Tracklista: LP 1 1. Moonshine 2. Dirty Finger 3. Bring It Baby 4. Ride Or Die 5. Tongue Like A Devil LP 2 1. Why Aren't You Listening 2. Stevie Nicks 3. Bullseye 4. Tell It From The Ground 5. Blue Lights On
2-płytowe zremasterowane (24 BIT Digitally Remastered. wydawnictwo zawiera zestaw utworów Milesa Davisa wykorzystanych w kilkunastu filmach w tym głównie z filmu Louisa Malle'a z 1958 r. „Ascenseur pour l'échafaud” oraz filmu telewizyjnego z 1959 r. „The Sound of Miles Davis” (który nagrał z kwintetem i Gil Evans Orchestra). Muzyka Davisa została także wykorzystana w takich obrazach jak: A Bronx Tale (1993), Finding Forrester (2000), In the Line of Fire (1993), Ginger & Rosa (2012), Zodiac (2007), Tacones Lejanos – High Heels (1991), The Flower of My Secret (1995), The Talented Mr. Ripley (1999), Lenny Bruce – Swear to Tell the Truth (1998. i innych. Skład zespołu: Miles Davis, Trumpet & Flugelhorn On All Tracks, Plus: Collective Personnel: John Coltrane, Barney Wilen (ts), Cannonball Adderley (as), J.J. Johnson (tb), Bill Evans, Wynton Kelly, Horace Silver, René Urtreger, John Lewis (p), Paul Chambers, Pierre Michelot, Percy Heath (b) Max Roach, Jimmy Cobb, Art Blakey, Kenny Clarke (d), the Gil Evans Orchestra, among others. CD 1 1. Miles Ahead (Quartet Version) 2. So What From Miles Ahead (2015) 3. Concierto De Aranjuez - From Finding Forrester (2000) 4. Blue Haze - From Kerouac –The Movie (1985) 5. Flamenco Sketches - From A Bronx Tale (1993) 6. Move - From The Last Time I Committed Suicide (1997) 7. Nature Boy - From The Talented Mr. Ripley (1999) 8. Solea - From La Flor De Mi Secreto – The Flower Of My Secret (1995) 9. All Blues - From In The Line Of Fire (1993) CD 2: 1. Générique 2. L’assassinat De Carala 3. Sur L’autoroute 4. Julien Dans L’ascenseur 5. Florence Sur Les Champs-Élysées 6. Dîner Au Motel 7. Evasion De Julien 8. Visite Du Vigile 9. Au Bar Du Petit Bac 10. Chez Le Photographe Du Motel From Ascenseur Pour L’échafaud (1958) 11. It Never Entered My Mind 12. Well You Needn’t 13. Tempus Fugit - From Lenny Bruce – Swear To Tell The Truth (1998) 14. Blue In Green -From Ginger & Rosa (2012) 15. Solar - From Zodiac (2007) 16. Saeta - From Tacones Lejanos – High Heels (1991) 17. So What 18. Medley: The Duke/Blues For Pablo/New Rhumba From The Sound Of Miles Davis (Tv Movie, 1959)
CD 1. Cowboys From Hell (Remastered LP Version) 2. Domination (LP Version) 3. Cemetary Gates (Remastered Version) 4. Mouth For War (Remastered LP Version) 5. Walk (Remastered LP Version) 6. This Love (Remastered LP Version) 7. Fucking Hostile (Remastered LP Version) 8. Becoming (Remastered LP Version) 9. I'm Broken (Remastered LP Version) 10. 5 Minutes Alone (Remastered LP Version) 11. Planet Caravan (Remastered LP Version) 12. Drag The Waters (Remastered LP Version) 13. Where You Come From (Remastered LP Version) 14. Revolution Is My Name (Remastered LP Version) 15. Immortally Insane (LP Version) 16 The Badge (Remastered LP Version) Bonus DVD 1. Cowboys From Hell (Video) 2. Psycho Holiday (Video) 3. Cemetery Gates (Video) 4. Mouth For War (Video) 5. This Love (Video) 6. Walk (Video) 7. 5 Minutes Alone (Video) 8. I'm Broken (Video) 9. Drag The Waters (Video) 10. Domination (Live Video) 11. Primal Concrete Sledge (Live Video) 12. Revolution Is My Name (Video)
