Tracklista: 1. Mask Maker 2. Vox Tuned D.E.D. 3. I'm No Gold 4. Pro Anti Anti 5. Can't Hear Well 6. Mess On A Mission 7. Darkslide 8. Boyzone 9. Walker 10. Perpetual Village 11. Left Speaker Blown
Tracklista:1. What Turns Inside2. Evil On the Highway3. The Shore4. The Sparrow Spooked the Crow5. Cracked Door6. Devil's Lake7. Cyclone Stare8. Well Wisher9. Pitch Black Painter
Tracklista: CD 1 1. Shake Rattle And Roll 2. All She Wants To Do Is Rock 3. Goin' To Chicago Blues 4. The Train Kept A-Rollin' 5. Cherry Red Blues 6. Blues In Trouble 7. Let The Good Times Roll 8. Pretty Baby 9. Piney Brown Blues 10. Chicken Shack Boogie 11. I Hear You Knocking 12. Heart Throbbing Blues 13. Spoon Calls Hootie 14. I Want A Bow-Legged Woman 15. Saturday Night Fish Fry, Pts. 1 & 2 16. Confessin' The Blues 17. My Big Brass Bed Is Gone 18. Sad Feeling 19. Pink Champagne 20. Who Threw The Whiskey In The Well CD 2 1. Caldonia Boogie 2. Shame Shame Shame 3. Two Little Girls 4. She Sets My Soul On Fire 5. Roll 'Em Pete 6. Boogie Woogie (I May Be Wrong) 7. Gravy Train 8. Juice Head Baby 9. Hootie Blues 10. Big Ten Inch Record 11. How About Rocking With Me 12. The Honeydripper, Pt. 1 13. Give It Up 14. I Can Never Be That Way 15. Good Morning Judge 16. Dreaming Blues (With Willie Reed) 17. Blue Monday 18. Jimmy's Blues 19. Well Oh Well 20. One Scotch, One Bourbon, One Beer
Violinist Philippe Graffin’s second recording for Onyx sees him partnered once again by pianist Claire Désert, in Schumann’s highly charged second violin sonata and the delightful 3 Romances by Clara Schumann, composed for Joseph Joachim.The concerto is a rarity – not the D minor violin concerto op. posth, but the composer’s arrangement of his much-loved cello concerto op.129.Unusual and intelligent programming from Philippe Graffin, who is rapidly gaining a reputation as one of the most insightful and inquisitive violinists of our time.BBC Music MagazineNovember 2010****“Most of [the transcription] works well enough...and there are even one or two gains...Graffin makes a very appealing case for it...Clara Schumann's Three Romances are much more than salon sweetmeats, and Graffin and Claire Désert play them elegantly and with feeling.”
Lista utworów:1. Amsterdam, Amsterdam!2. Them There Eyes3. Sinner's Prayer4. Can't Let Go5. For My Friends6. Close To My Fire7. Rhymes8. Something's Got A Hold On Me9. Your Heart Is As Black As Night10. Chocolate Jesus11. Baddest Blues12. Someday After Awhile (You'll Be Sorry)13. Well, Well14. If I Tell You I Love You15. See Saw16. Strange Fruit17. Miss Lady18. I Love You More Than You'll Ever Know19. Nutbush City Limits20. I'd Rather Go Blind21. Antwerp Jam
Tracklista:1. Well, I'm Not Really Much of a Dancer2. She Curves, She Curves3. Treme4. By the Sound of Her Voice5. In a Little Spanish Town6. Babylon7. It's Just Not the Same8. New Orleans9. Like It Is
‘Ayres for the Theatre is a wonderful collection of rich and varied, tuneful music and has been marvellously well recorded’ (Gramophone)
Tracklista:1. Circling the Drain2. Cocktails3. Down Pressure4. Echo Chamber5. The Well Has Run Dry6. Lords of War7. Throw Away the Key8. No Consequences9. Ouroboros10. Corporation11. The Tight Rope
Just as the seventeenth century saw the rise of the trio sonata to its position as the most important chamber music form, so the eighteenth century saw its decline and eventual demise. The seventh and penultimate disc in London Baroque’s highly acclaimed survey of the genre through the two centuries lets us sample these later developments in Italy, the nation where the genre had evolved some 100 years earlier. We do so through works by composers who are well-known (Vivaldi), unknown (Bonporti), known for the wrong reasons (Albinoni never composed the famous – or infamous – Adagio) and ignored by mistake (the trio sonata that inspired Stravinsky to compose Pulcinella was by Domenico Gallo and not by Pergolesi, as was long believed). Among our Italians are Locatelli and Tartini, two of the great violinist-composers of the period, as well as a trio largely active in musical centres outside of Italy: Bononcini, Sammartini and Porpora, who taught the young Haydn in Vienna in the 1750’s. Together their compositions come to form a mosaic, where proud traditions from Corelli and earlier (as seen in Vivaldi’s Folia and Albinoni’s dance suite) are gradually superseded by rococo traits.
