Wydawnictwo "Real Gone Jazz" przedstawia 4 płyty CD zawierające 5 oryginalnych klasycznych zremasterowanych albumów Little Richarda: "Album Here Little Richard", "Album Little Richard Volume 2", "Album The Fabulous Little Richard", "Album Clap Your Hands", "Album Pray Along Volume 1", "Album Pray Along Volume 2". Dodano także 17 singlowych nagrań bonusowych. Etykiety na płytach CD są koloru czarnego stanowiąc w pomniejszonej skali imitację płyt winylowych. Całość opakowana jest w plastikowy box.Seria Real Gone Jazz wydała także zremasterowane oryginalne albumy takich gwiazd jak: Nina Simone, Ahmad Jamal, Thelonious Monk, Charles Mingus, Chet Baker, Ornette Coleman, John Coltrane, Jimmy Smith, Bill Evans, Ken Nordine, Horace Silver, Cecil Taylor, Donald Byrd, Herbie Mann, Les Baxter, Martin Denny, Ray Charles, Sonny Clark, Sonny Rollins, Dave Brubeck, Oscar Peterson, Paul Chambers, Cal Tjader, Cannonball Adderley, Andre Previn, Wes Montgomery, Hank Mobley, Sarah Vaughan, Sun Ra, Sonny Stitt, Modern Jazz Quartet, Quincy Jones, Miles Davis, Ben Webster, Eric Dolphy, Blue Mitchell, Kenny Burrell, Stan Kenton, Red Garland, Johnny Cash, Frank Sinatra, Bo Diddley, Dizzy Gillespie, Gerry Mulligan, Duke Ellington, Duane Eddy, Chet Atkins, Chuck Berry, Stan Getz, Elvis Presley, Bud Powell, Kenny Dorham, Lou Donaldson, Kenny Drew, Curtis Fuller, Max Roach, J.J. Johnson, Art Blakey, Art Farmer, Eddie Cochran, Ella Fitzgerald, Johnny Hodges, Elmo Hope, Peggy Lee, Nelson Riddle, Arthur Lyman, Odetta, Shorty Rogers, Bobby Hackett, Gene Ammons, June Christy, Al Cohn, Doris Day, Herb Ellis, Jimmy Giuffre, Johnny Griffin, Bill Haley & His Comets, Wanda Jackson, Thad Jones, King Curtis, Peggy Lee, Sabu Martinez, Carmen McRae, Ricky Nelson, Andre Previn, Yma Sumac, Stanley Turrentine, Dearie Blossom.Tracklista:CD 11. Tutti Frutti      2. True Fine Mama      3. Can't Believe You Wanna Leave      4. Readdy Teddy      5. Baby      6. Slippin' & Slidin'      7. Long Tall Sally      8. Miss Ann      9. Oh Why ?      10. Rip It Up      11. Jenny Jenny      12. She's Got It      13. Keep A Knockin'      14. By The Light Of The Silvery Moon      15. Send Me Some Lovin'      16. Boo Hoo Hoo Hoo (I'll Never Let You Go)      17. Heeby Jeebies      18. Baby Face      19. Hey Hey Hey Hey      20. Ooh My Soul      21. The Girl Can't Help It      22. Lucille      CD 2     1. Shake A Hand      2. Chicken Little Baby      3. All Night Long      4. The Most I Can Offer      5. Lonesome And Blue      6. Wonderin'      7. She Know's How To Rock      8. Kansas City      9. Directly From My Heart      10. Maybe I'm Right      11. Early One Morning      12. I'm Just A Lonely Guy      13. Whole Lotta Shakin' Goin On      14. Walk With Me      15. Search Me      16. All About It      17. He Is Real      CD 3      1. Milky White Way      2. I've Just Come From The Fountain      3. Need Him      4. I'm Trampin'      5. Coming Home      6. God Is Real      7. Just A Closer Walk With Thee      8. Does Jesus Care      9. Jesus Walked This Lonesome Valley      10. Precious Lord      11. Troubles Of The World      12. Save Me Lord      13. Everytime I Feel The Spirit      14. I Know The Lord      15. Certainly Lord      16. Tell God My Troubles      17. I Want Jesus To Walk With Me      18. In My Heart      19. I'm Quitting Show Business Part 1      20. I'm Quitting Show Business Part 2      CD 4      1. Taxi Blues      2. Every Hour      3. Get Rich Quick      4. Thinkin' Bout My Mother      5. Why Did You Leave Me      6. Ain't Nothing Happening      7. I Brought It All On Myself      8. Please Have Mercy On Me      9. Ain't That Good News      10. Fool At The Wheel      11. Always      12. Rice, Red Beans And Turnip Greens      13. Little Richard's Boogie      14. Maybe I'm Right      15. I Love My Baby      16. Directly From My Heart      17. I Got It

• Wykonawca Little Richard
• Data premiery 2012-10-31
• Nośnik CD

Tracklista:1. Do the Mussolini (Headkick)2. Talk Over3. Here She Comes Now4. The Set Up5. Nag Nag Nag6. Silent Command7. Jazz The Glass8. Walls Of Jerico9. Seconds Too Late10. Eddie's Out11. Burnt To The Ground12. Extract From. Chance Versus Causality13. Control Addict14. Is That Me (Finding Someone At The Door Again)

