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To mark the fiftieth anniversary of the death of Sir Arnold Bax, Chandos has commissioned a new set of his symphonies, conducted by Vernon Handley. The project is one which has been eagerly anticipated by collectors for many years.This special edition box set includes the premiere recording of Rogue’s Comedy Overture, and a bonus CD containing a recorded conversation between the conductor and BBC Radio 3’s Andrew McGregor about Bax’s symphonies.Vernon Handley is universally acknowledged as the leading interpreter of the works of Arnold Bax, consequently making this an unusually important release.This special edition box set is available at a special price. As an added bonus, anyone purchasing the disc will be eligible to enter a competition to win a weekend for two at the Station Hotel, Morar, Scotland (flights from London only), where Bax spent a month or two every winter, setting out in full score works he had sketched in London the previous summer."Sir Arnold Bax wrote his cycle of seven symphonies between 1921 and 1939. In his younger days he had not set out to be a symphonist, and if anyone had then predicted his future career, Bax would doubtless have been scornful of the notion that he could turn to such an old-fashioned genre in the bright new artistic world immediately following the end of World War I. Yet in 1921, when he wrote what he headed ‘Third Piano Sonata’, he quickly realised that he had composed a symphony. He orchestrated it, writing a new slow movement conceived in symphonic terms, and made a big splash with it in December 1922. For the rest of the 1920s audiences thought of it as the Bax symphony, but he was soon working on a second, quickly followed by a third during the winter of 1928–29. The remaining four symphonies followed during the 1930s.Vernon Handley was conducting the works of Sir Arnold Bax during the 1960s when the composer’s work was very much out of favour with the musical establishment. Over the years a Bax symphony conducted by Handley became something special, but apart from an isolated recording of the Fourth with the Guildford Philharmonic, he never recorded any of them. Yet one of Handley’s lifetime ambitions has been to record his view of what he came to regard as a cornerstone of British music in the twentieth century, an ambition achieved with this set.Reviews'It is a tremendous achievement, the crowning glory of Vernon Handleys dedication to British music in general and to this composer in particular.'Sir Arnold Bax Gramophone 'Take Five''Truth to tell, Im still reeling from the impact of this magnificent set; its insights are copious, Chandos layout is ideal (with none of the symphonies split between discs) and the price is tempting too.'Gramophone (Critic's Choice)'Handley, the BBC Philharmonic, executive producer Brian Pidgeon and the Chandos engineers give us sonic glories in spades. These discs transport us to windswept coastlines, the ocean floor, pagan dances and the nobility of love, defeat, death and triumph… This is a wonderful set of compelling haunting music; it deserves to spread joy not just over Christmas but for life.'The Times'The BBC Philharmonics playing is magnificent throughout, while Handley never loses his grip on the musics forceful logic. Works that in some hands, and to some ears, can seem rhapsodic, he reveals as integrally symphonic, for all their big-boned Romantic gestures.'The Telegraph'Every now and then, a series of recordings appears that changes the music world just a little, prompts a re-evaluation, draws us towards