Lista utworów:1. From The House Of The Dead - Janacek2. Bonus: The Making of the "House Of The Dead"

• Wykonawca Boulez Pierre
• Data premiery 2008-03-14
• Nośnik DVD

Clive Anderson introduces this special concert celebrating 75 years of classic MGM film musicals. Performing live at London's Royal Albert Hall, John Wilson and his orchestra celebrate the golden age of Hollywood musicals with a plethora of songs from the great movies including 'The Wizard of Oz', 'High Society', 'Meet Me in St Louis' and many more.

• Data premiery 2010-01-12
• Nośnik DVD

Tracklista:1. Mary From Rome2. No Is Not Enough3. Big Crumb4. Nature Boy5. Welcome To The Pleasuredome6. News From Babel7. Sibiria8. (Une) Nuit9. How I Miss To Miss10. Blowback11. Zeit Genug12. Scapes

• Wykonawca Clockworkgod , Kappe Christian
• Data premiery 2006-03-21
• Nośnik CD

Sony Classical ma zaszczyt zaprezentować 2-płytowy zestaw nagrań zatytułowany "Best of Leonard Bernstein". To kolejne wydawnictwo stworzone z okazji 100. rocznicy urodzin tego Wielkiego Twórcy Muzyki XX wieku. Tym razem usłyszymy dzieła takich kompozytorów jak: Mozart, Beethoven, Mendelssohn, Brahms, Mahler, Szostakowicz i Copland. Solistami były gwiazdy scen muzyki klasycznej XX wieku: klarnecista Benny Goodman mezzosopran Frederica von Stade, skrzypkowie Joshua Bell i Zino Francescatti, pianiści Glenn Gould i Philippe Entremont… Tracklista: CD 1: "The Conductor" 1. Mendelssohn: Symphony No. 4 in A Major, Op. 90 “Italian”: I. Allegro vivace (1958) 2. Mozart Concerto for Piano and Orchestra No. 17 in G Major, K. 453: III. Allegretto (1956) Leonard Bernstein, piano 3. Mahler Symphony No. 5 in C-sharp minor: Part III: IV. Adagietto. Sehr langsam (1963) 4. Beethoven: Symphony No. 3 in E-Flat Major, Op. 55 “Eroica”: IV. Finale. Allegro molto (1964) 5. Brahms: Symphony No. 4 in E Minor, Op. 98: III. Allegro giocoso - Poco meno presto (1962) 6. Beethoven: Concerto for Piano and Orchestra No. 2 in B-Flat Major, Op. 19: III. Rondo - Molto allegro (1957) Glenn Gould, piano 7. Copland: Appalachian Spring: Doppio movimento (1961) 8. Shostakovich: Symphony No. 5 in D Minor, Op. 47: IV. Allegro non troppo (1959) 9. Gershwin: Rhapsody in Blue (1959) Leonard Bernstein, piano CD 2: "The Composer" 1. Bernstein: Overture to “Candide” (1960/1963) 2. Bernstein: Three Dance Episodes from “On the Town”: III. Times Square: 1944 (1963) 3. Bernstein: West Side Story (Original Broadway Cast) Act I: Maria (1957) Max Goberman 4. Bernstein: West Side Story (Original Broadway Cast) Act I: Tonight (1957) Max Goberman 5. Bernstein: West Side Story (Original Broadway Cast) Act I: America (1957) Max Goberman 6. Bernstein: Make Our Garden Grow from “Candide” (1991) John Williams 7. Bernstein: Serenade after Plato's “Symposium“: IV. Agathon (Adagio) (1965) Zino Francescatti, violin 8. Bernstein: Mass - A Theatre Piece for Singers, Players and Dancers (1971): I. Devotions before Mass: 2. Hymn and Psalm: “A Simple Song” 9. Bernstein: Mass - A Theatre Piece for Singers, Players and Dancers (1971): V. Meditation No. 1 10. Bernstein: The Age of Anxiety, Symphony No. 2 for Piano and Orchestra: c. The Seven Stages: Variations 8- 14 (1965) Philippe Entremont, piano 11. Bernstein: Prelude to “Trouble in Tahiti” (1973) 12. Bernstein: Fancy Free Ballet: VI. Three Dance Variations: Variation I (Galop) (1963) 13. Bernstein: Fancy Free Ballet: Variation II (Waltz) (1963) 14. Bernstein: Fancy Free Ballet: Variation III (Danzon) (1963) 15. Bernstein: Prelude, Fugue and Riffs for Solo Clarinet and Jazz Ensemble: Riffs for Everyone (1963) Benny Goodman, clarinet 16. Bernstein: Symphonic Dances from “West Side Story”: I. Prologue - Allegro moderato (1961) 17. Bernstein: Symphonic Dances from “West Side Story”: II. Somewhere – Adagio (1961) 18. Bernstein: Symphonic Dances from “West Side Story”: III. Scherzo - Vivace leggiero (1961) 19. Bernstein: Symphonic Dances from “West Side Story”: IV. Mambo - Meno presto (1961) 20. Bernstein-Brohn: Lonely Town from “On the Town” (2000) Joshua Bell, violin 21. Bernstein: Take Care of This House from “1600 Pennsylvania Avenue” (1977) Frederica von Stade, mezzo-soprano

