„From The North” to szósty album w dorobku szwedzkiej hardcore’owo-punkowej formacji Raised Fist i pierwszy, który wdrapał się do pierwszej dziesiątki najlepiej sprzedających się płyt w ich ojczyźnie.
Tracklista:1. I Want to Know What Love Is2. Always On My Mind3. Unchained Melody4. Hero5. Show Me Heaven6. Into My Arms7. Stay8. How to Disappear Completely9. By Your Side10. Girl from the North Country11. No Reason to Cry12. Right in Time13. Make You Feel My Love14. Big Yellow Taxi
Tracklista:1. Niezyt2. Freed from Failure3. More Faith4. Dziurawy Swiat5. Rituals6. Tam7. Savage Land Chopping Spree8. Claws of Liberty
Tracklista: Durufle 1. Improvisation sur le Te Deum, Suite, Op. 5 Vierne 2. Fantomes from 24 pieces de fantaisie, Op. 54 3. Scherzo from Symphony No. 6, Op. 59 4. Finale from Symphonie No. 5, Op. 47 Briggs 5. Le Tombeau de Durufle
Tracklista:1. Adoration Prayer2. Good Things for Ghana3. Onyame Ba4. Let All the People Praise Thy Name5. Aden Nti Na Merenna W'ase6. Onyame Ye7. Abigail's Praise Song8. The Spiritual Dialect9. Glory Be Ohene10. On the Mountain11. Drums from the Yellow Church12. Trust and Obey13. A Great Harvest14. Yewo Fawohodi15. Drums from Ashaiman16. I Have My Liberty17. Wayi Me Afiri18. Sunday School19. Countdown20. Welcome to Great Grace21. No Politics in Heaven22. Holy Holy Ghost23. Stand Firm Church24. Claps from Power Miracle25. Closing Worship
Tracklista: 1. Evil Ways 2. Shades Of Time 3. Savor 4. Jingo 5. Persuasion 6. Treat 7. You Just Don't Care 8. Soul Sacrifice 9. As The Years Go Passing By 10. Fried Neckbones And Home Fries 11. The Way You Do To Me 12. Acapulco Sunrise 13. With A Little Help From My Friends 14. Coconut Grove
Ten 7-płytowy box to owoc romansu, który nawiązał się w Paryżu pomiędzy Leonardem Bernsteinem i Orchestre National de France w latach 70. CC w. Poza wspaniałymi i uwielbianymi od dawna nagraniami studyjnymi, w których jako soliści wzięli udział Mścisław Rostropowicz i Alexis Weissenberg, kolekcja prezentuje nagrania live nieznane wcześniej szerokiej publiczności. Wśród nich m.in.: ravelowski program z 1975 r., w którym Berstein występuje jako solista w koncercie fortepianowym G-dur, a także suity orkiestrowe z dwóch najwspanialszych dzieł Bernsteina, w których wyraziście znajdują miejsce fascynacje jazzem: ścieżka dźwiękowa filmu On the Waterfront oraz wielki broadwayowski musical West Side Story. Tracklista: CD 1 1. Symphonie Fantastique, Op. 14, H. 48: I. Rêveries - Passions 2. Symphonie Fantastique, Op. 14, H. 48: II. Un Bal 3. Symphonie Fantastique, Op. 14, H. 48: III. Scène Aux Champs 4. Symphonie Fantastique, Op. 14, H. 48: IV. Marche Au Supplice 5. Symphonie Fantastique, Op. 14, H. 48: V. Songe D'Une Nuit Du Sabbat CD 2 1. Harold En Italie, Op. 16, H. 68: I. Adagio - Allegro Ma Non Troppo (Harold In The Mountain) - 2. Harold En Italie, Op. 16, H. 68: II. Allegretto (Procession Of Pilgrims) 3. Harold En Italie, Op. 16, H. 68: III. Allegro Assai - Allegretto (Serenade) 4. Harold En Italie, Op. 16, H. 68: IV. Allegro Frenetico (Orgy Of The Brigands) CD 3 1. La Création Du Monde, Op. 81 2. Saudades Do Brasil, Op. 67: VII. Corcovado 3. Saudades Do Brasil, Op. 67: IX. Sumaré 4. Saudades Do Brasil, Op. 67: VIII. Tijuca 5. Saudades Do Brasil, Op. 67: XI. Larenjeiras 6. Le Boeuf Sur Le Toit, Op. 58 CD 4 1. Cello Concerto In A Minor, Op. 129: I. Nicht Zu Schnell - Mstislav Rostropovich (012:15) 2. Cello Concerto In A Minor, Op. 129: II. Langsam - Mstislav Rostropovich (005:01) 3. Cello Concerto In A Minor, Op. 129: III. Sehr Lebhaft - Mstislav Rostropovich (008:07) 4. Schelomo - Mstislav Rostropovich (022:52) CD 5 1. Piano Concerto No. 3 In D Minor, Op. 30: I. Allegro Ma Non Tanto 2. Piano Concerto No. 3 In D Minor, Op. 30: II. Intermezzo (Adagio) 3. Piano Concerto No. 3 In D Minor, Op. 30: III. Finale (Alla Breve) 4. Miroirs, M. 43: IV. Alborada Del Gracioso (Rehearsal Session) 5. Shéhérazade, M. 17 (Rehearsal Session) 6. Piano Concerto In G Major, M. 83 (Rehearsal Session) 7. La Valse, M. 72 (Rehearsal Session) CD 6 1. Miroirs, M. 43: IV. Alborada Del Gracioso 2. Shéhérazade, M. 41: I. Asie 3. Shéhérazade, M. 41: II. La Flûte Enchantée 4. Shéhérazade, M. 41: III. L'Indifférent 5. Piano Concerto In G Major, M. 83: I. Allegramente 6. Piano Concerto In G Major, M. 83: II. Adagio Assai 7. Piano Concerto In G Major, M. 83: III. Presto 8. Tzigane, M. 76 CD 7 1. La Valse, M. 72 2. Boléro, M. 81 3. On The Waterfront: I. Andante (With Dignity) - Presto Barbaro 4. On The Waterfront: II. Adagio - Allegro Molto Agitato - Alla Breve 5. On The Waterfront: III. Andante Largamente - More Flowing - Lento 6. On The Waterfront: IV. Moving Forward - Largamente - Andante Come Prima 7. On The Waterfront: V. Allegro Non Troppo, Molto Marcato - Poco Più Sostenuto 8. On The Waterfront: VI. A Tempo (Poco Più Sostenuto) 9. Symphonic Dances From 'West Side Story': I. Prologue (Allegro Moderato) 10. Symphonic Dances From 'West Side Story': II. 'Somewhere' (Adagio) 11. Symphonic Dances From 'West Side Story': III. Scherzo (Vivace E Leggiero) 12. Symphonic Dances From 'West Side Story': IV. Mambo (Meno Presto) 13. Symphonic Dances From 'West Side Story': V. Cha-Cha (Andantino Con Grazia) 14. Symphonic Dances From 'West Side Story': VI. Meeting Scene (Meno Mosso) 15. Symphonic Dances From 'West Side Story': VII. 'Cool', Fugue (Allegretto) 16. Symphonic Dances From 'West Side Story': VIII. Rumble (Molto Allegro) 17. Symphonic Dances From 'West Side Story': IX. Finale (Adagio)
Tracklista:1. Elegy2. Ode On a Grecian Urn3. Ode to Autumn4. Upon Eckington Bridge5. All That's Past6. The Oxen7. To Lizbie Brown8. The Ruined Maid9. Daffodils10. Remembrance11. Kubla Khan12. Frost at Midnight13. As I Walked Out One Evening14. Master and Bos'n Song15. Money-O16. To My Son Aged Eight17. Elegy18. The Good Morrow19. Go and Catch a Falling Star20. Sweetest Love I Do Not Go21. The Anniversary22. A Nocturnall (Upon St. Lucy's)23. At the Round Earth's Imagined Corners24. Death Be Not Proud25. A Solemn Musicke (Blest Pair...)26. Sonnet 73. That Time of Year27. Prospero's Lines from the Tempest28. Sonnet 29. When in Disgrace...29. In Tara's Halls30. This Side of the Truth31. Greater Love32. Spring Offensive33. Anthem for Doomed Youth34. Dulce Et Decorum35. Men Who March Away36. Glory of Women37. New Menin Gate38. The General
Leutgeb, Ass, Ox and Jester...Mozart‘s instrumental concertos did not result from a random desire to compose, they were always composed to mark an occasion. Mozart wrote them either for personal use in concert, as was the case with his piano and violin concertos, or for at the behest of renowned and excellent soloists. Thus three of his four horn concertos and his Rondo in E flat were also tailor-made for the virtuoso and his instrument: Joseph Leutgeb (1732-1811) had played the French horn in the Salzburger Hofkapelle until 1777, and was already friendly with Mozart at the time. In 1781, the composer and the virtuoso met