Tracklista:1. Citizen Kane Blues (A.k.a. Pushed It Over the Edge)2. Long May You Run3. Greensleeves4. Ambulance Blues5. Helpless7. On the Beach8. Roll Another Number for the Road9. Motion Pictures10. Pardon My Heart11. Dance, Dance, Dance12. For the Turnstiles13. Flying On the Ground Is Wrong6. Revolution Blues
Tracklista:LP 1Side A1. Fools in Love 2. Is She Really Going Out With Him?3. Look Sharp! 4. Got the Time 5. Sunday Papers 6. It's Different for Girls7. I'm the Man Side B1. Mad at You 2. Beat Crazy 3. One to One 4. The Harder They Come 5. Jumpin' Jive 6. Another World 7. Steppin' OutLP 2Side c1. Real Men 2. A Slow Song 3. Breaking Us in Two 4. Be My Number Two 5. You Can't Get What You Want Side D1. Happy Ending (feat. Elaine Caswell) 2. (He's a) Shape in a Drape 3. Nineteen Forever 4. Stranger Than Fiction 5. Home Town (live) 6. Is She Really Going out With Him?
Tracklista: CD 1 1. Bad Penny Blues (Feat. Johnny Parker) 2. Clarinet Blues 5. Snake Rag 3. Stomp Off, Let's Go 4. Dr. Jazz 6. Too Busy 7. King Porter Stomp 8. Stockyard Strut 9. East Coast Trot 10. Isle Of Capri 11. Boogie Woogie Stomp 12. Forty And Tight 13. Saratoga Swing 14. Royal Garden Blues 15. The Entertainer 16. Chasing The Ace 17. Pete Kelly's Blues 18. Over In The Gloryland 19. Magnolia's Wedding Day 20. Livery Stable Blues CD 2 1. Petite Fleur (Feat. Monty Sunshine) 2. Organ Grinder Blues 3. Tuxedo Junction 4. Emperor Norton's Hunch 5. New St. Louis Blues 6. Kansas City Kitty 7. You've Got The Right Key, But The Wrong Keyhole 8. That's My Home 9. She's Crying For Me 10. Snag It 11. The World Is Waiting For The Sunrise 12. Shanty In Old Shanty Town 13. Careless Love 14. Blue Turning Grey Over You 15. Brown Skin Mama 16. Marching Through Georgia 17. Manhattan 18. Give Me Your Telephone Number 19. Lonesome (Si Tu Vois Ma Mere) 20. Creole Love Call CD 3 1. Midnight In Moscow 2. Buona Sera 3. Teddy Bear's Picnic 4. Summer Set 5. Pasadena 6. Riverside Blues 7. King Kong 8. Tansy 9. Potato Head Blues 10. Creole Jazz 11. I Love You Samantha 12. Tuxedo Rag 13. Young Woman's Blues 14. True Love 15. Gotta See Baby Tonight 16. March Of The Siamese Children 17. Peter And The Wolf 18. The Green Leaves Of Summer 19. Down By The Riverside 20. So Do I
1. Return of the Warlord2. Brothers of Meta Pt.13. The Goods Made Heavy Metal4. Courage5. Number 16. Outlaw7. King8. Today Is a Good Day to Die9. My Spirit Lives on the Power
Tracklista:1. The Number of the Priest (Part 1)2. The Number of the Priest (Part 2)
A documentary record of the free Rolling Stones concert which took place in Hyde Park on 5th July 1969, two days after the death of guitarist Brian Jones. Includes interview footage and a number of classic performances.
