Album został wydany przez wytwórnię Passacaille (PAS 1077). Tracklista: 1. Sonata in G Major for violin and basso continuo, BWV 1021 2. Sonata in E Minor for violin and basso continuo, BWV 1023 3. Sonata in D Minor for harpsichord, BWV 964 4. Sonata in C Minor for violin and basso continuo, BWV 1024 5. Sonata in F Major for violin and harpsichord, BWV 1022 6. Adagio in G Major for harpsichord, BWV 968

• Wykonawca La Divina Armonia
• Data premiery 2020-05-01
• Nośnik CD

Legendarne nagrania Vladimira Ashkenazego dla wytwórni Decca teraz w wydaniu winylowym! Tracklista: Side A 1. Rachmaninov: Piano Concerto No.2 in C Minor, Op.18 2. I. Moderato 3. II. Adagio sostenuto Side B 1. III. Allegro scherzando 2. Rachmaninov: Etudes-Tableaux 3. Etude-Tableau in C Minor, Op.39, No.1 4. Etude-Tableau in A Minor, Op.39, No.2 5. Etude-Tableau in E Flat Minor, Op.39, No.5

• Wykonawca Ashkenazy Vladimir
• Data premiery 2017-07-07
• Nośnik Płyta Analogowa

Tracklista: English Suite No. 4 in C major, BWV 809 1. Prélude 2. Allemande 3. Courante 4. Sarabande 5. Menuet I & II 6. Gigue English Suite No. 5 in B minor, BWV 810 7. Prélude 8. Allemande 9. Courante 10. Sarabande 11. Passepied I & II 12. Gigue English Suite No. 6 in A minor, BWV 811 13. Prélude 14. Allemande 15. Courante 16. Sarabande 17. Double 18. Gavotte I & II 19. Gigue

• Wykonawca Montenegrin Guitar Duo
• Data premiery 2018-05-18
• Nośnik CD

Zremasterowana wersja drugiego albumu Los Campesinos „We Are Beautiful, We Are Doomed” ukazuje się dekadę po premierze i po raz pierwszy poza rynkiem amerykańskim również na płycie winylowej. Tracklista: 1. Ways To Make It Through The Wall     2. Miserabilia 3. We Are Beautiful, We Are Doomed    4. Between An Erupting Earth And An Exploding Sky      5. You'll Need Those Fingers For Crossing     6. It's Never That Easy Though, Is It? (Song For The Other Kurt)      7. The End Of The Asterisk    8. Documented Minor Emotional Breakdown #1   9. Heart Swells/Pacific Daylight Time 10. All Your Kayfabe Friends

• Wykonawca Los Campesinos!
• Data premiery 2018-10-26
• Nośnik Płyta Analogowa

"Praca z Martą była dla mnie wyjatkowym doswiadczeniem. Jej błyskotliwość i barwy, które wydobywa z instrumentu, są rozpoznawalne natychmiast. Gdy tylko usłyszymy pierwsze dźwięki, wiemy – to ona! Nikt inny tak nie brzmi, Jestem zachwycony, że mogliśmy znowu razem nagrywać. Kiedy pojawiła się możliwość, że Marta mogłaby mieć kilka dni na nagrania, powiedziałem: "Pojadę choćby na koniec świata!" – Itzhak Perlman. "Czuję się podekscytowana, że będę grać z Itzhakiem. To naprawdę uczta – fantastyczne! Jest to bardzo szczególny związek, jestem zupełnie oczarowana.” – Martha Argerich. Itzhak Perlman i Martha Argerich nagrali razem historyczny, pierwszy album studyjny. Minęło 18 lat od czasu ich ostatniego wspólnego albumu, recitalu na żywo z Saratoga Performing Arts Center. Z tej doniosłej okazji w 1998 r., para wykonała trzy z najbardziej ambitnych i fascynujących utworów XIX w. na skrzypce i fortepian:  Sonata Kreutzerowska Beethovena,  Sonata skrzypcowa Francka i Sonata skrzypcowa Nr 1 Schumanna. Pierwsze dwie sonaty zostały wydane w 1999 r. przez wytwórnię EMI Classics (obecnie Warner Classics). Były to jedyne dostępne nagrania tej pary artystów-gigantów… Aż do teraz! Skład:Martha Argerich - PianoItzhak Perlamn - Violin Tracklista: Bach: Sonata For Violin And Piano No. 4 In C Minor, Bwv 10171. Siciliano Largo2. Allegro3. Adagio4. AllegroSchumann: Fantasiestücke, Op. 735. Zart Und Mit Ausdruck6. Lebhaft, Leicht7. Rasch Und Mit FeuerBrahms: Sonatensatz In C Minor, Op. Posth. “Fae Sonata”8. ScherzoSchumann: Violin Sonata No 1 In A Minor, Op 1059. Mit Leidenschaftlichem Ausdruck10. Allegretto11. Lebhaft

