Tracklista:1. L.A. Resurrection2. Life Is What You Make It Part 13. Elvira4. Hear No Evil5. Love Affair6. Life Is What You Make It Part 27. Visions8. Crossfire9. There Was a Time
Tracklista: CD 1 1. Walk - Don't Run 2. Lullaby Of The Leaves 3. Morgen 4. Raunchy 5. Home 6. My Own True Love 7. The Switch 8. Night Train 9. No Trespassing 10. Caravan 11. Sleepwalk 12. The Mccoy 13. Honky Tonk 14. Ghost Riders In The Sky 15. Lonely Heart 16. Bulldog 17. Beyond The Reef 18. Raw-Hide 19. Trambone 20. Last Date CD 2 1. Perfidia 2. Ginchy 3. Blue Moon 4. Yellow Jacket 5. Blue Skies 6. Red Top 7. Orange Fire 8. Theme From 'Silver City' 9. Detour 10. Hawaiian War Chant 11. Harlem Nocturne 12. Ups 'N' Downs 13. Lonesome Town 14. Torquay 15. Wailin' 16. Driving Guitars (Ventures Twist) 17. The Twist 18. Moon Dawg 19. Guitar Twist 20. Opus Twist CD 3 1. Ram-Bunk-Shush 2. Lolita Ya-Ya 3. Sunny River 4. Shanghied 5. Twisted 6. Bésame Mucho 7. Blue Tail Fly 8. Instant Guitars 9. Dark Eyes Twist 10. Kicking Around 11. Bluebird 12. Summertime 13. Poison Ivy 14. Instant Mashed 15. Theme From 'Come September' 16. Venus 17. The Intruder 18. Genesis 19. The 2,000 Pound Bee (Part 1) 20. The 2,000 Pound Bee (Part 2)
Tracklista:1. Main Theme2. Calm Lake3. Hunt and Escape4. Was It the Wind?5. We Are Nobody6. Our Nature7. I Won't Be There8. Hector and Alex9. Rob's Lesson, Part 110. Rob's Lesson, Part 211. Tina's Dream12. Through the Flames13. In Just One Moment14. Tina's Doubts15. The Last Test16. Hector's Lament17. On the Other Shore18. Together Again19. The Shadowless Tree20. Cold
Tracklista:1. Water (Part 1)2. Strandebarm3. Water (Part 2)4. Fjellbekken5. Oh So Nice6. Dragene Over Tempelhof7. Berlin Blues
Tracklista:1. Empty Space2. Hell3. The Great Illusion4. Spit You Out5. Monarchs of Oblivion Part 16. Monarchs of Oblivion Part 27. The Beast8. The Hand That Feeds
"Of all the musical instruments that might interpret a melodic idea, none imitates so purely the human voice, none pulls so firmly on the heartstrings, as the cello," stated 19th-century Belgian composer and musicologist François-Auguste Gevaert. By this time, with a better-defined playing technique and increased power that made it more suitable for lush orchestrations, the cello had most definitely achieved maturity. It is not surprising, then, that the instrument held a powerful sway over a number of composers, including Pyotr Ilyich Tchaikovsky (1840–1893) The early 1870s saw Saint-Saëns driven by a constant desire to surpass himself, which led to several powerful compositions, including the Cello Concerto No. 1. The year before, he had written an intense and dramatic cello sonata, but the concerto showed off the instrument in an entirely different way. Indeed, his creative decisions—the expressive treatment of the solo part, the thematic concentration, the concise orchestral developments, the juxtaposition of contrasts, the lack of a traditional orchestral introduction, and the merging of the usual three movements into one—place this concerto in a class of its own. The score, dedicated to cellist Auguste Tolbecque, who premiered the work on January 19, 1874, opens with a lightly orchestrated Allegro non troppo, giving the soloist room to shine with an ardent, triplet-based theme, which contrasts naturally with the lyrical second theme; this in turn is soon swept away by a double-stopped passage that leads to a third theme. In the Allegretto, a graceful, delicate minuet, the soloist is given free rein in a dreamlike countermelody in the cello’s middle—and perhaps most human—register, accompanied discretely by the string section. The triplets of the first movement, presented by the orchestra, announce the finale, which juxtaposes contrasting material in a rondo-like form.The first piece Saint-Saëns completed after his marriage to Marie-Laure Truffot in February 1875, the short and cheerful Allegro appassionato, appears to have been eclipsed by other masterworks from this period, including the Piano Concerto No. 4 and the famous Danse macabre. And yet this delicately wrought piece dedicated to Jules Lasserre remains one of the most popular works in the cello repertoire, as is "Le cygne" (The Swan) from Carnival of the Animals, a poetic high point written a decade later.When German cellist Wilhelm Fitzenhagen—a colleague of Tchaikovsky’s at the Moscow Conservatory who took part in the premieres of three of the latter’s string quartets—received the Variations on a Rococo Theme in 1877, which he had commissioned from Tchaikovsky, he immediately took it on tour. Quickly realizing how deeply moving audiences found the third variation, “Andante” (they frequently applauded it), Fitzenhagen decided to rework the score by moving this variation to the end and rewriting certain transitions. Tchaikovsky was unaware of this mutilation until the work was published in 1889. Although outraged, the composer let the publication stand, and Tchaikovsky’s original version would not be heard again before 1941; indeed, most cellists did not start playing the original version until the late 1970s. The work hinges on a theme of Mozartian elegance followed by seven linked variations of entirely different styles, making it challenging for performers, who must switch from ardent lyricism to pure virtuosity in the blink of an eye.In August 1887, by the bedside of his dying friend Nikolaï Kondratiev (chief producer at the Mariinsky Theater), Tchaikovsky overcame the spectre of death by writing the sketch of what would become the Pezzo capriccioso in a week. Upon his return to St. Petersburg, he sent the completed work to the editor Petr Jurgenson, suggesting that Wilhelm Fitzenhagen "might look over the cello part and suggest any markings specific to the soloist. […] This piece is the single fruit of my musical spirit from the whole summer". It was premiered in February 1888, in one of Marie Benardaki’s salons, during a visit by Tchaikovsky to Paris, with the cello part performed by its dedicatee, Anatolie Brandukov. Brandukov also gave the premiere with orchestra in November 1889 in Moscow, with Tchaikovsky at the podium.
