Tracklista:1. Chisel 07 2. Black Republican 3. Hip Hop is Dead 4. Where Are They Now 5. Serious 6. Where Ya'll At 7. Nazareth Savage 8. Lifes Gone Done 9. Talk of Ny 10. Honeymoon is Over 11. Take is Slow 12. Death Anniversary 13. Hustlers 14. Can't Forget About You 15. That's That Shit (Remix) 16. N, The 17. Blood Diamond 18. Secret Agent Man 19. Imagine
Tracklista: CD 1 1. Cornet Chop Suey 2. West End Blues 3. Twelfth Street Rag 4. Sweet Little Papa 5. Heebie Jeebies 6. Muskrat Ramble 7. Cornet Chop Suey 8. Gut Bucket Blues 9. Irish Black Bottom 10. He Likes It Slow 11. Potato Head Blues 12. St. James Infirmary 13. Alligator Crawl 14. Savoy Blues 15. The Last Time 16. Ain't Misbehavin' 17. Sugar Foot Strut 18. Jazz Lips 19. My Heart 20. Muggles CD 2 1. Hotter Than That 2. Squeeze Me 3. Tight Like This 4. Basin Street Blues 5. I Ain't Got Nobody 6. Weather Bird 7. St. Louis Blues 8. Once in a While 9. Oriental Strut 10. King of the Zulus 11. Coal Cart Blues 12. Coquette 13. Body and Soul 14. Perdido Street Blues 15. Tea for Two 16. Rockin' Chair 17. Pennies from Heaven 18. C'est Ci Bon 19. High Society 20. New Orleans Function CD 3 1. On the Sunny Side of the Street 2. Boff-boff 3. La Vie En Rose 4. Mahogany Hall Stomp 5. Steak Face 6. Royal Garden Blues 7. My Sweet Hunk O' Trash 8. Since I Fell for You 9. Baby, Won't You Please Come Home 10. They Can't Take That Away from Me 11. Summertime 12. Stars Fell On Alabama 13. Stompin' at the Savoy 14. Autumn in New York 15. Under a Blanket of Blue 16. I Got My Love to Keep Me Warm 17. The Nearness of You 18. Tenderly 19. I Wants to Stay Here 20. Let's Call the Whole Thing Off
Tracklista:1. Medley. This Is The Army Mr Jones/The Feet's In Port Again/The Army, The Navy And The Air Force/Roll Out The Barrel2. I'm Gonna Get Lit Up3. Medley. Chattanooga Choo Choo/Jeepers Creepers/Gal In Kalamazoo/Three Little Fishes4. You'd Be So Nice to Come Home To5. Medley. If I Should Fall In Love Again/You Don't Have to Tell Me, I Know/One Day When We Were Young6. I Remember You7. Medley. Don't Sit Under The Apple Tree/Yes, My Darling Daughter/The Woodpecker Song/Put Your Arms Around Me Honey8. That Lovely Weekend9. Medley. It's Been A long, Long Time/You Must Have Been A Beautiful Baby/Blueberry Hill/Sentimental Journey10. Pennies from Heaven11. Medley. Hokey Cokey/Horsey, Horsey/Under The Spreading Chestnut Tree/Lambeth Walk12. White Christmas
Tracklista: CD 1 1. It's A Blue World 2. I Want To Be Loved 3. Red Beans 4. Bean's Blues 5. Blues For Ron 6. Soul Junction 7. Woody'n You 8. Birks' Works 9. I've Got It Bad (And That Ain't Good) 10. Hallelujah CD 2 1. We'll Be Together Again 2. Stella By Starlight 3. I Heard You Cried Last Night 4. Softly Baby 5. When Your Lover Has Gone 6. Wonder Why 7. The Blue Room 8. The Red Blues 9. I Love You Yes I Do 10. Blues For Ann 11. I'll Never Stop Loving You 12. And The Angels Sing 13. T'ain't Nobody's Business 14. Bass-Ment Blues CD 3 1. Revelation Blues 2. I'll Never Be Free 3. Everytime I Feel The Spirit 4. Halleloo-Y'-All 5. Back Slidin' 6. When Your Lover Has Gone 7. These Foolish Things 8. My Last Affair 9. You Are Too Beautiful 10. I Got It Bad (And That Ain't Good) 11. The Nearness Of You 12. Nancy (With The Laughing Face) 13. When I Fall In Love CD 4 1. In The Evening 2. Blues In The Closet 3. Chains Of Love 4. Tired 5. Sent For You Yesterday (And Here You Come Today) 6. Trane's Blues 7. Wee Baby Blues 8. Cloudy 9. Rojo 10. We Kiss In A Shadow 11. Darling Je Vous Aime Beaucoup 12. Ralph J. Gleason Blues 13. You Better Go Now
Tracklista:1. Misty2. East of the Sun3. My Old Flame4. Paradise5. For All We Know6. Soft Lights and Sweet Music7. I'm Over Here8. Don't Blame Me9. My Ideal10. These Foolish Things11. Embraceable You12. Goodbye13. Vieni, Vieni14. Tell Me That You Love Me15. Volare16. Non Dimenticar17. Traveling Down a Lonely Road18. Ferryboat Serenade (Funiculi-funicula)19. Nina20. No Voce, Na Chittara, Eo Poco E Luna21. The Woodpecker Song22. Summertime in Venice23. Santa Lucia24. Arrivederci, Roma
