Tracklista: 1. Under the Gun 2. The Great Escape 3. Midnite Sadusa 4. Believe in Magick 5. Polonium Blues 6. Siren Song 7. Lost With All Hands 8. After the Fire 9. Electrick Sorcery 10. Blades, Chains, Whips & Fire
W cyklu „Original Album Series” prezentujemy pięć albumów legendarnej brytyjskiej formacji The Shadows, która kiedyś wspierała Cliffa Richarda, by później odnieść sukces na własny rachunek wspaniałymi kompozycjami instrumentalnymi. Kartonowy rękawek zawiera koperty z pierwszymi pięcioma wydawnictwami The Shadows z lat 1961-66. Absolutna klasyka muzyki.Tracklista: CD 1: The Shadows1. Shadoogie2. Blue Star3. Nivram4. Baby My Heart5. See You In My Drums6. All My Sorrows7. Stand Up And Say That8. Gonzales9. Find Me A Golden Street10. Theme From A Filleted Place11. That's My Desire12. My Resistance Is Low13. Sleepwalk14. Big Boy CD 2: Out Of The Shadows1. The Rumble2. The Bandit3. Cosy4. 18615. Perfidia6. Little 'B'7. Bo Diddley8. South Of The Border9. Spring Is Nearly Here10. Are They All Like You?11. Tales Of A Raggy Tramline12. Some Are Lonely13. Kinda Cool CD 3: Dance With The Shadows1. Chattanooga Choo Choo2. Blue Shadows (Stereo)3. Fandango4. Tonight5. That's The Way It Goes6. Big 'B'7. In The Mood8. The Lonely Bull (El Solo Toro)9. Dakota10. French Dressing (Stereo)11. The High And The Mighty12. Don't It Make You Feel Good13. Zambesi14. Temptation CD 4: The Sound Of The Shadows1. Brazil2. The Lost City3. A Little Bitty Tear4. Blue Sky, Blue Sea, Blue Me5. Bossa Roo6. Five Hundred Miles7. Cotton Pickin'8. Deep Purple9. Santa Ana10. The Windjammer11. Dean's Theme12. Breakthru'13. Let It Be Me14. National Provincial Samba CD 5: Shadow Music1. I Only Want To Be With You2. Fourth Street3. The Magic Doll4. Stay Around5. Maid Marion's Theme6. Benno-San7. Don't Stop Now8. In The Past9. Fly Me To The Moon (In Other Words)10. Now That You're Gone11. One Way To Love12. Razzmataz13. A Sigh (Un Sospero)14. March To Drina
Tracklista:1. America2. Dusty Roads3. In the Town4. Don't Play With Guns5. Half a Man6. I Can Hear the Devil7. Oh Come8. Betty9. Like a Sailor10. Sweet Josephine
Tracklista: CD 1 1. There'll Be Some Changes Made 2. I've Found A New Baby 3. Baby, Won't You Please Come Home? (With The Chicago Rhythm Kings) 4. Friar's Point Shuffle 5. Jazz Me Blues 6. Makin' Friends 7. I'm Gonna Stomp Mr. Henry Lee 8. Dissonance 9. Swingin' With Mezz 10. Sendin' The Vipers 11. 35th And Calumet 12. How Can You Face Me 13. Sweetie Pie 14. I Feel Like A Feather In The Breeze 15. Lost 16. Mutiny In The Parlor 17. I'se A Muggin' 18. Blues In Disguise 19. Hot Club Stomp 20. The Swing Session's Called To Order 21. Revolutionary Blues 22. Swingin' For Mezz (Careless Love) 23. Really The Blues 24. When You And I Were Young, Maggie CD 2 1. Royal Garden Blues 2. I Ain't Gonna Give Nobody None O' This Jelly Roll 3. Gettin' Together 4. Minor Jive 5. Rompin' (Romping At Victor) 6. Stop It Joe 7. Mezzin' Around 8. Some Of These Days 9. Apex Blues 10. House Party 11. Perdido Street Stomp 12. Minor Swoon 13. Bowin' The Blues 14. Jelly Roll 15. Gone Away Blues 16. Out Of The Gallion 17. Fast Blues 18. Clarinet Marmalade 19. Revolutionary Blues No. 2 20. Clarinet Blues 21. All Of Me
Tracklista: 1. Be Bop2. Salt Peanuts! (Mani Salado)3. And Then She Stopped4. Birks Works (Ala Mancini)5. Things to Come6. Fiesta Mojo7. Con Alma (With Soul)8. Tin Tin Deo9. Algo Bueno (Woody and Me)10. A Night in Tunisia (Actually an Entire Weekend!)11. Every Day I Think of You
Tracklista:1. Fugue 1 (Contrapunctus 1) 00:02:50 2. Fugue 2 (Contrapunctus 3) 00:02:40 3. Fugue 3 (Contrapunctus 2) 00:02:35 4. Fugue 4 (Contrapunctus 5) 00:03:25 5. Fugue 5 (Contrapunctus 9) 00:03:23 6. Fugue 6 (Contrapunctus 10 and 14) 00:03:46 7. Fugue 7 (Contrapunctus 6) 00:04:17 8. Fugue 8 (Contrapunctus 7) 00:04:28 9. Canon in Hypodiapason (Contrapunctus 16) 00:04:29 10. Fugue 10 (Contrapunctus 8) 00:06:04 11. Fugue 11 (Contrapunctus 11) 00:06:16 12. Canon in Hypodiatessaron, al roverscio e per augmentationem 00:05:26 13. Fugue 13 (a) Forma recta (Contrapunctus 12a) 00:02:30 14. Fugue 13 (b) Forma inversa (Contrapunctus 12b) 00:02:35 15. Fugue 14 (Forma inversa) (Contrapunctus 13) 00:02:20 16. Canon al roverscio et per augmentationem (Contrapunctus 15) 00:03:44 17. Fugue 19 (fragment of a fugue with several subjects) (Contrapunctus 20) 00:07:45
