» » from » Strona 429

Trzypłytowe wydawnictwo zawiera Muzykę z Harrego Pottera jako muzyczną podróż w porządku chronologicznym od "Motywu Jadwigi" w "Kamieniu Filozoficznym" do "Komnaty Tajemnic" i "Więźnia Azkabanu" (skomponowany przez Johna Williamsa) do "Czary ognia" (skomponowany przez Patricka Doyle'a), "Zakon Feniksa" i "Książę Półkrwi" (autor Nicholas Hooper) i wreszcie "Insygnia Śmierci, część I i II" (skomponowany przez Alexandre Desplata), kończący się na stacji King's Cross z "A New Beginning". Tracklista: CD 1 1. Prologue 2. Harry's Wonderous World 3. The Arrival Of Baby Harry 4. Visit The Zoo And Letters From Hogwarts 5. Diagon Alley And The Gringotts Vault 6. Christmas At Hogwarts 7. Leaving Hogwarts 8. Hedwig's Theme 9. Prologue Book Ii And The Escape From The Dursleys 10. Fawkes The Phoenix 11. The Chamber Of Secrets 12. Reunion Of Friends 13. Harry's Wonderous World 14. Lumos 15. A Window To The Past 16. Buckbeak's Flight 17. Secrets Of The Castle 18. Hagrid The Professor 19. Finale 20. Mischief Managed! CD 2 1. The Story Continues 2. The Goblet Of Fire 3. Rita Skeeter 4. Neville's Waltz 5. Harry In Winter 6. Underwater Secrets 7. The Maze 8. Hogwarts' Hymn 9. Fireworks 10. Professor Umbridge 11. Dumbledore's Army 12. Possession 13. Umbridge Spoils A Beautiful Morning 14. The Ministry Of Magic 15. Loved Ones And Leaving   CD 3 1. Ginny 2. Dumbledore's Speech 3. Living Death 4. Harry & Hermione 5. Farewell Aragog 6. When Ginny Kissed Harry 7. Dumbledore's Farewell 8. The Friends 9. The Weasley Stomp 10. Obliviate 11. Polyjuice Potion 12. Ron Leaves 13. Godric's Hollow Graveyard 14. Farewell To Dobby 15. Rescuing Hermione 16. Harry And Ginny 17. Dobby 18. Severus And Lily 19. Harry's Sacrifice 20. The Resurrection Stone 21. A New Beginning


  • Wykonawca Global Stage Orchestra
  • Data premiery 2018-09-04
  • Nośnik CD

Tracklista: 1. Vox Balaenae For Three Masked Players 2. Senorita Of The Fan 3. Afternoon 4. A Song Sung 5. Snail 6. The Lizard Is Crying 7. A Little Song From Seville 8. Silly Song 9. An Idyll For The Misbegotten 10. Eleven Echoes Of Autumn (Echoes 1) For Violin, Alto Flute, Clarinet And Piano  


  • Wykonawca Aitken Robert
  • Data premiery 2006-11-27
  • Nośnik CD
Więcej

Dmitri Shostakovich's satirical opera The Nose was premiered in 1930 and is set in St Petersburg. Based on a short story by Nikolai Gogol, its absurd plot revolves around the exploits of a pompous government official and his nose. After a visit to the barber, the nose absconds from the man's face and takes on a life of its own; the pretentious bureaucrat is reduced to desperation, frantically searching the city for his lost appendage. Although primarily a comic opera, The Nose touches on the struggle between the individual and society (here portrayed by a cast of over 80 characters), and its spiky score is a 1920's modernist masterpiece from the prodigiously talented composer.   Reviews:    ' ... singers and orchestra negotiate the most complex ensembles in brilliantly idiomatic and conversational style ... the recorded sound is absolutely superb in its crystal clarity and depth. The ultimate winner in this excellent release, however, is Shostakovich. Now we can clearly see that he was never so obviously the youth genius' Disc of the Month BBC Music Magazine   Orphée d’Or Academie du disque Lyrique   Best Opera Edison Awards   Nominated for Best Classical Album and Best Opera Grammy Awards 2010   Caecilia Award Caecilia   Nominated for Best Opera BBC Music Magazine Awards   Best Opera Midem Classical Awards 2010   CDs of the Year Washington Post   CDs of the Year Chicago Tribune   CDs of the Year Boston Globe   Choc de l'Année Classica   'Sergei Semishkur sings the role of the Nose, and he manages well with the clownishly high tessitura. Ivan is correctly puzzling as sung by Alexei Tanovitski. Indeed, the whole cast is marvelous if you're looking for characterization and originality rather than lovely singing--this is theater at its most brazen.   Valery Gergiev, obviously in his element and with his own orchestra and  (spectacular) chorus, gives the work form and pathos while making certain that absurdity and satire reign supreme. This is, by the way, the first release on the Mariinsky label and it's quite an auspicious start. Fabulous fun!' Artistic Quality 10 Sound Quality 10 ClassicsToday.com 'The complete recording of The Nose is a special achievement ... The conductor achieves such vibrancy, detail and spontaneity that the opera sounds like the product of a mature composer who had worked for may years on the piece ... it's alarming how much sophistication is brought forth in the score, mixing folk melodies with harmonic extremity, and the avant-garde nature of the core and libretto comes through absolutely in Gergiev’s wonderful reading. With a complete, clear libretto, informative essay by Leonid Gakkel and excellent playing from the Mariinsky orchestra, there's much to enjoy here.' Musical Criticism.com ‘a new version of Shostakovich’s first opera is badly needed and this one fills the gap definitively ... Brilliantly realised’ The Guardian   'This recording was made under studio conditions only last year, which is all to the good as the demands made on singers and players in The Nose require a precision of execution that live performances - however much they capture the heat of the moment - are unlikely to secure ... This release reaffirms The Nose as a testament to Shostakovich’s creative ambition at a time when the artistic possibilities music have seemed limitless. In doing so, the Mariinsky labels could not have been more persuasively launched.' International Record Review   Disc of the Month Opera Magazine   Discos Excepcionales Scherzo   'Shostakovich’s prodigious, youthful satire - composed when he was only 21 - has been assiduously championed by Gergiev ... Recorded under studio conditions in the Mariinsky’s brand new concert hall, this version is notable for the brilliance of the orchestra’s playing and the idiomatic delivery of the Gogol-based text by a new generation of Mariinsky voices. Both Vladislav Sulimsky as the noseless collegiate assessor, Kovalev, and Sergei Semishkur as his errant appendage perform with panache.' The Times


