Tracklista:1. An Ancient Sign of Coming Storm2. Where Death Seems to Dwell3. Fate of Norns4. The Pursuit of Vikings5. Valkyries Ride6. The Beheading of a King7. Arson8. Once Sealed in Blood
Tracklista:1. Le nozze di Figaro (The Marriage of Figaro), opera, K. 492: Porgi, amor 3:552. Le nozze di Figaro (The Marriage of Figaro), opera, K. 492: E Susanna non vien!...Dove sono i bei momenti 6:223. Eugene Onegin, opera, Op. 24: Nu, zaboltalas ya!...Puskai pogibnu ya (Letter Sce 21:214. Rusalka, opera, B. 203 (Op. 114): Mesícku na nebi hlubokém (O silver moon) 6:475. Otello, opera: Era piů calmo?..."Piangea cantando nell'erma landa 16:126. Peter Grimes, opera, Op. 33: Peter seems to have disappeared...Embroidery in ch 6:017. Daphne, opera, Op. 82 (TrV 272): Ich komme-ich komme (Transformation scene) 11:25
Tracklista:1. Divine Everlasting Love2. Say Hello to Heaven3. How Deep Is Your Love4. Against All Odds5. Love Song for a Vampire6. (Everything I Do) I Do It for You7. Marie8. If9. We're All Alone10. She's Got a Way11. Sorry Seems to Be the Hardest Word12. How Am I Supposed to Live Without You?13. Same Old Lang Syne
Tracklista: 1. Nothing Left to Prove2. Nomad By Fate3. You Get What You Give4. Wish On the Moon5. Come Around6. Seems We're Ok7. Valentine8. Right As Rain9. Meet You in the Middle10. Lost and Found
Tracklista:1. If This Is the Time2. Inside This River3. Face That Lights My Face4. A Train Leaves the City5. The Breath at Dawn6. Minuet in Gm7. Even for a Moment8. Sub Tide9. Simply By Looking10. Crescent Light11. The Light Seems to Move12. No Better Gift13. Adagio for Strings14. Postlude to a Moment
„Emmerdale” (1994) w wydaniu winylowym. Tracklista: Side A 1. Sick & Tired 2. Black Letter Day 3. In The Afternoon 4. Over The Water 5. After All... 6. Cloudy Sky 7. Our Space Side B 1. Rise & Shine 2. Celia Inside 3. Sabbath Bloody Sabbath 4. Seems Hard 5. Last Song
Mysterious doodles on a 17th-century manuscript provided Liz Kenny with the inspiration for this fascinating disc.The ownership of the ML Lutebook has been attributed to a number of court musicians from its discovery in 1912, but it was the name ‘Margaret’ occasionally scrawled throughout the copy which caught the contemporary performer’simagination. Kenny writes that ‘this chimed with the train of thought that was beginning to focus on what and who these books were compiled for, rather than on any single composer who wrote them, and put it in line with other books belonging to Jane Pickeringe and Margaret Board (lute), Elizabeth Rogers (virginals), and Lady Ann Blount (singing), where a remarkable level of virtuosity was associated with private performance by women. There are plenty of great men and great tunes within its covers but ‘Margaret’ has remained in my mind over the years that I’ve been fascinated by the book’.The Flying Horse (track 24) is an anonymous piece that seems to sum up the spirit of the book, a ground bass spiced up with an exotic chord of A flat and an incitement to improvise. Works by Dowland, Johnson, Bacheler, Sturt and others summon up an exhilarating musical world influenced by the court, the theatre and the cries of the street, and where mansucripts, passed from hand to hand, became palimpsests of the perfomer’s own art. Liz Kenny, arguably the greatest lutenist of today, performs this entrancing collection with an aplomb and flair that seems to directly channel those virtuoso performers who were handed the music with the ink still wet on the page.