• Wykonawca Argerich Martha , Perlman Itzhak
• Data premiery 2016-09-30
• Nośnik CD

Tracklista: CD 1 1. I. Allegro 2. II. Adagio - Andante Con Moto 3. III. Allegro Agitato 4. Rhapsody In Blue 5. Variations On 'I Got Rhythm' CD 2 1. No. 1 In E-Flat Major, 'Novelette In Fourths' 2. No. 2 In G Major, 'Rubato' 3. No. 3 In G Minor, 'Fragment' 4. No. 4 In F Minor, 'Melody' 5. No. 5. Allegro Ben Ritmato E Deciso 6. No. 6. Andante Con Moto, 'Blue Lullaby' 7. No. 7. Agitato, 'Spanish Prelude' 8. No. 8 In A-Flat Major, 'Sleepless Night'

• Wykonawca Various Artists
• Data premiery 2016-05-27
• Nośnik CD

Urodzony w Dublinie (1852-1924) Brytyjski kompozytor znany przede wszystkim ze swoich dzieł chorałowych. Tutaj - drogą irlandzkiej proweniencji - nagania dokonane z koncertów wszystkich siedmiu symfonii z Ulster Hall w Belfaście, Ulsterskiej Orkiestry pod dyrekcją Vernona Handleya zrealizowane w latach 1986-1991. Complete Symphonies: No. 1 in B flat majorNo. 2 in D minor 'Elegiac'No.3 in F minor `Irish' Op.28No. 4 in F major, Op.31No. 7 in D minor Op124No. 5 in D major Op.56No. 6 in E flat major Op.94Ulster Hall, Belfast August 1986, September 1987, March 1988, February 1990, May 1991

• Wykonawca Various Artists
• Data premiery 1992-01-01
• Nośnik CD

Silvius Leopold WeissSonata in F major: Sächsische Landes- und Universitätsbibliothek Dresden Ms. Mus. 2841-V-1  1 I. Prelude  1:28    2 II. Allemande  3:00    3 III. Courante  2:18    4 IV. Bourrée  2:12    5 V. Sarabande  2:42    6 VI. Menuet I & II  3:53    7 VII. Gigue  4:01    Silvius Leopold WeissTombeau sur la mort de M. Cajetan Baron d’Hartig  8 Tombeau sur la mort de M. Cajetan Baron d’Hartig  7:18    Silvius Leopold WeissSonata in D major: British Library, London, M.S. Add 30387  9 I. Prelude  1:49    10 II. Allemande  5:34    11 III. Courante  5:07    12 IV. Angloise  2:41    13 V. Sarabande  4:48    14 VI. Menuet  2:53    15 VII. Passacaille  6:33    Silvius Leopold WeissCapriccio in D major: British Library, London, M.S. Add 30387  16 Capriccio in D major: British Library, London, M.S. Add 30387  3:18    Silvius Leopold WeissCiacona in G minor: British Library, London, M.S. Add 30387  17 Ciacona in G minor: British Library, London, M.S. Add 30387  4:38 

