
.. THE MOUNTAINS// = DEATH FROM ABOVE 1979 SINGER
- Wykonawca Grainger Sebastien
- Data premiery 2009-02-23
- Nośnik CD
- Vinyle / Pop & Rock / Zagraniczna
- 13-09-2020, 05:27
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.. THE MOUNTAINS// = DEATH FROM ABOVE 1979 SINGER

Tracklista:1. Assassin2. View from Above

Pełen hitów album Olly'ego Mursa z 2014 roku doczekał się reedycji z nowymi piosenkami i pełnym koncertem na DVD! "Never Been Better (Special Edition)" zawiera hity z oryginalnego krążka - "Wrapped Up", "Up", "Beautiful To Me" i "Seasons" a także najnowszy singiel artysty, napisany przez Taio Cruza "Kiss Me". Oprócz nich, krążek CD zawiera 7 dodatkowych nagrań (w sumie aż 20 piosenek), w tym m.in. koncertowe wykonanie "Last Christmas". Dysk DVD to zapis koncertu z 7 maja z londyńskiej O2 Areny, jednego z czterech wyprzedanych pod rząd koncertów jakie Olly zagrał tam wiosną tego roku (sporą atrakcją jest tu gościnny udział Robbie’go Williamsa w hicie "Troublemaker"). Olly Murs, najpopularniejszy obecnie brytyjski wokalista, znany jest także ze świetnej charyzmy i rewelacyjnych występów na żywo (w ramach trasy promującej płytę "Never Been Better" zagrał aż 28 wyprzedanych koncertów), które docenić będzie można także dzięki temu wydawnictwu. Tracklista:1. Did You Miss Me?2. Wrapped Up (feat. Travie McCoy)3. Beautiful To Me4. Up (feat. Demi Lovato)5. Seasons6. Nothing Without You7. Never Been Better8. Hope You Got What You Came For9. Why Do I Love You10. Stick With Me11. Can’t Say No12. Tomorrow13. Let Me In14. Kiss Me15. Stevie Knows16. If I Stay17. Sacrifice18. Love Shouldn't Be This Hard19. Up (from Live Lounge)20. Last Christmas (from Live Lounge)DVD1. Intro2. Did You Miss Me?3. Right Place Right Time4. Why Do I Love You5. Hey You Beautiful6. Hand On Your Heart7. Never Been Better8. Seasons9. Piano Medley10. Hope You Got What You Came For11. Heart Skips A Beat12. Up Featuring Ella Eyre13. Dance With Me Tonight14. Let Me In15. Dear Darlin16. Beautiful To Me17. Troublemaker – (with Robbie Williams)18. Nothing Without You19. Wrapped Up/Treasure20. Behind The Scenes

Tracklista:1. Bled Dry2. Priceless3. Waste4. Far from Home5. Give It All6. Moden Music Bourgeoisie7. Dybt Vand8. Efterladt9. Du Kunne Ikke Svomme10. Transparent