• Wykonawca Bernstein Leonard
• Data premiery 2018-08-24
• Nośnik CD

Tracklista:1. People On the Ground (Feat. Hannah Joy)8. Blight Mamba5. Give Me the Word (Feat. Hannah Joy)3. The Depths4. The Wrath of Mr. Sparkles7. Sunburnt in Malaysia (Feat. LyfLyk)6. Don't Give Me Up (Feat. Pearse Hawkins)2. Hidden from the Light

• Wykonawca Royalston
• Data premiery 2015-10-30
• Nośnik Vinyl / 12" Album

Tracklista: CD 1 1. O Paradiso (From L'Africaine) 2. Salut! Demeure Chaste Et Pure (From Faust) 3. Ange Adorable (From Romeo Et Juliette) 4. Ah! Leve-Toi, Soleil (From Romeo Et Juliette) 5. En Ferment Les Yeux (From Manon) 6. Ah, Fuyez, Douce Image (From Manon) 7. La Fleur Que Tu M'avais Jetee (From Carmen) 8. Je Crois Entendre Encore (From Les Pecheurs De Perles) 9. Adelaide 10. Morgen! 11. Cacilie 12. In The Silence Of Night 13. Lilacs 14. Ideale 15. 'O Sole Mio 16. Mattinata 17. Because 18. Only A Rose (The Vagabond King) 19. For You Alone 20. Au Mont Ida Trois Deesses (From La Belle Helene) 21. Ich Hab' Kein Geld 22. Cantique De Noël CD 2 1. Questa O Quella (From Rigoletto) 2. La Donna E Mobile (From Rigoletto) 3. Ah Si, Ben Mio (From Il Trovatore) 4. Di Quella Pira (From Il Travatore) 5. Di' Tu Se Fedele (From Un Ballo In Maschera) 6. Celeste Aida (From Aida) 7. Ingemisco (From Requiem) 8. Cujus Animam (From Stabat Mater) 9. Una Furtiva Lagrima (From L'Elisir D'amore) 10. Cielo E Mar (From La Gioconda) 11. Come Un Bel Di Di Maggio 12. Amor Ti Vieta (From Fedora) 13. E La Solita Storia (From L'arlesiana) 14. Donna Non Vidi Mai (From Manon Lescaut) 15. Che Gelida Manina (From La Boheme) 16. O Mimi, Tu Piu Non Torni 17. Recondita Armonia ('Tosca') 18. E Lucevan Le Stelle (From Tosca) 19. Nessun Dorma (From 'Turandot') 20. Mamma! Quel Vino E Generoso 21. Vesti La Giubba (From Pagliacci) 22. No, Pagliaccio Non Son (From Pagliacci)  

