1. Careful2. And I Was a Boy From School3. Colours4. Over and Over5. (Just Like We) Breakdown6. Tchaparian7. Look After Me8. The Warning9. Arrest Yourself10. So Glad to See You11. No Fit State12. Won't Wash
Tracklista:1. Mr 10%2. The Alarum3. Damage Control4. Liar5. The You in Me6. Wherewithal7. Ape Like Me8. Collapse from the Hurt9. The Point Is This10. Your Call Is Important11. Pod People12. Let's Swap Places13. Potential
W notce o kolejnym wydawnictwie słynnego didżeja jego list kierowany do wielbicieli: "Drodzy przyjaciele i "Trancelovers", po długim czasie postanowiłem przedstawić wam nowy album. Jak wszyscy wiecie, w ostatnich latach skupiłem się na podnoszącej na duchu melodycznej muzyce transowej. Ta płyta zawiera większość moich bieżących singli, w tym "Uprising" - mój ostatnio ulubiony a także nigdy dotąd niepublikowany "Hybreed". Dziękuję wszystkim za wsparcie podczas moich występów i tras koncertowych oraz zakup lub streamowanie moich piosenek." Talla 2XLC Wydawnictwo oferuje także kody do pobrania nagrań i ...nalepkę z logo wykonawcy. Tracklista: 1. From Here To Eternity (Extended Mix) 2. Electric Dreams (Original Mix) 3. Elevation (Extended Mix) 4. Frenetic (Original Mix) 5. Love Is Wide Awake (Extended Mix) 6. Till Tomorrow (Extended Mix) 7. Fascinated (Original Mix) 8. The World In My Eyes (Extended Mix) 9. Mosaic (Original Mix) 10. Equinox (Original Mix) 11. Silesia (Extended Mix) 12. Uprising (Extended Mix) 13. The Oasis (Bangin Mix) 14. Hybreed (unreleased Bonus) (Extended Mix) 15. Bliss (unreleased Bonus) (Original Mix)
Tracklista:1. Audrey2. Cable Car3. You Go to My Head4. Take Five5. Koto Song6. Pennies from Heaven7. Shimwa8. Thank You
Tracklista:1. Blindness2. Hot Cake3. Strychnine4. Irish5. Fall Sound6. Jetplane7. Hittite Man8. Mr. Pharmacist9. Sir William Wray10. Spider11. White Lightning12. I'm Not from Bury
Called a ‘symphony’ by its composer, Richard Strauss’ Alpine Symphony is nevertheless a symphonic poem, and as such it is the last in a series of works that includes such masterpieces as Don Juan, Also sprach Zarathustra and Ein Heldenleben. In 1900, when Strauss first mentioned any plans for the work, he spoke of a symphonic poem in two parts that would begin with a sunrise in Switzerland. When he returned to the idea some ten years later, the work soon grew so vast that he decided to be content with one single movement, depicting the ‘worship of eternal glorious nature’. To regard the Alpensinfonie simply as an impression of landscape would be a mistake, however. It does make use of Strauss’ entire repertoire of orchestral pictorialism, but behind it are ideas much less simple: nature is being worshipped in the intoxicated spirit of Nietzsche’s superman, the liberation of the soul is achieved through hard work – the climber’s struggle to gain the mountaintOp.The work is divided into 22 sections that flow in an unbroken sequence, marking the ascent and descent of the mountain, from before sunrise to after sunset. It was scored for the largest orchestra ever used by Strauss for a purely orchestral piece, and he later said that it was in the Alpine Symphony that he had ‘finally learned how to orchestrate’. The experience must in any case have been useful when he composed his next work, the opera Die Frau ohne Schatten, with an even more opulent orchestration. The opera was premièred in 1919, but it wasn’t until 1946 that Strauss, in his 82nd year, returned to the score in order to make his Symphonic Fantasy, based on high points from the opera. These huge, and enormously colourful works are performed here by the eminent São Paulo Symphony Orchestra, whose highly praised recordings of the Choros by Villa-Lobos have been described as ‘an orgy of colours and rhythms’ (Diapason) and ‘an assured blend of lush colours, pulsating rhythms and supple phrasing’ (International Record Review). The orchestra is conducted by Frank Shipway, with fine credentials in late-Romantic Austro-German repertoire.
