Reedycja drugiego albumu studyjnego „Shotter's Nation” z 2007 roku, wydana na winylu. Tracklista: Side A 1. Carry on up the Morning 2. Delivery 3. You Talk 4. UnBiloTitled 5. Side of the Road 6. Crumb Begging Side B 1. Unstookie Titled 2. French Dog Blues 3. There She Goes 4. Baddie’s Boogie 5. Daft Left Hand 6. Lost Art of Murder
2017 marks the release of the fourth album by Les Anges de la Nuit titled "Darkness Looms". In perfect harmony with "contemporary times", "Darkness looms" includes 12 new tracks infusing dark lyrical themes, high energy beats and strong powerful melodies such as "la marche vers l'infini", "cette jolie brune" and "praise the darkness". Hailing from South Florida,, this electronic band consists of Richard Abdeni and Anthony Stuart. Formed in 2003, the name and concept of "les Anges de la Nuit" defines a correlation between biblical prophecies and our present world. Their unique energetic and poignant sound lies in the multicultural influence of their roots. The band's first two albums " Ruins of Victory" and Under God's name"were released back in 2005 and 2007 on infacted recordings. After a seven year break, they released the 2014 EP " out of sight" followed by the third chapter titled "Vanity will Perish". With "Darkness Looms" les Anges de la Nuit are bound to conquer more ears and moves... get ready!
Winylowa edycja płyty Raw Power, trzeciego albumu Iggy Popa i grupy The Stooges, którego premiera miała miejsce w 1973 roku.Tracklista:Side A1. Search and Destroy2. Gimme Danger3. Your Pretty Face Is Going To Hell (Originally Titled "Hard To Beat")4. PenetrationSide B1. Raw Power2. I Need Somebody3. Shake Appeal4. Death Trip
The oldest American Bach Choir, The Bach Choir of Bethlehem performs, on their first recording on the Analekta label, works celebrating the Creator by J.S. Bach and Vivaldi. Such renowned singers as Daniel Taylor, Daniel Lichti and Benjamin Butterfield are joining conductor Greg Funfgeld on this glorious recording.This recording could have been titled "Glorious Glorias,” since the first of these three works ends with the Gloria Patri, the second is a setting of the Gloria in excelsis Deo, and the third conjoins the Gloria in excelsis Deo with the Gloria Patri.
Who are these Gods, Emperors and Angels in the title of the latest virtuoso vehicle for Adrian Chandler and his dazzling period-instrument band La Serenissima? Vivaldi was connected to many Highnesses on the European continent, foremost among them the widely cultured Holy Roman Emperor Charles IV to whom Vivaldi dedicated his set of concertos titled La Cetra, meaning “The Lyre,” hence likening the emperor to the lyre-playing god Apollo. The theme continues with the oddly titled Concerto Conca or “Conch Concerto,” alluding to the use of the conch shell as a musical trumpet, heard in the work’s first movement, and as used by Triton, son of Neptune and Amphitrite, and by Neptune’s attendants. The Angels are undoubtedly Vivaldi’s virtuoso female students at the Ospedale della Pietà, one of which was described in a contemporary anonymous poem: “She plays the violin in such a way / that anyone hearing her is transported to Paradise / if indeed it is true that up there / the angels play like that.”