• Wykonawca Lindberg Jakob
• Data premiery 2007-01-01
• Nośnik CD

Tracklista:CD 11. Piano Concerto No. 20 in D minor, K. 466: Allegro2. Piano Concerto No. 20 in D minor, K. 466: Romanza3. Piano Concerto No. 20 in D minor, K. 466: Rondo: Allegro assai4. Piano Concerto No. 21 in C major ('Elvira Madigan') K. 467: Allegro maestoso5. Piano Concerto No. 21 in C major ('Elvira Madigan') K. 467: Andante6. Piano Concerto No. 21 in C major ('Elvira Madigan') K. 467: Allegro vivo assai7. Fantasia for piano in C minor, K. 475CD 21. Piano Concerto No. 23 in A major, K. 488: Allegro2. Piano Concerto No. 23 in A major, K. 488: Adagio3. Piano Concerto No. 23 in A major, K. 488: Allegro assai4. Piano Concerto No. 27 in B flat major, K. 595: Allegro5. Piano Concerto No. 27 in B flat major, K. 595: Larghetto6. Piano Concerto No. 27 in B flat major, K. 595: Allegro7. Kleiner Trauermarsch (Little Funeral March) for piano in C minor, (K. 453a)8. Piano Sonata No. 11 in A major ('Alla Turca') K. 331 (K. 300i): Rondo 'alla turca'CD 31. Piano Concerto No. 1 in C major, Op. 15: Allegro con brio2. Piano Concerto No. 1 in C major, Op. 15: Largo3. Piano Concerto No. 1 in C major, Op. 15: Rondo: Allegro scherzando4. Piano Concerto No. 2 in B flat major, Op. 19: Allegro con brio5. Piano Concerto No. 2 in B flat major, Op. 19: Adagio6. Piano Concerto No. 2 in B flat major, Op. 19: Rondo: Molto allegroCD 41. Piano Concerto No. 3 in C minor, Op. 37: Allegro con brio2. Piano Concerto No. 3 in C minor, Op. 37: Largo3. Piano Concerto No. 3 in C minor, Op. 37: Rondo: Allegro4. Piano Concerto No. 4 in G major, Op. 58: Allegro moderato5. Piano Concerto No. 4 in G major, Op. 58: Andante con moto6. Piano Concerto No. 4 in G major, Op. 58: Rondo: VivaceCD 51. Piano Concerto No. 5 in E flat major ('Emperor'), Op. 73: Allegro2. Piano Concerto No. 5 in E flat major ('Emperor'), Op. 73: Adagio un poco mosso3. Piano Concerto No. 5 in E flat major ('Emperor'), Op. 73: Rondo: Allegro4. Fantasia for piano, chorus, and orchestra ('Choral Fantasy'), Op. 80CD 61. Piano Concerto in A minor, Op. 54: Allegro affettuoso2. Piano Concerto in A minor, Op. 54: Intermezzo: Andate grazioso3. Piano Concerto in A minor, Op. 54: Allegro vivace4. Etudes (6) in Canon Form for pedal piano, Op. 56: Nicht zu schnell5. Etudes (6) in Canon Form for pedal piano, Op. 56: Mit innigem Ausdrunk6. Etudes (6) in Canon Form for pedal piano, Op. 56: Andantino7. Etudes (6) in Canon Form for pedal piano, Op. 56: Innig8. Etudes (6) in Canon Form for pedal piano, Op. 56: Nicht zu schnell9. Etudes (6) in Canon Form for pedal piano, Op. 56: Adagio10. Requiem für Mignon, for soloists, chorus & orchestra, Op. 98bCD 71. Piano Concerto No. 1 in E minor, Op. 11, CT. 47: Allegro maestoso2. Piano Concerto No. 1 in E minor, Op. 11, CT. 47: Romanze: Larghetto3. Piano Concerto No. 1 in E minor, Op. 11, CT. 47: Rondo: Vivace4. Polonaise for piano No. 1 in C sharp minor, Op. 26/1, CT. 1505. Etude for piano No. 19 in C sharp minor, Op. 25/7, CT. 326. Etude for piano No. 23 in A minor, Op. 25/11, CT. 367. Waltz for piano No. 1 in E flat major, Op. 18, CT. 207CD 81. Piano Concerto No. 2 in F minor, Op. 21, CT. 48: Maestoso2. Piano Concerto No. 2 in F minor, Op. 21, CT. 48: Larghetto3. Piano Concerto No. 2 in F minor, Op. 21, CT. 48: Allegro vivace4. Nocturnes (2) for piano, Op. 27, CT. 114-115: No. 1 in C sharp minor5. Nocturnes (2) for piano, Op. 27, CT. 114-115: No. 2 in D flat major6. Nocturnes (2) for piano, Op. 32, CT. 116-117: No. 1 in B major7. Nocturnes (2) for piano, Op. 32, CT. 116-117: No. 2 in A flat major8. Waltzes (3) for piano, Op. 70, CT. 217-219: No. 1 in G flat major9. Waltzes (3) for piano, Op. 70, CT. 217-219: No. 2 in F minor10. Waltzes (3) for piano, Op. 70, CT. 217-219: No. 3 in D flat major11. Waltz for piano in E minor, KK IVa/15, CT. 222 (B. 56)CD 91. Waldesrauschen (Forest Murmurs), for piano (Zwei Konzertetuden No. 1), S. 145/1 (LW A218/1)2. Gnomenreigen, for piano (Zwei Konzertetüden No. 2), S. 145/2 (LW A218/2)3. Funérailles, for piano (Harmonies poétiques No. 7), S.173/7 (LW A158/7)4. Liebesträume, notturno for piano No. 3 in A flat major ('O Lieb, so lang du lieben kannst'), S. 541/3 (LW A103/3)5. Consolation, for piano No. 3 in D flat major 'Lento placido', S. 172/3 (LW A111a/2/2)6. Piano Concerto No. 1 in E flat major, S. 124 (LW H4): Allegro maestoso7. Piano Concerto No. 1 in E flat major, S. 124 (LW H4): Quasi adagio - Allegretto vivace - Allegro animato8. Piano Concerto No. 1 in E flat major, S. 124 (LW H4): Allegro marziale animato9. Piano Concerto No. 2 in A major, S. 125 (LW H6): Adagio sostenuto assai10. Piano Concerto No. 2 in A major, S. 125 (LW H6): Allegro agitato assai11. Piano Concerto No. 2 in A major, S. 125 (LW H6): Allegro moderato12. Piano Concerto No. 2 in A major, S. 125 (LW H6): Allegro deciso13. Piano Concerto No. 2 in A major, S. 125 (LW H6): Marziale, un poco meno allegro14. Piano Concerto No. 2 in A major, S. 125 (LW H6): Allegro animatoCD 101. Piano Concerto No. 1 in B flat minor, Op. 23: Allegro non troppo e molto maestoso - Allegro con spirito2. Piano Concerto No. 1 in B flat minor, Op. 23: Andante semplice - Prestissimo - Tempo I3. Piano Concerto No. 1 in B flat minor, Op. 23: Allegro con fuoco4. Romeo and Juliet, fantasy-overture for orchestra in B minor (3 versions)5. Symphony No. 6 in B minor ('Pathétique'), Op. 74: Allegro molto vivace