Tracklista: CD 1 1. What the World Needs Now Is Love 2. (They Long to Be) Close to You 3. Raindrops Keep Fallin' On My Head 4. Reach Out for Me 5. Baby, It's You 6. Walk On By 7. The Look of Love 8. I Just Don't Know What to Do With Myself 9. Send Me No Flowers 10. Gotta Get a Girl 11. Wives and Lovers 12. Alfie 13. This Guy's in Love With You 14. Promise Her Anything 15. It's Wonderful to Be Young (Alternate Version) 16. Crazy Times 17. I Looked for You 18. The Blob 19. So Long Johnny 20. A House Is Not a Home 21. Nikki 22. Don't You Believe It 23. (There Goes) the Forgotten Man 24. Trains and Boats and Planes 25. Casino Royal 26. Anyone Who Had a Heart 27. The Windows of the World 28. Once in a Blue Moon (Instrumental) CD 2 1. Magic Moments 2. Do You Know the Way to San Jose 3. I Say a Little Prayer 4. Wishin' and Hopin' 5. Make It Easy On Yourself 6. (There's) Always Something There to Remind Me 7. Don't Go Breaking My Heart 8. I'll Never Fall in Love Again 9. Please Stay 10. Tower of Strength 11. The Story of My Life 12. What's New Pussycat 13. That's Not the Answer 14. Don't Make Me Over 15. Any Day Now (My Wild Beautiful Bird) 16. (The Man Who Shot) Liberty Valance 17. Mexican Divorce 18. Third Window from the Right 19. Rain from the Skies 20. How About 21. Keep Away from Other Girls 22. Made in Paris 23. It's Love That Really Counts (In the Longrun) 24. My Little Red Book 25. The Empty Place 26. Pacific Coast Highways CD 3 1. That's What Friends Are For 2. God Give Me Strength 3. What's in Goodbye 4. Arthur's Theme (The Best You Can Do) 5. Heartlight 6. Go Ask Shakespeare 7. Who Are These People 8. South American Getaway 9. Everybody's Out of Town 10. Odds and Ends 11. Thirty Miles of Railway Tracks 12. Long After Tonight Is All Over 13. Let the Music Play 14. Paper Mache 15. One Less Bell to Answer 16. London Life 17. Blue Guitar 18. The Land of Make Believe 19. You'll Never Get to Heaven (If You Break My Heart) 20. Just Friends 21. Hesbrook Heights

Muzycy Anette Maiburg - flute Leszek Potasinski - guitar Wlodzimierz Gula - double bass Tracklista: Diego Ortiz (1510 ¬ 1570): 1. Recercada primera sobre el passamezzo antíguo 2. Recercada ottava sobre la folía 3. Recercada segunda sobre el Gaspar Sanz (1647 ¬ 1716): 4. Folías 5. Canarios Heitor Villa-Lobos (1887 ¬ 1959): 6. Aria Cantilena (from Bachianas Brasileiras No. 5) Jacques Ibert (1890 ¬ 1962) 7. Entre' Acte François Rabbath (1931) 8. Ibérique Peninsulaire Manuel de Falla (1876 ¬ 1946) 9. Danza de los Vecinos 10. Danza del Fuego Fatuo Roland Dyens (1955) 11. Fête et... (from Saudade Nr. 3) 12. ...Final Astor Piazzolla (1921 ¬ 1992) 13. Café 1930 Nightclub 1960 (from"Histoire du Tango") 14. Tanti anni, prima Chick Corea (1941) 15. Spain 16. La Fiesta

Tracklista:1. Besitos2. Southern Constellations3. The Boy Who Could Fly4. Caraphernelia5. Fast Times at Clairemont High6. The New National Anthem7. Bulletproof Love8. Stay Away from My Friends9. I Don't Care If You're Contagious10. Disasterology11. Million Dollar Houses (The Painter)12. The Sky Under the Sea

Tracklista: LP 1 1. Double Vision 2. Head Games 3. Cold As Ice 4. In Pieces 5. Blue Morning, Blue Day 6. Waiting For A Girl Like You 7. When It Comes To Love 8. Dirty White Boy 9. Starrider LP 2 1. Feels Like The First Time 2. Urgent 3. Juke Box Hero 4. Long, Long Way From Home 5. I Want To Know What Love Is 6. Hot Blooded 7. Can't Slow Down

Tracklista:1. The Wound2. Rise from Agony3. A Cold Day to Face My Failure4. I Lie in Wait5. Don't Believe Anymore6. In the Lilac Dusk7. Waiting for the Endless Dawn

