Tracklista: 1. Your Universe 2. Whatever You Want 3. Invisible Sunday 4. Mirror 5. Dangerous 6. Perhaps A Fantasy 7. Call & Response 8. Liar 9. Tonight
Tracklista:1. Danny Gunnz (Feat. Unkle Slump)2. World of Snakes (Feat. Samoan Rob)3. Gods4. Burning Alive5. Fake (Feat. The Ewokk)6. Run It (Feat. Chris Ruben)7. Want It More8. Uninspired9. My Response (Feat. Jesse Adkins)10. UASH (Feat. Eric Diaz)
Tracklista: CD 1 1. The London Tube 2. Exotic Boulevard 3. Down At St Catherine's 4. War Zone 5. Chance Encounters 6. Night Train To Paris 7. Un Vuelo 8. Slow Breeze 9. Mole Trap 10. After Hours 11. Mira Monte 12. Dirty Boy 13. Take Out The Trash CD 2 1. Heat 2. Sunny Rain 3. You're In Love 4. Neo Music 5. Afterglow 6. Million Years 7. Q-R Question And Response 8. The Bomba Shack 9. Spanky 10. Cunáda 11. Adult Advisory
Tracklista: 1. A Spark, a Beginning 2. Aeon 3. Vast 4. Signal 5. Response 6. Proceed 7. Transient (A) 8. Transient (B) 9. Refuge 10. Form
Tracklista: CD 1 1. Drone Logic (Factory Floor Remix) 2. All I Need (Roman Flügel Remix) 3. Platform Zero (Volte-Face Remix) 4. Naive Response (O (Phase) Remix) 5. Spring 27 (Silent Servant Remix) 6. Free Floating (Matt Walsh Remix) 7. Knowing We'll Be Here (KiNK Remix) 8. New Energy (Beyond the Wizard's Sleeve Remix) CD 2 1. Drone Logic (Rodhad Remix) 2. Need Electric (Audion Remix) 3. Reception (Perc Remix) 4. These Nights Never End (Ricardo Tobar Remix) 5. Simulrec (Conforce Remix) 6. Water Jump (Powell Remix) 7. Taste (Special Request Remix) 8. Naive Response (Danny Daze Remix)
The 2008 Salzburg Festival production of Dvorák's opera Rusalka was outstanding even by the Festival's high artistic standards. Its exceptional nature was due in part to the fact that in the pit the Cleveland Orchestra was appearing for the first time as an opera orchestra in Salzburg. The high expectations raised by the orchestra and its Music Director, Franz Welser-Möst, were fully met, and even in the live recording of the opening night made by Austrian Radio, the conductor's genuinely dramatic approach to the work is never less than gripping. The fairytale narrative gains in psychological focus and depth, aided and abetted by the team of soloists headed by Camilla Nylund as Rusalka and Piotr Beczala as the Prince. To the role of the water nymph, Nylund brings a beautiful lyric soprano voice that retains its focus and penetrating power even in the score's most dramatic outbursts, while the bright tenor voice of Piotr Beczala produces a convincing vocal portrait of the hapless heroine's inconstant lover, following her decision to enter the world of mortals. The remaining roles were cast from strength, notably the admonitory figure of the Water Goblin, taken here by Alan Held, whose powerful Wagnerian bass-baritone lends the role an impressive profile; Birgit Remmert, with her dark-hued, impressively full-toned voice and Emily Magee's burnished soprano, with its brilliant upper register. Particularly gratifying in a Salzburg Festival production is the casting of minor roles with promising young singers including Eva Liebau as the Turnspit, Adam Plachetka as the Gamekeeper and the three well-modulated wood nymphs of Anna Prohaska, Stephanie Atasanov and Hannah Esther Minutillo. Appearing alongside this team of singers is the Vienna State Opera Chorus on outstanding form. All in all, then, it comes as no surprise to know that the response to the musical side of this production was extremely positive, a response which it is hoped will be repeated in the case of the present live recording