The late seventeenth century was a period of great change in English music. This was a time when the influences of Italian music were ever-increasing, brought to England by Italian composers such as Draghi, Haym and Matteis, and their German contemporaries Pepusch and Handel. In this new release we explore how the English composers, Purcell, Weldon and Croft, responded to Italian music and incorporated the style into their own works. The two works by Purcell, Sonata in G minor and The Blessed Virgin’s Expostulation, perfectly illustrate his mastery of the Italian style. This is especially evident in the latter, which Purcell wrote in the style of an Italian cantata. This distinctive blend of English and Italian influences also became evident in the works of many European composers in England, as they adopted the native English style and form. In fact the English legacy can be heard in the music of Draghi, Courteville, Matteis, Handel, Pepusch and Haym, almost as clearly as in the music of their English contemporaries. Draghi’s sonata is a prime example of this, it seems to have been influenced by English consort music, and its short, contrasted sections and unexpected harmonies are far removed from the sonatas composers were writing in Italy at the time. The works on this release are performed by Peter Holman’s early music group, The Parley of Instruments, which today is recognised as one of the leading exponents of Baroque music. The Parley’s trail-blazing work in English eighteenth-century music has led to collaborations with soloists such as Catherine Bott, Crispian Steele-Perkins and Elizabeth Wallfisch. On this release, the group is joined by soprano Philippa Hyde, with Peter Holman, conductor and founder of the Parley of Instruments.
Wydanie na winylu 180 g. Tracklista: LP 1 Side A 1. (I'm Afraid) The Masquerade Is Over 2. Let Your Conscience Be Your Guide 3. Hitch Hike 4. Pride And Joy 5. Can I Get A Witness 6. Once Upon A Time (With Mary Wells) 7. Stubborn Kind Of Fellow 8. How Sweet It Is (To Be Loved By You) Side B 1. It Takes Two (With Kim Weston) 2. I'll Be Doggone 3. Ain't That Peculiar 4. Ain't No Mountain High Enough (With Tammi Terrell) 5. I Heard It Through The Grapevine 6. Ain't Nothing Like The Real Thing (With Tammi Terrell) 7. You're All I Need To Get By (With Tammi Terrell) 8. Too Busy Thinking About My Baby LP 2 Side C 1. What's Going On 2. Mercy Mercy Me (The Ecology) 3. Inner City Blues (Make Me Wanna Holler) 4. Trouble Man 5. Let's Get It On 6. You Are Everything (With Diana Ross) Side D 1. Distant Lover 2. I Want You 3. Got To Give It Up 4. Heavy Love Affair 5. Sexual Healing 6. Sanctified Lady
Tracklista:1. Self Destructive2. What You Had Yesterday3. Tower of Regret4. Only Lonely People5. Big Brown Boots6. Strangers7. In Love With the City8. Old Love9. The Queen Bee10. Dirty Hands11. Only Young12. Precious Life
Jan Dismas Zelenka’s music for the funeral rites of Augustus the Strong – Officium defunctorum ZWV 47 (Invitatorium, Nocturno I-III) and Requiem ZWV 46 – reveals the most impressive face of the Baroque theatre of death. The man in the chief role of this spectacle follows the appeal in the 95th psalm of the introductory antiphon of the invitatorium “the King, in whom everything lives, let us worship Him”, and bows his head before God and the majesty of death. The sombre atmosphere of the invitatorium, which is characterised by the relentless alternation of the lessons with the responses and the strict counterpoint of the Gregorian Chant, contrasts starkly with theexhilarating splendour and variety of the Requiem. The Requiem Mass is not only funeral music here, but is above all the omen for the resurrection and the apotheosis of the Sovereign. Zelenka takes complete advantage of every possibility which was at his disposal from the court orchestra. Trumpets and horns together with concertante transverse flutes, oboes and bassoons are supplemented by the chalumeau.The Prague baroque orchestra Collegium 1704 and vocal ensemble Collegium Vocale 1704 were founded by harpsichordist and conductor Václav Luks in 2005. Their recordings for Arta records (Benda), Supraphon (Zelenka, Reichenauer), and Zig-Zag (Zelenka) have been favourably received in Europe and further afield. The present recording marks the beginning of a long-term cooperation between Collegium 1704/Václav Luks and the label Accent.