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To the present day, the Rhenish Madonnas of the thirteen and fourteenth centuries captivate the beholder with their blissfully smiling facial expressions. Reflected in them are the triumph over anguish and death and the attainment of eternal grace. This fundamental Christian experience, captured by medieval sculptors, is also to be found in the enchanting sound of the Marian hymns. Ars Choralis Coeln and Maria Jonas’s music-historical Rhine journey leads from the area around Cologne to other centers of the cult of the Virgin Mary on the Upper Rhine as well as to the Netherlands. Particularly fortuitous for this CD has proven to be the consideration of the manuscript MS Berlin 190, which, with its trove of Netherlandish and Latin songs, provided insight into the extremely diverse music and poetry of a Devotia Moderna convent around 1500.


  • Wykonawca Ala Aurea , Ars Choralis Coeln
  • Data premiery 2013-05-01
  • Nośnik CD
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Tracklista: 1. Disappear 2. Unbound By Sin 3. Insentience 4. First To Leave The Funeral 5. Familiar Ghosts 6. A Final Glance Back Before Departing 7. One Chapter Closing For Another To Begin 8. Inner Sanctum 9. A Particularly Cold September


  • Wykonawca Akercocke
  • Data premiery 2017-09-08
  • Nośnik CD
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Tracklista: 1. Disappear 2. Unbound By Sin 3. Insentience 4. First To Leave The Funeral 5. Familiar Ghosts 6. A Final Glance Back Before Departing 7. One Chapter Closing For Another To Begin 8. Inner Sanctum 9. A Particularly Cold September


  • Wykonawca Akercocke
  • Data premiery 2017-09-08
  • Nośnik Płyta Analogowa
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While most of us might regard Pierre de La Rue as a composer of ‘early’ music, for Dr Page and his Gothic Voices this is bordering on the avant garde: this recording represents a leap forward a century from the group’s more accustomed repertoire, and the results are impressive to say the least. La Rue was remarkably prolific; at least twenty-nine Masses can be ascribed to him with confidence, and the Missa De Feria and Missa Sancta Dei genitrix are among the finest. His music is full of imitation, a sense of choreography, and is coloured by a fondness for particularly low registers. In addition to the two Masses, this disc includes the large-scale Pater de celis Deus, arguably the grandest of La Rue’s motets and a work full of counterpoint in its three-part, six-voice canon, and three other motets performed as lute intabulations in editions specially prepared for this recording by Christopher Wilson.


  • Wykonawca Gothic Voices , Wilson Christopher , Rumsey Shirley
  • Data premiery 2011-03-01
  • Nośnik CD
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