Seria „100 Best” Warner Classics w nowej odsłonie. Bestsellerowa seria „100 Best” prezentuje bogactwo znanych i uwielbianych na całym świecie nagrań muzyki poważnej, wśród których nie brakuje interpretacji największych gwiazd klasyki. Każdy album w serii „100 Best” jest tworzony tematycznie. Na 6 płytach CD znajduje się ponad 7 godzin niesamowitej muzyki. Seria „100 Best” to skarbnica, przewodnik i punkt odniesienia. Cenna pozycja w kolekcji każdego melomana. „100 Best Verdi” – kolekcja arcydzieł mistrza opery romantycznej i jednego z najwybitniejszych przedstawicieli opery w historii. Autor Traviaty, Rigoletto, Nabucco i wielu innych wspaniałych scenicznych arcydzieł prowadzi nas przez meandry swych niebanalnych muzycznych pomysłów, a towarzyszą nam w tej drodze największe gwiazdy wokalistyki, wspaniałe zespoły i dyrygenci. Roberto Alagna, Victoria de los Angeles, Sir John Barbirolli, Renato Bruson, Grace Bumbry Montserrat Caballe, Maria Callas, Jose Carreras, Boris Christoff, Franco Corelli Fiorenza Cossotto, Natalie Dessay, Placido Domingo, Dietrich Fischer-Dieskau Mirella Freni• Nicolai Gedda, Angela Gheorghiu, Nicolai Ghiaurov, Tito Gobbi Alfredo Kraus, Vincenzo La Scola, Matteo Manuguerra, Sherrill Milnes, Riccardo Muti Birgit Nilsson, Antonio Pappano, Luciano Pavarotti, Ruggero Raimondi, Katia Ricciarelli Renata Scotto, Tullio Serafin, Beverly Sills, Gabriella Tucci, Rolando Villazon, Dolora Zajick. Tracklista: CD 1: Tenors & Baritones   1. Arias From Aida, La Traviata, Un Balio In Maschera, Rigoletto, Luisa Miller, Macbeth, Il Trovatore, Il Lombardi, Don Carlos, Requiem, La Forza Del Destino, Otello, Falstaff CD 2: Sopranos & Mezzo-Sopranos  1. Arias From La Traviata, Rigoletto, Il Trovatore, Macbeth, Un Balio In Maschera, Don Carlo, La Forza Del Destino, Aida Otello CD 3: Duets   1. From La Traviata, Il Trovatore, Rigoletto, Giovanna d'Arco, Un Balio In Maschera, La Forza Del Destino, Requiem, Don Carlo, Aida, Otello CD 4: Ensembles  1. From Rigoletto, Il Trovatore, Macbeth, Un Balio In Maschera, La Forza Del Destino, Don Carlo, Simon Boccanegra, Requiem, Aida, Otello, Nabucco CD 5: Choruses  1. From II Trovatore, Nabucco, Rigoletto, La Traviata, Attila, I Lombardi, Macbeth, Il Vespri Siciliani, La Forza Del Destino, Otello, Don Carlo, Requiem, Aida CD 6: Overtures & Ballet Music 1. From La Forza Del Destino, La Traviata, Luisa Miller, Nabucco, I Vespri Siciliani, Macbeth, Aida

