Tracklista: 1. Der Nußknacker Op. 71 - Not Applicable 2. Der Nußknacker Op. 71 (Mariinsky Version) - Artists Of The Mariinsky Ballet 3. Christmas Eve In The Kitchen (Act 1) - Artists Of The Mariinsky Ballet 4. The Stahlbaums Dress For Dinner (Act 1) - Artists Of The Mariinsky Ballet 5. The Guests Arrive (Act 1) - Artists Of The Mariinsky Ballet 6. The Grown-Ups Dance (Act 1) - Artists Of The Mariinsky Ballet 7. Drosselmeyer Arrives (Act 1) - Artists Of The Mariinsky Ballet 8. Dances Of The Mechanical Dolls (Act 1) - Artists Of The Mariinsky Ballet 9. Masha Dances With The Nutcracker (Act 1) - Artists Of The Mariinsky Ballet 10. Grandfather's Dance (Act 1) - Artists Of The Mariinsky Ballet 11. The Guests Depart (Act 1) - Artists Of The Mariinsky Ballet 12. The Drawing Room - Midnight - The Rats' Ball (Act 1) - Artists Of The Mariinsky Ballet 13. Transformation - Battle Of The Rats & Toys (Act 1) - Artists Of The Mariinsky Ballet 14. The Nutcracker And Masha Fly Off (Act 1) - Artists Of The Mariinsky Ballet 15. Waltz Of The Snowflakes (Act 1) - Artists Of The Mariinsky Ballet 16. Inside The Sweet Shop (Act 2) - Artists Of The Mariinsky Ballet 17. Dance Of The Spanish Matadors (Act 2) - Artists Of The Mariinsky Ballet 18. Dance Of The Eastern Snake-Charmers (Act 2) - Artists Of The Mariinsky Ballet 19. Dance Of The Chinamen (Act 2) - Artists Of The Mariinsky Ballet 20. Dance Of The Petrushkas (Act 2) - Artists Of The Mariinsky Ballet 21. Dance Of The Bumblebees (Act 2) - Artists Of The Mariinsky Ballet 22. Dance Of The Pulcinellas (Act 2) - Artists Of The Mariinsky Ballet 23. Masha Breaks The Spell (Act 2) - Artists Of The Mariinsky Ballet 24. Waltz Of The Flowers (Act 2) - Artists Of The Mariinsky Ballet 25. Pas De Deux: Masha And The Nutcracker Prince (Act 2) - Artists Of The Mariinsky Ballet 26. Solo: The Nutcracker Prince Tarantella (Act 2) - Artists Of The Mariinsky Ballet 27. Solo: Masha Dance Of The Sugar Plum Fairy (Act 2) - Artists Of The Mariinsky Ballet 28. Coda: The Nutcracker Prince, Masha & All Of Confiturenberg (Act 2) - Artists Of The Mariinsky Ballet 29. Grand Wedding Waltz (Act 2) - Artists Of The Mariinsky Ballet 30. Drosselmeyer Outside The Shop (Act 2) - Artists Of The Mariinsky Ballet 31. The Wedding Cake (Act 2) - Artists Of The Mariinsky Ballet 32. Der Nußknacker Op. 71 - Artists Of The Mariinsky Ballet 33. Closing Credits (Mariinsky Version) - Not Applicable

• Wykonawca Gergiev Valery
• Data premiery 2008-04-11
• Nośnik DVD

Tracklista:1. Till There Was You2. Hello Young Lovers3. Wouldn't It Be Loverly?4. Stardust5. April Showers6. Margie7. Where Or When8. Flamingo9. As Time Goes By10. We Kiss in the Shadow11. For All We Know12. Georgia13. These Foolish Things14. Someday My Prince Will Come