repertory we might otherwise have ignored… These probing interpretations venture beyond the surfaces to the musics inner workings. Handley is the ideal guide, the BBC Philharmonic the ideal instrument for the job and you also get Tintagel, a premiere recording of Rogues Comedy Overture and a revealing recorded interview with Andrew McGregor. Superb sound, too.'The Independent'Handleys readings are generally volatile and urgent, and he brings out some of the musics violence and incipient touches of modernism better that his rivals.'BBC Music Magazine (Performance: maximum rating 5*)'Handley and the BBC Philharmonic strain all their musical sinews to bring out every detail of these highly wrought and texturally complex works, and Handleys command of structure and pacing is majestic.'The Guardian'The set has been a labour of love for Vernon Handley - one of the high points of his career. Im hoping that this set, which is the product of 50 years study, will invite people to listen that little bit more often to these wonderful immense works.'Classic FM Magazine 'Disc of the Month''In every way Handley has now produced the definitive Bax series - surely beyond criticism.'Gramophone 'Take Five''The BBC Philharmonic under Vernon Handley recently performed Baxs Symphonies Nos 6 and 8 in Manchester, to great critical acclaim:…a rare occasion of exploration and discovery. Perhaps this anniversary will allow Baxs music to emerge from the shadow of Vaughan Williams. On this evidence, Handley and BBCPO are incomparably equipped to make that happen.'The Guardian'Vernon Handley is the ideal conductor for Bax: he understands the music like no other, and it breathes perfectly in his hands.'Fanfare on CHAN 9715 (Bax)'…this splended Fingerhut and Handley performance brings a reassessment and the works strengths, particularly its appealing slow movement, are revealed.'BBC Music Magazine on CHAN 9715 (Bax)''These are interpretations by a conductor who has lived with this music and who is fully at home in the composer's musical world. Beautifully played and recorded, this is the sort of thing that Chandos does incomparably.' 'Truth to tell, I'm still reeling from the impact of this magnificent set; its insights are copious, Chandos' layout is ideal (with none of the symphonies split between discs) and the price is tempting too.''Gramophone Critic's Choice''The BBC Philharmonic's playing is magnificent throughout, while Handley never loses his grip on the music's forceful logic. Works that in some hands, and to some ears, can seem rhapsodic, he reveals as integrally symphonic, for all their big-boned Romantic gestures.''The Telegraph'The set has been a labour of love for Vernon Handley - one of the high points of his career. 'I'm hoping that this set, which is the product of 50 years' study, will invite people to listen that little bit more often to these wonderful immense works'.''Classic FM Magazine 'Disc of the Month'


  • Wykonawca Various Artists
  • Data premiery 2009-01-01
  • Nośnik CD
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Tracklista:1. Pyramids2. Just Punk Enough3. 1%4. Boring Day5. My Baby's Away6. Labyrinth of Capitalism7. Anxiety8. The City9. C10. Times Like These11. Talking With My Dog12. We're Not Alone13. Both Sides Same Coin14. Zoey Ramona15. Out of Luck


  • Wykonawca The Damnit Jims
  • Data premiery 2016-09-16
  • Nośnik CD / Album
