1. THESE DAYS 2. GOD ONLY KNOWS 3. AMERICAN TUNE 4. BLAME IT ON THE SUN 5. WITHOUT HIM 6. HOW CAN I BE SURE 7. I'LL FOLLOW THE SUN 8. BALLAD OF THE SAD YOUNG MEN 9. SOMETHING SO RIGHT 10. I'VE LOVED THESE DAYS 11. JOY
Tracklista: 1. If These Are Good Times 2. Think 3. Pull My Finger 4. Who's The King 5. Strip Song 6. Queen 7. In The Dog House 8. Funnel King 9. What Comes Around 10. No Fronts
Pierwsze DVD Jamie Culluma nowej gwiazdy muzyki z kręgu jazzu i popu. DVD jest zapisem koncertu przed 10 000 publicznością 16 listopada 2004 roku w Blenheim Palace.Spis utworów: Opening Credits I Get A Kick Out Of You Frontin' A Love Supreme Twentysomething Planes, Trains and Automobiles All At Sea Old Devil Moon God Only Knows What A Difference A Day Made Beat Surrender Why Do Today What You Can Do Tomorrow Glastonbury Next Year Baby Wind Cries Mary Roxy Music Lover You Should Have Come Over High And....In The Rain These Are The Days Plymouth Concert I Could Have Danced All Night But For Now End Credits Busking in San Fransisco UK Summer Festival Performances I Wanna Be A Popstar All At Sea These Are The Days Wind Cries Mary The Making of Wind Cries Mary
Tracklista:1. Warsaw2. Leaders of Men3. Digital4. Autosuggestion5. Transmission6. She's Lost Control7. Incubation8. Dead Souls9. Atmosphere10. Love Will Tear Us Apart11. No Love Lost12. Failures13. Glass14. From Safety to Where15. Novelty16. Komakino17. As You Said18. These Days19. Love Will Tear Us Apart (Pennine Version)
Reedycja na vinylu.Side one1."Take It Easy" (Jackson Browne, Glenn Frey) – 3:322."Witchy Woman" (Don Henley, Bernie Leadon) – 4:113."Lyin' Eyes" (Henley, Frey) – 6:224."Already Gone" (Jack Tempchin, Robert Arnold Strandlund) – 4:13 5."Desperado" (Henley, Frey) – 3:33 [edit]Side two1."One of These Nights" (Henley, Frey) – 4:512."Tequila Sunrise" (Henley, Frey) – 2:523."Take It to the Limit" (Randy Meisner, Henley, Frey) – 4:484."Peaceful Easy Feeling" (Tempchin) – 4:185."Best of My Love" (Henley, Frey, J.D. Souther) – 4:35
Bach Collegium Japan was first noticed internationally for undertaking the huge project of recording the complete church cantatas of J. S. Bach. Although the ensemble’s discography consists of predominately vocal works, the participating instrumentalists have attracted acclaim ever since the outset. On the present offering, it is Bach’s two great sets of orchestral works that form the programme and the choir of the BCJ is silent. Bach Collegium Japan and Masaaki Suzuki first recorded the Brandenburg Concertos in 2000, but now return to these great works. The new recording took place in the recently completed MUZA Kawasaki Hall, a venue that is highly suitable to an approach focussing on the chamber music qualities of this music. In four of the concertos Masaaki Suzuki has chosen to replace the traditional cello with the violoncello da spalla – a smaller instrument played horizontally on the shoulder or held against the breast. The instrument has already featured in the BCJ Cantata series, and opens for new possibilities in timbre, for instance in Concerto No. 6, where the violoncello da spalla blends particularly well with the two solo violas and the viola da gambas. Making a new recording also provided the opportunity to record these in many ways multidimensional works in 5.0 Surround Sound, releasing them as hybrid SACDs. This is also the format of the included recordings of the Orchestral Suites, originally released in 2005 to great and universal acclaim. The German website klassik.com called the 2-CD set ‘incredibly perfect Bach!’ and named it one of the reference recordings of these oft-recorded works, while the Financial Times (UK) listed it as one of the outstanding classical discs of 2005, remarking that "Suzuki's traversal of the Bach orchestral suites combine scholarship and style without compromising the music's expressiveness". In the Brandenburg Concertos and the Suites, Bach explored an Italian and a French genre respectively, and in his inimitable way transcended the boundaries of both. This attractive box at a very advantageous price combines both sets performed by one of the leading Baroque ensembles in high fidelity recordings – not to be missed!
