Biographical documentary about American pop icon Madonna. Born in Bay City, Michigan, Madonna moved to New York in 1977 hoping to find success as a dancer. She later became famous through her music and as an actress. The programme provides an insight into Madonna's life and career with archive footage, music videos and an interview with the artist herself.
Highlights from some of the most celebrated recordings from Harry Christophers and his award-winning ensemble. Equally appealing to fans of The Sixteen and those who are new to the group, this disc provides a definitive collection of familiar classics and lesser-known treasures.
The CD under the title „in fall of Byzantium” presents music from Italy, France and Byzantium during the first half of the century. Furthermore, provides works by Gaullaume du Fay and composers of his period, related to historical events between the Byzantium and the West.
Arcangelo Corelli, described as the "vero orfeo di nostri tempi” by his pupil Francesco Gasparini, produced the most popular printed music of his time with his Violin Sonatas Opus 5 published in Rome in 1700. As these sonatas were not primarily focused on the technical demands of the violin, adaptations of these works for viola da gamba soon followed. Handel’s Sonata in G minor, originally for violin, includes a note that this music would also be suitable for performance “per la Viola da Gamba” and provides a further example of an adaptation of a sonata for viola da gamba. It is clear that Handel had closely studied Corelli’s style, and the influence of Italian violin technique is also unmistakeable in the second gamba sonata from Johann Schenck’s “L’echo du Danube“. Friederike Heumann has selected the sonatas Nos. 8, 3 and 6 from Corelli’s Opus 5 for this recording. The title page of the first edition does not specify the instrumentation of the basso continuo: this permitted the utilisation of a wide range of different instrumental combinations on this recording to set off the colouring and expressiveness of the viola da gamba part. Patrick Sepec interpretation of the bass line explores the intrinsic melodic possibilities of the Baroque cello, thereby entering into a dialogue with the viola da gamba. Eduardo Egüez provides a transparent and poetic accompaniment on the theorbo complemented by Dirk Börner who exploits the chordal richness and variety of the organ and harpsichord to the full.