Tracklista:1. Hungarian Dance No. 1 in G Minor 00:02:47 2. Book I: No. 2 in D Minor 00:03:31 3. Book I: No. 3 in F Major 00:02:35 4. Book I: No. 4 in F Minor 00:04:04 5. Book I: No. 5 in F - Sharp Minor 00:02:02 6. Book II: No. 6 in D - Flat Major 00:03:21 7. Book II: No. 7 in A Major 00:02:00 8. Book II: No. 8 in A Minor 00:02:39 9. Book II: No. 9 in E Minor 00:02:17 10. Book II: No. 10 in E Major 00:01:42 11. Book III: No. 11 in D Minor 00:03:42 12. Book III: No. 12 in D Minor 00:02:20 13. Book III: No. 13 in D Major 00:01:26 14. Book III: No. 14 in D Minor 00:01:59 15. Book III: No. 15 in B - Flat Major 00:02:30 16. Book III: No. 16 in F Minor 00:02:14 17. Book IV: No. 17 in F - Sharp Minor 00:03:38 18. Book IV: No. 18 in D Major 00:01:19 19. Book IV: No. 19 in B Minor 00:02:03 20. Book IV: No. 20 in E Minor 00:02:17 21. Book IV: No. 21 in E Minor 00:01:38 22. No. 1: Rede, Madchen (Speak, maiden) 00:01:19 23. No. 2: Am Gesteine rauscht die Flut (The flood rushes beside rocks) 00:00:40 24. No. 3: O die Frauen (Oh, these women) 00:01:19 25. No. 4: Wie des Abends schone Rote (Like evening's beautiful amber) 00:00:59 26. No. 5: Die grune Hopfenranke (The green hop - tendril) 00:01:32 27. No. 6: Ein kleiner, hubscher Vogel (The little, pretty bird) 00:02:38 28. No. 7: Wohl schon bewandt was es (Formerly it was well - ordered) 00:01:23 29. No. 8: Wenn so lind dein Auge (Look kindly on me) 00:01:32 30. No. 9: Am Donaustrande (On the Danube shore) 00:02:05 31. No. 10: O wie sanft die Quelle (Oh how gentle the well) 00:01:05 32. No. 11: Nein, es ist nicht auszukommen (No, one can't get along) 00:00:52 33. No. 12: Schlosser auf, und mache Schlosser (Open your door and let me in) 00:00:43 34. No. 13: Vogelein durchrauscht die Luft (Little bird flies quickly through the air) 00:00:41 35. No. 14: Sieh, wie ist die Welle klar (Look, how clear the wave) 00:01:01 36. No. 15: Nachtigall, sie singt so schon (Nightingale, you sing so beautifully) 00:01:25 37. No. 16: Ein dunkler Schacht ist Liebe (Love is a mystery) 00:01:09 38. No. 17: Nicht wandle, mein Licht (Don't leave me) 00:02:21 39. No. 18: Es bebet das Gestrauche (Bushes are trembling) 00:01:10