• Wykonawca Various Artists
• Data premiery 2019-04-05
• Nośnik CD

Benedetto Marcello’s place in the history of Venetian music is not easily defined. Born into an old patrician family, he described himself in his youth as an ‘amateur contrapuntist’. Throughout his life he held a variety of important posts in judicial and administrative departments of the Venetian Republic, becoming a member of the Council of Forty, then Provveditore of Pola and finally Camerlengo at Brescia, where he died in 1739.Today, when we think of Venetian music in the first half of the eighteenth century, we think immediately of Vivaldi, a priest but primarily a professional musician. The rediscovery, and ever-expanding popularity of Vivaldi, which has been a phenomenon of the twentieth century, has all but eclipsed the reputation of Marcello; yet the latter enjoyed the esteem of Bach, Telemann, Locatelli, Avison and Goethe, and later that of Cherubini, Rossini and Verdi. Once, the ‘Nobile Veneto’, the ‘Venetian Aristocrat’, was considered one of the musical glories of Italy on a par with Palestrina and Pergolesi. He was admired for his skilful counterpoint, his masterly attention to the words of the texts he set, the noble simplicity of his melodies. For the past few decades, however, all these considerations seem to have faded into the background so completely that Marcello’s place in the history of music appears to rest primarily upon his famous satirical pamphlet, Il teatro alla moda, about the evils of the contemporary theatre. Even his great work, Estro poetico-armonico (1724–6), comprising settings of the first fifty Psalms paraphrased in Italian, has been somewhat neglected. The current marginalisation of Marcello by writers on music history, compilers of concert programmes and by record companies, is possibly the result of his unusual relationship with the major Venetian musical institutions. His music was never played in St Mark’s, in the hospitals or the theatres of his native city, but only in the great houses and the salons of the aristocracy. An interesting exception to this is his setting of sacred Latin texts. From its specifically liturgical nature, it is obvious that this music was intended for use in church, and certainly not in domestic situations nor in the private societies known as accademie. Unfortunately we do not know when, where, nor for what specific occasion Marcello composed his fine Requiem for soloists, two choirs, strings and continuo. A biography of Marcello written in the lateeighteenth century by a great admirer of the composer, Giovenale Sacchi, only tells us that Marcello also set other sacred Latin texts:… the Miserere Psalm… and three Masses, one accompanied by violins, the other two only by basses and organ. We cannot exclude the possibility that this Mass ‘accompanied by violins’ was in reality the Requiem in G minor. Sacchi implies that these settings belong to Marcello’s final creative period, when the composer was obsessed with ‘self-canonisation’. The most plausible dating places it between 1728 and 1733, years in which the composer, having achieved a high degree of technical competence and an intense religious awareness, was devoting himself to his final musical utterances. Similarities between parts of the Requiem and the final chorus of his oratorio Joaz (1727) would appear to support this theory also from a stylistic point of view. These were the last years Marcello spent in his native city. We also know that the composer was in contact with the organist of the Santi Apostoli and the parish church of Santa Sofia, two Venetian churches only a stone’s throw from Palazzo Marcello. Sacchi tells us that The composer donated these last works to the Church of Santa Sofia,… where they were performed many times; but then the manuscripts fell into the hands of someone who, placing a higher value upon money than upon good music, sold them to an Englishman who knew their worth, and thus they are no longer to be found in Venice. This explains why the manuscript of the Requiem is now in the archives of the British Library in London. It is greatly to be hoped that this work, one of those that best reveal the originality and artistic strength of Marcello, may spark off a modern renaissance for Benedetto Marcello. © 1999 Marco Bizzarini

• Wykonawca Pugina Marisa
• Data premiery 2006-03-07
• Nośnik CD

Tracklista:1. Requiem for X2. Back in '743. Book of Skulls4. Mysterium5. Evil in the Machine6. Forest7. Dark Bolero8. Rebirth

• Wykonawca Rebirth Goblin
• Data premiery 2015-06-29
• Nośnik CD

1. TIME REQUIEM 2. WATCHING THE TOWER OF SKIES 3. MILAGROS CHARM 4. THE APHORISM 5. BRUTAL MENTOR 6. VISIONS OF NEW DAWN 7. GRAND OPUS 8. INTERPLAY OF MATTERS 9. ABOVE & BEYOND

• Wykonawca Time Requiem
• Data premiery 2002-11-14
• Nośnik CD

Jedna z najstarszych dostępnych mszy requiem. Unikalne z powodu niskich głosów i zastosowania nisko brzmiących instrumentów: trąb, puzonów i organów.

• Wykonawca Capella Foccara
• Data premiery 2016-05-01
• Nośnik CD

Tracklista: LP 1 1. The Edge 2. Through the Clouds 3. Solipsism 4. A Prayer for War 5. Illusions 6. Body Varial 7. Of One Mind 8. Requiem LP 2 1. Acceptance 2. Los Angeles

• Wykonawca Simonetti Mike
• Data premiery 2018-10-12
• Nośnik Płyta Analogowa

Requiem d-moll (msza żałobna) powstałe w 1791 roku jest jednym z największych utworów sakralnych Wolfganga Amadeusa Mozarta, a zarazem jego ostatnią, niedokończoną kompozycją. Wykonanie: Teresa Stich-Randall - sopran Ira Malaniuk - alt Waldemar Kmentt - tenor Kurt Bohme - bass Der Wiener Staatsopernchor Die Wiener Symphoniker Karl Bohm - conductor Tracklista:            Introitus: 1. Requiem Aetermam Kyrie: 2. Kyrie Eleison Sequentia: 3. Dies Irae 4. Tuba Mirum 5. Rex Tremendae 6. Recordare 7. Confutatis 8. Lacrimosa Offertum: 9. Domine Jesu 10. Hostias Sanctus: 11. Sanctus Benedictus: 12. Benedictus Agnus Dei: 13. Agnus Dei Communio: 14. Lux Aeterna 15. Cum Sanctis Tuis

• Wykonawca Various Artists
• Data premiery 2019-05-24
• Nośnik CD

Tracklista: 1. Settimo Requiem 2. Furia 3. Sonno D'eterno 4. Notturna 5. Hybris 6. Cupio Dissolvi 7. Morte Di Un Immortale

