"We Are The Void"1. Shadow in our blood 2. Dream oblivion 3. The fatalist 4. In my absence 5. The grandest accusation 6. At the point of ignition 7. Her silent language 8. Arkhangelsk 9. I am the void 10. Surface the infinite 11. Iridium
Tracklista:1. Ankhtkheperura in Thee (A Mystical Enlightenment)2. The Pillars of Creation3. Stargazer Monolith4. This Starway Will Carry Me Towards the Grandest Light
Tracklista: 1. All Pidgins Sent To War, Palace Of Adrenaline V And E.E. 2. Disappearance On The Grandest Of Streets 3. Smash The Palace And What Nerves You've Got 4. Letter To Monday
Between about 1400 and 1550, musical life in Europe was dominated by five generations of musicians born and formed in a well-defined geographical area generally described by musicologists as franco-flemish. From this area emanated the overwhelming majority of the musical elite of the Renaissance – illustrious composers and musicians, recruited at great expense by wealthy patrons right across Europe. The southern part of this area, Picardy, was a rich pool of talented singers and composers. The cathedral and collegial churches of Amiens alongside the Picard church chapters pursued a general musical education for choirboys who, if they showed any natural musical talent, could become professional musicians, either in their churches or – greatest prize of all – by being recruited to the private chapels of the grandest of European rulers. With five composers from different generations, and of varying status, this programme of religious music conveys a relatively comprehensive survey of what 16th-century musical life in the churches of one of the most musically wellendowed French provinces might have been.