"Hans Zimmer - The Classics" to wybór największych przebojów tego Mistrza muzyki filmowej w wykonaniu wspaniałych gwiazd takich jak: Lang Lang, Nigel Kennedy, 2 Cellos, Lindsey Stirling, Till Brönner, Amy Dickson i innych.Traclista:LP 11. Main Theme (From "The Dark Knight Rises")2. Themes (From "Pirates of the Caribbean")3. Gladiator Rhapsody (From "Gladiator")4. Main Theme (From "Crimson Tide")5. Time (From "Inception")6. This Land (From "The Lion King")LP 21. Now We Are Free (From "Gladiator")2. Flight (From "Man of Steel")3. Light (From "The Thin Red Line")4. The Battle Scene (From "Gladiator")5. Mombasa (From "Inception")6. The Docking Scene (From "Interstellar")
Tracklista: LP 1 1. Inside the electric circus 2. I don't need no doctor 3. L.O.V.E. machine 4. Wild child 5. 9.5. - N.A.S.T.Y. 6. Sleeping (in the fire) 7. The manimal 8. I wanna be somebody LP 2 1. Harder faster 2. Blind Texas 3. Scream until you like it 4. Shoot from the hip 5. Widowmaker 6. Sex drive 7. Sleeping (in the fire) (Acoustic)
INCL. 1 BONUS TR. 1. SOMEWHERE IN AMERICA 2. CANT GETCHA OFFA MY MIND 3. LET IT BE NOW 4. AS SOON AS LOVE FINDS ME 5. YOUNGBLOOD 6. LOVE HAS GOT ME 7. WHOLE TOWNS TALKIN 8. 20/20 9. FREELANCE 10. NOTHING CAN SHAKE ME (FROM YOUR LOVE) 11. WHAT
Jean Sibelius' emergence as a composer coincided with the rapid development of choral singing in Finland, at a time when new choirs were being established all over the country. The importance of the genre may be measured by the fact that one of Sibelius's most deeply felt pieces for mixed choir, Män från slätten och havet (Men from Land and Sea), received its first performance by a choir of gargantuan proportions – around 1,300 singers – gathered at a festival in the city of Vaasa in 1912. Choral music also forms an important part of Sibelius' production: besides the present collection of more than 7 hours of music for choir a cappella and with piano or organ accompaniment, there are a large number of orchestral works involving choir. (These are included in volume 3, 'Voice and Orchestra', of this edition.) As a consequence of the division in Finland between Finnish- and Swedish-speakers, Sibelius set texts in both languages, and while a large majority of his solo songs use Swedish texts, in the choral music we find a much larger proportion of settings in Finnish - often, if far from always, of texts from Kalevala, the national epic poem, or its lyric counterpart Kanteletar. Like previous volumes in the SIBELIUS EDITION, the present collection includes not only the published works, but also unpublished pieces, revisions and early versions. Many of these are here recorded for the first time, such as the version with piano of the two choral movements of Kullervo and the reconstruction of the Cantata for the University Graduation Ceremonies of 1897. Other rarities, quite unexpected for those whose knowledge of Sibelius is mainly restricted to his symphonic output, are the two brief arrangements of 'Italian Folk Songs', and the collection of Chorales for mixed choir written during the student years in Helsinki and in Berlin. Performing this wealth of music are some of Finland's finest choirs, with the YL Male Voice Choir and Akademiska Sångföreningen sharing the pieces for male choir, with contributions from their Swedish colleagues in Orphei Drängar. The music for mixed choir is championed by the Dominante and the Jubilate choirs, while most of the piano accompaniments are signed Folke Gräsbeck, whose recordings of Sibelius' complete music for solo piano have just been released.