• Wykonawca Blaze of Sorrow
• Data premiery 2020-06-19
• Nośnik CD

Spadkobiercy Bolt Thrower i Benediction prezentują kolejny, trzeci już od 2016 album długogrający. Fani wyżej wymienionych zespołów nie powinni poczuć się zawiedzeni, ponieważ „Requiem For Mankind” to kawał soczystego, utrzymanego w starym duchu death metalu. Tracklista: Sida A 1. Shell Shock 2. Undefeated 3. Never The Victim 4. Austerity Kills 5. In The Midst Of Desolation Side B 1. Refuse To Be Led 2. The Veteran 3. Requiem For Mankind 4. Fixed Bayonets 5. Interment

• Wykonawca Memoriam
• Data premiery 2019-06-21
• Nośnik Płyta Analogowa

1. Morning, Communion and Evening Services in G Op. 81: Morning, Communion and Evening Services in G Op. 81: Magnificat (Luke 1:46 & Doxology) - Choir of King's College, Cambridge/James Vivian/Stephen Cleobury 4:172. O nata lux (1994 Digital Remaster) - Choir of King's College, Cambridge/Sir Philip Ledger 1:563. Requiem: Requiem: 3. Pie Jesu (Edward Saklatvala, treble) - Choir of King's College, Cambridge/Sinfonia of London/Stephen Cleobury 3:324. Psalm 23: The Lord is my shepherd (1989 Digital Remaster) - Choir of King's College, Cambridge/Sir David Willcocks 2:145. Mass in G minor: Mass in G minor: Gloria - John Eaton/Nigel Perrin/Robin Doveton/David van Asch/Choir of King's College, Cambridge/Sir David Willcocks 4:066. Ave Maria: Ave Maria: Ave Maria - Choir of King's College, Cambridge/Stephen Cleobury 1:537. Magnificat in D BWV243: Magnificat in D BWV243: Magnificat - Susan Gritton/Lisa Milne/Michael Chance/Ian Bostridge/Michael George/Choir of King's College, Cambridge/Stephen Cleobury/Academy of Ancient Music 2:598. Dear Lord and Father of mankind (Repton) - Choir of King's College, Cambridge/Thomas Bullard/Benjamin Bayl/Stephen Cleobury 3:589. This joyful Eastertide (1994 Digital Remaster) - Choir of King's College, Cambridge/Sir Philip Ledger 2:4610. Evening Hymn (Te lucis ante terminum) (1995 Digital Remaster) - Choir of King's College, Cambridge/James Lancelot/Sir David Willcocks 5:2911. Messe basse: Messe basse: Benedictus - Boys of King's College Choir, Cambridge/Tom Winpenny/Stephen Cleobury 2:2412. Vespers (All-Night Vigil) Op. 37: Vespers (All-Night Vigil) Op. 37: 3. Blazhen muzh - Choir of King's College, Cambridge/Stephen Cleobury 5:5113. Jesus Christ the Apple Tree - Choir of King's College, Cambridge/Sir David Willcocks 2:3114. Totus tuus Op. 60 - Choir of King's College, Cambridge/Stephen Cleobury 4:1015. A Ceremony of Carols Op. 28 (2004 Digital Remaster): A Ceremony of Carols Op. 28 (2004 Digital Remaster): IV: (b) Balulalow - Choir of King's College, Cambridge/Osian Ellis/Sir David Willcocks/Julian Godlee/James Clark 1:3816. Remember not, Lord, our offences Z50 (1989 Digital Remaster) - Choir of King's College, Cambridge/Sir Philip Ledger 2:4917. Ein deutsches Requiem (A German Requiem) Op. 45: Ein deutsches Requiem (A German Requiem) Op. 45: IV. Wie lieblich sind deine Wohnungen (Mässig bewegt) - Choir of King's College, Cambridge/Stephen Cleobury/Susan Gritton/Hanno Müller-Brachmann/Evgenia Rubinova/José Gallardo 5:0918. Anthem: O Lord make thy servant Elizabeth - Choir of King's College, Cambridge/Stephen Cleobury 2:3619. The day thou gavest, Lord, is ended (St Clement) - Choir of King's College, Cambridge/Stephen Cleobury/Benjamin Bayl 3:2320. Three Motets Op. 38: Three Motets Op. 38: 2. Coelos ascendit hodie - Choir of King's College, Cambridge/Stephen Cleobury 2:1021. Psalm 137: By the waters of Babylon (1989 Digital Remaster) - Choir of King's College, Cambridge/Sir David Willcocks 2:5922. Come down, O Love divine (Down Ampney) - Choir of King's College, Cambridge/Thomas Williamson/Stephen Cleobury 3:4423. Hosanna to the Son of David - Choir of King's College, Cambridge/Oliver Brett/Stephen Cleobury 3:0924. Requiem Op. 48 (1993 Digital Remaster): Requiem Op. 48 (1993 Digital Remaster): VII. In Paradisum - Choir of King's College, Cambridge/New Philharmonia Orchestra/Sir David Willcocks 3:42

• Wykonawca Kings College Choir Cambridge
• Data premiery 2009-01-01
• Nośnik CD