• Wykonawca Bjorling Jussi
• Data premiery 2003-02-03
• Nośnik CD

Cécile Louise Stéphanie Chaminade was born in Paris in 1857 and died in Monte Carlo in 1944. Although she came from a non-musical family she was something of a prodigy as a pianist and composer – she began writing sacred music at the age of eight. It was Bizet who advised Chaminade’s parents that she deserved a sound musical education: as she was unable to enter the Conservatoire (which did not then admit women) she studied privately with several teachers. These included Le Couppey (for piano) and Savard (for counterpoint, harmony and fugue); she also studied violin with the celebrated Belgian Martin Marsick, a pupil of Joachim, and composition with Benjamin Godard. Furthermore, she attained proficiency as a conductor, made her concert debut at the age of eighteen, toured widely, and became a well-known public figure, eventually receiving the Légion d’Honneur from the French government. In the course of her long life Chaminade produced around 350 works including a comic opera, a ballet, a choral symphony entitled Les amazones, chamber and orchestral music, and about a hundred songs. But the area in which she excelled and was most productive was the short lyric piano piece, and many of these became very popular, bringing her considerable commercial success and fame in France, Britain and the USA. They fed a market of domestic and salon music-making which had little use for profundity or complexity of thought but responded to graceful melody, simple forms, clear textures and dextrous, gratefully written exploitation of the medium: music, with its ‘easy velocity’, often designed to sound harder to play than it really is. As a result, for long decades Chaminade’s reputation has been that of a mere purveyor of pleasant but deeply unimportant salon music: an ephemeral figure, virtually beneath musicological notice. (Eaglefield Hull’s admirably comprehensive Dictionary of Modern Music and Musicians of 1925 ignores her very existence; it is symptomatic of the same attitude that she rates but one passing mention in Martin Cooper’s classic volume on French music from the death of Berlioz to the death of Fauré – as ‘charming’ and ‘fashionable’ – and that The New Grove takes over unaltered and unquestioned the brief and supercilious entry from the previous edition of Grove’s Dictionary.) But with the increasing attention being focussed in recent years upon the distinct achievements of women composers, and with belated respect thus accruing to such signally gifted figures as Fanny Mendelssohn, Clara Schumann, Lili Boulanger, Rebecca Clarke and Ruth Crawford, the reputation of Chaminade almost certainly calls out for upward revision. After all, as Norman Demuth perceptively remarks in his study of French piano music – which, if he cannot quite bring himself to intrude her into his main narrative, at least gives Chaminade a little ‘interlude’ chapter to herself – she was ‘nearly a genius in that she knew exactly what, and how, to write for pianists of moderate ability … we wish every writer for the piano had her innate gifts and could be equally musicianly in their own ways’. Demuth also stresses the fact that Chaminade’s music gracefully complements that of Fauré: while she may lack (or scruple to attempt) the latter’s innate profundity, she often matches him in elegance, melodic beauty and lyrical cantabile. It is hardly a criticism that she is usually easier to play. What any substantial sampling of her pieces makes clear, however, is that she spanned a wider range than the conventional picture of a ‘salon composer’ leads us to expect. Romantic attitudes and keyboard delicacy, yes – but also a wit that occasionally approaches irony, a robust rhythmic energy, and a melancholic vein that sometimes turns dark indeed. Maybe it does her most justice to appraise Chaminade as a direct forerunner of Poulenc, a composer who mates the elegant and the naive with a very sophisticated technique, and conducts a quintessentially French exploration of that area where sentiment shades over into profound emotion. Certainly the present selection opens with the salon composer to the fore in Arlequine, a crisp and scintillating exercise in the almost obligatory ‘Pierrot piece’ of Chaminade’s day – tuneful and inventive, with plenty of twinkly, dextrous work for the right hand. But a female Harlequin? Perhaps ‘feminine caprice’ (Chaminade inhabited an age with no horror of sexual stereotyping) is suggested by the abrupt, flouncing cadences. Fauré’s Romances sans paroles were probably her model in the early, lyrical Pièce romantique, where the elegant melody is mainly carried by the left hand against lapping off-beat quavers in the right. But in the much later Chanson bretonne, which actually belongs to the set of Romances sans paroles, Op 76, the technique is bolder and starker, with a crowing, folk-like tune (of the type that, a generation later, might have interested Koechlin or Emmanuel) made the