Utwory instrumentalne na różne instrumenty włoskiego kompozytora epoki renesansu Giovanniego Gabrieli w wykonaniu zespołu Consort Fontegara pod dyrekcją René Clemencica.
Kanadyjska orkiestra dęta założona w 1970 roku, nagrała ponad 80 płyt podczas swojej działalności. Zajmuje się muzyką klasyczną, jazzową, aranżacjami w stylu pop, różnymi transkrypcjami. Na 5 CD usłyszymy znane i lubiane utwory muzyki klasycznej epoki baroku i klasycyzmu (C. Monterverdi, G. Gabrieli, H. Purcell, J.S. Bach, A. Vivaldi, G.F. Haende, W.A. Mozart).
the Gabrieli Consort and Players return to the programme that put them on the musical map when it was originally recorded and released in 1990: A Venetian Coronation 1595 is a musical re-creation evoking the grand pageantry of the Coronation Mass for Venetian Doge Marino Grimani. His love of ceremony and state festivals fuelled an extraordinary musical bounty during his reign and formed the background to the musical riches of the period, especially to the works of Giovanni Gabrieli. with cornetts, sackbuts and an all-male consort, Paul McCreesh fully exploits the dazzling polyphony of Andrea and Giovanni Gabrieli’s music and captivates the audience in a theatrical and ceremonious performance. two decades later, the Gabrieli's New Venetian Coronation takes advantage of huge developments in early instruments, performance techniques and research into the pieces that were on the original (as well as advances in recording techniques). this disc follows on from two critically lauded releases with Signum – Berlioz's Grande Messe des Morts (BBC Music Magazine Award winner – technical excellence) and A Song of Farewell (5 Stars – Classic FM Magazine, Double 5 stars – BBC Music Magazine).
Tracklista: 1. Gabrieli: Canzon duodecimi toni a 10 (II) from Sacrae symphoniae, 1597 2. Gabrieli: Sonata octavi toni a 12 from Sacrae symphoniae, 1597 3. Lappi: Canzon undecima ‘La Serafina’ a 4 from Canzoni per sonare, 1608 4. Gabrieli: Sonata pian e forte a 8 from Sacrae symphoniae, 1597 5. Gabrieli: Canzon V a 7 from Canzoni et sonate, 1615 6. Gabrieli: Canzon septimi toni a 8 (II) from Sacrae symphoniae, 1597 7. Frescobaldi: Canzon terza a due canti, 1634 8. Gabrieli: Sonata XVIII a 14 from Canzoni et sonate, 1615 9. Gabrieli: Canzon VIII a 8 from Canzoni et sonate, 1615 10. Massaino: Canzon No. 33 a 8 from Canzoni per sonare, 1608 11. Gabrieli: Canzon ‘La Spiritata’ a 4 from Canzoni per sonare, 1608 12. Gabrieli: Canzon noni toni a 12 from Sacrae symphoniae, 1597 13. Gabrieli: Sonata XXI ‘con tre violini’ from Canzoni et sonate, 1615 14. Viadana: Sinfonia ‘La Bergamasca’ a 8 from Sinfonie musicali, 1610 15. Gabrieli: Canzon III a 6 from Canzoni et sonate, 1615 16. Buonamente: Sonata a 6 from Sonate et canzoni, 1636 17. Gabrieli: Sonata XIX a 15 from Canzoni et sonate, 1615 18. Gussago: La Bottana a 4 from Sonate a quattro, sei et otto, 1608 19. Gabrieli: Sonata XX a 22 from Canzoni et sonate, 1615
Jeszcze raz Paul McCreesh udowadnia swojąreputację badacza i wykonawcy. Oszałamiający wybór solistów i bardzo precezyjnie oddany duch Hendlowskiej myśli. Prowadzący Gabrieli Consort McCreesh jest w końcu nie tylko znakomitym muzykiem i dyrygentem, ale też – a może nawet – przede wszystkim – badaczem, naukowcem.
CRISTOBAL DE MORALES Mass for the Feast of St. Isidore of Seville Requiem for Philip II Gabrieli Consort & Players Paul McCreesh
Tracklista: Giovanni Gabrieli 1. Confitebor tibi Domine 2. Miserere mei 3. Canzon prima 4. Vox Domini 5. Canzon terza 6. O Jesu mi dulcissime 7. Exaudi Deus Giovanni Bassano 8. Viri Sancti 9. Quem vidistis pastores 10. Nativitas tua 11. Deus, qui beatum Marcum 12. Hodie Christus 13. Ave Regina Claudio Merulo 14. Canzon alla francese, dita la Benvenuta 15. Canzon a la francese, dita la Bovia Andrea Gabrieli 16. Toccata del nono tono Giovanni Bassano/Pierluigi da Palestrina 17. Ave Maria 18. Veni dilecte mi
Przełom XVI i XVII wieków był nie tylko złotym wiekiem w historii Republiki Weneckiej, ale również jednym z najważniejszych momentów w historii muzyki europejskiej. Wtedy dokonała się stylistyczna przemiana i muzyka wkroczyła w epokę nazwaną później barokiem. Tacy kompozytorzy jak Gabrieli, Marini i Monteverdi byli czołowymi twórcami w tym czasie. Na płycie zespół La Pifarescha wykonuje utwory napisane na instrumenty dęte i skrzypce.
This is the first in a new series of releases from the world-renowned conductor Paul McCreesh and his Gabrieli Consort. Recorded in Poland as part of the Wratislava Cantans Festival (of which McCreesh is artistic director) this staggering performance of Berlioz's 'Grand Mass for the Dead' is produced by a force of over 400 performers - drawn from the Gabrieli Consort and Players, the Wroclaw Philharmonic Orchestra and Choir and students from Chetham's School of Music. Future releases with McCreesh will include Mendelssohn's Elijah, Haydnas The Seasons, Brittenas War Requiem and a re-recording of their famed disc 'A Venetian Coronation'. Founded in 1982 by Artistic Director Paul McCreesh, Gabrieli Consort & Players are worldrenowned interpreters of great choral and instrumental repertoire, spanning from the renaissance to the present day. Their performances encompass virtuosic a cappella programmes, mould-breaking reconstructions of music for historical events, and major works from the oratorio tradition. They are regular visitors to the world's most prestigious concert halls and festivals and have built a large and distinguished discography.
Tracklista:1. Vinea Mea (Anonymus)2. Prophetiæ Sibyllarum (Orlando Lasso)3. Se Nel Partir Da Voi (Claudio Monteverdi)4. Crux Fidelis (John IV, King of Portugal) 5. Kyrie (from "Missa De Carneval" (Franchino Gaffurio)6. O Quam Gloriosum (T.L. de Victoria) 7. Da Pacem, Domine (from "Graduale Romanum" (Ananymus) 8. Pastores Dicite, Quidnam Vidistis? (Christóbal de Morales) 9. Maria Magdalene Et Altera Maria (Andrea Gabrieli) 10. Magnum Mysterium (William Byrd) 11. Angelus Autem Domini Descendit (Felice Anerio) Muzycy:Jan Lundgren - grand piano, keyboardsLars Danielsson - bass, cello