• Wykonawca Vignola Frank , Grisman David
• Data premiery 2017-08-18
• Nośnik CD

Tracklista:1. Ruslan & Ludmilla / Russlan And Lyudmila Op. 5 (Ouvertüre)2. Schwanensee: Danse Napolitaine Op. 20/"swan Lake"3. Puschkin-walzer / Pushkin Waltz Op. 1204. Raimonda-ballett: Spanischer Tanz/spanish Dance (From The Ballet "Raimonda" op.57)5. Walzer Aus: Die Menschliche Tragödie/waltz From THE PERFOMANCE "THE HUMAN TRAGEDY" OP.376. Hummelflug/"a Flight Of The Bumble Bee" From The OPERA "THE TALE OF TSAR SALTAN" OP. 577. Walzer Fantasie / Waltz-fantasy (1839)8. Prozession Aus "der Goldene Hahn" / Procession FROM THE OPERA "THE GOLDEN COCKEREL" (1907)9. Walzer Aus: Die Stechfliege / Waltz From The Film "GADFLY" OP. 9710. Polowetzer Tänze /"polovtsian Dances" From The OPERA "PRINCE IGOR" (POSTHUM)11. Der Nussknacker: Blumenwalzer / "nutcracker" OP. 71 VALSE DE FLEURS12. Tanz Der Kaschmir-bräute / Dance Of Kashemir BRIDES FROM THE OPERA "FERAMORS" (1862)13. Kikimora Op. 6314. Schwanensee: Tanz Der Kleinen Schwäne / "swan LAKE" OP. 20 DANCE DES PETITS SIGNES15. Romeo Und Julia / "monteque And Capulet" From The BALLET "ROMEO AND JULIET" OP. 64

• Wykonawca State Symphony Orchestra of St. Petersburg
• Data premiery 2017-01-09
• Nośnik CD

In the summer and early autumn of 1781, Joseph Haydn began work on the six quartets we know today as Op. 33, or more eruditely as Hoboken III: 37-42. They are also known popularly as the “Jungferne” quartets, the “Russian” quartets and “gli scherzi”.In the late autumn of that year, Haydn sent letters to several “gentleman amateurs, great connoisseurs and patrons of music” inviting them to subscribe to manuscript parts of “for the price of 6 ducats… 6 Quartets for 2 violins, viola and violoncello concertante… written in a new and special way.” That Haydn was in a position to send such a letter was due to the wonderful gift Prince Nicolaus Esterhazy gave his Kapellmeister in 1779 – license to write whatever works he chose for sale outside of his duties at the Esterhazy court.Haydn’s German phrase describing the pieces was “von einer Neu, gantz besonderer Art”, so indeed, Haydn’s “new and special way” might also be rendered as “new and completely different” or even “novel and entirely exquisite”.To put the price into perspective, a decent set of clothes tailored in Vienna cost 7 Ducats; Haydn’s official salary from the Prince was 600 Ducats/annum, although in fact, with additional awards, his earnings were nearer 1000. Three of Haydn’s letters trying to sell subscriptions for the quartets still exist. The first is addressed to Johann Kaspar Lavater, a Swiss poet, and one of the leading exponents of the Sturm und Drang movement. The second is addressed to Robert Schlecht, Cistercian Abbott of Salmannsweiler in Land Baden (a musically significant hub) a repeat customer, having acquired Haydn’s Symphony No. 24 in 1773. The third is to Prince Oettingen-Wallerstein, whose court was a hotbed of chamber music activity. Beyond hiring an excellent orchestra and fine composers, he encouraged traveling musicians to perform at court there, hosting, among many others, Beethoven in 1787 and Haydn on his first journey to London, in 1791. Haydn anticipated selling 16 such subscriptions, representing approximately one sixth of his annual official pay. In December, 1781, he sent the quartets to his primary publisher, the Viennese house of Artaria, understanding that they would be published after he had satisfied his subscribers. Artaria, however, had the pieces engraved very quickly, and offered them for sale on December 29, 1781. This enraged Haydn, who stood to lose a considerable sum, and he immediately ceased all further correspondence with Artaria (Artaria’s selling price for the engraved quartets was 4 gulden, which represented about 14% of the 6 Ducats Haydn was asking for the manuscript parts). Two weeks later, realizing perhaps the advantage of the long-term relationship with Artaria, Haydn had calmed down; within a month of that, Haydn offered the quartets to Hummel in Berlin, and Forester in London, both of whom published them that year. The Hummel edition featured an engraving of a young maiden, or “Jungferne”, the first of the popular names for the quartets. All of this activity points to the significance and popularity of the works, which were consumed almost exclusively by amateur performers; the notion of a public, professional string quartet concert in most of Europe was still several decades away. The first documented performance of the quartets was in the chambers of the Russian Grand Duke Paul (later Tsar Paul I). Haydn inscribed a dedication on the manuscript copy of the quartets that he gave to the Grand Duke, hence the second popular nickname, the “Russian” Quartets. The third popular name, “gli scherzi” or “the Jokes”, speaks to the music itself. For the first time in his quartets, Haydn replaces the minuet movement with one entitled scherzo; while all six movements share essentially the same form, they demonstrate incredible variety of texture and invention. In the trio section of the scherzo of Op. 33, No. 2 in E flat major (Hob. III: 38, which is itself known as “the Joke”), Haydn specifies fingerings in the first violin part that imply sliding between the pitches (perhaps a slightly tipsy tavern fiddler?). The last movement of the same piece features an elaborate joke, with several false endings, finishing with precisely the same two measures as it began. Haydn again uses the technique of reprise in the opening movement of Op. 33, No. 5 (Hob. III: 41, the “How do you do?”) again using a two-measure unit. As these pieces were intended for private consumption, they are also full of jokes for the performers themselves. One of our favourites is in the last movement of Op. 33, No. 4 (Hob. III: 40), in which the first violinist has awkward string crossings at breakneck speed, while the second violinist essentially fills in the first violinist’s part in the higher octave; what we hear is a simple line, what we see is Haydn torturing the first violinist, making him work a great deal harder than absolutely necessary!

