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Tracklista:1. Yesterday's Flame2. Should I Feel That It's Over3. More4. Hometime5. Mary, Don't Keep Me Waiting6. Say It7. Ski8. If You Don't Come Back to Me9. Do You Ever Wonder10. The Train I Ride11. You Don't Have to Go1. Tongue Tied2. Nobody's Darling3. Yesterday's Flame (Insects Remix)4. Bilan5. If You Don't Come Back to Me6. Should I Feel That It's Over7. Ski Tu Ne Me Reviens Pas8. Skipping Stones9. The Train I Ride10. More11. Sea Child12. How Long


  • Wykonawca Alison Moyet
  • Data premiery 2015-10-02
  • Nośnik CD / Album
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Album oryginalnie nagrany w lipcu 19741. Penguin In Bondage 6:482. Pygmy Twylyte 2:123. Dummy Up 6:034. Village Of The Sun 4:175. Echidna’s Arf (Of You) 3:536. Don't You Ever Wash That Thing? 9:407. Cheepnis 6:318. Son Of Orange County 5:539. More Trouble Every Day 6:0010. Be-Bop Tango (Of The Old Jazzmen’s Church) 16:41


  • Wykonawca Zappa Frank
  • Data premiery 2012-09-11
  • Nośnik CD
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Who are these Gods, Emperors and Angels in the title of the latest virtuoso vehicle for Adrian Chandler and his dazzling period-instrument band La Serenissima? Vivaldi was connected to many Highnesses on the European continent, foremost among them the widely cultured Holy Roman Emperor Charles IV to whom Vivaldi dedicated his set of concertos titled La Cetra, meaning “The Lyre,” hence likening the emperor to the lyre-playing god Apollo. The theme continues with the oddly titled Concerto Conca or “Conch Concerto,” alluding to the use of the conch shell as a musical trumpet, heard in the work’s first movement, and as used by Triton, son of Neptune and Amphitrite, and by Neptune’s attendants. The Angels are undoubtedly Vivaldi’s virtuoso female students at the Ospedale della Pietà, one of which was described in a contemporary anonymous poem: “She plays the violin in such a way / that anyone hearing her is transported to Paradise / if indeed it is true that up there / the angels play like that.”


