Tracklista: 1. Mine Is in Yours 2. Wipe That Sound 3. Spaceship 4. Send Me Shivers 5. Blood Comes 6. The End 7. Detected Beats 8. All the Old Powers 9. Evoke an Object
Tracklista: CD 1 1. That's What I Call Sweet Music 2. I Don't Want To Get Thin 3. Moanin' Low 4. Follow a Star 5. I Never Can Think Of The Words 6. If Your Kisses Can't Hold the Man You Love 7. That's Where the South Begins 8. Washin' the Blues from My Soul 9. That Man Of My Dreams 10. Too Much Lovin' 11. Hollywood Will Never Be The Same 12. Makin' Wicky-Wacky Down In Waikiki 13. What Good Am I Without You? 14. That's Something To Be Thankful For 15. Stay At Home Papa 16. Louisville Lady 17. April in Paris 18. No One Man Is Ever Going To Worry Me 19. Life Begins at Forty 20. When a Lady Meets a Gentleman Down South 21. Foolin' With The Other Woman's Man 22. You'll Have to Swing It 23. The Lady Is a Tramp 24. The Bigger The Army And The Navy 25. Some of These Days 26. I'm Feathering a Nest 27. I'm the Last of the Red Hot Mammas CD 2 1. Some of These Days 2. After You've Gone 3. I Ain't Got Nobody 4. One Sweet Letter from You 5. Fifty Million Frenchmen Can't Be Wrong 6. Blue River 7. I Ain't Takin' Orders From No One 8. What'll You Do? 9. 10. The Man I Love 11. My Pet 12. 'Cause I Feel Low Down 13. Oh! You Have No Idea 14. Stay Out Of The South 15. There's Something Spanish In My Eyes 16. Virginia 17. He's Tall, Dark and Handsome 18. My Yiddishe Momme 19. I Know That My Baby Is Cheating On Me 20. Conversational Man 21. He Hadn't Up Till Yesterday 22. Is He The Boy Friend? 23. Aren't Women Wonderful? 24. I'm Doin' What I'm Doin' For Love 25. He's a Good Man to Have Around
Musical history shows that the hurdy-gurdy and the bowed fiddle share the same origin. A common ancestor is probably to be found in the crwth of the Celtic bards. And since the Welsh crwth is a bowed version of the ancient plucked lyre, it may be considered as a link between the instrument of Apollo and the hurdy-gurdy. Thus, in his Dissertation historique sur la vielle (1741), Antoine Terrasson quite rightly states that the lyre of the Ancients gradually gave rise to the hurdy-gurdy – ‘la lyre des Ancients aura egalement produit par degrez la vielle (a roué)’. This may at first seem surprising, but it is baser on a serious analysis of the historical evolution of musical instruments.
Tracklista: 1. How Soon the Dawn2. Southern Rain3. In the Event of My Demise4. This Time5. Waiting (Feat. Noah Cyrus)6. The Man On Stage7. Hearts That Strain8. Burn Along9. Indigo Blue10. Bigger Lover11. Every Colour in the World
Tracklista: 1. Come Fly With Me2. I've Got You Under My Skin3. Don't Worry 'Bout Me4. You Make Me Feel So Young5. My Kind of Town6. Fly Me to the Moon7. Summer Wind8. They Can't Take That Away from Me9. The Lady Is a Tramp10. One for My Baby (And One More for the Road)
Tracklista:1. Burn That Kush2. Do This Again3. The Matrixx4. Godz House5. DNB Spaceout6. Sit Ya Self Down7. Live in Chicago Subway8. That's It 4 Lil Ma9. Jungle Juke10. Harvey Ratchet11. He Watching Us12. FM Blast13. Wurkinn Da Bass14. OTS15. 8 Bit Shit16. Never Could Be Part 217. I'm So18. Drop That Thang19. Glacier Bay20. U Should No