Tracklista:1. Blind Me So I May See2. Still Learning How to Crawl3. Playfair Steps4. Our Delays5. No Longer Living in Your Shadow6. Sheets of Whitewashed Sun7. A Shot in the Dark8. Night Music9. Holding On10. The Only Sound11. Futures12. Lost in These Machines13. Beauty #2
-14TR- 1. I GUESS I SHOWED HER 2. FOUL PLAY 3. DON'T BE AFRAID OF THE DARK 4. DON'T YOU EVEN CARE 5. NIGHT PATROL 6. NOTHING'BUT A WOMAN 7. PHONE BOOTH 8. THESE THINGS 9. MY PROBLEM 10. THE FORECAST (CALLS FOR A PAIN) 11. CONSEQUENCES 12. RI
Największe hity The Killers z czterech pierwszych płyt studyjnych zespołu, w tym „Mr. Brightside”, „Human”, „When You Were Young” czy „All These Things That I’ve Done”. Dwupłytowe wydawnictwo zawiera także dwa premierowe kawałki: „Shot At The Night” oraz „Just Another Girl”. Tracklista: LP 1 1. Mr. Brightside 2. Somebody Told Me 3. Smile Like You Mean It 4. All These Things That I've Done 5. When We Were Young 6. Read My Mind 7. For Reasons Unknown 8. Human LP 2 1. Sapaceman 2. A Dustland Fairytale 3. Runaways 4. Miss Atomic Bomb 5. The Way It Was 6. Shot At The Night 7. Just Another Girl 8. Be Still
‘The piece won an ovation in this performance, which was marked by consistently virtuosic playing from the orchestra and a sense of easy command from Beˇlohlávek that typifies his control over the music of his homeland. You would have to look long and hard to find this level of advocacy for any composer.’ The Guardian on the 4th Symphony‘The performance was marked by precision and an assured sense of direction. The urgency of the symphony’s opening movement sometimes recalled Stravinsky and Bartók – also recent exiles to the US – in its restless uncertainty. The central Largo was beautifully played, with the BBC SO responding to Beˇlohlávek’s peeling away of orchestral layers.’ Musicweb on the 3rd SymphonyRecorded live at the Barbican in London, these recordings represent the first complete CD cycle of Martinu° ’s symphonies conducted by Jirˇí Beˇlohlávek. The critically acclaimed concerts were given to mark the 50th anniversary of Martinu° ’s death in 1959. Martinu°’s six symphonies are a major contribution to 20th-century symphonic literature, and yet are still undervalued. Spanning the years before, during and after the Second World War, they capture the turmoil, hopes and fears of the composer and his homeland – a homeland that suffered unimaginable cruelties under the Nazis. At the end of the war, Martinu° was the only major Czech composer of his generation to have survived.Yet through the underlying currents of menace in the later works, the irrepressible Czech spirit survives, and the country’s folk music is never far from the surface in these powerful and sincere works. As conductor Jirˇí Beˇlohlávek says ‘I personally love all of Martinu°’s symphonies for the rich, colourful orchestration and undeniable Czech flair which always prevail in them, despite the fact that they also reflect the musical developments of their time.’Advertising for this release will appear in Gramophone and BBC Music Magazine, as well as the Martinu° Society Magazine, which goes out to members worldwide.