations, the Double Concerto and the 'German Requiem', which is sadly only extant in an incomplete recording from 1951. This is, incidentally, the only time in this collection that we hear Furtwängler conducting the Vienna Symphony Orchestra. Besides Irmgard Seefried and Dietrich Fischer-Dieskau – two vocal soloists whom Furtwängler admired and engaged repeatedly – we can hear the chorus of the Vienna Singakademie on this recording.They also sing in Bach’s 'St Matthew Passion': in a partial recording from 1952 and in the famous performance of 1954 that was shortened by Furtwängler himself, but which is here released in a restored recording based on the original radio broadcast, without the cuts that were later made by record companies. Here as elsewhere in this collection, the acoustic heritage of the Viennese radio stations of the time has been restored using the best possible technological means available today. Even collector’s items such as the Piano Concertos K365 and 482 by Mozart, with Dagmar Bella and Paul Badura-Skoda, have probably never sounded better since they were first heard in the concert hall. Hence justice is done to Furtwängler’s timeles” style of music-making that unites different epochs, ranging from Gluck’s Overture to 'Iphigenie in Aulis' to Mahler’s 'Songs of a Wayfarer' and Furtwängler’s own Second Symphony – a work that despite all its late-Romantic echoes succeeds in attaining originality and a considerable emotional impact. This universality of Furtwängler has not found its match to this day.
Tracklista:1. Death Machine2. Locks3. Drug Train4. Hot Rod Homicide5. Guns And/or Knives6. Payin' the Bills7. Frenchie Wants to Party8. Mouthful of Dirt9. Chainsaw10. Swimmin' in S**t11. Ramones12. Kill, Kill, Kill
D. Oberlinger (ur. 1969), niemiecka flecistka, nominowana w 2008 do nagrody "Echo Klassik". Znana z nagrań koncertów A. Vivaldiego i G.F. Haendla. Artystka prezentuje nową płytę z barokowymi koncertami G.F.Telemanna, Ch. Graupnera, J.Ch. Schulze. Towarzyszy jej zespół "Ensemble 1700" pod batutą wielkiego znawcy instrumentalnej muzyki barokowej Reinharda Goebel'a.
Tracklista:1. Fisherman's Daughter2. Nothing New3. London Still4. Lighthouse5. Flesh and Blood6. Highway One7. Since I've Been Around8. Fourth Floor9. Rescue10. Three Down11. Sweetness12. Up All Night