MEMBERS COME FROM COUNTRIES AROUND THE BLACK SEA

• Wykonawca Shin
• Data premiery 2009-10-08
• Nośnik CD

Live performance from the bands Primal Scream and MC5 at London's Royal Festival Hall. Though from different backgrounds and musical eras, Primal Scream and MC5 are bonded by a love of music. The mutual admiration of the bands was the key to the scheduling of this event, in which each took to the stage to play an individual set before uniting for an encore.

• Data premiery 2011-01-07
• Nośnik DVD

Tracklista:1. Bird Hits It's Head Against the Wall2. Cloud Fifteen3. Sinner4. Lucifer Sam5. Does It Ring a Bell?6. Smile On the Grass7. Peaceful Party People from Heaven8. Marianne9. Hide Your Emotions (Somewhere Safe)10. Morphine

• Wykonawca Nuria Graham
• Data premiery 2018-03-02
• Nośnik CD

Tracklista: CD 1 1. La Jean 2. Love Is Blue/Sing A Rainbow 3. Crying Song 4. Listen To The Band 5. I've Gotta Get A Message To You 6. Feelin' Alright? 7. Cymbaline 8. How Long Will It Be? 9. Let It Be 10. Fire And Rain 11. Allegro From Concerto No. 3 In D 12. Theme From Love Story 13. Passacaglia In C Minor 14. Flute Sonata In F CD 2 1. Pavane 2. The Rite Of Spring 3. Syrinx 4. Brandenburg Concerto No. 3 (1st Movement) 5. Brandenburg Concerto No. 3 (2nd Movement)

• Wykonawca Hubert Laws
• Data premiery 2014-08-25
• Nośnik CD / Album

Tracklista:1. From Now On2. Flames3. Ain't There Something That Money Can't Buy4. Beggin' (Extended Version)5. Beggin'

• Wykonawca Carlsson Magnus
• Data premiery 2017-09-29
• Nośnik Płyta Analogowa

Tracklista:1. Throw the 'R' Away2. Over and Done With3. Misty Blue4. The Part That Really Matters5. (I'm Gonna) Burn Your Playhouse Down6. Letter from America7. Sky Takes the Soul8. It Broke My Heart9. The First Attack10. Make My Heart Fly11. Beautiful Truth12. The Joyful Kilmarnock Blues

• Wykonawca The Proclaimers
• Data premiery 2017-10-27
• Nośnik Vinyl / 12" Album

Tracklista: CD 1 Star Trek 1. Star Treek 2. Labor Of Love 3. Hella Bar Talk Star Trek: Nemesis (2002) 4. The Box 5. Repairs Star Trek: Insurrection (1998) 6. Ba’ku Village 7. The Healing Process Star Trek: First Contact (1996) 8. Red Alert 9. Welcome Aboard Star Trek: Generations (1994) 10. Time Is Runnig Out 11. Two Captains Star Trek: The Undiscovered Country (1991) 12. Assassination 13. The Battle For Peace CD 2 Star Trek: The Final Frontier (1989) 1. Free Minds 2. An Angry God Star Trek: The Voyage Home (1986) 3. Hospital Chase 4. Main Title Star Trek: The Search For Spock (1984) 5. Prologue And Main Title 6. The Mind Meld 7. Bird Of Prey Decloaks 8. Returning To Vulcan Star Trek: The Wrath Of Khan (1982) 9. Khan’s Pets 10. Enterprise Clears Moorings Star Trek: The Motion Picture (1979) 11. Ilia’s Theme 12. Floating Office CD 3 Enterprise (TV series, 2001) 1. Enterprise First Flight 2. The Rescue Star Trek: Voyager (Tv series, 1995) 3. Aemagonnen 4. Last Hope 5. Main Title Star Trek: Deep Space Mine 6. Dad Admonishes 7. Main Title Star Trek: The Next Generation (Tv series, 1987) 8. Suite From The Inner Light 9. Suite From The Heart Of Glory 10. Main Title Star Trek (Original Tv Series, 1966) 11. A Matter Of Pride 12. Bartender Bit 13. Main Title  