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Tracklista:Disc 11. Symphony: Allegro - Larghetto - Allegro - Andante larghetto 00:12:172. Act I Scene 1: How excellent Thy name, O Lord (Chorus) 00:02:573. Act I Scene 1: Air: An Infant rais'd by thy Command (Soprano) 00:01:204. Act I Scene 1: Trio: Along the Monster Atheist strode (Chorus) 00:01:025. Act I Scene 1: The Youth inspir'd by Thee, O Lord (Chorus) 00:01:506. Act I Scene 1: How excellent thy name, O Lord (Chorus) 00:02:337. Act I Scene 2: Recitative: He comes! (Michal) 00:00:108. Act I Scene 2: Air: O God - like Youth! (Michal) 00:03:129. Act I Scene 2: Recitative: Behold, O King… Young Man… The Son of Jesse (Abner, Saul, David) 00:00:5810. Act I Scene 2: Air: O King, your Favours with Delight (David) 00:05:4211. Act I Scene 2: Recitative: O early Piety! (Jonathan) 00:00:2912. Act I Scene 2: Air: What abject Thoughts a Prince can have (Merab) 00:02:0213. Act I Scene 2: Recitative: Yet think with whom this Honour you bestow (Merab) 00:00:1414. Act I Scene 2: Air: Birth and Fortune I despise! (Jonathan) 00:04:1715. Act I Scene 2: Recitative: Go on, illustrious Pair! (High Priest) 00:00:1916. Act I Scene 2: Air: While yet thy Tide of Blood runs high (High Priest) 00:01:5417. Act I Scene 2: Recitative: Thou, Merab, first in Birth (Saul) 00:00:2518. Act I Scene 2: Air: My Soul rejects the Thought with scorn (Merab) 00:01:1719. Act I Scene 2: Air: See with what a scornful Air (Michal) 00:01:0520. Act I Scene 2: Air: Ah, lovely Youth! (Michal) 00:00:4821. Act I Scene 3: Symphony: Andante allegro 00:01:1022. Act I Scene 3: Recitative: Already see the Daughters of the Land (Michal) 00:00:2123. Act I Scene 3: Welcome, welcome, mighty King! (Chorus) 00:01:3424. Act I Scene 3: Accompagnato: What do I hear (Saul) 00:00:2925. Act I Scene 3: David his Ten Thousands slew (Chorus) 00:00:3126. Act I Scene 3: Accompagnato: To him Ten Thousands! (Saul) 00:00:1527. Act I Scene 3: Air: With Rage I shall burst his Praises to hear! (Saul) 00:01:2328. Act I Scene 4: Recitative: Imprudent Women!… 'Tis but his old Disease (Jonathan, Michal) 00:00:5329. Act I Scene 4: Air: Fell Rage and black Despair possest (Michal) 00:02:4330. Act I Scene 4: Recitative: This but the smallest part of Harmony (High Priest) 00:00:2331. Act I Scene 4: Accompagnato: By thee this Universal Frame (High Priest) 00:01:5932. Act I Scene 5: Recitative: Rack'd with Infernal Pains (Abner) 00:00:1433. Act I Scene 5: Air: O Lord, whose Mercies numberless (David) 00:03:2434. Act I Scene 5: Symphony (Arpa): Largo 00:01:3235. Act I Scene 5: Air: Fly, malicious Spirit, fly (David) 00:02:0636. Act I Scene 5: Recitative: 'Tis all in vain (Jonathan) 00:00:1937. Act I Scene 5: Air: A Serpent, in my Bosom warm'd (Saul) 00:01:5638. Act I Scene 5: Recitative: Has he escap'd my Rage (Saul) 00:00:3039. Act I Scene 5: Air: Capricious Man, in Humour lost (Merab) 00:05:56Disc 21. Act I Scene 6: Accompagnato: O Filial Piety! (Jonathan) 00:01:392. Act I Scene 6: Air: No, cruel Father, no (Jonathan) 00:01:363. Act I Scene 6: Air: O Lord, whose Providence (High Priest) 00:01:284. Act I Scene 6: Preserve him for the Glory of thy Name (Chorus) 00:02:185. Act II Scene 1: Envy! Eldest - born of Hell! (Chorus) 00:02:096. Act II Scene 2: Recitative: Ah, dearest Friend (Jonathan) 00:00:377. Act II Scene 2: Air: But sooner Jordan's Stream, I swear (Jonathan) 00:02:178. Act II Scene 2: Recitative: O strange Vicissitude!