
Utwory z tabulatury Daniela Cronera (1681) | Pieces from the Daniel Croner Tablature (1681)
- Wykonawca Białko Andrzej
- Data premiery 2013-05-24
- Nośnik CD
- Muzyka poważna / Inne
- 3-07-2020, 05:14
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Utwory z tabulatury Daniela Cronera (1681) | Pieces from the Daniel Croner Tablature (1681)

“Tablature Of Lute Et Of Chitarrone” autorstwa wybitnego kompozytora Piccinini Alessandro, w 20017 roku zostało odtworzone prze troje muzyków Aymes Jean-Marc (organy) , Pustilnik Monica (gitara) , Montheillet Pascal, płyta została wydana nakładem wytwórni Zig Zag Territoires. Tracklista: Piccinini Alessandro Intavolatura Di Liuto Et Di Chitarrone 1. Toccata 13 2. Corrente 6 sopra l'Alemana 3. Toccata 3: Cromatica 4. Gagliarda 3 5. Partite variate sopra quest ari 6. Toccata 11 7. Corrente 3 8. Chiaccona in partite variate 9. Toccata 7 10. Toccata 6 11. Gagliarda prima 12. Partite variate sopra la folia 13. Toccata 4 14. Corrente 5 15. Tenore detto il mercatello 16. Corrente detto nasazzo fatta so 17. Toccata 5 18. Corrente 8 19. Toccata 10 20. Corrente 10 21. Corrente prima 22. Romanesca con partite variate 23. Gagliarda 4 24. Toccata 2 25. Corrente 2 26. Toccata 12 27. Toccata prima 28. Corrente 7 29. Toccata 8 30. Gagliarda 2 31. Corrente 4 32. Toccata 9

The collections of airs published in France by Ballard between 1608 and 1643 contain 17 airs on Italian words, of which six are in the polyphonic collections, six are for voice with lute tablature and five for voice with guitar tablature. Taking account of variants and different versions, polyphonic or monodic, of the same pieces, we are left with ten texts – a rather insignificant group amid a repertoire of over 2,000 French airs. The present recording manages to include all these ten texts, thereby presenting almost all the Italian airs published by French composers during Louis XIII’s reign. The musicians of Il Festino have interspersed these airs with a number of instrumental pieces and songs to Spanish texts of the same period. All the Italian airs are by three of the foremost French composers of the time, each of whom moved in court and salon circles.