Wokalna muzyka średniowieczna w wykonaniu zespołu Ferrara Ensemble pod dyrekcją Crawforda Younga. Wykonywane utwory zapisane są w manuskrypcie Codex Chantilly z 1390 roku.
Tracklista: 1. Great Balls of Fire2. Your Cheatin' Heart3. Breathless4. Save the Last Dance for Me5. Good Rockin' Tonight6. Whole Lotta Shakin' Going On7. Little Queenie8. Rockin' My Life Away9. Brown Eyed Handsome Man10. Chantilly Lace11. What I'd Say
Trzecia już płyta eksplorująca Codex Chantilly. Dwa najbardziej znane nagrania z tej kolekcji: Baude Cordier “picture songs,” i "Belle bonne sage".
Tracklista: CD 1 1. Rock Around The Clock 2. Move It 3. Sweet Nothings 4. Sweet Little Sixteen 5. Diana 6. Good Golly Miss Molly 7. Three Steps To Heaven 8. Stupid Cupid 9. Wake Up Little Susie 10. Peter Gunn Theme 11. Personality 12. A Teenager In Love 13. Charlie Brown 14. Good Timin' 15. Willie And The Hand Jive 16. Bony Moronie 17. I Go Ape 18. What Do You Want 19. At The Hop 20. Smoke Gets In Your Eyes CD 2 1. Great Balls Of Fire 2. Be-Bop-A-Lula 3. You're Sixteen 4. Lipstick On Your Collar 5. Stagger Lee 6. Blueberry Hill 7. Venus 8. Blue Suede Shoes 9. Poor Little Fool 10. Do You Wanna Dance? 11. Colette 12. Let's Jump The Broomstick 13. A Teenager In Love 14. Party Doll 15. Hey! Baby 16. Rubber Ball 17. Sea Cruise 18. Dizzy Miss Lizzy 19. Come Go With Me 20. Reet Petite CD 3 1. Johnny B Goode 2. Chantilly Lace 3. Tutti Frutti 4. Shake, Rattle And Roll 5. La Bamba 6. Living Doll 7. The Great Pretender 8. Shakin' All Over 9. Summertime Blues 10. Ain't That A Shame 11. Pistol Packin' Mama 12. Love Potion No. 9 13. Poetry In Motion 14. The Book Of Love 15. You Are My Destiny 16. Bird Dog 17. Searchin' 18. Cradle Of Love 19. Sh-Boom 20. Rebel Rouser
The Chantilly codex is the most sumptuous of the manuscripts transmitting the fascinating polyphonic songs of the late fourteenth-century France in a style known as the “ars subtilior”, the “more subtle art.” In the songs of this period,composers exerted themselves to express ever more complex rhythms, inventing new notational symbols to express them. The expression of the musical rhythm through notation was such a hot-button issue that a number of songs in the manuscript actually take it on as a topic, becoming self-referential essays about musical composition. In addition, the composers of this music worked in the great courts of Europe, and politics and political events invariably made their way into the song repertory.