1. Symphony in Three Movements, for orchestra 22:122. Symphony of Psalms, for chorus & orchestra 22:433. Symphony in C, for orchestra in C major 30:41
Oryginalne (tu – zremasterowane) nagranie zarejestrowano w dniach 20-21 listopada 1950 roku w Rzymie w Auditorium della Rai i była to jedna z trzech ról Callas, jakie zagrała w operach Wagnera. Tracklista: CD 1 1. Wagner: Parsifal, WWV 111: Preludio to Act 1 2. Wagner: Parsifal, WWV 111, Act 1: "Eh! Oh! Guardia così fate voi dormendo?" (Gurnemanz, Knights, Esquires, Kundry) 3. Wagner: Parsifal, WWV 111, Act 1: "Sì qui! ... Sta ben! ... Possiamo un po'" (Amfortas, Knight, Gurnemanz) 4. Wagner: Parsifal, WWV 111, Act 1: "Non dir! Ah, ah ... E se non giova?" (Kundry, Esquires, Gurnemanz) 5. Wagner: Parsifal, WWV 111, Act 1: "Oh, santa lascia, prodigioso acciar!" (Gurnemanz, Esquires) 6. Wagner: Parsifal, WWV 111, Act 1: "Titurel, il pio campion" (Gurnemanz, Esquires) 7. Wagner: Parsifal, WWV 111, Act 1: "Ah! Chi fu quell'empio?" (Esquires, Gurnemanz, Knights, Parsifal) 8. Wagner: Parsifal, WWV 111, Act 1: "Or di'. Sinor a nulla hai risposto" (Gurnemanz, Parsifal, Kundry) 9. Wagner: Parsifal, WWV 111, Act 1: "Dal bagno già ritorna il Re" (Gurnemanz, Parsifal) 10. Wagner: Parsifal, WWV 111, Act 1: "Il tempo qui, figliuolo, diventa spazio" (Gurnemanz) 11. Wagner: Parsifal, WWV 111, Act 1: "Tu bada ben - or si vedrà" (Gurnemanz, Knights, Flowermaidens) 12. Wagner: Parsifal, WWV 111, Act 1: "Mio figlio Amfortas, sei pronto al rito?" (Titurel, Amfortas) 13. Wagner: Parsifal, WWV 111, Act 1: "Pietà fa saggio" (Voice from Above, Knights, Titurel) CD 2 1. Wagner: Parsifal, WWV 111, Act 1: "Il mio sangue sia vin" (Voice from Above) 2. Wagner: Parsifal, WWV 111, Act 1: "O giubilo santo!" (Titurel, Flowermaidens, Knights, Chorus) 3. Wagner: Parsifal, WWV 111, Act 1: "Che fai tu qui?" (Gurnemanz, Chorus) 4. Wagner: Parsifal, WWV 111, Act 2: "È giunto il di" (Klingsor, Kundry) 5. Wagner: Parsifal, WWV 111, Act 2: "Il più forte convien quest'oggi domar" (Klingsor, Kundry) 6. Wagner: Parsifal, WWV 111, Act 2: "Qui fu il clamore - armi, fiere grida!" (Flowermaidens, Parsifal) 7. Wagner: Parsifal, WWV 111, Act 2: "Vien, vien, mio bel damo" (Flowermaidens, Parsifal) 8. Wagner: Parsifal, WWV 111, Act 2: "Parsifal, resta!" (Kundry, Parsifal, Flowermaidens) 9. Wagner: Parsifal, WWV 111, Act 2: "Un sogno tutto ciò non è? (Parsifal, Kundry) 10. Wagner: Parsifal, WWV 111, Act 2: "Ho visto, il figlio sul materno sen" (Kundry) 11. Wagner: Parsifal, WWV 111, Act 2: "Ahimè! Ahimè! Che feci?" (Parsifal, Kundry) 12. Wagner: Parsifal, WWV 111, Act 2: "Amfortas! La piaga! la piaga!" (Parsifal, Kundry) 13. Wagner: Parsifal, WWV 111, Act 2: "Ah crudel! Gli altrui dolori atroci nel cor tu senti" (Kundry, Parsifal) 14. Wagner: Parsifal, WWV 111, Act 2: "Va via, o femmina vil!" (Parsifal, Kundry, Klingsor) CD 3 1. Wagner: Parsifal, WWV 111: Preludio to Act 3 2. Wagner: Parsifal, WWV 111, Act 3: "Di là venuto è il grido ... " (Gurnemanz, Kundry) 3. Wagner: Parsifal, WWV 111, Act 3: "Salve, frate! smarrito qui" (Gurnemanz) 4. Wagner: Parsifal, WWV 111, Act 3: "Dio mi la ritrovarti!" (Parsifal, Gurnemanz) 5. Wagner: Parsifal, WWV 111, Act 3: "Signor, se un reo poter ti deviò dal tuo cammin" (Gurnemanz, Parsifal ) 6. Wagner: Parsifal, WWV 111, Act 3: "No! no! la sacra fonte sia vital lavacro al pellegrin ... " (Gurnemanz, Parsifal) 7. Wagner: Parsifal, WWV 111, Act 3: "Con l'onda pura sii tu" (Gurnemanz, Parsifal, Kundry) 8. Wagner: Parsifal, WWV 111, Act 3: "Ma pur non è cosi" (Gurnemanz, Kundry, Parsifal) 9. Wagner: Parsifal, WWV 111, Act 3: "Mezzodi ... è questa l'ora" (Gurnemanz) 10. Wagner: Parsifal, WWV 111, Act 3: "Nell'arca qui rinchiuso scortiam il Gral pel mistico rito" (Chorus) 11. Wagner: Parsifal, WWV 111, Act 3: "Si, onta, onta su di me!" (Amfortas, Chorus) 12. Wagner: Parsifal, WWV 111, Act 3: "Soltanto un'arma val ... " (Parsifal) 13. Wagner: Parsifal, WWV 111, Act 3: "O divin prodigo" (Chorus)
