Tracklista: 1. Hate 2. Destination Hell 3. Smoking Guns 4. Time 5. Voices From The Dark 6. The Eyes Of The Beast 7. Speed Ride 8. Bleeding Heart 9. Under Horizon 10. Masters Of Metal
1. Ave Regina caelorum ŕ 8 4:452. Ascendi Deus, offertory for 5 voices (from Complete Offertories) 1:523. Ave Maria, offertory for 5 voices (from Complete Offertories) 3:214. Angelus Domini, offertory for 5 voices (from Complete Offertories) 3:225. Regina caeli laetare ŕ 8 2:176. Stabat Mater ŕ 12 7:427. Christus resurgens ex mortuis, motet for double choir 4:208. Che fa hoggi il mio sole, madrigal for 5 voices (Il primo libro de madrigali a 5 voci) 1:159. Missa "Che fa oggi il mio sole" 24:5110. Magnificat secundi toni ŕ 8 7:1511. Assumpta es Maria, motet for 6 voices 6:40
Latin American Music of 16-17th Century Ex Cathedra and Jeffrey Skidmore unearth more fascinating treasures with this latest anthology of Latin American music from the seventeenth and eighteenth centuries. The first volume – ‘New World Symphonies’, released in 2003 on compact disc CDA67380 – has been hugely popular, getting regular airplay on Classic fM. The works on this disc were chosen from the vast amount of extraordinary repertoire Jeffrey Skidmore discovered on research visits to the USA, Mexico and Bolivia. Hanacpachap cussicuinin is a piece still widely performed throughout Latin America, its steady, processional drumming creating a haunting and seductive atmosphere. It is set for four voices in Sapphic verse in the Quechua language. The colourful imagery of the sequence of prayers skilfully mixes Inca and Christian imagery, with its references to stores of silver and gold, life without end, deceitful jaguars and sins of the devil.
Hildegrada z Bingen – to niewątpliwie najbardziej znana kobieta średniowiecza. Zajmowała się medycyną, pisała rozprawy moralne. Jej dzieła wpłynęły na myśl średniowieczną. Ale była także, a może – przede wszystkim – żywiołową artystką, poetką. Zespół Gothic Voices sięgnął tutaj po jej bogaty zbiór pieśni i poezji Symphonia armonie celestium revelationum. Zespołowi, jako solistka towarzyszy Emma Kirkby.
Tracklista: CD 1 1. Welcome To Hell (Live) 2. Kein Weg Zu Weit (Live) 3. Long Live Death (Live) 4. If I Fail (Live) 5. Time To Go (Live) 6. Risk It All (Live) 7. Get Some Sleep (Live) CD 2 1. Symphony Of Pain (Live) 2. Funeral Song (Live) 3. Gothic Queen (Live) 4. In My Darkest Hours (Live) 5. Boatman (Live) 6. Forgiven (Live) 7. In My Heart (Live) 8. Arabia (Live) 9. Voices Of Doom (Live) 10. Children Of The Dark (Live) 11. Under A Coal Black Sun (Live)
Tracklista:1. Gloria, for 3 solo voices, chorus, trumpet, oboe, violin (ad lib), 2 violas, 2 cellos, strings & continuo in D major, RV 589 29:042. Dixit Dominus (Psalm 110), for 4 solo voices, double chorus, 2 trumpets, 2 oboes, solo strings, strings & continuo D major, RV 594 24:593. Magnificat, for 4 vocal soloists, chorus, 2 oboes, strings & continuo in G minor, RV 610 14:01
Tracklista:1. Disgust2. Horns3. Blood of Religions4. Snakes in My Head5. All Hail the King6. I Confess7. Voices from the Ruins8. Animal Kingdom9. Time for Revenge10. Piracy
Tracklista:1. The Battle of Armageddon2. Voices from the Grave3. Sadistic Sinner4. Incubus (Opprobrium)5. Blaspheming Prophets6. Hunger for Power7. Serpent Temptation8. Underground Killers9. Serpent Temptation10. Sadistic Sinner11. Voices from the Grave12. Incubus (Opprobrium)
MŁODZI POLSCY KOMPOZYTORZY W HOŁDZIE FRYDERYKOWI CHOPINOWI Marcin Gumiela Sacred Works / Muzyka sakralna Marcin Gumiela 1 Stabat Mater na chór mieszany / Stabat Mater for mixed choir (2006) [5:45] 2 Pater Noster na chór mieszany / Pater Noster for mixed choir (2005) [5:24] 3 Laudate Dominum na dwa chóry mieszane i męski zespół wokalny / Laudate Dominum for two mixed choirs and male voices (2005) [7:15] 4 nie jak, ale dlaczego do słów ks. Jana Twardowskiego na chór mieszany i bęben wielki / not how, but why to the words of Priest Jan Twardowski for mixed choir and big drum (2002) [4:46] Apokalypsis na siedem zespołów kameralnych, dwa chóry żeńskie, dwa chóry męskie, bas solo oraz głos recytujący / Apocalypse for two female choirs, two male choirs, solo voices and 7 chamber bands (2006-2010) 5 I. Prologus [4:35] 6 II. Visi propheticus [6:40] 7 III. Visio septem tubae [7:27] 8 IV. Bestia et pseudo – propheta [3:51] 9 V. Supremum proelium [3:47] 10 VI. Nove Hierusalem [6:08] 11 VII. Epilogus [7:26] total time: [63:05]
1. Crucifixus a 8 Voix 3:222. Stabat Mater, motet for 8 voices 9:243. Miserere mei Deus (Psalm 51), motet for chorus 12:174. Missa Papae Marcelli, for 6 voices 31:18