  • Wykonawca La Serenissima
  • Data premiery 2010-01-01
  • Nośnik CD
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Dmitri Shostakovich's satirical opera The Nose was premiered in 1930 and is set in St Petersburg. Based on a short story by Nikolai Gogol, its absurd plot revolves around the exploits of a pompous government official and his nose. After a visit to the barber, the nose absconds from the man's face and takes on a life of its own; the pretentious bureaucrat is reduced to desperation, frantically searching the city for his lost appendage. Although primarily a comic opera, The Nose touches on the struggle between the individual and society (here portrayed by a cast of over 80 characters), and its spiky score is a 1920's modernist masterpiece from the prodigiously talented composer.   Reviews:    ' ... singers and orchestra negotiate the most complex ensembles in brilliantly idiomatic and conversational style ... the recorded sound is absolutely superb in its crystal clarity and depth. The ultimate winner in this excellent release, however, is Shostakovich. Now we can clearly see that he was never so obviously the youth genius' Disc of the Month BBC Music Magazine   Orphée d’Or Academie du disque Lyrique   Best Opera Edison Awards   Nominated for Best Classical Album and Best Opera Grammy Awards 2010   Caecilia Award Caecilia   Nominated for Best Opera BBC Music Magazine Awards   Best Opera Midem Classical Awards 2010   CDs of the Year Washington Post   CDs of the Year Chicago Tribune   CDs of the Year Boston Globe   Choc de l'Année Classica   'Sergei Semishkur sings the role of the Nose, and he manages well with the clownishly high tessitura. Ivan is correctly puzzling as sung by Alexei Tanovitski. Indeed, the whole cast is marvelous if you're looking for characterization and originality rather than lovely singing--this is theater at its most brazen.   Valery Gergiev, obviously in his element and with his own orchestra and  (spectacular) chorus, gives the work form and pathos while making certain that absurdity and satire reign supreme. This is, by the way, the first release on the Mariinsky label and it's quite an auspicious start. Fabulous fun!' Artistic Quality 10 Sound Quality 10 ClassicsToday.com 'The complete recording of The Nose is a special achievement ... The conductor achieves such vibrancy, detail and spontaneity that the opera sounds like the product of a mature composer who had worked for may years on the piece ... it's alarming how much sophistication is brought forth in the score, mixing folk melodies with harmonic extremity, and the avant-garde nature of the core and libretto comes through absolutely in Gergiev’s wonderful reading. With a complete, clear libretto, informative essay by Leonid Gakkel and excellent playing from the Mariinsky orchestra, there's much to enjoy here.' Musical Criticism.com ‘a new version of Shostakovich’s first opera is badly needed and this one fills the gap definitively ... Brilliantly realised’ The Guardian   'This recording was made under studio conditions only last year, which is all to the good as the demands made on singers and players in The Nose require a precision of execution that live performances - however much they capture the heat of the moment - are unlikely to secure ... This release reaffirms The Nose as a testament to Shostakovich’s creative ambition at a time when the artistic possibilities music have seemed limitless. In doing so, the Mariinsky labels could not have been more persuasively launched.' International Record Review   Disc of the Month Opera Magazine   Discos Excepcionales Scherzo   'Shostakovich’s prodigious, youthful satire - composed when he was only 21 - has been assiduously championed by Gergiev ... Recorded under studio conditions in the Mariinsky’s brand new concert hall, this version is notable for the brilliance of the orchestra’s playing and the idiomatic delivery of the Gogol-based text by a new generation of Mariinsky voices. Both Vladislav Sulimsky as the noseless collegiate assessor, Kovalev, and Sergei Semishkur as his errant appendage perform with panache.' The Times


  • Wykonawca Soboleva Irina , Sulimsky Vladislav , Tanovitski Alexei , Kravtsova Tatiana , Popov Andrei , Semishkur Gennady
  • Data premiery 2012-04-01
  • Nośnik SACD