… My Sister Merab… (David, Jonathan) 00:00:589. Act II Scene 2: Air: Such haughty Beauties (David) 00:04:5610. Act II Scene 2: Recitative: My Father comes (Jonathan) 00:00:1611. Act II Scene 3: Recitative: Hast thou obey'd my orders… Alas, my Father! (Saul, Jonathan) 00:00:4012. Act II Scene 3: Air: Sin not, O King, against the Youth (Jonathan) 00:01:5913. Act II Scene 3: Air: As Great Jehovah lives, I swear (Saul) 00:01:0514. Act II Scene 3: Air: From Cities storm'd, and Battles won (Jonathan) 00:02:0015. Act II Scene 4: Recitative: Appear, my Friend… No more imagine Danger (Jonathan, Saul) 00:00:3616. Act II Scene 4: Air: Your words, O King, my Loyal Heart (David) 00:01:0617. Act II Scene 4: Recitative: Yes, he shall wed my Daughter! (Saul) 00:01:0618. Act II Scene 5: Recitative: A Father's Will has authoriz'd my Love (Michal) 00:00:3319. Act II Scene 5: Duet: O Fairest of ten thousand fair (Michal, David) 00:00:4320. Act II Scene 5: Is there a Man, who all his Ways Directs (Chorus) 00:02:5021. Act II Scene 5: Symphony: Largo - Allegro - 00:01:3822. Act II Scene 5: Symphony: Gavotte 00:02:2523. Act II Scene 6: Recitative: Thy Father is as cruel, and as false (David) 00:06:4724. Act II Scene 6: Duet: At Persecution I can laugh (David, Michal) 00:02:2525. Act II Scene 7: Recitative: Whom dost thou seek… I seek for David (Michal, Doeg) 00:00:4126. Act II Scene 7: Air: No, no, let the Guilty tremble (Michal) 00:01:2027. Act II Scene 8: Recitative: Mean as he was, he is my Brother now (Merab) 00:00:5128. Act II Scene 8: Air: Author of Peace, who canst controll (Merab) 00:01:3829. Act II Scene 9: Symphony: Allegro 00:00:4530. Act II Scene 9: Accompagnato: The Time at length is come (Saul) 00:02:5531. Act II Scene 10: Recitative: Where is the Son of Jesse… He earnestly asked Leave (Saul, Jonathan) 00:01:1832. Act II Scene 10: O fatal Consequence (Chorus) 00:00:40Disc 31. Act III Scene 1: Accompagnato: Wretch that I am! (Saul) 00:02:192. Act III Scene 1: Recitative and Accompagnato: 'Tis said, here lives a Woman (Saul) 00:00:503. Act III Scene 2: Recitative: With me what would'st thou… I wou'd (Witch of Endor, Saul) 00:00:514. Act III Scene 2: Air: Infernal Spirits, by wose Pow'r (Witch of Endor) 00:02:315. Act III Scene 3: Accompagnato: Why hast thou force'd me from the Realm of Peace… O holy Prophet, holy Prophet! (Samuel, Saul) 00:03:176. Act III Scene 3: Symphony: Allegro 00:00:417. Act III Scene 4: Recitative: Whence com'st thou… Out of the Camp of Israel (David, Amalekite) 00:01:178. Act III Scene 4: Air: Impious Wretch, of Race accurst! (David) 00:01:459. Act III Scene 5: March: Grave 00:03:0110. Act III Scene 5: Mourn, Israel, mourn thy Beauty lost (Chorus) 00:02:3511. Act III Scene 5: Air: O let it not in Gath be heard (High Priest) 00:02:3312. Act III Scene 5: Air: From this unhappy Day (Merab) 00:02:3513. Act III Scene 5: Air: Brave Jonathan his Bow ne'er drew (David) 00:02:1714. Act III Scene 5: Eagles were not so swift as they (Chorus) 00:00:2115. Act III Scene 5: Air: In sweetest Harmony they liv'd (Michal) 00:05:1416. Act III Scene 5: O fatal Day! How low the Mighty lie! (David, Chorus) 00:04:5717. Act III Scene 5: Air: Ye men of Judah, weep no more (High Priest) 00:01:4318. Act III Scene 5: Gird on thy Sword, thou Man of Might (Chorus) 00:05:37


  • Wykonawca MacLeod Stephan
  • Data premiery 2014-12-04
  • Nośnik CD

The life and music of Villa-Lobos is intimately linked with the emergence of Brazil as a nation and cultural force during the first half of the 20th century. This applies especially to the two great cycles that he composed between 1920 and 1945: the 12 Choros and the 9 Bachianas Brasileiras. In the Choros the composer’s stated aim was to achieve a synthesis of the various musical influences of Brazil: the popular urban music (such as the dances of European origin performed by chorões or street musicians), the music brought from Africa by slaves, and the chants and rhythms of the native Indian tribes. The