Tracklista:1. Tongue Story Part 12. Mr. Wonderful3. The Weatherman4. Ghost Child5. Caring6. Honey Bear7. The Car Thief8. Neediness9. Tongue Story Part 210. Thundering Skies11. Mickey Macaroni12. Betty's Body13. My Brother Paul14. Baja15. Tongue Story Part 316. The Beekeeper's Daughter17. Wolverines18. Make Me Moo19. Tongue Story Part 420. Demons Dance Alone
Tracklista:CD 1Chapter 1 - Prison of Desire: The Album1. Mea Culpa 1.59The embrace that smothers - Prologue2. Leaden Legacy 5.09The embrace that smothers - Part I3. Semblance of Confusion 4.074. Black Tomb 6.285. Follow in the Cry 4.05The embrace that smothers - Part II6. Silence from Afar 5.527. Inimical Chimera 4.598. Tortuous Threnody 6.129. Yield to Temptation 5.53The embrace that smothers - Part III10. Ephemeral 3.0411. Beyond Me 6.22Bonus Tracks12. Wings of Illusion 7.22 - Non-Album Track13. Mea Culpa 2.01 - Instrumental Version14. Mea Culpa 1.50 - A-capella Version15. Semblance of Confusion 4.07 - Instrumental Version16. Follow in the Cry 4.05 - Instrumental Version17. Follow in the Cry 1.20 - A-capella VersionCD 2Chapter 2 - Prison of Desire: The Sessions1. Silence from Afar 5.55 - Demo Version2. Wings of Illusion 7.21 - Demo Version3. Follow in the Cry 4.04 - Session Version4. Yield to Temptation 5.51 - Session Version5. Semblance of Confusion 4.06 - Session Version6. Beyond Me 6.13 - Session Version7. Black Tomb 6.29 - Session Version8. Tortuous Threnody 6.10 - Session Version9. Ephemeral 3.03 - Session Version10. Inimical Chimera 4.58 - Session Version11. Silence from Afar 5.50 - Session Version12. Mea Culpa 2.01 - Session Version13. Leaden Legacy 5.04 - Session Version14. Wings of Illusion 7.21 - Session Version
1. A.T.A.W.T.E. Anathematise The Masses (Part 1)2. Wake Up And Smell The Burning ...3. Juxtaposition Of Faith4. Outcast By Angels5. A.T.A.W.T.E. I Am Apathy (Part 2)6. Leave This World7. Seduce & Destroy8. Chikitola Won't Sleep9. Relinquish The Innocent10. Halcyon11. Reign From The Sky12. The Powers That Be13. A.T.A.W.T.E. Hominis Letum (Part 3)
Zespół Blackmore's Night powstał w drugiej połowie lat 90. Jego twórcą jest były gitarzysta Deep Purple, Ritchie Blackmore, który do współpracy namówił swoją partnerkę, wokalistkę Candice Night. W odróżnieniu od swojej wcześniejszej twórczości, Blackmore postanowił połączyć pod nowym szyldem muzykę renesansową z rockiem. Płyta "Ghost Of A Rose" to czwarty album w dyskografi zespołu. Trasa koncertowa promująca album rozpoczęła się występem w Kopalni Soli w Wieliczce.1. Way To Mandalay 6:24 2. 3 Black Crows 3:37 3. Diamonds And Rust 4:50 4. Cartouche 3:42 5. Queen For A Day (Part 1) 3:05 6. Queen For A Day (Part 2) 1:30 7. Ivory Tower 4:21 8. Nur Eine Minute 1:03 9. Ghost Of A Rose 5:41 10. Mr. Peagram's Morris And Sword 1:56 11. Loreley 3:30 12. Where Are We Going From Here 3:59 13. Rainbow Blues 4:25 14. All For One 5:30 15. Dandelion Wine 5:39