"Każdy dzień zaczyna niepokój" - te słowa rozpoczynały wydany w 2014 roku album "Content Nausea". Teraz Parquet Courts wracają do momentu, w którym tamta myśl została przerwana, odnosząc się do niepokojów dzisiejszego życia.
Tracklista:1. Time Xone2. We Want War3. Three Thousand4. Hologram5. Attack Music6. Firepower7. Orion8. Canticle9. Drum Courts Where Corals Lie10. White Chords11. 5
The sound of Köthen culminates in J.S. Bach: in his music and in the environment, which favoured its creation. The very young Leopold (1694-1728) began his reign with an edict for confessional tolerance and he paid tribute to the Muses. Prince Leopold of Anhalt-Köthen was a musically educated man who probably recognized the meaning of J.S. Bach immediately. In 1717 he appointed J.S. Bach, then 32 years old, to be the Anhalt-Köthen Prince's own musical director". Previously, he had raised the number of the court's orchestra to 17 among them excellent Cammer Musici of the same orchestra that he had admired as a student of the Knights' Academy in Berlin (and which the King of Prussia had thrown out without a word!).
Tracklista:1. Time Xone2. We Want War3. Three Thousand4. Hologram5. Attack Music6. Firepower7. Orion8. Canticle9. Drum Courts Where Corals Lie10. White Chords11. 5
Debiutancki album Public Practice przywołujących ducha sceny nowojorskiej lat 70. tworząc jednak swoje oryginalne brzmienie podsumowane przez krytyków jako “no wave-meets-funk and dark disco”. KOntrastujące styl uzupełniają się nawzajem tworząc coś bardzo wyjątkowego. Jeśli uwielbicie Talking Heads, Bush Tetras, Parquet Courts czy Savages ta płyta zwali was z nóg! Tracklista: 1. Moon 2. Cities 3. Disposable 4. Each Other 5. Underneath 6. See You When I Want To 7. My Head 8. Compromised 9. Understanding 10. Leave Me Alone 11. How I Like It 12. Hesitation
Który zespół ma perkusistę grającego w jednym czasie także na klawiszach?. To Manilla Road, zespół popularny w Europie i posiadający wielką rzeszę fanów w... Korei Południowej. Z płytą "The Courts of Chaos" Manilla Road wracają do swojego klasycznego brzmienia. Wydanie z bogatą szatą graficzną i obszerną broszurą. Tracklista: 1. Road To Chaos 2. Dig Me No Grave 3. D.O.A. 4. Into The Courts Of Chaos 5. From Beyond 6. A Touch Of Madness 7. (Vlad) The Impaler 8. The Prophecy 9. Books Of Skelos 10. Into The Courts Of Chaos (Live) 11. The Prophecy (Live) 12. Dig Me No Grave (Live) 13. Circus Maximus
A delightful blend of slapstick and highly allusive banter, Cesti’s comic moral opera mocks the pagan gods and the morally reprehensible excesses caused by amorous passion. Pietro Antonio Cesti (born in Arezzo, 1623; died in Florence, 1669) was, along with Francesco Cavalli, the most illustrious representative of the seventeenth-century Venetian school of opera composers. Like many Seicento artists, he had an eventful life embracing multiple activities, as singer, actor, composer and maestro di cappella; like Vivaldi he took holy orders; and, like the murdered Stradella, he died in murky circumstances (probably by poisoning) after an outstanding musical career. He was an itinerant composer, dividing his activity between Venice and the courts of Florence, Vienna and Innsbruck. The work recorded here dates from his period at the Viennese court, and the opera is characteristic of Viennese opera’s synthesis between the comical, parodic register typical of the Venetian aesthetic (of which Cavalli’s La Calisto is a remarkable example) and the moral, edifying dimension inherent to court opera.
Album został wydany przez wytwórnię Etcetera (KTC 1664). Tracklista: CD 1 1. Biblical Themes CD 2 1. Music from the Royal Courts CD 3 1. Death and Transience CD 4 1. Ode to Love and Celebration CD 5 1. The Virtue of Vice CD 6 1. Religious Confrontation in the Low Countries CD 7 1. Dances and Songs