Tracklista: CD 1 "In The Flat Field" Re-mastered in 2008 CD 2 "Mask" Re-mastered in 2008 CD 3 "The Skys Gone Out" Re-mastered in 2013 CD 4 "Burning From The Inside" Re-mastered in 2013 CD 5 "Singles"
Tracklista:1. Wieniawski Legende2. Bruch Adagio from Violin Concerto No 13. Tchaikovsky Canzonetta Andante from Violin4. Mendelssohn Andante from Violin Concerto5. Brahms Adagio from Violin Concerto6. Massenet Meditation from Thads7. Mozart Adagio from Violin Concerto No 38. Faure Berceuse
Album "Purple Rain", soundtrack do tak samo zatytułowanego filmu, w którym Prince zagrał, był pierwszym amerykańskim numerem jeden artysty na liście "Billboardu". Ukazał się w 1984 roku, a Książę nagrał piosenki z towarzyszącym mu wtedy zespołem The Revolution. Szóste studyjne wydawnictwo Prince'a w USA sprzedało się w ponad 13 mln egzemplarzy, co dało mu status diamentowej płyty. Na świecie kupiono ponad 22 mln kopii dzieła. Płyta zdobyła dwie nagrody Grammy, w tym za najlepszy soundtrack, a także Oscara za najlepszą oryginalną piosenkę do filmu. Wydanie deluxe zawiera pochodzący z 2015 roku tak zwany Paisley Park Remaster. Prince zdążył jeszcze nadzorować proces osobiście. Dysk drugi, From The Vault & Previously Unreleased to 11 utworów z archiwum artysty. Tracklista: CD 1: Original Album (2015 Paisley Park Remaster) 1. Let's Go Crazy 2. Take Me With U 3. The Beautiful Ones 4. Computer Blue 5. Darling Nikki 6. When Doves Cry 7. I Would Die 4 U 8. Baby I'm A Star 9. Purple Rain CD 2: From The Vault & Previously Unreleased 1. The Dance Electric 2. Love And Sex 3. Computer Blue ("Hallway Speech" version) 4. Electric Intercourse (studio) 5. Our Destiny / Roadhouse Garden 6. Possessed (1983 version) 7. Wonderful Ass 8. Velvet Kitty Cat 9. Katrina's Paper Dolls 10. We Can Fuck 11. Father's Song
This new programme from Private Musicke, with the young Spanish soprano Raquel Andueza, is dedicated to the light Italian delights of the early Baroque period. Everything centres on love in the labyrinth of hope, sorrow, optimism, disappointment and joy. This music is a small selection of the utterly incalculable amount of printed music that appeared between 1610 and 1640. At the sonic centre is the "chitarra espanola" which was explicitly conceived as the accompanying instrument for all the pieces; during these years, it began its soaring flight which has continued up to the present day. One can hear arias, villanelles and canzonas by betterknown composers such as Giovanni Girolamo Kapsberger and Tarquinio Merula. Girolamo Montesardo, Giovanni Stefani, Flaminio Corradi and certain other forgotten authors, however, are now rubbing their eyes after several hundred years of sleep, glancing around themselves in bewilderment: not much has changed. A song is still a song and nothing seems more suitable for giving expression to the overflowing heart. If there were a hit parade from this period, several of the songs on this programme would surely be amongst the top ten.
Wydanie audiofilskie 180 gram. Tracklista: Side A1. She Caught The Katy2. Peter Gunn Theme3. Gimme Some Lovin’4. Shake Your Tailfeather5. Everybody Needs Somebody To Love6. The Old Landmark Side B1. Think2. Theme From Rawhide3. Minnie The Moocher4. Sweet Home Chicago5. Jailhouse Rock
Tracklista:1. Slow Walk to the Graveyard Shift2. Violent Decline3. Thorn in the Side4. Problem Child5. Reminded/Weighed Down6. Days Here Are Long7. Room Full of People8. You Won't Stay9. Alright, I'll Wait10. Bitter Medicine11. Lifted from the Current
The thirteen works recorded here range from the contemplative of the Nunc dimittis to the ceremonial of an anthem such as At the round earth’s imagined corners where the familiar Donne text receives a thoroughly fresh interpretation. This is music reaching out to a modern desire for immediate accessibility masking consummate artistry: ‘I can’t believe it’s not Rutter’, perhaps … Television credits for Geoffrey Burgon include the music for Brideshead Revisited and the pop chart-topping Nunc dimittis (recorded here) which introduced the BBC’s John le Carré adaptation Tinker, Tailor, Soldier, Spy in 1979. But commercial success should not prevent us from recognizing, and appreciating, a depth of invention and mastery of formal conception which might just as well be described as being firmly rooted in the classical tradition, and particularly that of the Anglican Church. ‘The national soundtrack for the past three decades … Burgon shows what can be done with some simple ideas and a top-flight cathedral choir’ (The Independent) ‘The music is gratefully written for voices, expertly performed, and warmly recorded’ (BBC Music Magazine) ‘Geoffrey Burgon … has found a niche in contemporary English choral music because he wants to communicate, to write music that people want to hear … this immensely appealing music is superbly sung by the Wells Cathedral Choir who prove to have excellent soloists. The vivid direction by Matthew Owens is greatly aided by David Bednall’s creative organ contribution and Hyperion’s first-class recording in the cathedral. A disc well worth seeking out’ (Gramophone) ‘Musically, these performances are all that could be wished for in terms of technical accomplishment’ (Fanfare, USA) ‘The girls and men of Wells Cathedral directed by Matthew Owens give a riveting performance enhanced by the playing of David Bednall and Alan Thomas … in the popular field Burgon presses all the right buttons without risk of compromise’ (Choir & Organ Magazine) ‘Hyperion’s sound is terrific (does anyone record English choirs better than they?) and the production first class’ (Audiophile, USA) ‘Geoffrey Burgon’s music is beautifully crafted with a wealth of invention and on this Hyperion Records CD a treat awaits for those already familiar with his works as well as those new to his music … the Short Mass is marvellously realised by the Choir of Wells Cathedral and their performances throughout are excellent’ (Lifestyle Magazine) ‘Strong performances from the Wells Cathedral girl choristers and lay clerks … I was soon persuaded that this recording is a welcome addition to the Burgon discography’ (Cathedral Music)
1. What Have You Done For Me Lately2. Nasty3. When I Think Of You4. Miss You Much5. Escapade6. Alright7. That's The Way Love Goes8. Together Again9. Doesn't Really Matter10. All For You11. Make Me12. Nothing from the film Tyler Perry's Why Did I Get Married Too?
Tracklista: 1. Golden Goat2. Don't Lie3. The Man in the Dark Sedan4. I Come from an Island5. Jungle Princess6. Trashing All the Loves of History7. Save Me from Dali8. Living in Vain9. The Picture Makers Vs. Children of the Sea10. Smelly Tongues11. I Love Mary12. Picnic in the Jungle13. Jinx14. Kill the Great Raven15. Who Is the Culprit and Who Is the Victim?16. Jesus Was a Leprechaun17. What Wilbur?18. The Spot
Tracklista: 1. Tales from the Megaplex2. Hail Hail John Cale3. I'll Be Your Johnny On the Spot4. Texas Band5. Heavy Is the Head That Wears the Crown6. Song for Tom7. What's Your Name, Where Are You From, What Are You On?8. Town of Horseheads