• Wykonawca Eybler Quartet
• Data premiery 2012-11-01
• Nośnik CD

Tracklista:1. The Sea and Sinbad‘s Ship2. The Story of the Kalendar Prince3. The young Prince and Princess4. Festival at Baghdad – The Sea – Shipwreck

• Wykonawca Philharmonia Zurich , Luisi Fabio
• Data premiery 2016-12-05
• Nośnik CD

Album Willa Oldhama aka Bonnie Prince Billy, czyli jeden z najważniejszych współczesnych, amerykańskich pieśniarzy cały czas w grze. Dla tych którzy pamiętają klasyczne już dziś albumy „I See A Darkness”, „Ease Down The Road” czy „The Letting Go” nowe wydawnictwo to absolutny obowiązek. Czerpiąc z folkowej, amerykańskiej spuścizny Oldham stał się ikoną twórczości określanej mianem Americana. Dziś artysta jest już klasykiem, zaś wysoka jakość kolejnych produkcji nagrywanych pod szyldem Bonnie Prince Billy jest na to koronnym dowodem. Nie inaczej jest w przypadku „Singer’s Grave A Sea Of Tongues”. Obok tego głosu i tych piosenek nie sposób przejść obojętnie.Tracklista:1. Night Noises2. So Far and Here We Are3. There Will Be Spring4. Quail and Dumplings5. We Are Unhappy6. It’s Time To Be Clear7. Whipped8. Old Match9. Mindlessness10. New Black Rich (Tusks)11. Sailor’s Grave A Sea of Sheep

• Wykonawca Bonnie Prince Billy
• Data premiery 2014-10-28
• Nośnik CD

Tracklista:1. Opening Line2. Nica's Dream3. Celia4. Dark Continent5. Like Someone in Love6. Prince Albert7. Sizzle8. Calypso Blue

• Wykonawca Carol Morgan Trio , Harvie S & Richie Derosa
• Data premiery 2014-06-02
• Nośnik CD

„I Want You”, czternasty album w dorobku Marvina Gaye’a, oryginalnie ukazał się w 1976 roku. Po sukcesie „Let’s Get It On”, Gaye skierował się w stronę funky oraz disco soul. Kompozytorsko mógł liczyć na wsparcie Leona Ware’a, który wcześniej współpracował z innymi legendami Motown – Michaelem Jacksonem i The Miracles. „I Want You” sprzedało się w nakładzie przekraczającym milion egzemplarzy w samych Stanach. Artyści tacy jak Madonna, Robert Palmer czy Prince wymieniali ten album Marvina Gaye’a jako swoją wielką inspirację. Tracklista: 1. I Want You 2. Come Live With Me Angel 3. After The Dance (Instrumental) 4. Feel All My Love Inside 5. I Wanna Be Where You Are 6. I Want You (Intro Jam 1) 7. All The Way Around 8. Since I Had You 9. Soon I'll Be Loving You Again 10. I Want You (Intro Jam 2) 11. After The Dance (Vocal)