again in Vienna, where Leutgeb ran a lucrative cheese business alongside his musical activities. The relationship between the two of them must have been rather unusual, as is demonstrated by remarks such as "Wolfgang Amadé Mozart has taken pity on Leitgeb, ass, ox and jester in Vienna, May 27, 1783", which Mozart wrote in the manuscript of the concerto, which gave cause to this assumption. Was Leutgeb then truly naive, as has often been written; or, perhaps, does not the quality of the composition written by Mozart for Leutgeb prove that the relationship was characterised by artistic respect?Due to its rather modest musical capacities, the horn of the time was not a first choice for a solo instrument. As it did not yet have any valves, its tonal range was restricted to natural harmonics. Not until halfway through the 18th century was it possible, by means of so-called "stopping" (i.e. by inserting a hand in the bell of the instrument), to manipulate the pitch, which made it possible to play the notes in between the harmonics and thus diatonic scales in the lower reaches. Considering the numerous high demands made by Mozart of the soloists in his concertos, it is clear that Leutgeb must have virtually mastered this technique. Only a few years ago was it possible to pinpoint a relatively unambiguous period of composition for the horn concertos. All the works were written during the last decade of Mozart‘s life. The solitary Rondo in E flat, K. 371 (completion and cadenza by Alan Civil) dates from March 21, 1781. It is possible that it was really meant as the last movement of a further horn concerto, of which no more than a sketch for an introductory movement (K. 370b) has been preserved. The Concerto in E flat, K. 417 – from which manuscript the above-quoted "dedication" was taken – dates from May 27, 1783 and, despite the usual three-movement form, contains some unusual features. Thus for example the Rondo-Finale deviates to the realm of the minor key – most unusual for Mozart – and it also surprises the listener shortly before the end with a practical joke, which forces the musicians to make two new starts. On June 26, 1786 Mozart completed his Concerto in E flat, K. 495, the score of which he wrote in multi-coloured ink. Did he perhaps want to throw the "naive" Leutgeb, or perhaps – as is more likely – emphasise individual voices and thematic lines, and also mark subtle differences in dynamics? The relationship between K. 495 and its predecessor K. 417 has been discussed by numerous authors. Einstein even speaks "of a duplicate, though on a higher level, due to the fact that Mozart wrote it three years later ". In addition, echoes can be found of his Piano Sonata K. 497 and Cantata "Die Maurerfreude" K. 471. Although at first it was dated earlier, the Concerto in E flat, K. 447 is now believed to date from the year 1787, and is considered by connoisseurs and soloists alike to be the most important of the horn concertos. The complex structures confirm this most impressively. The two-movement Concerto in D, K. 386b with its Allegro K. 412 and the final Rondo K. 514 was only written the year Mozart died – 1791 – and was not completed. Neither is the definite version of the Rondo by Mozart, but by his pupil, Franz Xaver Süßmayer.
Tracklista:1. Arise2. Legions of the North3. Eternity Awaits4. Helvegr5. Hordes of Hel6. Tor Hjälpe7. Wake the Gods8. Vigverk9. Sons of War10. Echoes from the Past11. Fallen12. Forged in Fire13. Raadh