• Wykonawca Global Stage Orchestra
• Data premiery 2009-05-28
• Nośnik CD

Royal Philharmonic Orchestra z Londynu z gracją prezentuje tematy do słynnych światowych obrazów filmowych.Tracklista:1. Arthur's Theme (The Best That You Can Do)2. song (from Watership Down) Bright Eyes3. musical: Don't Cry for Me Argentina Evita4. Moon River (for the film Breakfast at Tiffany's)5. film score: For Your Eyes Only For Your Eyes Only6. Groovy Kind of Love7. Lara's Theme (from the film Dr. Zhivago)8. Secret Love (for the film Calamity Jane)9. song When I Fall in Love10. (I've Had) The Time of My Life (from the film Dirty Dancing)11. What A Feeling (for the film "Flashdance")12. song (for the film version of Grease) Hopelessly devoted to you13. Up Where We Belong14. You've lost that lovin' feelin'

• Wykonawca Royal Philharmonic Orchestra
• Data premiery 2017-04-06
• Nośnik CD

Nicholas McGegan conducts the Festspieleorchester Gottingen in this production of Handel's opera, recorded live at the Internationale Handel-Festspiele Gottingen, with performances from Tim Mead, Marie Arnet and Kirsten Blaise.

• Data premiery 2010-01-25
• Nośnik DVD

This disc is the first of a series that will present the entire piano-accompanied songs and vocal works of Johannes Brahms. As such it is a companion series to those undertaken by Hyperion for the songs of Schubert, Schumann, Fauré and Strauss.Brahms, like Schumann, but unlike Schubert with his much greater output, issued the majority of his songs in groups collected by opus number. There is a tendency in modern scholarship to suggest that he envisaged, or at least hoped for, performances of his songs in these original opus number groupings. Of course one cannot deny that some planning (though of a rather variable kind) went into the arrangement of these song bouquets for publication, but good order and cohesion in printed form (as in an anthology where poems are arranged to be discovered by the reader in a certain sequence), though pleasing to the intellect, do not automatically transfer to the world of the recital platform where one encounters a host of different practical problems, casting (male or female singer) and key-sequences (high or low voice) among them. There is nothing more meticulously planned in all song literature than the volume of 53 songs of Hugo Wolf’s Mörike Lieder—but we have no evidence to suggest that the composer, who had worked closely with the publishers to make this volume a feast for the eye, envisaged a performance of these songs in a single sitting, or on a single day.Printed poetry collections are as lovingly assembled as an opus of a composer’s varied settings, but this does not mean the poems therein are designed to be read aloud from cover to cover: the compiler of these volumes, whether or not the poet himself, would expect items to be selected by the reader according to taste or need. The anthology (or indeed opus number) might be likened to a well-ordered jewel case from which precious items may be extracted for use, depending on the occasion: the wearing in public of every item therein on a single occasion would be both impractical and vulgar. There is little evidence, especially from concert practice of the time (where items from the Schubert and Schumann cycles were often ruthlessly excerpted), that Brahms’s publications were conceived within a spirit of cyclic unity that called for an integral performance of the entire group.There is a modern tendency to see a famous cycle like Winterreise as the nineteenth-century norm to which all other groups of songs should be made to conform, and this ‘search for cycles’ has become something of an obsession in present-day musicology, a means of using the popularity of Schubert’s and Schumann’s genuine cycles as an excuse to pretend that there are similarly cohesive works in the repertoire waiting to be rescued, or restored to the unified shape the composer had intended for them all along. It is perhaps a symptom of our ‘bigger is better’ society that solitary songs, exquisite miniatures, are thought to be more significant if they form a part of something bigger. If this is true, it represents an ongoing challenge to the planners of programmes whose efforts can yield far better and more imaginative results when allowed to range over a broader canvas than that of a single opus number where all sorts of practical considerations, including commercial ones, had restricted the composer’s choices.Each disc of this Hyperion edition takes a journey through Brahms’s career. The songs are not quite presented in chronological order (Brahms had a way of including earlier songs in later opus numbers) but they do appear here in the order that the songs were presented to the world. Each recital represents a different journey through the repertoire (and thus through Brahms’s life). In a number of these Hyperion recitals an opus number will be presented in its entirety (in the case of this disc, Op 48). The folksongs of 1894 will be shared between all the singers in the series. In a letter to Marie Scherer of 20 October 1894 we learn of Brahms’s reaction to an evening (arranged by the well-meaning Amalie Joachim) where an entire evening was given over to these Volkslieder: ‘I do not think it a happy idea to spend a whole evening singing nothing but these folksongs. A few introduced among other (serious and sober!) songs might be enjoyable and refreshing.’ In this series this is exactly what will happen.Graham Johnson © 2010

• Wykonawca Kirchschlager Angelika , Johnson Graham
• Data premiery 2010-01-01
• Nośnik CD