• Wykonawca Cabaret Voltaire
• Data premiery 2003-06-23
• Nośnik CD

1. Lucifer2. You Lie Down With Dogs3. I'd Rather Be A Man4. You Won't Be There5. Winding Me Up6. Damned If I Do7. Don't Hold Back8. Secret Garden9. If I Could Change Your Mind10. Elsie's Theme from The Sicilian Defence (The Album That Never Was)11. Lucifer12. Secret Garden13. Damned If I Do14. Don't Hold Back15. Lucifer16. If I Could Change Your Mind

• Wykonawca Alan Parsons Project
• Data premiery 2008-09-15
• Nośnik CD

1. A Design For Life2. Motorcycle Emptiness3. If You Tolerate This Your Children Will Be Next4. La Tristesse Durera (Scream To A Sigh)5. There By The Grace Of God6. You Love Us7. Australia8. You Stole The Sun From My Heart9. Kevin Carter10. Tsunami11. The Masses Against The Classes12. From Despair To Where13. Door To The River14. Everything Must Go15. Faster16. Little Baby Nothing17. Theme From M*A*S*H (Suicide Is Painless)18. So Why So Sad19. The Everlasting20. Motown Junk

• Wykonawca Manic Street Preachers
• Data premiery 2006-01-01
• Nośnik CD

Tracklista: 1. Vandring Inn I Morket Del II 2. Isebakke 3. Dype Rotter 4. En Sti Inn I Remmendalen 5. Marevisa 6. Ringdalsfjorden 7. En Sirkel Av Stein 8. Foreviggjorelse 9. Power from Hell 10. Valen

• Wykonawca Mork
• Data premiery 2018-08-31
• Nośnik CD

Mroczny, ciężki power metal, którego teksty utworów inspirowane są fantastyką, krucjatami, samotnością to właśnie „Imaginations From The Other Side”, którego pierwotna wersja została wydana 1995r. przez metal band Blind Guardian Skład: Hansi Kürsch: wokal, bas André Olbrich: gitara Marcus Siepen: gitara Thomas "Thomen" Stauch: perkusja Andreas Marschall: projekt okładki. Tracklista: CD 1 1. Imaginations from the Other Side (2012 Remix and Remaster) 2. I'm Alive (2012 Remix and Remaster) 3. A Past and Future Secret (2012 Remix and Remaster) 4. The Script for My Requiem (2012 Remix and Remaster) 5. Mordred's Song (2012 Remix and Remaster) 6. Born in a Mourning Hall (2012 Remix and Remaster) 7. Bright Eyes (2012 Remix and Remaster) 8. Another Holy War (2012 Remix and Remaster) 9. And the Story Ends (2012 Remix and Remaster) 10. The Wizard (2018 Remix and Remaster) 11. System's Failing (2018 Mix) CD 2 1. Imaginations From The Other Side (Original) 2. I'm Alive (Original) 3. A Past And Future Secret (Original) 4. The Script For My Requiem (Original) 5. Mordred's Song (Original) 6. Born In A Mourning Hall (Original) 7. Bright Eyes (Original) 8. Another Holy War (Original) 9. And The Story Ends (Original)