Although Franz Schubert’s Lieder, his symphonies and his chamber music are staples in concert halls and on disc, his music for the stage is much less well known. He began composing operas in 1811, at the tender age of 13, and it is probable that the tuition he received from Antonio Salieri around that time fuelled his interest for the stage even further. Although he had one of his first public successes with the Singspiel Die Zwillingsbrüder, Schubert later encountered difficulties in getting his operas staged: most of them would remain unperformed for a long time after his death in 1828, and are still rarities in the repertoire. With a few exceptions, the overtures to these works have suffered a similar neglect, even though they display an astonishing abundance of musical ideas, and possess a stirring dramatic character beyond anything found in for instance the symphonic works. The striking originality of the music becomes even more obvious when performed on period instruments, as on the present recording with Manfred Huss and the fifty musicians in the Haydn Sinfonietta Wien, whose previous discs on BIS of works by Haydn has been warmly received by critics worldwide. Their recordings of Schubert's overtures were made in 1997 for release on the Koch/Schwann label, a disc which after its deletion from the catalogue has become a collectors’ item, with rare new copies being offered for as much as USD 200. For the present re-release the original recording has been remastered by BIS Records
Tracklista: LP 1 Side A 1. One Of Those Stories 2. Temerity 3. So 4. It's Just It's Nature 5. She Likes The Rain 6. I Designed It 7. T-Bup 8. The Shit Side B 1. That We Matter 2. Pajamas 3. I'm sorry 4. The Journal 5. Wink And A Mug 6. The Detritus 7. As Dreamers Do 8. The Munchies 9. As Dreamers Still Do LP 2 Side C 1. It's a Raft 2. Treads 3. The Ballad of David Pearlman 4. Who Was That? 5. A Phenomena 6. The Whole World is Crazy 7. Now We Just Need Some Help 8. Really Something 9. Like a Hurricane Side D 1. She Was... 2. The People That Left a Mark 3. The Book of Love - Performed By The Shadowboxers 4. We'll Make It 5. It's Just Our Story
With its ability to delicately suggest, obliquely seduce, and transport us to an “elsewhere” whose quaint, old-fashioned colours have nevertheless lost nothing of their power, is not the harp the perfect instrument to transform beloved works from the piano and symphonic repertoire into a series of elusive tableaux? Harpist Valérie Milot answers a definitive “Yes!” with several interpretations of works by Satie, Smetana, Debussy, and Liszt.Published in 1888 but not gaining real popularity until 1910, Satie’s three Gymnopédies are highly unusual and flout many of classical music’s rules. Inspired by Flaubert’s Salammbô, these ethereal dances are part of an Ancient Greek theme that runs through Satie’s entire oeuvre.Composed two years after Satie’s triptych, Debussy’s “Claire de lune” (from his Suite bergamasque), with its fluidity reminiscent of spoken language, likely takes its inspiration from a poem of the same name by Verlaine. A masterwork of Impressionism, the piece alternates subdued passages with sections of great emotional power, giving the impression of having captured an ephemeral moment in time.This perpetual motion is also conveyed in Smetana’s “The Moldau,” the second of six tone poems in the cycle Má Vlast (My Country), which suggests both the river itself and the landscapes and scenes encountered along its banks, before it ultimately empties into the Elba: a forest hunt, a country wedding, or nymphs frolicking in the moonlight.Liszt’s Liebesträume (Dreams of Love) No. 3 was written both to accompany a poem by Ferdinand Freiligrath, the sentiment of which is part of its duration (“O lieb, so lang du lieben kannst,”or “love as long as you can”) and as an independent piano work. The sweeping melody line seems to be borne along by a breath that regenerates itself throughout the work’s three sections.