As a composer, Gustav Mahler was absorbed by song and symphony as complementary genres deeply involved with each other. So deeply involved, in fact, that the dividing line between the two is often blurred – most famously so in Das Lied von der Erde from 1909, which is variously described both as a cycle of orchestral songs and as a symphony. But already in 1888, in his first symphony, Mahler included two themes from the song cycle Lieder eines fahrenden Gesellen, which he had recently composed to his own poems. At the time this cycle only existed in a version for voice and piano; possibly it was the experience of orchestrating these themes in his symphony that a few years later inspired Mahler to create the version for voice and orchestra. If the Lieder… is a fairly early example of Mahler’s particular gift for merging text and voice with the symphonic medium, the two other cycles on this disc represent him at his zenith, around the time of his Fifth Symphony. All of the songs in Kindertotenlieder and Rückert-Lieder are settings of poems by the poet Friedrich Rückert, composed between 1901 and 1904. For Kindertotenlieder (Songs of the death of children) Mahler chose five of more than four hundred poems written by Rückert in reaction to the death of his two children: poems of despair, disbelief and resignation. Only four years after the completion of the cycle, Mahler’s own daughter died, aged four. While Kindertotenlieder was conceived as a cycle, the Rückert-Lieder are more loosely connected with each other. They were originally composed for voice and piano, and the orchestral versions were published only after Mahler’s death. Nevertheless they include some of the most sublime Mahlerian moments, for instance in Ich bin der Welt abhanden gekommen. Besides having a highly successful opera career, Katarina Karnéus is a regular guest with prestigious orchestras, and her appearances in works by Mahler have been particularly praised, for instance in The Guardian in regards to a performance of Symphony No.2: ‘Urlicht, heart-stoppingly sung by Katarina Karnéus, became the spiritual centre of the piece’. She is here supported by the acclaimed Gothenburg Symphony Orchestra conducted by the sought-after Finnish conductor Susanna Mälkki.

• Wykonawca Karneus Katarina
• Data premiery 2011-06-01
• Nośnik SACD

Winylowa edycja płyty Johna Denvera, na której znalazły sie największe przeboje tego amerykańskiego piosenkarza muzyki country, folk i pop. Tracklista: Side A 1. Take Me Home, Country Roads 2. Follow Me 3. Starwood in Aspen 4. For Baby (For Bobbie) 5. Rhymes and Reasons 6. Leaving, on a Jet Plane Side B 1. The Eagle and the Hawk 2. Sunshine on My Shoulders 3. Goodbye Again 4. Poems, Prayers and Promises 5. Rocky Mountain High

• Wykonawca Denver John
• Data premiery 2019-01-18
• Nośnik Płyta Analogowa

From the middle of the thirteenth century, the Meissen Margrave Heinrich the Illustrious ruled as the new Thuringian Landgrave. He became famous primarily as a result of his magnificent court establishment and his activities as patron of the arts, poet, and composer. Besides his legendary tournaments, six of his songs have come down to us in the Grosse Heidelberger Liederhandschrift (Codex Manesse). This new TALANTON-CD is dedicated to a selection of songs, dances, and poems around the illustrious prince, played masterly and vivaciously by the ensemble IOCULATORES, and declaimed in Middle High German by Jörg Peukert.

• Wykonawca Ioculatores
• Data premiery 2011-08-01
• Nośnik CD

Tracklista:1. A Symphony of Amaranths. Carillon/Nocturne/Entracte/Impromptu2. The Dong With a Luminous Nose3. Three Poems. After Long Silence/She Weeps Over Rahoon/Will You Walk a Little Faster?4. National Anthem and Tango

• Wykonawca Neil Ardley
• Data premiery 2013-01-21
• Nośnik CD / Album

Tracklista:1. Off With Their Heads2. Starting Fires3. Poems and Songs4. Opposable Thumbs5. Words6. Taxi Driver7. Pure Fucking Love