Wyjątkowa, przygotowana z okazji 40-lecia premiery, reedycja drugiej płyty jednego z najbardziej wpływowych zespołów punkowych w historii, nowojorczyków z Ramones. Album "Leave Home" miał premierę w styczniu 1977 roku. Piosenki nagrano w Sundragon Studios w Nowym Jorku oraz w Roxy Theatre w West Hollywood, w Kalifornii. Za produkcję odpowiadał Tony Bongiovi, wujek doskonale znanego Jona Bon Joviego oraz perkusista kapeli, Tommy Ramone, który w późniejszych latach został cenionym producentem płyt. Z "Leave Home" pochodzą takie klasyki Ramones jak "Gimme Gimme Shock Treatment", "Carbona Not Glue", "Commando", czy "Swallow My Pride" oraz znakomity cover "California Sun". Wersja deluxe to trzy płyty CD i krążek analogowy. Płyta pierwsza to oryginalny album oraz jego miks na 40-lecie, który wykonał współpracujący z Ramonesami przy "Leave Home" inżynier dźwięku Ed Stasium z oryginalnych analogowych taśm. Właśnie ten miks znajduje się też na płycie winylowej. CD numer 2 to 33 dodatkowe nagrania, z których wiele nie było wcześniej publikowanych. I wreszcie trzeci kompakt to Ramones w najwspanialszej postaci, czyli w wersji live. Zawarto na nim występ grupy z nieistniejącego już, kultowego klubu "CBGB's" z 2 kwietnia 1977 roku, czyli parę miesięcy po premierze płyty. W wykonaniu koncertowym porywająco zabrzmiały "Suzy Is A Headbanger", "Oh Oh I Love Her So", bardzo rzadko później grany utwór "Babysitter", a także inne klasyki, chociażby "Blitzkrieg Bop". Reedycja to pozycja absolutnie obowiązkowa dla nie tylko każdego fana Ramones, lecz również dla miłośników dobrego punka z popowym i rockandrollowym sznytem. Edycja jest limitowana do 15 tys. kopii i zapakowana jest w formie książki w twardej oprawie o wymiarach 12 na 12 cali. W książeczce znajduje się historia Ramones autorstwa byłego menedżera Danny'ego Fieldsa oraz historia powstawania płyty, którą napisał Ed Stasium. Reedycja dostępna również w formacie 1 CD. Tracklista: CD 1 1. Glad To See You Go 2. Gimme Gimme Shock Treatment 3. I Remember You 4. Oh Oh I Love Her So 5. Carbona Not Glue 6. Suzy Is a Headbanger 7. Pinhead 8. Now I Wanna Be a Good Boy 9. Swallow My Pride 10. What’s Your Game 11. California Sun 12. Commando 13. You’re Gonna Kill That Girl 14. You Should Have Never Opened That Door 15. Glad To See You Go 16. Gimme Gimme Shock Treatment 17. I Remember You 18. Oh Oh I Love Her So 19. Carbona Not Glue 20. Suzy Is a Headbanger 21. Pinhead 22. Now I Wanna Be a Good Boy 23. Swallow My Pride 24. What’s Your Game 25. California Sun 26. Commando 27. You’re Gonna Kill That Girl 28. You Should Have Never Opened That Door CD 2 1. Glad To See You Go 2. Gimme Gimme Shock Treatment 3. I Remember You 4. Oh Oh I Love Her So 5. Carbona Not Glue 6. Suzy Is a Headbanger 7. Pinhead 8. Now I Wanna Be a Good Boy 9. Swallow My Pride 10. What’s Your Game 11. California Sun 12. Commando 13. You’re Gonna Kill That Girl 14. You Should Have Never Opened That Door 15. Babysitter 16. Sheena Is a Punk Rocker (Single Version) 17. I Don’t Care (B-Side Version) 18. Babysitter (UK Album Version) 19. Glad To See You Go (Bubblegum Mix) 20. I Remember You (Instrumental) 21. Gimme Gimme Shock Treatment (Forest Hills Mix) 22. Oh Oh I Love Her So (Soda Machine Mix) 23. Carbona Not Glue (Queens Mix) 24. Suzy Is a Headbanger (Geek Mix) 25. Pinhead (Psychedelic Mix) 26. Pinhead (Oo-oo-gabba-uhuh Mix) 27. Now I Wanna Be a Good Boy (Bowery Mix) 28. Swallow My Pride (Instrumental) 29. What’s Your Game (Sane Mix) 30. California Sun (Instrumental) 31. Commando (TV Track) 32. You’re Gonna Kill That Girl (Doo Wop Mix) 33. You Should Have Never Opened That Door (Mama Mix) CD 3 1. I Don’t Wanna Go Down To The Basement 2. Now I Wanna Sniff Some Glue 3. Blitzkrieg Bop 4. Swallow My Pride 5. Suzy Is a Headbanger 6. Teenage Lobotomy 7. 53rd & 3rd 8. Now I Wanna Be a Good Boy 9. Sheena Is a Punk Rocker 10. Let’s Dance 11. Babysitter 12. Havana Affair 13. Listen To My Heart 14. Oh oh I Love Her So 15. California Sun 16. I Don’t Wanna Walk Around With You 17. Today Your Love, Tomorrow The World 18. Judy Is a Punk 19. Pinhead LP Side A 1. Glad To See You Go 2. Gimme Gimme Shock Treatment 3. I Remember You 4. Oh Oh I Love Her So 5. Carbona Not Glue 6. Suzy Is a Headbanger 7. Pinhead Side B 1. Now I Wanna Be a Good Boy 2. Swallow My Pride 3. What’s Your Game 4. California Sun 5. Commando 6. You’re Gonna Kill That Girl 7. You Should Have Never Opened That Door


  • Wykonawca Ramones
  • Data premiery 2017-07-21
  • Nośnik Płyta Analogowa+CD
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Tracklista:1. Which Will2. It Changes3. Can't Say That We Tried4. Wouldn't Even Know5. Cannonball