basis of a vigorous dance-like piece: through-composed, with no separate middle-section apart from a suggestion of ‘exotic’ chromaticism, and rising to a resounding conclusion. The deliciously lilting Divertissement of 1901 is again the salon composer at her best, polish and elegance creating sheer enjoyment from the merest wisp of an idea, embellishing a bright D major tonality. By contrast the B major Consolation, the fifth of the set of Op 87 Pièces humoristiques, is something more serious, testifying to this composer’s intelligent absorption of the manners, and something of the matter, of great elder contemporaries. The undulating left-hand pattern and the lapping right-hand notes hint at a barcarolle rhythm which is intensified in the gorgeously Fauréan middle section, recalled in the piece’s closing bars. Liszt, rather than Fauré is, however, the presiding spirit here, nowhere more so than in the glittering little transition back to the main idea. The E major Passacaille, as Op 130 a comparatively late work, makes an interesting comparison with the very early Chaconne included in volume 1 of this series. In fact even less than that piece is this a strict study in ground-bass variations, as its title might imply – though the presence of a ground is occasionally hinted at. Instead it is a sophisticated exercise in neo-Baroque evocation, recalling the virtuosity of the great clavecinistes of the age of Rameau and Couperin, and going back to the origins of the passacaille, which was a vigorous triple-time dance before it ever became a showcase for contrapuntal learning. Even later is the Op 165 Nocturne, published in 1925, and it bespeaks a composer who has attained a serene maturity without relinquishing one whit of her elegance. The poised and limpid outer sections perhaps inevitably awake echoes of Fauré. But now Chaminade is able to approach the profundity of the older composer’s last nocturnes, finding real depth of emotion in the più animato middle section. Clarity and calm are restored in the reprise, and the piece expires in a rippling coda. The Scherzo-valse is an altogether lighter affair, capricious in its moods but merely meant to entertain; while Sous bois is another of the Op 87 Pièces humoristiques that proves more lyrical than humorous. No French composer for the piano could be unaware, in using this title, of the seductive Sous bois of Chabrier in his epoch-making Pièces pittoresques (the same set of course, contains the ‘Scherzo-valse’ of French piano literature). But Chaminade’s piece relates more to her own characteristic procedures. Compare the opening with that of the early Pièce romantique. Gesture and texture are almost the same, but a much more extended movement develops from these very similar premises: a melodious intermezzo whose central span is enriched by what seems like the distant pealing of bells. With the Étude symphonique in B flat we are apparently on altogether more serious ground – as befits a piece dedicated to Paderewski, no less. But though the music, unfolding at first as a calm andante, gathers force through the elaborate motion of its inner parts, and then plunges into an allegro appassionato which intermingles a measure of motivic development along with turbulent bravura display, there is no real symphonic drama here, and the cat-like contentment of the final bars suggests it was really all a game. We are nearer to reality in the short Élégie in D flat, third in a set of Feuillets d’album published in 1910. On one level this is yet another example of the ‘song without words’ genre. But the harmony tends to wander into shadowed areas, discreet canonic imitation intensifies feeling, and some of the later developments engender an unexpected measure of passion. The superb D major Gigue, Op 43, dedicated to the composer and conductor Camille Chevillard is one of Chaminade’s frequent studies in semi-archaic dance rhythm, and one of the more brilliant. Though the general impression is ‘mock baroque’, carried through with joyful velocity, the piece is remarkable for its inventive and enlivening use of cross-rhythms, and for a keyboard style whose solidity and energy suggest Brahms in his bravura moods. When she required it, Chaminade could certainly summon up the grand manner, and nowhere to greater effect than in the most extended work on this disc, Au pays dévasté. Here there is no thought of entertainment. Published in 1919, this ‘devastated landscape’ is unmistakably a war elegy such as we find in some of Debussy’s last piano music, though its bleak and deeply felt G minor lamentation is couched in an idiom more Romantic than Impressionist. Superbly constructed, and lingering long in the memory, this powerful work deserves to be much better known. Landscape of a very different kind features in the delicate F major Pastorale, published ten years before the Great War. This is really another clavecin-style piece, but one of such formal polish that – not only in the blithe and lyrically decorate

