Buckcherry "All Night Long (Deluxe Version)"1. All Night Long2. It's a Party3. These Things4. Oh My Lord5. Recovery6. Never Say Never7. I Want You8. Liberty9. Our World10. Bliss11. Dead
Tracklista: 1. Flavor2. Yes, Anastasia3. Jackie's Strength4. Cloud On My Tongue5. Precious Things6. Gold Dust7. Star of Wonder8. Winter9. Flying Dutchman10. Programmable Soda11. Snow Cherries from France12. Marianne13. Silent All These Years14. Girl Disappearing
Tracklista:1. Homecoming Heroes2. Another Story3. Springtime4. Summertime5. Josh McBride6. Shake7. Cruel8. Let's Be Still9. My Friends10. 10,000 Weight in Gold11. Fire/Fear12. These Days Are Numbered13. Gone
Lista utworów: CD1:1. The Awakening 2. King of Errors 3. A New Dawn 4. Wake a Change 5. Archaic Rage 6. Barricades 7. Black Undertow 8. The Fire 9. Hymns for the Broken 10. Missing You 11. The Grand Collapse 12. The Aftermath CD2 Ltd. Digipak: 13. Hymns for the Broken (Piano Version) 14. Barricades (Piano Version) 15. These Scars (Piano Version)
Tracklista: 1. Am Gold 2. Mind Eraser 3. Domino 4. Forever 5. Captain 6. Never Going Home Again 7. St. Dymphna 8. Far from Home 9. A Road to Nowhere 10. These Old Roses 11. In the Splinters
Tracklista:1. Such a Thing As Society2. The Child Inside3. My Time and Yours4. Reclaim the Street5. These Four Walls6. Unknown Lament7. The Night Desk8. I'm Coming Home9. We Shall Overcome
Tracklista: LP 1 1. Back in the Game 2. Open Your Heart to the World 3. Street Rituals 4. The Limit of a Man 5. Strange People 6. Your Balloon Is Rising (Feat. Paul Weller) LP 2 1. The Colour Of... 2. A Love Uprising (Feat. Dr. Robert) 3. These Life Stories 4. Pushing Your Love (Feat. Danny Champ) 5. What's Going On (Feat. Paul Weller) 6. Simplify the Situation
Tracklista: 1. Remembrance a Threnody2. Silver Stretched Over Crumbling Bones3. We Sing Over These Bones So That They May Rise Up and Run Away Into the Night4. Helene5. River of Blood
In 1806, Beethoven composed two concertos – the Fourth Piano Concerto followed by the Violin Concerto Op. 61. In both cases the composer soon returned to the works to produce new versions, and it is these later versions that are presented here. At the public première of the Fourth Piano Concerto in 1808, Beethoven performed the piano part very ‘capriciously’ according to his pupil Carl Czerny, playing many more notes than are to be found in the printed edition. A clear indication of what Beethoven played comes from his copyist’s orchestral score, in which the outer movements contain annotations in the composer's hand. These have been transcribed by Beethoven scholar Barry Cooper who, in his insightful liner notes, describes this rarely recorded 1808 version as 'strikingly inventive’ and ‘more sparkling, virtuosic and sophisticated than the standard one'. In the case of the Opus 61 concerto, Beethoven succeeded in writing what many consider to be the quintessential violin concerto. Less well-known is the fact that soon after the first performance, Beethoven produced an arrangement of the solo part for piano, modifying the violin part slightly in the process. When the work was first published, it was as a concerto for violin or piano. Worth noting is that although Beethoven did not compose any cadenzas for the violin, he did so for the piano version. The one for the first movement is especially striking, in that it includes a part for timpani, reminding us of the timpani solo that begins the entire work. Ronald Brautigam and the Norrköping SO under Andrew Parrott have received acclaim for two previous discs of Beethoven's works for piano and orchestra: 'These well-known works emerge as if freshly minted' wrote International Record Review about Concertos Nos. 1 and 3, while the German magazine Piano News hailed the release of No.2 and the youthful Concerto WoO4 as 'a magnificent recording in which Brautigam demonstrates his stylistic expertise, and which shows what a splendid pianist he is.'
This disc completes the cycle of Tchaikovsky's symphonies with Gothenburg Symphony Orchestra conducted by Neeme Järvi, a cycle which as a whole can be described as resolutely unsentimental, with interpretations aiming to rid these popular scores of the melodramatic excesses that have become part of a performance tradition during more than 100 years in concert halls and on disc. This quality has been remarked upon by reviewers, who described Symphony No.1 as 'superb ... liberated from all the slag of sugary romanticism' (Classics Today France.com) and regarding No.4 wrote 'With immense skill and without making any concessions to the pathetic, Neeme Järvi grants the work its full magnitude. A reading at once rich in nuances and carved in rock ...' (Le Monde de la Musique). Another acclaimed instalment was Symphony No.2 ‘Little Russian’, hailed in Gramophone as ‘an outstanding performance … beautifully played and paced and immaculately recorded.’ Besides symphonic works, the previous five discs in the cycle have included a number of smaller scores, from favourites such as Francesca da Rimini and the Serenade for Strings to rarities. The present instalment also includes a number of shorter works, among which the dances from Eugen Onegin will be familiar to many. Two less well-known works connected with the stage are also represented here, with extracts from The Voyevoda and from the music to the play Dmitri the Pretender and Vassily Shuisky. Equally unusual is the brief Serenade, written in 1872 in honour of Nikolai Rubinstein, the tireless champion of Tchaikovsky’s music who conducted the first performances of a large number of his works. The opening work on this disc is one of these: the Third Symphony, nick-named ‘The Polish’ on behalf of its final movement, with the tempo marking Tempo di Polacca.