• Wykonawca Blind Guardian
• Data premiery 2018-11-30
• Nośnik CD

VICTORY OF THE HUMAN RACE It is the best-known work in the history of music, that goes without saying. Its folksong-like melody is common property throughout the world. It resounded during innumerable concerts celebrating the millennium all over the globe. Everyone can hum or sing along to it. The subject at hand is, of course, Beethoven’s Symphony No. 9 and its Freudenmelodie (= melody to “Ode to Joy”). In the year 2001, it received the great honour of becoming the first musical opus ever to be included in the UNESCO World Inheritance List. In short: it is omnipresent. And that is also its problem. Following its première on May 7, 1824, which received an enthusiastic reception from the audience at the Vienna Kärntnertor Theatre, Beethoven’s last symphonic work embarked upon an incomparable – and non-stop – triumphal march. Right up to the present day, it has been constantly and vehemently “claimed” by all imaginable ideological and political groupings. Fascist, anti-fascist, communist, anti-dictatorial, etcetera, etcetera... Even to this day, it still causes amazement that this masterpiece, “about which so much rubbish has already been spread [...], has not long been buried under the pile of scribbling to which it has given rise” (to quote Debussy). Despite the fascinating and, at the same time, also frightening history of the reception given to the Ninth (which cannot simply be ignored in a study of the work), the main thing here is to focus on the idea which Beethoven expressed both instrumentally and vocally. After the composition of his Eighth, well over a decade passed before the composer (who in the meantime had become profoundly deaf) again attempted a symphony and started working on the project. Previously, he had written his eight other contributions to the genre within a similar period of time. The stimulus apparently came from a commission he received from the London Philharmonic Society for two symphonies in 1817. Beethoven subjected his own work to the greatest of criticism and wrote as follows: “For some time now, I have not found it easy to get down to writing. I sit down and think and think. I already know what I want; but I just can’t get it down on paper. I dread finally embarking upon such a major work.” Only a number of years after writing this, did Beethoven manage to conquer his dread and begin sketching the first movement. He spent a number of years working on the composition, the gigantic dimensions of which far exceed all its predecessors. Only at a relatively late stage, did Beethoven take the decision to include the human voice in the Finale: he had also worked on a purely instrumental solution for the Finale (which he later used in his Quartet in A minor, Op. 132). Finally, in March 1824, the composition was finished.  The central theme of the Ninth is Beethoven’s solution to the Finale problem, which he had designed individually for each of his previous symphonic works. The task of allowing the human voice to invade the domain of absolute music – the symphony – correspondingly demanded yet another special solution. In the first movement, the music consists of the most elementary and characteristic tonal components, of an unembellished, lingering 5th interval (a – e), which finally increases from falling 5ths and 4ths to octave jumps, before the elemental force of the main theme breaks in.  The previous lack of structure then begins to take on form, from the chaos order is restored. In a number of swelling waves, indicative of the later monumental symphonic works of Anton Bruckner, the recapitulation presents the theme in its full glory, before this is once more surpassed in the Coda. The Scherzo appears for the first time in Beethoven’s symphonic cycle in his second symphony, thus assigning to the Adagio the task of providing the place of rest. The movement supplies thematic material from the main theme of the first movement and tirelessly and restlessly drives it onwards in highly dynamic contrasts, before a melodic derivative from the “Ode of Joy” from the Finale appears for the first time in the cantabile Trio in D. However, here it does not yet have a joyful development. The supremacy of the D-minor key, which has so far continually dominated, is not broken until the Adagio, with the appearance of B-flat major: in a closely woven motif consisting of a 2nd interval, it develops the preliminary stages of the “Joy” theme, until two fanfares in the Coda announce the final movement. One more time, the D-minor key overwhelms the listener in this movement with shattering force. Then Beethoven quotes – adding each time a commentary from the instrumental recitative of the low strings – the main themes from the first three movements (as Bruckner was also to do in his Symphony No. 5), until finally the “Joy” melody asserts itself. It develops from the depths into a kind of undertow, which finally takes over the entire orchestra in all its tutti glory. Only now, after the theme has been, as it were, presented by the instruments and thus set free, does the human voice appear on the scene to depict the utopia of a harmonic, peaceful and loving human society. Beethoven had summarized the text of Schiller’s Ode an die Freude (= Ode to Joy) in a greatly reduced and concentrated form. The melody of Alle Menschen werden Brüder (= All people will become brothers) can be grasped immediately by the listener, due to its simplicity. It encourages the listener to sing along and allows him to join in the rest of the movement. Once again, Beethoven summons up major and magnificent compositional devices – ranging, for instance, from counterpoint to double fugues based on the main theme – before the movement comes to a hymnal conclusion in lively jubilation. With this Finale, Beethoven left behind not only his symphonic legacy, but, without realizing it, also a gigantic problem: after this work, which allowed vocal music to intrude into the absolute world of instrumental music, how would any future composer be able to write symphonic works? Was the absolute climax of the genre also to signify its demise?

• Wykonawca Various Artists
• Data premiery 2005-01-01
• Nośnik CD

8 album studyjny metalcore’owej grupy z Nowego Jorky Stray - From The Path.

• Wykonawca Stray From The Path
• Data premiery 2017-09-08
• Nośnik CD

Tracklista: CD 1 1. Symphony No. 1 in C major, Op. 21 2. Symphony No. 2 in D major, Op. 36 CD 2 1. Symphony No. 3 in E flat major, Op. 55, “Eroica” 2. Symphony No. 4 in B flat major, Op. 60 CD 3 1. Symphony No. 5 in C minor, Op. 67 2. Symphony No. 6 in F major, Op. 68, “Pastorale” CD 4 1. Symphony No. 7 in A major, Op. 92 2. Symphony No. 8 in F major, Op. 93 CD 5 1. Symphony No. 9 in D minor, Op. 125 - Final chorus from Schiller's “Ode to Joy”

• Wykonawca Gachinger Kantorei Stuttgart , Radio-Sinfonieorchester Stuttgart des SWR , Nylund Camilla , Vermillion Iris , Kaufmann Jonas , Selig Franz-Josef
• Data premiery 2020-04-01
• Nośnik CD

1. 01. WE ALL FAIL 2. 02. SUFFOCATION DIUTURNAL 3. 03. THE ULTIMATE DISCONNECT FROM HUMANITY 4. 04. IN MOTIONLESS DECAY 5. 05. THE BURNING 6. 06. ABANDON ALL 7. 07. STIGMATA 8. 08. THE WILL TO DOMINATE 9. 09. THE UNDISTINGUISHED NAME 10. 10. CENT

• Wykonawca Medeia
• Data premiery 2011-05-26
• Nośnik CD