
Muzyka sefardyjska pieśni i utwory instrumentalne w wykonaniu zespołu The Renaissance Players pod dyrekcją Winsome Evans.
- Wykonawca Renaissance Players
- Data premiery 1998-06-24
- Nośnik CD

Muzyka sefardyjska pieśni i utwory instrumentalne w wykonaniu zespołu The Renaissance Players pod dyrekcją Winsome Evans.

Football documentary looking at the centenary of the FIFA World Cup, and the ways in which football has developed over the last 100 years. Includes highlights from previous World Cup matches, and the stories of legendary players such as Pele and Maradona.

Great sound and warmly recommended. The players are technically superb, but also play with a grace and lightness which are wholly uplifting.

Tracklista: 1. Do Like I Do2. A Star in the Ghetto3. The Boogie Back4. Express Yourself5. Little Ghetto Boy6. I Get Lifted7. I'm Blue8. Easin' In9. Untitled Instrumental10. Intimate Friends11. Living Together Is Keeping Us Apart12. Players Balling13. People Make the World Go Round14. I'm Gonna Love You a Little Bit More

In the early sixteenth century the playing of wind instruments was traditionally the domain of German and Flemish musicians, but when a storm forced King Philip the Fair to put ashore in England, along with his considerable musical retinue, Henry VIII was inspired to expand The King's Musick. By the end of the century, the situation was reversed: England was the nation to which all others aspired and her players were to be found across Europe. The music on this recording comes from this glorious period of pageantry and national pride, and fully displays the enchanting sound and virtuosic scope of the cornett and sackbutt, remarkable instruments seldom heard today.

Utwory wokalno-instrumentalne - kantaty i oda, angielskiego kompozytora barokowego Williama Hayesa w wykonaniu zespołu The SCB Hayes Players pod dyrekcją Anthonyego Rooley.

Tracklista: 1. Car Fulla White Boys 2. Reckon 3. Can't Tell Me Nothing 4. Dollar 5. Down South Players 6. Ride 7. Brother Like Me 8. On Trial 9. Need It Get It 10. Wish You Could See Me 11. Some of That 12. The Bottom 13. Love You Like 14. Listen

Documentary about one of the most memorable moments in English football history, the 1988-89 season's final match in which Arsenal beat Liverpool 2-0, emerging victorious in the First Division. The film features archive footage and contributions from players such as Lee Dixon, Tony Adams, Paul Merson and Nigel Winterburn.

Uwertury do oper Johanna Simona Mayra, niemieckiego kompozytora urodzonego w Bawarii, lecz robiącego karierę we Włoszech. Żył w latach 1763-1845. Jego opery były bardzo cenione przez współczesnych. Wykonawcy to orkiestry Bavarian Classical Players, Concerto de Bassus oraz I Virtuosi Italiani pod dyrekcją Franza Hauka.

During his lifetime, Georg Philipp Telemann was widely regarded as one of the greatest composers of the period – perhaps the greatest of them all, not forgetting J.S. Bach or Handel. But the very aspects that his contemporaries admired were the same that later critics would find questionable: his extensive and varied œuvre, the fluency with which he wrote in all genres and styles, and his manifestly modern, cosmopolitan outlook. Compared with Bach’s more compact, serious music, Telemann’s elegant, sophisticated style was judged to be lacking, and this unfavourable comparison has followed Telemann ever since. The truth is that, despite the size of his œuvre, Telemann rarely repeats himself; in spite of the ease with which he adopted new styles and idioms, he is far from superficial. On the contrary, his music is varied, innovative and diverse, while at the same time possessing an immediacy and intimacy that are second to none. All of this great range and variety is represented in his works for the flute. Telemann wrote for the recorder as well as for the transverse flute that was more in favour in France, but the music was intended for either instrument. The greater part of that music – from solo fantasias and duets to concertos and double concertos – has been gathered in this boxed set, in highly praised recordings by two acclaimed Swedish recorder players: Clas Pehrsson and Dan Laurin. They are supported by continuo players in the chamber music, and by the eminent Drottningholm Baroque Ensemble in the concertos, and matched by soloists such as the acclaimed baroque bassoonist Michael McCraw, but there is never any doubt that the star of this collection is the recorder itself – and, of course, Telemann!