Following Ensemble Caprice’s first recording of Vivaldi’s sacred music ( Gloria! Vivaldi and his Angels) we return to Vivaldi’s Venice and find ourselves yet again within the confines of the Ospedale della Pietà orphanage where, beginning in 1703, Vivaldi, the Red Priest, not only taught the orphan girls violin and singing (!), but also composed many of his most dazzling concertos as well as a substantial part of his highly inspired corpus of sacred music. To this day, it seems almost unbelievable that these very demanding scores could be successfully performed by young women. However, their concerts must have been of a very high standard, judging from the celebrity status they enjoyed throughout Europe. Of course the picturesque scenario of young women performing in church undoubtedly fired the imagination of countless listeners who would come from far and wide to hear the orphans perform musical miracles in Venice. In 1720 an English traveler, Edward Wright, gives us the following account of those events: Every Sunday and holiday there is a performance of music in the chapels of these hospitals, vocal and instrumental, performed by the young women of the place, who are set in a gallery above and, though not professed, are hid from any distinct view of those below by a lattice of ironwork. The organ parts, as well as those of other instruments, are all performed by the young women. They have a eunuch for their master, and he composes their music. Their performance is surprisingly good, and many excellent voices are among them. And this is all the more amusing since their persons are concealed from view. It was both absurd and comical for Wright to assume that the composer was a eunuch, but it shows how the imagination of the male listeners got carried away when hearing those celestial angelic sounds produced by an invisible female orchestra and choir. After having met Vivaldi in Venice in 1739, a French jurist, Charles de Brosse, reports that …about forty girls take part in every concert. I vow to you that there is nothing so diverting as the sight of a young and pretty nun in white habit, with a bunch of pomegranate blossoms over her ear, conducting the orchestra and beating time with all the grace and precision imaginable. Further proof of the incredible quality (and attraction) of these concerts is provided by no less a celebrity than the sophisticated French philosopher (and part-time composer) Jean-Jacques Rousseau, who in 1743 had nothing but praise for the achievements of the young girls: Every Sunday, vocal music for a large chorus with a large orchestra, which is composed and directed by the greatest masters in Italy, is performed in barred-off galleries solely by girls, of whom the oldest is not twenty years of age. One can conceive of nothing as voluptuous, as moving, as this music. Knowing for instance that J.S. Bach only heard his own sacred music sung publicly in church by boys and men and never by women, we can only assume how much the titillation of these exciting rumours about the female choir and orchestra in Venice must have stirred the imagination of music lovers north of the Alps. During the course of the present recording, we move from Vivaldi’s description of war to his musical depiction of the joys of peace. Juditha triumphans Juditha triumphans from 1716 is the best known of the Vivaldi oratorios (of which only four have survived). Subtitled Sacrum Militare Oratorium, it relates the gruesome Old Testament story of Judith, a beautiful widow chosen by God to put an end to the life of the Assyrian general Holofernes – who was out to destroy her hometown – by decapitating him. At the time the oratorio was composed, the Republic of Venice was engaged in its 6th war against the Ottoman Empire and despite its ultimate triumph in 1718, the situation looked rather bleak two years earlier after two successive crushing defeats by the strong Ottoman army. In a typical baroque crossover mingling religious and worldly matters on the same battlefield, the oratorio Juditha triumphans was obviously aimed at strengthening the war efforts of the Venetian Republic. We know that this oratorio was performed at the Ospedale della Pietà, with an all-(young)-woman cast on both vocal and instrumental parts. It could only have added to the already wide range of exotic sensations when the overwhelmed listener heard these young women in nun’s habits engaging in musical warfare. Gloria, RV 588 However, let us not forget that Vivaldi’s talent also radiated its light upon the depiction of peace. The intense plea Et in terra pax (from Gloria RV 588), with its gripping harmonic tensions, serves as a worthy final statement for this recording, where war is gradually replaced by the hope for peace. Psalms, Concertos, Motet On the road towards peace we encounter brilliant psalm settings with powerful rhythms in choir and orchestra (In exitu Israel RV 604, Laudate Dominum RV 606), two virtuoso concertos for multiple soloists (RV 566 and RV 563) and a beautiful solo motet O qui coeli terraeque serenitas RV 631, praising serenity in heaven and on earth. Vivaldi entertained a close relationship with Dresden, the Florence of the Elbe, both as a performing artist and as a composer; indeed, his pieces were frequently performed at court. One of his illustrious colleagues in Dresden, Jan Dismas Zelenka, was obviously inspired by Vivaldi’s sacred music when he composed the heart-rending lament Misera Madre in which Mary’s suffering at the foot of the cross is set for high-voice choir. It becomes quite obvious from the striking dissonances in this piece that the transition from war to peace is not always an easy one… And just as our plea for peace is here put forward with music from the past, we fervently hope that peace will reign in our present time and the future: Et in terra pax! © Matthias Maute, Montreal, 2011