Tracklista:1. Recercar No. 1 for viol (from the Regola rubertina) 1:072. O magnum mysterium, for consort (after Adrian Willaert) 5:023. Mort et fortune, for consort (after Nicolas Gombert) 2:254. Fantasie for consort (after Alberto da Ripa) 4:335. Lasso, ch'i ardo, for consort (after Adrian Willaert) 3:316. Recercar for consort (after Julio Segni, Recercar No. 5) 2:467. Mille regretz de vous abandonner, for consort (after Nicolas Gombert) 2:588. Recercar No. 4 for viol (from the Regola rubertina) 1:379. Tous les regretz, for consort (after Nicolas Gombert) 4:2810. Fantasie for consort (after Francesco) 2:3211. Je suys trop jeunette, for consort (after Nicolas Gombert) 3:3112. Io amai sempre, for consort (after Adrian Willaert) 2:5513. Hymnus Christe Redemptor omnium, for consort (after Girolamo Cavazzoni) 1:5114. Mon mary m'a diffamee, for consort (after Adrian Willaert) 2:1915. Recercar No. 2 for viol (from the Regola rubertina) 0:4416. Vecchie letrose, for consort (after Adrian Willaert) 2:4417. Recercar (III) for viol & lute (from the Lettione seconda) 1:5318. Io vorrei Dio d'amore, for consort (after Giacomo Fogliano) 1:4819. Io vorrei Dio d'amore, intabulature for viol & lute (after Giacomo Fogliano) 1:5920. Canzon sopra falt d'argens, for consort (after Girolamo Cavazzoni) 3:0021. Quand' io penso al martire, for consort (after Jacob Arcadelt) (bicinium by Girolamo Scotto) 3:5222. Quand' io pens'io el martir, for consort (after Jacob Arcadelt) (tablature by Alberto da Ripa) 2:5523. Je prends congié, for consort (after Nicolas Gombert) 5:21
CD:1. Symphony In Blue - Kate Bush 3:362. In Search Of Peter Pan - Kate Bush 3:463. Wow - Kate Bush 4:004. Don't Push Your Foot On The Heartbrake - Kate Bush 3:155. Oh England My Lionheart - Kate Bush 3:126. Full House - Kate Bush 3:147. In The Warm Room - Kate Bush 3:358. Kashka From Baghdad - Kate Bush 3:569. Coffee Homeground - Kate Bush 3:3910. Hammer Horror - Kate Bush 4:39
This recording centres on music produced by a group of composers linked to the Moscow Synodal School of Church Singing, famous for its choir (comprising men and boys) at the beginning of the twentieth century. These composers made, up to the time of the momentous events of 1917, a significant contribution to the future of Russian choral music, one that, while never forgotten in Russia, is now also coming to be appreciated in the West. That their work did not emerge from a vacuum is made evident here by the inclusion of music by earlier composers: Pyotr Tchaikovsky (1840– 1893), Nikolai Rimsky-Korsakov (1844–1908), Mili Balakirev (1837–1910) and César Cui (1835–1918).In 1879 there occurred a famous incident which would have significant consequences for Russian church music. Pyotr Jürgenson, the Moscow music publisher who frequently worked with the Imperial Chapel, published Tchaikovsky’s Liturgy of St John Chrysostom without the authorization of the Chapel—indispensable since the time of Bortnyans’ky. Bakhmetev, its director, attempted to forbid publication, but Tchaikovksy sought and received authorization from the Senate. Though many have considered the work too ‘Western’, it may be seen as truly Russian in spirit, and marks the end of the period of German domination and the initiation of the study and recovery of the Russian Church’s musical past. Tchaikovsky himself later worked more seriously with the chant repertoire, and his settings for the Vigil show a preoccupation with finding a valid style of genuinely liturgical composition. The present recording includes his arresting setting of Priidite, poklonimsya, followed by the Trisagion (Trisviatoye), from his 1879 Liturgy.