“The watercolours of this goldsmith-poet seem to be washed with a rutilant glow, the patina of the treasures of One Thousand and One Nights” (Edmond and Jules de Goncourt)A versatile instrument, able to move from refined elegance to tempestuous boldness, the harp also manages to elude stereotypes. With a few deft musical phrases, it can evoke poetic narratives whose power often goes beyond the words, images or places that inspired them.Composed in 1950 and dedicated to harpist Phia Berghout, Pour le tombeau d’Orphée by Marius Flothuis encompasses the very essence of the Dutch composer’s style: a search for purity and balance but also a union of form and content, as practiced by his musical influences, Mozart and Debussy. With a multitude of short motifs that he varies almost infinitely, Flothuis brilliantly conveys the sense of wandering inherent to the story of Orpheus, who goes to save his Eurydice but who does not return unscathed.A student of Martenot and Hasselmans (whom he succeeded at the Paris Conservatory), Marcel Lucien Tournier contributed enormously to expanding the harp’s harmonic and technical palette and trained an entire generation of harpists. While he composed extensively for orchestra, piano, violin, cello, and voice, his most interesting works are those dedicated to his own instrument. Composed in 1932, his Suite No. 4 Images offers three evocative tableaux: the captivating “Volière magique,” “Cloches sous la neige,” with its interplay of registers, and the ethereal “Danse du moujik,” with its multiple glissando effects.Légende, the first large-scale work by Henriette Renié, was written in 1901 after the poem Les Elfes by the Parnassian Leconte de Lisle. The following year, it would appear on the program of all her concerts with the Orchestre Lamoureux. The poem tells the story of a knight riding through the forest to his betrothed. The Elf Queen tries to seduce him, but he resists, explaining that the love of his life awaits him. Angry, the Queen lays a hex on him. He escapes only to encounter a ghost on the road. Believing it to be a demon, he curses it (“Out of my way, despicable ghost / For I am off to marry my sweet-eyed beauty”), only to realize, too late, that the phantom is, in fact, his beloved. “Oh my dear husband, the eternal grave / Shall be our wedding bed,” she replies. Realizing his mistake, he chooses to join her in the grave. Renié’s treatment of the text (which includes a ritornello repeated seven times) is essentially Romantic yet daring in its handling of the melodic and harmonic material, the work’s virtuosity emerging subtly through effects of register and timbre, which deftly expand on the poet’s words.Many composers have attempted to extract a sound, a colour, or an inspiration from the fertile ground of Spain, cradle of flamenco; few have succeeded better in conveying its diversity than Isaac Albéniz. In Zaragoza (Saragossa), taken from his second Suite española, he sketches a portrait of the city, primarily by way of traditional Aragon jotas. While his penchant for wide chords and flamboyant colours is evident, the exuberant crowds and the bustle of public celebrations are also palpable in the folksong-like harmonies.
Tracklista:1. Dr. Stein2. Future World3. If I Could Fly4. Where the Rain Grows5. The Keeper's Trilogy (Halloween, Keeper of the Seven Keys & King of 1000 Years)6. Eagle Fly Free7. Perfect Gentleman8. Forever & One9. I Want Out10. Fallen to Pieces11. A Tale That Wasn't Right
=REMASTERED 1984 ALBUM + 5 BONUS TRACKS= 1. SCUTTLE BUTTIN' 2. COULDN'T STAND THE WEATHER 3. THE THINGS (THAT) I USED TO DO 4. VOODOO CHILE (SLIGHT RETURN) 5. COLD SHOT 6. TIN PAN ALLEY 7. HONEY BEE 8. STANG'S SWANG 9. SRV SPEAKS (9-14 BONUS TR