Choros range from solo pieces with durations of a couple of minutes to large-scale scores for expanded symphony orchestra, sometimes comprising choir or solo instruments. The cycle also includes an Introduction, as well as a brief ‘after-thought’: the Two Choros (bis). After the completion of the Choros, Villa-Lobos in 1930 began his next great project, the Bachianas Brasileiras. Admiring its ability to communicate across all boundaries in time or place, Villa-Lobos once described the music of Bach as ‘universal folk music’ and here attempted a fusion between Bach and Brazilian music. This cycle also consists of various scorings: from solo instrument to choir a cappella and symphony orchestra, with Villa-Lobos providing parallel versions of two of them (Nos 4 and 9). All of these are included in this collection, which comprises recordings made between 2002 and 2006, and released as separate discs to universal acclaim: ‘The complete set of Villa-Lobos's exotic and brilliant Bachianas Brasileiras surpasses, for me, all previous recordings in terms of execution, spirit and recorded sound’ wrote the reviewer in Fanfare, including the discs on his 2008 ‘Want-List’. Equally well-received, the cycle of Choros was already before its completion described as ‘a publishing feat’ on the website Klassik.com. The performances of the São Paulo Symphony Orchestra were naturally in focus: ‘The Brazilian players sound as if the music is in their blood … and their ensemble is in no way inferior to that of any of their rivals’ (Gramophone) and ‘a world-class ensemble providing an assured blend of lush colours, pulsating rhythms and supple phrasing’ (International Record Review) are only a couple of examples. The many solo performances appearing throughout the collection received similar praise, as witness the following examples: ‘No. 5 with Donna Brown has to be the quintessential performance of this most famous of Bachianas’ (American Record Guide), ‘Jean Louis Steuerman plays with great finesse and understanding’ (Gramophone), ‘Cristina Ortiz proves a peerless pianist in this unique piece [Choros No. 11] ’ (classiqueinfo-disque.com). This collection also includes a performance by the Berlin Philharmonic Wind Quintet of Quinteto em forma de choros (a work often mentioned in connection with the Choros even if it does not form part of the cycle) as well as a separate disc containing Anders Miolin’s recording of the complete music for solo guitar, much of which Villa-Lobos composed for the legendary Andres Segovia.


  • Wykonawca Sao Paulo Symphony Orchestra
  • Data premiery 2009-06-17
  • Nośnik CD
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W cyklu „Original Album Series” prezentujemy pięć albumów legendarnej brytyjskiej formacji The Shadows, która kiedyś wspierała Cliffa Richarda, by później odnieść sukces na własny rachunek wspaniałymi kompozycjami instrumentalnymi. Kartonowy rękawek zawiera koperty z pierwszymi pięcioma wydawnictwami The Shadows z lat 1961-66. Absolutna klasyka muzyki.Tracklista: CD 1: The Shadows1. Shadoogie2. Blue Star3. Nivram4. Baby My Heart5. See You In My Drums6. All My Sorrows7. Stand Up And Say That8. Gonzales9. Find Me A Golden Street10. Theme From A Filleted Place11. That's My Desire12. My Resistance Is Low13. Sleepwalk14. Big Boy CD 2: Out Of The Shadows1. The Rumble2. The Bandit3. Cosy4. 