• Wykonawca Various Artists
• Data premiery 2016-07-11
• Nośnik CD

Symphony for Cello and Orchestra, Op. 68 Each of the four creative periods of Britten’s prolific career culminated in a major large-scale work. His full maturity was signalled by Peter Grimes (1945), the second and third creative periods ended with the War Requiem (1961) and Death in Venice (1973), and his brief Indian summer flowered in one of his very finest chamber works, the Third String Quartet. The two works featured on this disc frame his third creative period. After the War Requiem Britten embarked on a period of experimentation and expansion of techniques – a period that saw the composition of some of his most original works: the Cantata Misericordium, the Three Church Parables, the Songs and Proverbs of William Blake and A Poet’s Echo. Two considerable masterpieces belong to these years, Curlew River (the first of the Parables) and the Symphony for Cello and Orchestra The Cello Symphony was completed in May 1963 and was one of a series of works (including the Sonata in C and three suites for unaccompanied cello) that Britten composed for, and dedicated to, Mstislav Rostropovich. It was the first purely instrumental work of such imposing scale that Britten had composed since the early 1940s. The opening D minor Allegro maestoso is also Britten’s most substantial sonata-allegro in terms of scale and content. The contrapuntal G minor scherzo (Presto inquieto) exploits a three-note scalic motif contained within a minor third. Thirds also predominate in the intense, elegiac Adagio, in which the principal theme is constructed entirely from a descending sequence of melodic thirds. The second subject, shared between the cello and solo horn, anticipates the Passacaglia finale, where the trumpet tune (shades of Prokofiev and Janáˇcek) is subjected to six variations and a coda over a ground bass. The most important distinction to be made between Britten’s early concertos and the Cello Symphony is in the relationship between the soloist and the orchestra. Whereas in the bravura Piano Concerto (1938) and even in the more intense Violin Concerto (1939) the soloist assumes the traditional stance, being removed from and in dramatic conflict with the orchestra, in the Cello Symphony the soloist is a virtuosic yet integral part of a coherent symphonic design. The relationship is that which Britten had already explored in the Sonata for Cello and Piano that he had composed for Rostropovich in 1960. An age-old problem in writing for the cello as a solo instrument in the context of a full symphony orchestra is the difficulty of balancing the textures in such a way that the soloist can be heard. But the cello’s most expressive range is that which corresponds with the tessitura of the tenor voice, and Britten certainly knew how to discipline orchestral forces to allow the tenor voice to carry without force. A remarkable feature of the orchestration of the Cello Symphony is the melodic importance of the bass-Iine and the upper woodwind. The middle register of the orchestra is freed for the soloist. In this respect the orchestral palettes of the Cello Symphony and Death in Venice (whose principal protagonist, Gustav von Aschenbach, is sung by a tenor) have a great deal in common. © John Evans

• Wykonawca Wallfisch Raphael
• Data premiery 2013-05-01
• Nośnik CD