  • Wykonawca Amber Arcades
  • Data premiery 2017-06-02
  • Nośnik Vinyl / 12" EP
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Tracklista: 1. That Night When I Died2. Testimony of Sick Brain3. The Bitter Taste of Emotional Void4. Black Coma5. The Pact (The Eye of the Jackal)6. The Ecstatic Spiral to Hell7. I. Satan's Carrion8. Rattenkönig


  • Wykonawca Mutiilation
  • Data premiery 2016-12-09
  • Nośnik CD
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Tracklista:1. Faithful Man2. I Still Got It3. You're the Kind of Girl4. I'm Still Hanging On5. Intermission6. Wish You Were Here8. Moonlight Mile7. Who Do You Love?9. It's All Over (But the Crying)10. Walk On Through That Door


  • Wykonawca Fields Lee
  • Data premiery 2012-03-19
  • Nośnik CD
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Tracklista:1. Speed King 2. Into The Fire3. Child in Time4. Wring That Neck5. Mandrake Root6.Black Night 7. Wring That Neck - Bonus8. Paint it Black 9. Mandrake Root - Bonus


  • Wykonawca Deep Purple
  • Data premiery 2014-10-09
  • Nośnik Płyta Analogowa
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After Berlin, Vienna was the music centre to which the conductor Wilhelm Furtwängler had the closest artistic connections. Under his direction the Vienna Philharmonic made a whole series of radio recordings that have now, for the first time, been carefully edited under the auspices of the Furtwängler specialist Gottfried Kraus and released by Orfeo on 18 CDs. The series commences with recordings from 1944/45, including one of Mozart’s g-minor symphony K550 in which Furtwängler demonstrates his clear sense of form from the very first bars. Beethoven’s third 'Leonore' Overture and an excerpt from Schubert’s 'Rosamunde' music complete our selection from this, the earliest of the recording sessions. Several works are to be found more than once in this anthology. Thus, Beethoven’s Eroica can be compared in an early version from 1944 and a later recording from 1953, just as Bruckner’s Eighth can be compared in recordings from 1944 and 1954. Beethoven’s Ninth Symphony is offered no less than three times here – from the years 1951, 1952 and 1953 – a work that surely no other conductor could make into such an 'event', an experience of universal import, as could Wilhelm Furtwängler. This was also true of his Brahms interpretations, represented here by the first two symphonies, the 'Haydn' Variations, the Double Concerto and the 'German Requiem', which is sadly only extant in an incomplete recording from 1951. This is, incidentally, the only time in this collection that we hear Furtwängler conducting the Vienna Symphony Orchestra. Besides Irmgard Seefried and Dietrich Fischer-Dieskau – two vocal soloists whom Furtwängler admired and engaged repeatedly – we can hear the chorus of the Vienna Singakademie on this recording.They also sing in Bach’s 'St Matthew Passion': in a partial recording from 1952 and in the famous performance of 1954 that was shortened by Furtwängler himself, but which is here released in a restored recording based on the original radio broadcast, without the cuts that were later made by record companies. Here as elsewhere in this collection, the acoustic heritage of the Viennese radio stations of the time has been restored using the best possible technological means available today. Even collector’s items such as the Piano Concertos K365 and 482 by Mozart, with Dagmar Bella and Paul Badura-Skoda, have probably never sounded better since they were first heard in the concert hall. Hence justice is done to Furtwängler’s timeles” style of music-making that unites different epochs, ranging from Gluck’s Overture to 'Iphigenie in Aulis' to Mahler’s 'Songs of a Wayfarer' and Furtwängler’s own Second Symphony – a work that despite all its late-Romantic echoes succeeds in attaining originality and a considerable emotional impact. This universality of Furtwängler has not found its match to this day.


  • Wykonawca Fischer-Dieskau Dietrich , Grummer Elisabeth , Seefried Irmgard , Wiener Otto
  • Data premiery 2013-03-01
  • Nośnik CD