  • Wykonawca Soboleva Irina , Sulimsky Vladislav , Tanovitski Alexei , Kravtsova Tatiana , Popov Andrei , Semishkur Gennady
  • Data premiery 2012-04-01
  • Nośnik SACD

1. Theme from the Last Waltz2. Cripple Creek Ferry3. Who Do You Love4. Helpless5. Stagefright6. Coyote7. Dry Your Eyes8. It Makes No Difference9. Such a Night10. Night They Drove Old Dixie Down11. Mystery Train12. Mannish Boy13. Further on Up the Road1. Shape I'm In2. Down South in New Orleans3. Ophelia4. Tura Lura Lural (That's an Irish Lullaby)5. Caravan6. Life Is a Carnival7. Baby Let Me Follow You Down8. I Don't Believe You (She Acts Like We Never Have Met)9. Forever Young10. Baby Let Me Follow You Down11. I Shall Be Released12. Well13. Evangeline14. Out of the Blue15. Weight16. Last Waltz17. Theme from the Last Waltz


  • Wykonawca The Band
  • Data premiery 2003-10-02
  • Nośnik CD
Więcej

Tracklista:1. My Home Town Is A One Horse Town2. Your Eyes Have Told Me So3. Be My Little Baby Bumble Bee4. Ain't We Got Fun5. By the Light of the Silvery Moon6. If You Were the Only Girl7. Just One Girl8. I'll Forget You9. Just One More Chance10. Thanks11. Nothing12. I'm Yours13. Bye, Honey Bye-Bye14. Walkin'15. There's a Lull in My Life16. I Miss You So17. The Lights Of Home18. Blame It On My Youth19. Say You're Mine Again20. The Song from 'Moulin Rouge'21. Oh, These Lonely Nights22. I Don't Want to Walk Without You23. No Stone Unturned24. Rather25. I Still Dream of You26. If It's the Last Thing I Do27. For the First Time


  • Wykonawca June Hutton
  • Data premiery 2004-09-06
  • Nośnik CD / Album
Więcej

After Berlin, Vienna was the music centre to which the conductor Wilhelm Furtwängler had the closest artistic connections. Under his direction the Vienna Philharmonic made a whole series of radio recordings that have now, for the first time, been carefully edited under the auspices of the Furtwängler specialist Gottfried Kraus and released by Orfeo on 18 CDs. The series commences with recordings from 1944/45, including one of Mozart’s g-minor symphony K550 in which Furtwängler demonstrates his clear sense of form from the very first bars. Beethoven’s third 'Leonore' Overture and an excerpt from Schubert’s 'Rosamunde' music complete our selection from this, the earliest of the recording sessions. Several works are to be found more than once in this anthology. Thus, Beethoven’s Eroica can be compared in an early version from 1944 and a later recording from 1953, just as Bruckner’s Eighth can be compared in recordings from 1944 and 1954. Beethoven’s Ninth Symphony is offered no less than three times here – from the years 1951, 1952 and 1953 – a work that surely no other conductor could make into such an 'event', an experience of universal import, as could Wilhelm Furtwängler. This was also true of his Brahms interpretations, represented here by the first two symphonies, the 'Haydn' Variations, the Double Concerto and the 'German Requiem', which is sadly only extant in an incomplete recording from 1951. This is, incidentally, the only time in this collection that we hear Furtwängler conducting the Vienna Symphony Orchestra. Besides Irmgard Seefried and Dietrich Fischer-Dieskau – two vocal soloists whom Furtwängler admired and engaged repeatedly – we can hear the chorus of the Vienna Singakademie on this recording.They also sing in Bach’s 'St Matthew Passion': in a partial recording from 1952 and in the famous performance of 1954 that was shortened by Furtwängler himself, but which is here released in a restored recording based on the original radio broadcast, without the cuts that were later made by record companies. Here as elsewhere in this collection, the acoustic heritage of the Viennese radio stations of the time has been restored using the best possible technological means available today. Even collector’s items such as the Piano Concertos K365 and 482 by Mozart, with Dagmar Bella and Paul Badura-Skoda, have probably never sounded better since they were first heard in the concert hall. Hence justice is done to Furtwängler’s timeles” style of music-making that unites different epochs, ranging from Gluck’s Overture to 'Iphigenie in Aulis' to Mahler’s 'Songs of a Wayfarer' and Furtwängler’s own Second Symphony – a work that despite all its late-Romantic echoes succeeds in attaining originality and a considerable emotional impact. This universality of Furtwängler has not found its match to this day.


  • Wykonawca Fischer-Dieskau Dietrich , Grummer Elisabeth , Seefried Irmgard , Wiener Otto
  • Data premiery 2013-03-01
  • Nośnik CD