• Wykonawca Gaye Marvin
• Data premiery 2019-10-25
• Nośnik Płyta Analogowa

Tracklista:Disc 11. Don Giovanni: Madamina, il catalogo e questo 00:05:34 2. Norma: Ite sul colle, o Druidi 00:04:14 3. Lucrezia Borgia: Vieni, la mia vendetta 00:03:44 4. Roberto il diavolo: Le rovine... Suore che riposate 00:04:07 5. Ernani: Che mai vegg'io!... Infelice 00:04:04 6. Don Carlos: Dormiro sol 00:04:16 7. La boheme: Vecchia zimarra 00:03:00 8. Lakme: Lakme, ton doux regard 00:03:30 9. The Demon: Do not weep, child 00:03:01 10. The Demon: On the ocean of the air 00:04:13 11. Prince Igor: Have you enjoyed yourself, Prince... I can't conceal 00:04:03 12. Prince Igor: Are you well, Prince 00:04:40 13. Prince Igor: Neither sleep nor rest 00:04:29 14. The Song of the Flea 00:03:21 15. Elegy 00:02:12 16. The Nightingale 00:03:43 17. When yesterday we met, Op. 26, No. 13 00:02:55 18. Chanson Bachique, Op. 27 No. 1 00:03:45 19. Sapphische Ode, Op. 94, No. 4 00:03:12 20. Abschied, Op. 4, No. 3 00:01:34 21. Stambogsrim, Op. 25, No. 3 00:01:42 22. Maschenka 00:03:49 Disc 21. Il barbiere di Siviglia (The Barber of Seville), Act I Scene 12: La calunnia 00:04:37 2. La Sonnambula: Il mulino, il fonte... Vi ravviso 00:03:05 3. Faust: Un rat, plus poltron... Le veau d'or 00:03:32 4. Faust: Vous qui faites l'endormie 00:03:16 5. Mefistofele: Ave Signor! 00:04:02 6. Mefistofele: Son lo spirito 00:03:13 7. Don Quichotte: Oh, mon maitre ... Oui! Je fus le chef 00:08:53 8. Ruslan and Lyudmila: O joy! ... the hour of my triumph 00:03:02 9. Sadko: Against the cruel crags 00:03:37 10. Boris Godunov: In the town of Kazan 00:02:25 11. Boris Godunov: Boris's Farewell and Death Scene 00:12:09 12. Aleko: All the gypsy camp is sleeping 00:04:47 13. Songs and Dances of Death: III. Trepak 00:04:22 14. Persian Love Song, Op. 34, No. 9 00:04:43 15. Down the Petersky 00:02:02 16. Black Eyes 00:03:32 17. The Song of the Flea 00:03:03 18. Song of the Volga Boatmen 00:03:28

• Wykonawca Chaliapin Feodor
• Data premiery 2003-01-01
• Nośnik CD

Prince zostanie na zawsze zapamiętany jako charyzmatyczny performer, artysta zdobywający listy przebojów i rewolucjonista biznesu muzycznego. Jednakże w tym samy czasie, który spędził w blasku reflektorów w swojej cztero-dekadowej karierze, Prince pracował również bez wytchnienia za kulisami, pielęgnując talent i pisząc piosenki dla wschodzących artystów, których respektował. Spadkobiercy zmarłego w 2016 Prince'a we współpracy z Warner Bros. Records i TIDALem przygotowali "Originals", album zawierający 15 utworów, z czego 14 nigdy nie było wcześniej wydanych. Nagrania są dowodem na zakulisową rolę, jaką Prince odgrywał w karierach innych artystów. Utwory zostały wybrane wspólnie przez Troya Cartera w imieniu spadkobierców i Jaya-Z. W połowie lat 80. XX wieku Prince był u szczytu kariery. Nie dość, że sam dominował na listach przebojów, komponował i produkował, to również pisał piosenki dla innych. Z jego talentu skorzystali, chociażby jego podopieczni – The Time, Vanity 6, Sheila E., Apollonia 6, Jill Jones, The Family, Mazarati. Niektóre z  piosenek, które znajdą się na "Originals" okazały się hitami dla artystów, którzy je nagrali. Tak było przykładowo z Sheilą E. i "The Glamorous Life", numerem jeden tanecznych list w 1984 roku, czy wspaniałym "Manic Monday" The Bangles, który pomógł wynieść ich płytę "Different Light" do drugiego miejsca na listach. Sukces odniosła też płyta zespołu The Time "Ice Cream Castle" z przebojem "Jungle Love" (57 tygodni na Billboard 200) oraz materiał Martiki z 1991 roku, zatytułowany "Love… Thy Will Be Done". "Originals" jest niczym podniesienie kurtyny i pokazanie, co tak naprawdę kryje się za doskonale znanymi niektórymi popowymi przebojami. Na albumie znajdziemy także wersje Prince'a do Vanity 6 i "Make-Up", Jill Jones z  "Baby, You're a Trip", Kenny'ego Rogersa i "You're My Love" oraz rzecz jasna oryginalną wersję megahitu "Nothing Compares 2 U" Sinead O'Connor.

• Wykonawca Prince
• Data premiery 2019-06-21
• Nośnik CD