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Po pełnym wrażeń roku koncertowania w całej ojczystej Australii - w tym z kolegami z branży Mono i podobnymi do pionierów Tortoise - wraz z dziełem artysty Davida Hockneya w National Gallery Of Victoria, Post-Quintet Tangents powraca z innym albumem i innym stylem. „New Bodies” kontynuuje grzebanie w niezliczonych odmianach elektroniki, rocka, dubu, noisu i free jazzu, które określają estetykę grupy. Cytując Fact Magazine: "Kwintet jest tak wiarygodny w pracy z jazzem, muzyką ludową, postrockiem i muzyką elektroniczną, że wygodnie wisi w przestrzeni pomiędzy nimi wszystkimi." Tracklista: 1. Lake George 2. Terracotta 3. Arteries 4. Immersion 5. Gone To Ground 6. Swells Under Tito    


  • Wykonawca Tangents
  • Data premiery 2018-01-08
  • Nośnik Płyta Analogowa
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Tracklista:1. Clean Coloured Wire2. Sometimes I Realise3. International Dirge4. Helped By Silence5. Brighter As We Fall6. Hang Your Head7. Crawl from the Wreckage8. Three Fact Fader9. Song for Andy10. Emergency Room11. The Fear Has Gone12. Be What You Are13. What Pushed Us Together


  • Wykonawca Engineers
  • Data premiery 2016-08-05
  • Nośnik CD
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Described in International Record Review as 'an absolutely instinctive Mozartian, with fleet fingerwork to match any, and with melodic playing of consummate beauty', Ronald Brautigam returns with the third instalment in his series of Mozart’s piano concertos. As on the two previous discs, he is joined by the period band Die Kölner Akademie conducted by Michael Alexander Willens, forming a partnership described on website klassik-heute.de as ‘Mozart interpreters of the first order’. The present disc includes Piano Concerto No.26 in D major, K 537, nicknamed the ‘Coronation Concerto’ on the basis of the slightly misleading information given on the title page of the first edition of the work, stating that the work was ‘performed by the composer at Frankfurt-am-Main on the occasion of the Coronation of Emperor Leopold II’, in October 1790. Mozart did in fact perform the work in Frankfurt, but the concert took place a week after the actual coronation, and was not part of the official festivities. Nor was it written for the occasion – Mozart had in fact premièred it the previous year, in Vienna. Popular for its beauty and rococo style, it is here preceded by Piano Concerto No.17 in G major, K 453, one of the rare concertos that Mozart composed with another soloist than himself in mind. Written for and premièred by his student Barbara Ployer, it is also unusual in that Mozart cast its last movement as a set of variations, with a bourrée-like theme developed at a helter-skelter pace, similar to an operatic scene unfolding on stage.


  • Wykonawca Die Kolner Akademie , Brautigam Ronald
  • Data premiery 2012-09-01
  • Nośnik SACD
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Throughout his 82-year life, Max Bruch remained true to the musical ideals of his youth, formed by Schubert, Mendelssohn, Schumann and German folk songs. As a result, the same composer who in the 1880’s was regarded as Brahms’ equal, by the time of his death in 1920 was considered an anachronistic irrelevance. Nowadays, however, few would deny that his production includes numerous works of exquisite sonority, beautiful melodiousness and admirable formal cohesion: a glorious irrelevance indeed. His Violin Concerto No. 1 was a spectacular success from its first performance in 1868, and soon won over audiences both in Germany and abroad. In fact, it became so popular that Bruch in later years became increasingly worried about being considered a ‘one-hit wonder’. It is thus a staple of all violin soloists that Vadim Gluzman here takes on, after his recordings of the concertos by Tchaikovsky (‘without doubt one of the work's finest recordings in recent years’, BBC Music Magazine),  Barber (‘one of the most beautiful and characterful recordings of this work’, klassik-heute.de) and Korngold (‘Gluzman’s playing lends the work a new vitality and cohesion’, Classica). Supported by the eminent Bergen Philharmonic Orchestra and its music director Andrew Litton, Gluzman couples the work with a rarity, a violin version of the Romance in F major, Op.85, composed by Bruch for viola and orchestra almost 35 years after the violin concerto. The composer also made an arrangement for violin and piano, and it is this violin part which Gluzman performs to the original orchestral score. Closing the programme is the String Quintet in A minor in which Gluzman is joined by four eminent string players: Sandis Šteinbergs, Maxim Rysanov, Ilze Klava and Reinis Birznieks. Composed in 1918, the Quintet certainly offers no indication of being the exact contemporary of modernist works such as Stravinsky’s Histoire d’un soldat; on the other hand its almost youthful energy, dramatic instinct and playful exuberance equally belies the fact that it was composed by a man in his eightieth year


  • Wykonawca Gluzman Vadim
  • Data premiery 2011-02-01
  • Nośnik SACD
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Tracklista:1. Doomed Myself2. Line Me Back Up3. Transparent Powers4. Selfish Thoughts5. All Too Free6. Wax Gets in Your Eyes7. Life Could Be a Dream8. Long Days9. No Self Respect10. Back Down to the Tombs11. The Fact Facer


  • Wykonawca Holy Sons
  • Data premiery 2014-09-22
  • Nośnik CD / Album
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Tracklista:1. The Car2. Winter3. The Alternative4. Distractions5. Shot Down6. Broken Glass7. Third Floor8. I'm X9. Poison10. Fact Or Fiction11. House of Secrets12. Blank Windscreen13. Time14. Stress Factor15. Cruel System


  • Wykonawca Apartment
  • Data premiery 2016-02-26
  • Nośnik CD / Album
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