1. Hanacpachap cussicuinin (God, Joy of the Universe), hymn: Verses 1-52. Dixit Dominus, for 11 voices3. Silencio, Pasito4. Dime amor, for chorus & ensemble5. Hanacpachap cussicuinin (God, Joy of the Universe), hymn: Verses 6-106. A, del cielo!, for chorus & ensemble7. Fuego de amor!, for chorus & ensemble8. En el muy gran Padre Ignacio, for chorus & ensemble9. Hanacpachap cussicuinin (God, Joy of the Universe), hymn: Verses 11-1510. Salga el Torillo, for chorus & ensemble11. Dios de amor, for voices & ensemble12. A, del tiempo!, for chorus & ensemble13. Hanacpachap cussicuinin (God, Joy of the Universe), hymn: Verses 16-20
Nagranie XIX-wiecznej opery w stylu Grand Opera skomponowanej przez angielskiego kompozytora Williama Vincenta Wallace'a w wykonaniu solistów oraz Victorian Opera Chorus and Orchestra pod dyrekcją Richarda Bonynge.
Tracklista: 1. Piano Concerto in C 2. Serenade to Music 3. Concerto in A minor for Oboe 4. Flos Campi (Flower of the Field) - Suite for Solo Viola, Small Chorus, and Small Orchestra
Tracklista:CD 11. Concerto grosso in B Minor, Op. 6 No. 12: III. Larghetto, e piano - Variatio2. Violin Sonata No. 1 in G Minor, BWV 1001: I. Adagio3. Keyboard Sonata in D Minor, K.120/L.215/P.146: Allegrissimo4. Cantata, BWV 51: Aria, Jauchzet Gott in allen Landen5. Miserere mei6. Sacrae symphoniae: Sonata pian e forte a 8 (arr. E. Crees for brass)7. Vespers of the Blessed Virgin: Domine ad adiuvandum8. Variations on Mein junges Leben hat ein End9. La, la, la, je ne l'ose dire10. Der 100. Psalm, SWV 36, "Jauchzet dem Herren, alle Welt"11. Royal Consort in D Major for two theorbos: Ecco12. Cantata, Oh di Betlemme altera poverta: Aria, L'Autor d'ogni mio bene13. Sonata in D Major a 8 viole con una tromba: I. Allegro14. Membra Jesu nostri, Part III. Ad manus: Quid sunt plagae istae15. Toccata in C Major16. Benedictus: I. Benedictus17. Noel: Un flambeau, Janette, Isabelle!18. Hear my prayer, O Lord19. Dido and Aeneas: When I am laid in earth (Dido's Lament)20. Concerto Grosso in G Minor, Op. 6 No. 8, "Christmas Concerto": II. PastoraleCD 21. Flute Concerto in D Major, Op. 10, No. 3, RV 428, "Il gardellino": I. Allegro2. Beatus vir, RV 597: Beatus vir qui timet Dominum3. Keyboard Sonata in E Major, K.380/L.23/P.483: Andante comodo4. Keyboard Sonata in D Major, K.96/L.465/P.210: Allegrissimo5. Prelude and Fugue in G Major, BWV 5506. Brandenburg Concerto No. 2 in F Major, BWV 1047: III. Allegro assai7. The Well - tempered Clavier, Book 1: Prelude and Fugue in G Minor, BWV 8618. Weichet nur, betrubte Schatten, BWV 202, "Wedding Cantata": Aria, Sich uben im Lieben9. St. Matthew Passion, BWV 244: Chorus, Wir setzen uns mit Tranen nieder10. Harpsichord Concerto in F Minor, BWV 1056: II. Largo11. Overture (Suite) in D Major, TWV 55 D15: Rejouissance12. Pieces de clavecin, Book 1: 1st Ordre: Les Sentimens13. Pieces de clavecin, Book 1: 1st Ordre: La Manon14. Abaris ou Les Boreades (Suite and Dances): Gavotte pour les Fleurs et les Zephirs15. Pieces de clavecin: Mussette en rondeau from Suite in E Minor - major16. Pieces de clavecin: Tambourin from Suite in E Minor - major17. Rinaldo: Aria, Lascia ch'io pianga (Almirena)18. Acis and Galatea: Aria: O ruddier than the cherry19. Harpsichord Suite No. 7 in G Minor, HWV 432: VI. Passacaille20. Messiah: Chorus, For unto us a child is born21. Concerto grosso in D Minor, Op. 6, No. 10: VI. Allegro moderato
Gianandrea Noseda conducts the Orchestra and Chorus of the Teatro Regio Torino in this performance of Verdi's tragic opera.