Tracklista:1. In the Heat of a Passionate Moment2. I'll Keep On Loving You3. After the Love Has Gone4. Say I'm Your Number One5. If It Makes You Feel Good6. Tell Me Tomorrow7. Anytime's the Right Time8. Just a Teaze9. Say I'm Your Number One (Remix Number 2)10. After the Love Has Gone (DJ Bad Mix)11. I'll Keep On Loving You (US Remix)12. Tell Me Tomorrow (Soundtrack Version)13. In the Heat of a Passionate Moment (Garage Mix)14. After the Love Has Gone (Promo Version)15. Say I'm Your Number One
This disc is the first of a series that will present the entire piano-accompanied songs and vocal works of Johannes Brahms. As such it is a companion series to those undertaken by Hyperion for the songs of Schubert, Schumann, Fauré and Strauss.Brahms, like Schumann, but unlike Schubert with his much greater output, issued the majority of his songs in groups collected by opus number. There is a tendency in modern scholarship to suggest that he envisaged, or at least hoped for, performances of his songs in these original opus number groupings. Of course one cannot deny that some planning (though of a rather variable kind) went into the arrangement of these song bouquets for publication, but good order and cohesion in printed form (as in an anthology where poems are arranged to be discovered by the reader in a certain sequence), though pleasing to the intellect, do not automatically transfer to the world of the recital platform where one encounters a host of different practical problems, casting (male or female singer) and key-sequences (high or low voice) among them. There is nothing more meticulously planned in all song literature than the volume of 53 songs of Hugo Wolf’s Mörike Lieder—but we have no evidence to suggest that the composer, who had worked closely with the publishers to make this volume a feast for the eye, envisaged a performance of these songs in a single sitting, or on a single day.Printed poetry collections are as lovingly assembled as an opus of a composer’s varied settings, but this does not mean the poems therein are designed to be read aloud from cover to cover: the compiler of these volumes, whether or not the poet himself, would expect items to be selected by the reader according to taste or need. The anthology (or indeed opus number) might be likened to a well-ordered jewel case from which precious items may be extracted for use, depending on the occasion: the wearing in public of every item therein on a single occasion would be both impractical and vulgar. There is little evidence, especially from concert practice of the time (where items from the Schubert and Schumann cycles were often ruthlessly excerpted), that Brahms’s publications were conceived within a spirit of cyclic unity that called for an integral performance of the entire group.There is a modern tendency to see a famous cycle like Winterreise as the nineteenth-century norm to which all other groups of songs should be made to conform, and this ‘search for cycles’ has become something of an obsession in present-day musicology, a means of using the popularity of Schubert’s and Schumann’s genuine cycles as an excuse to pretend that there are similarly cohesive works in the repertoire waiting to be rescued, or restored to the unified shape the composer had intended for them all along. It is perhaps a symptom of our ‘bigger is better’ society that solitary songs, exquisite miniatures, are thought to be more significant if they form a part of something bigger. If this is true, it represents an ongoing challenge to the planners of programmes whose efforts can yield far better and more imaginative results when allowed to range over a broader canvas than that of a single opus number where all sorts of practical considerations, including commercial ones, had restricted the composer’s choices.Each disc of this Hyperion edition takes a journey through Brahms’s career. The songs are not quite presented in chronological order (Brahms had a way of including earlier songs in later opus numbers) but they do appear here in the order that the songs were presented to the world. Each recital represents a different journey through the repertoire (and thus through Brahms’s life). In a number of these Hyperion recitals an opus number will be presented in its entirety (in the case of this disc, Op 48). The folksongs of 1894 will be shared between all the singers in the series. In a letter to Marie Scherer of 20 October 1894 we learn of Brahms’s reaction to an evening (arranged by the well-meaning Amalie Joachim) where an entire evening was given over to these Volkslieder: ‘I do not think it a happy idea to spend a whole evening singing nothing but these folksongs. A few introduced among other (serious and sober!) songs might be enjoyable and refreshing.’ In this series this is exactly what will happen.Graham Johnson © 2010
Wszyscy, którzy są ciekawi o czym myśli jeden z najlepszych producentów na świecie Pharrell Williams, już 24 lipca powinni sięgnąć po jego pierwszy solowy album " In My Mind" .Pharrell skradł serce tysiącom fanów muzyki podczas swojego lipcowego występu na Heineken Festival w Gdyni. Płytę promuje singiel "Number 1" z gościnnym udziałem Kanye West'a.
LP 1Side: 11. Moonchild (2009 - Remaster) - Iron Maiden 6:232. The Evil That Men Do (2009 - Remaster) - Iron Maiden 4:183. The Prisoner (2009 - Remaster) - Iron Maiden 6:004. Still Life (2009 - Remaster) - Iron Maiden 4:325. Die With Your Boots On (2009 - Remaster) - Iron Maiden 5:19Side: 21. Infinite Dreams (2009 - Remaster) - Iron Maiden 5:532. Killers (2009 - Remaster) - Iron Maiden 4:573. Can I Play With Madness (2009 - Remaster) - Iron Maiden 3:254. Heaven Can Wait (2009 - Remaster) - Iron Maiden 7:435. Wasted Years (2009 - Remaster) - Iron Maiden 5:06LP 2Side: 11. The Clairvoyant (2009 - Remaster) - Iron Maiden 4:302. Seventh Son of a Seventh Son (2009 - Remaster) - Iron Maiden 10:083. The Number of the Beast (2009 - Remaster) - Iron Maiden 4:474. Hallowed Be Thy Name (2009 - Remaster) - Iron Maiden 7:22Side: 21. Iron Maiden (2009 - Remaster) - Iron Maiden 5:122. Run to the Hills - Iron Maiden 4:023. Running Free - Iron Maiden 5:344. Sanctuary - Iron Maiden 5:25