• Wykonawca The King Blues
• Data premiery 2016-06-17
• Nośnik Płyta Analogowa

Tracklista:1. Má Vlast (My Fatherland), symphonic poems (6), JB 1:112: 1. Vysehrad2. Má Vlast (My Fatherland), symphonic poems (6), JB 1:112: 2. Die Moldau (The Moldau)3. Má Vlast (My Fatherland), symphonic poems (6), JB 1:112: 4. Aus Böhmens Hain und Flur (From Bohemia's Woods and Fields)4. Slavonic Dances (8) for orchestra, B. 83 (Op. 46): No. 1 in C major5. Slavonic Dances (8) for orchestra, B. 83 (Op. 46): No. 2 in E minor6. Slavonic Dances (8) for orchestra, B. 83 (Op. 46): No. 3 in A flat major7. Slavonic Dances (8) for orchestra, B. 83 (Op. 46): No. 4 in F major8. Slavonic Dances (8) for orchestra, B. 83 (Op. 46): No. 5 in A major9. Slavonic Dances (8) for orchestra, B. 83 (Op. 46): No. 6 in D major

• Wykonawca Boston Symphony Orchestra
• Data premiery 1996-08-31
• Nośnik CD

Tracklista: CD 1 1. 2 songs from Three Romances, Op. 3 2. 6 songs from Nine Songs after Goethe, Op. 6 3. Two Poems, Op. 13 4. 4 songs from Twelve Songs after Goethe, Op. 15 5. 3 songs from Six Poems after Goethe, Op. 18 6. 5 songs from Eight Poems, Op. 24 7. 4 songs from Seven Poems, Op. 28 8. 4 songs from Seven Poems after Pushkin, Op. 29 CD 2 1. 3 songs from Six Poems, Op. 32 2. 5 songs from Six Poems after Pushkin, Op. 36 3. 3 songs from Five Poems, Op. 37 4. 3 songs from Four Poems, Op. 45 5. 3 songs from Seven Poems, Op. 46 6. 2 songs from Seven Songs on Poems by Pushkin, Op. 52 7. 4 songs from Eight Songs, Op. 61

• Wykonawca Burnside Iain , Didenko Nikolay , Siurina Ekaterina
• Data premiery 2018-02-01
• Nośnik CD

GRAMOPHONE AWARD WINNER ; PENGUIN GUIDE ROSETTE ; GRAMOPHONE EDITOR'S CHOICE / CRITICS' CHOICE 'Bostridge's peculiarly beseeching voice enshrines the vulnerability, tender feeling and obsessive love of the youthful miller … A soul-searching interpretation which now ranks with those tenor versions [listed above] as a recommendation' (Gramophone)'Ian Bostridge produces youthfully golden tone and gives an eagerly detailed account to match even the finest rivals' (The Guardian)'Another marvellous disc in an eminently collectable series' (The Independent).   The origin of the story about the beautiful maid of the mill is difficult to trace. It was the subject of Paisiello’s opera L’amor contrastato or La bella Molinara (1788) which made its triumphant progress through Germany under the title Die schöne Müllerin. In 1795 the young Beethoven wrote two sets of piano variations based on arias (including the celebrated ‘Nel cor più non mi sento’) from this work. Paisiello’s opera was performed in Vienna in 1822 when Schubert may well have seen it. Goethe had also written a sequence of poems entitled Edelknabe und Müllerin (‘The young lord and the miller-maid’) on this theme but he was not the only poet to write of romance at the mill; Brentano had used this subject, as had Justinus Kerner. The famous anthology of folk poetry Des Knaben Wunderhorn has an entire sequence devoted to millers and miller-maids. In his Jugendlieder (1810–1813) Friedrich Rückert has a poem which contains these four lines which should be compared to the opening of Am Feierabend (V)

• Wykonawca Johnson Graham , Bostridge Ian
• Data premiery 2010-07-01
• Nośnik CD

Tracklista: CD 1 1. Introduction 2. Circus 3. Interview 4. Blackbird 5. Interview 6. Saturday Night in Toledo, Ohio 7. Interview 8. Molly 9. Interview 10. Yellow Cat 11. Interview 12. Catch Another Butterfly 13. Interview 14. The Last Thing On My Mind 15. Interview CD 2 1. Me and My Uncle 2. Conversation 3. Starwood in Aspen 4. Conversation 5. Poems, Prayers and Promises 6. Today Is the First Day of the Rest of My Life 7. Follow Me 8. Conversation 9. Gospel Changes 13. Trolley Car Ride 10. Conversation 11. My Old Man 12. Conversation 14. Conversation 15. America the Beautiful 16. Conversation

• Wykonawca Denver John
• Data premiery 2014-04-28
• Nośnik CD

Chopin, Liszt Chopin, Concerto for piano and orchestra no 1 op. 11 in E minor Liszt, Symphonic Poems nos 2+3

• Wykonawca Various Artists
• Data premiery 2008-05-13
• Nośnik DVD