Thomas Linley was born in Bath into a highly musical family. Had he not died tragically young in a boating accident it seems likely that he would have won for himself a far greater name. He travelled widely, was a friend of Mozart (who commented that 'had he lived, he would have been one of the greatest ornaments of the musical world'), and was widely mourned. The Song of Moses was one of his last works. A grand oratorio in Handelian style, it contains a varied range of arias alongside choruses which are at once expertly written and intensely dramatic (something here developed to the full by the Holst Singers). The story is taken from Exodus (Chapter 15) and concentrates on the Israelites' rejoicing after the Red Sea was closed over the pursuing Egyptian forces—much the same as Handel's Israel in Egypt. This recording is the work's first performance since 1778. Let God arise is an earlier work, one of his first surviving compositions of any size, and is a large-scale anthem after the style of Handel or Boyce. Again the choruses have real strength and contrapuntal power, and the arias show a skill rare in one so young. GRAMOPHONE CRITICS' CHOICE 'Another indispensable release in the English Orpheus series. The adventurous will find their curiosity amply rewarded' (Classic CD) 'One of the best finds yet in Hyperion's English Orpheus series' (Gramophone) 'Linley might well have been an English answer to Mozart, as this fine short oratorio shows' (Daily Mail)
Tracklista: CD 1 1. Out of Nowhere 2. (I'm) Confessin' (That I Love You) 3. Ain't Misbehavin' 4. Bewitched, Bothered and Bewildered (Take 3) 5. Come Rain Or Come Shine 6. I Got It Bad (And That Ain't Good) 7. Speak Low 8. Arrivederci Roma 9. Tea for Two CD 2 1. Bewitched, Bothered and Bewildered (Take 2) 2. As Time Goes By 3. Georgia On My Mind 4. St. James Infirmary Blues 5. As Time Goes By (Final) 6. A Foggy Day (In London Town) 7. Memories of You 8. Just a Gigolo 9. Red River Valley
Tracklista: 1. Lowdown & Lonesome2. Gypsy Woman3. Heartache Off My Back4. Watch Your Heart5. Untangle My Mind6. Tryin' Not to Love You7. Hurtin' Gets Hard8. Closer to Hell9. That Seat's Saved10. Drinkin' My Baby Goodbye
Tracklista: CD 1 1. Act I Scene 1: Einziger, ewiger... und unvorstellbarer Gott! (Only, eternal... and unimaginable God!) (Moses) 00:10:05 2. Act I Scene 2: Du Sohn meiner Vater... (Son of my fathers... ) (Aaron, Moses) 00:07:55 3. Act I Scene 3: Ich hab ihn gesehn, als eine feurige Flamme (I saw him as a burning flame) (Young Girl, Young Man... Chorus) 00:06:25 4. Act I Scene 4: Bringt ihr Erhorung... (Do you bring news... ) (Chorus, Moses, Aaron, Priest, Girl, Young Man, Man) 00:06:55 5. Act I Scene 5: Allmachtiger, meine Kraft ist zu Ende (Almighty, my strength is at an end) (Moses, Aaron, Chorus, Young Girl, Young Man... ) 00:10:55 6. Act I Scene 6: Alles fur die Freiheit! (All for freedom!) (Man, Chorus, Priest, Moses, Aaron) 00:09:47 CD 2 1. Act I Interlude: Wo ist Moses... Wo ist der Fuhrer... (Where is Moses... Where is the leader... ) (Chorus) 00:02:43 2. Act II Scene 1: Vierzig Tage!... liegen wir nun schon hier! (Forty Days!... we are still waiting here!) (Seventy Elders, Priest, Aaron) 00:03:34 3. Act II Scene 2: Wo ist Moses... (Where is Moses... ) (Chorus, Seventy Elders, Aaron) 00:08:35 4. Act II Scene 3: Diese Bild bezeugt dass in allem was ist... (This image is witness that in all that is... ) (Aaron, Invalid Woman, Beggars... ) 00:10:26 5. Act II Scene 3: Frei unter eigenen Herren (Free, under their own masters) (Ephraimite, Tribal Leaders, Youth, Seventy Elders) 00:10:12 6. Act II Scene 3: Du goldener Gott... (You golden god... ) (Girl, Naked Virgins, Seventy Elders, Naked Youth, Chorus) 00:09:11 7. Act II Scene 4: Vergeh, du Abbild des Unvermogens... (Away, you image of impotence... ) (Moses, Chorus) 00:01:33 8. Act II Scene 5: Aron, was hast du getan... Nicht Neues! (Aaron, what have you done... Nothing new!) (Moses, Aaron, Chorus) 00:14:33