Tracklista: CD 1 1. What the World Needs Now Is Love 2. Young at Heart 3. You Made Me Love You 4. True Love 5. Yesterday 6. And I Love Her 7. The Impossible Dream 8. Michelle 9. If You Go Away 10. Our Song 11. Come Rain Or Come Shine 12. Hit the Road to Dreamland 13. Rosalie/Cowgirl's Song 14. Somewhere Along the Way 15. Right As the Rain 16. You're Sensational 17. All the Things You Are CD 2 1. Fly Me to the Moon 2. Charade 3. I Wish You Love 4. Summertime Promises 5. Close Your Eyes 6. Love With the Proper Stranger 7. Bewitched 8. Lollipops and Roses 9. From Russia With Love 10. Lush Life 11. Everytime We Say Goodbye 12. Dear Heart 13. Love Is Here to Stay 14. Thank Heaven for Little Girls 15. You're My Girl 16. Alfie 17. Strangers in the Night
Tracklista:LP 1Side A1. Dreaming of You 2. In the Morning 3. Pass It On 4. Don't Think You're the First 5. Jacqueline 6. Secret Kiss 7. GoodbyeSide B 1. Shadows Fall 2. Liezah 3. Who's Gonna Find Me 4. Bill McCai 5. Put the Sun Back 6. Something Inside of Me 7. Being Somebody ElseLP 2Side C 1. When All the Birds Have Flown - Outtake From Last Album2. The Golden Bough - Recent Studio Session3. Michael's Song - New Track4. The Cry of the City - New Track Recorded In Practice RoomSide D1. Everybody's Talking - From Isle Of Man Live2. Far from the Crowd - Live From Elevator3. She's Got a Reason - Live From Elevator4. Return Her to Me - Outtake From Magic And MedicineLP 3Side E1. Monkey to the Moon 2. It Was Nothing - From Help Album Charity Recording3. Cobwebs - 8 Track Demo4. Simon Diamond - Original Version5. Shadows Fall - 4 Track Instrumental Version DemoSide F1. Calendars and Clocks - Demo2. Seagulls - Previously Unreleased Track With Lee On Vocals Recorded In Ian's Bedroom3. Dreaming of You - Demo4. It's In Your Hands 5. Reward - Live Supporting Echo And The Bunnymen At Liverpool The Queen6. Bye Bye Love - Live At Elevator
Tracklista:1. Falak2. Erebo3. Satana's4. A King from the Dark Age5. Baarkant6. Invocacion7. The Age of the Snake8. Where Powers Converge9. Alienado10. Arribo Al Infierno
The programme on this disc include Rachmaninov's last work, the Symphonic Dances (1941) as well as The Rock, his first published orchestral work, but opens with The Isle of the Dead from 1909. Inspired by the painting of the same name by Arnold Böcklin, Rachmaninov based almost the entire thematic material on the four-note figure which stalks through so much of his music: the first notes of the plainchant setting of the Dies iræ, describing the terrors of the Last Judgement. The motif was Rachmaninov’s musical symbol for death – an ever-present spectre, sometimes feared, sometimes welcomed – and it impregnates the whole fabric of The Isle of the Dead. If The Rock, inspired by an image from a short story by Chekhov, is a youthful work by a composer just turned twenty, the Symphonic Dances, written almost 50 years later, sum up a lifetime’s musical and emotional experience. The title of the work doesn't reveal a programme of any kind, but when Rachmaninov suggested it to the choreographer Mikhail Fokine as the score for a possible ballet, he explained that its three movements followed the sequence Midday – Twilight – Midnight, possibly a description of life's journey from youth through middle age to old age. Andrew Litton and his Bergen Philharmonic Orchestra have already proven their skills in the Russian repertoire, with recordings of music by Stravinsky (‘If you're looking for a freshly painted Petrushka or a Rite to shake you up a bit, this is shockingly good’, International Record Review) and Prokofiev (‘An exceptional Romeo and Juliet, to be placed right next to the great ones’, Crescendo)