Tracklista: CD 1 1. The Cosmic Christ 2. The Court Of Heaven 3. The Seven Seals 4. Psalm 5. Interlude 6. The Seven Trumpets 7. The Battle Between Good And Evil 8. Vision Of The End 9. Lament Over Babylon And Transition To The New Kingdom CD 2 1. Invocation And Response 1 2. Invocation And Response 2 3. Invocation And Response 3 4. Invocation And Response 4 5. Invocation And Response 5 6. Invocation And Response 6 7. Invocation And Response 7 8. Invocation And Response 8 9. Invocation And Response 9 10. Invocation And Response 10 11. Invocation And Response 11 12. Invocation And Response 12
The 2008 Salzburg Festival production of Dvorák's opera Rusalka was outstanding even by the Festival's high artistic standards. Its exceptional nature was due in part to the fact that in the pit the Cleveland Orchestra was appearing for the first time as an opera orchestra in Salzburg. The high expectations raised by the orchestra and its Music Director, Franz Welser-Möst, were fully met, and even in the live recording of the opening night made by Austrian Radio, the conductor's genuinely dramatic approach to the work is never less than gripping. The fairytale narrative gains in psychological focus and depth, aided and abetted by the team of soloists headed by Camilla Nylund as Rusalka and Piotr Beczala as the Prince. To the role of the water nymph, Nylund brings a beautiful lyric soprano voice that retains its focus and penetrating power even in the score's most dramatic outbursts, while the bright tenor voice of Piotr Beczala produces a convincing vocal portrait of the hapless heroine's inconstant lover, following her decision to enter the world of mortals. The remaining roles were cast from strength, notably the admonitory figure of the Water Goblin, taken here by Alan Held, whose powerful Wagnerian bass-baritone lends the role an impressive profile; Birgit Remmert, with her dark-hued, impressively full-toned voice and Emily Magee's burnished soprano, with its brilliant upper register. Particularly gratifying in a Salzburg Festival production is the casting of minor roles with promising young singers including Eva Liebau as the Turnspit, Adam Plachetka as the Gamekeeper and the three well-modulated wood nymphs of Anna Prohaska, Stephanie Atasanov and Hannah Esther Minutillo. Appearing alongside this team of singers is the Vienna State Opera Chorus on outstanding form. All in all, then, it comes as no surprise to know that the response to the musical side of this production was extremely positive, a response which it is hoped will be repeated in the case of the present live recording
Tracklista:1. Auctori vite psalmis, antiphon / Venite exsultemus domino, invitatory: Auctori vite psalmis, antiphon 8:542. Auctori vite psalmis, antiphon / Venite exsultemus domino, invitatory: Venite exsultemus domino, invitatory 9:253. O dulcissime amator, sinfonia for the virgins 2:524. Jesu corona virginum 6:545. Spiritui sancto honor sit, response 0:286. Specie tua, versicle 6:537. Favus distillans, response for Saint Ursula & her companions 0:588. Benedicamaus domino (i) 1:129. Studium divinitatis, Laudes antiphon for Saint Ursula & her Companions 3:3010. Psalm 92: Dominus regnavit 10:1211. O ecclesia occuli tui, sequence for Saint Ursula & her Companions 0:5712. Benedicamus domino (ii) 0:5013. Domine deus meus (Berlin Mus. 40046, Quedlinberg) 1:1314. Mirabilis deus, brief responsory 8:1015. Cum vox sanguinis, hymn for Saint Ursula & her Companions 1:3816. O rubor sanguinis, antiphon for Saint Ursula & her companions 5:0317. Magnificat anima mea / O rubor sanguinis, canticle 2:0218. Te lucis ante terminum, hymn 0:4719. Benedicamus domino, alleluia (Worchester Cathedral F. 160) 0:47
Lista utworów: 1. Opel 2. The Way It Is 3. Perceptual Response 4. Forgive me / Part 1 5. Gentle Art Of Swimming 6. Who Do You Think You Are 7. Going Outside 8. Sun In The Sky 9. Forgive Me / Part 2 10. Forgive Me / Part 3 11. Moonflower