Sony Classical ma zaszczyt zaprezentować wybór nagrań jednej z największych primadon XX wieku, pochodzących z katalogu RCA z czasów największej świetności artystki.Anna Moffo zadebiutowała na scenie Metropolitan Opera w 1959 roku na rolą Wioletty w operze „Traviata” Verdiego, by przez następne 18 sezonów wykonać 21 czołowych ról, podczas 200 spektakli. Karierę zakończyła również rolą Wioletty w 1979 roku. Artystce partnerowali „najwięksi z wielkich”: Giuseppe Di Stefano ,Flaviano Labn, Carlo Bergonzi, Alfredo Kraus i wielu innych. Tracklista:CD 1: The Debut Album - Anna Moffo - Rome Opera House Orchestra - Tullio Serafin CD 2: The Dream Duet - Anna Moffo - Sergio Franchi - Henri RenéCD 3: A Verdi Collaboration - Anna Moffo - RCA Italiana Orchestra - Franco Ferrara CD 4-5: A Portrait of Manon: Massenet & Puccini - Anna Moffo - Robert Kerns - Flaviano Labň - Manlio Rocchi - Mario Rinaudo - Enzo Titta - RCA Italiana Opera Orchestra & Chorus - René Leibowitz CD 6: The Great Moments of “Die Fledermaus” - Anna Moffo & Ensemble - Vienna State Opera Orchestra and Chorus - Oscar Danon CD 7: One Night of Love - Anna Moffo - RCA Victor Orchestra - Skitch Henderson CD 8: Canteloube / Villa-Lobos / Rachmaninoff - Anna Moffo - American Symphony Orchestra - Leopold Stokowski CD 9: Claude Debussy: Songs - Anna Moffo - Jean Casadesus CD 10: Heroines From The Great French Operas - Anna Moffo - New Philharmonia Orchestra - Peter Maag CD 11: Anna Moffo – Selected Arias from her RCA Opera RecordingsCD 12: Great Love Duets from Opera
Beethoven's Ninth Symphony is a landmark in the history of music, changing the concept of what a symphony could be. The use of solo singers and a chorus in the final movement was revolutionary, and the emotional journey to a glorious vision of a world of love and tolerance paved the way for idealistic symphonies to come. Reviews: 'simply masterful Beethoven ... Capped by a magisterial account of the Ninth Symphony, this is the Beethoven set for our time. Even if you already have umpteen other recordings of these works, you really owe it to yourself to hear this new set. It's a deeply satisfying musical experience' Chicago Tribune CD of the Week 'this recording has impressed every one of the CD Review team ... there is a feeling of immediacy and drama tempered with vision and maturity as though Haitink's long career has been leading towards this time where he can combine impetuosity and youthful enthusiasm with the wisdom of age and experience' BBC Radio 3 CD Review 'enough orchestral punch to knock a listener senseless ... we are caught in the grip of a performance of quite uncommon fervour. Feel the warmth of Finley's opening bass solo, marvel at the open throats of the London Symphony Chorus' The Times 'a magnificent performance of the Ninth, done with total commitment under Haitink's inspiring leadership ... with splendid chorus and soloists in full cry, and orchestra in blazing form, all is thrillingly right. Every detail of the ever-astonishing score is given its value in a reading of passionate conviction' Sunday Times 'an incredible recording' MusicOMH
The Bohemian composer Jan Dismas Zelenka (1679-1745) spent the last 35 years of his life in Dresden, first as a double bass player and then as composer for the court, writing primarily for the church. Zelenka's music is always fresh and creative, often surprising in its sudden harmonic turns and demanding instrumentations. His compositions are marvellous examples of a subtle blend of Italian and French manners with a most distinctive personal style. Fluency of declamation and wide phrases with elegantly shaped melodies in his choral works are clearly Italianate. French influence is seen in the formal organization of the music into relatively short and contrasting sections. One of the most impressive and most intellectually profound of Zelenka’s late works is a mass in E minor ZWV 18, composed in 1739 and named Missa votiva by the composer. Its structure – the main parts of the mass are subdivided into smaller sections – allows for a wide variety of scoring, including different configurations of soloists, solo arias, chorus alone, and chorus with solo singers. Zelenka also fully employs his orchestra to drive and guide and support the vocal parts.