• Wykonawca Jacobs Peter
• Data premiery 2006-05-01
• Nośnik CD

Tracklista: 1. National Anthem (How We Love Our Fatherland)2. National Song (How Glorious Is The Land Of My Birth)3. Norway's Grandeur (There I Live On That High Mountain)4. Aagot's Mountain Song (Sunset O'r The Mountain Top)5. I See You From The Cliffs Of Gluggjin (Folk Song)6. Folk Dance From Vinje7. Ingrid's Song (And The Fox Laid Under The Red Birch Tree)8. Margrete's Lullaby (Now I Feel Uplifted)9. Olav Trygvason (Over The North Sea, Broad Sails Blowing)10. The Wedding Procession In Hardanger (A Breath Of Sparkling Summer Air)11. The Student's Song (A Journey For The Bold And Brave)12. Student's Song (The Happy Wanderers)13. Young Billy Goat (My Little Kid, My Little Lamb)14. Norwegian Sailor's Song (All That A Nordic Sailor Should Be)15. A National Song (Songs Of Norway)16. Song To The Flag (While The North Sea Swells And Rushes)17. Onward! (Onward! Onward!)18. Coastal Song From Bergen (I Rowed Into Troubled Waters)19. Dairy Maid's Sunday (Basking In The Sun)20. Resting In The Peaceful Forest (In The Fir Tree Grove At Noon - Time)21. Our Aastrid (And Have You Seen Our Aastrid)22. Halling From Osterdalen (Folk Dance)23. The Mountains Of Norway (Norway's Fortress And Protection)24. Evening Voices (Be Still, Soft Whispers)25. In Rosenlund During Saga Times (Under The Spell Of The Sagas In Rosenlund)26. Row, Row, Row Your Boat, To The Fish - Filled Reefs (Child's Song)27. There Was An Old Woman Who Had An Old Broom (Child's Song)28. Open Air Ballad (Behold Norway's Flowering Valley)29. Song Of Norway (To Norway, Land Of Giants)30. Young Lad From Yonder Tisedal'n31. A. Land Of My Birth (Wherever In The World I Go)32. B. Land Of My Birth (Wherever In The World I Go)33. The Hunter's Song (In The Heather Behind Us, A Trail Of Smoke)34. Iceland (Folk Melody), (Farthest North)35. One Can Never Please Them (From: 'The Heirs')36. I Know A Wee Lass (Ballad) 00:00:36 37. Halling From Aamot (Folk Dance)38. A Norwegian Love Song (Beside The Deep, Dark Sea)39. The Young Birch Tree (The Young Birch Standing By The Fjord)40. Synnove's Song (Thanks For Everything)41. The North Sea (How Beautiful The Sea)42. The Blind Man, Magnus (Oh! If I Could See Just Once)43. Mountain Settler (Mountain Settlers Watch The Seasons)44. Purity Or The Wagtail Bird (Folk Melody), (Little Brook Winding Through The Meadow)45. Sailor's Song (Hurrah For Jonas Anton Hjelm)46. Springdands From Nummedal (Folk Dance)47. Patriotic Song (I'll Defend My Country)48. Three Exalted Words (When The Harp Is Silenced At The Great, Broad Table)49. Old Norway (There Lies The Country)50. While Shepherding My Goats Last Year51. Dalebu Jonson (Folk Song From Hitterdal), (Oh! Can You Hear, Beautiful Maiden)52. Halling From Telemark (Folk Dance)53. Are You Fond Of Me54. In The Mountains (Hei Ho! Where One Feels Hale And Hearty)55. Sinclair's Song (Mr. Sinclair Set Out Across The Salty Sea)56. Ole Glomstulen's Bridal Procession (Folk Song)57. Sunset (Spreading It's Colors Across The Heavens)58. The Bear Hunter (How Brief A Life The Fir Tree Spans)59. To The Fatherland (I Lift The Gold Cup Highest)60. Lullaby (Child's Song From Valdres), (Rock A Bye Baby)61. The Bachelor Proposing To The Maiden (Folk Song), (How I Should Love To Marry)62. The Last Saturday Evening (Folk Song)63. A Ballad To Holy King Olaf (Holy Olaf Standing By The Fjord)64. The Norwegian Parliament (Norway's Solemn Hour Has Come)

• Wykonawca Various Artists
• Data premiery 2016-03-11
• Nośnik CD

Tracklista:1. He's Never Failed Me Yet2. Run to Him3. Hey Devil (Feat. The Clark Sisters)4. Peace from God5. Why Me6. Lowly7. Never Have to Be Alone8. Dancing in the Spirit (Feat. Hezekiah Walker's Love Fellowship Choir)9. Marvelous10. Let Them Fall in Love

• Wykonawca Cece Winans
• Data premiery 2017-02-03
• Nośnik Vinyl / 12" Album

Winylowa edycja płyty "Tragic Idol" – trzynastego albumu studyjnego grupy Paradise Lost. Premiera wydawnictwa miala miejsce w 2012 roku. Tracklista: LP Side A 1. Solitary One 2. Crucify 3. Fear of Impending Hell 4. Honesty in Death 5. Theories from Another World Side B 1. In This We Dwell 2. To the Darkness 3. Tragic Idol 4. Worth Fighting For 5. The Glorious End CD 1. Solitary One 2. Crucify 3. Fear of Impending Hell 4. Honesty in Death 5. Theories from Another World 6. In This We Dwell 7. To the Darkness 8. Tragic Idol 9. Worth Fighting For 10. The Glorious End

• Wykonawca Paradise Lost
• Data premiery 2017-09-08
• Nośnik Płyta Analogowa+CD