18615. Perfidia6. Little 'B'7. Bo Diddley8. South Of The Border9. Spring Is Nearly Here10. Are They All Like You?11. Tales Of A Raggy Tramline12. Some Are Lonely13. Kinda Cool CD 3: Dance With The Shadows1. Chattanooga Choo Choo2. Blue Shadows (Stereo)3. Fandango4. Tonight5. That's The Way It Goes6. Big 'B'7. In The Mood8. The Lonely Bull (El Solo Toro)9. Dakota10. French Dressing (Stereo)11. The High And The Mighty12. Don't It Make You Feel Good13. Zambesi14. Temptation CD 4: The Sound Of The Shadows1. Brazil2. The Lost City3. A Little Bitty Tear4. Blue Sky, Blue Sea, Blue Me5. Bossa Roo6. Five Hundred Miles7. Cotton Pickin'8. Deep Purple9. Santa Ana10. The Windjammer11. Dean's Theme12. Breakthru'13. Let It Be Me14. National Provincial Samba CD 5: Shadow Music1. I Only Want To Be With You2. Fourth Street3. The Magic Doll4. Stay Around5. Maid Marion's Theme6. Benno-San7. Don't Stop Now8. In The Past9. Fly Me To The Moon (In Other Words)10. Now That You're Gone11. One Way To Love12. Razzmataz13. A Sigh (Un Sospero)14. March To Drina


  • Wykonawca The Shadows
  • Data premiery 2015-02-23
  • Nośnik CD
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Tracklista:1. Minuet in G Minor2. Danger Zone3. American Girl4. Dead End Kids5. Drive On Thru7. Still in Love With You8. Children of the Storm9. Pictures of You10. Pulverizer11. Living in Sin12. Virgin Steele6. Lothlorien


  • Wykonawca Virgin Steele
  • Data premiery 2018-09-14
  • Nośnik CD
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Tracklista: CD 1: (Duke Ellington): Soul Call ò Prelude To A Kiss ò Delta Serenade ò Chelsea Bridge ò In A Sentimental Mood ò Moon Mist ò Black And Tan Fantasy ò All To Soon ò Cotton Club Stomp ò Creole Love Call ò Air Conditioned Jungle ò Country Gal ò Day Dream ò Dusk ò The Mooche ò Solitude ò The ÆCÆ Jam Blues ò Jump For Joy ò Harlem Speaks ò Pussy Willow CD 2: (Benny Goodman): Sugar ò Dizzy Spells ò ItÆs The Dreamer In Me ò Lullaby In Rhythm ò I Never Knew That Feeling Is Gone ò Sweet Sue Just You ò I Let A Song Go Out Of My Heart ò FeelinÆ High And Happy ò WhyÆd Ya Make Me Fall In Love ò DonÆt Wake Up My Heart ò (IÆve Been) Saving Myself For You ò Big John Special ò My Melancholy Baby ò WrappinÆ It Up ò What Goes On Here In My Heart? ò A Little Kiss At Twilight ò The Flat Foot Floogee ò IÆve Got A Date With A Dream ò Could You Pass In Love? CD 3: (Count Basie): Avenue C ò Blame It On My Last Affair ò Blow Top ò Blue And Sentimental ò Blue Skies ò Blues In The Dark ò Clap Hands ò DickieÆs Dream ò Dodging Around ò Dupree Blues ò Easy Does It ò Every Tub ò Going To Chicago Blue ò Gone With What Wind ò High Tide ò How Long, How Long Blues ò I Left My Baby ò JimmyÆs Boogie Woogie ò Jive At Five ò JohnÆs Idea CD 4: (Glenn Miller): Adios ò American Patrol ò At Last ò Bugle Call Rag ò Chattanooga Choo Choo ò Danny Boy Stardust ò ElmerÆs Tune ò Ferensi ò Fools Rush In (Where Angels Fear To Tread) ò A Nightingale Sang In Berkeley Square ò Boulders Bluff ò In The Mood ò Running Wild ò Jukebox Saterday Night ò Moonlight Serenade ò Moonlight Cocktail ò Missouri Waltz ò My Melancholly Baby ò Perfidia CD 5: (Tommy Dorsey): San Francisco ò Blue Skies ò ThatÆs A Penny ò Jamboree ò Love Will Live On ò Mary Had A Little Lamb ò Daddy Change Your Mind ò Rhythm Saved The World ò Tiger Rag ò Non Drastic ò On The Beach At Bali- Bali ò KeepinÆ Out Of Mischief Now ò Melody In F ò ItÆs Right Here For You ò Maple Leaf Rag ò Let Me Call You Sweetheart ò You CanÆt Cheat A Cheater ò Candy ò Now YouÆve Got Me DoinÆ It ò That Foolish Feeling


  • Wykonawca Various Artists
  • Data premiery 2008-10-07
  • Nośnik CD

Cudowne dziecko o anielskim głosie - to pierwsze co przychodzi na myśl oglądając 12-letnią Jackie Evancho obdarzoną głosem operowym nie gorszym niż najsłynniejsze światowe diwy. Widzowie programu America's Got Talent przecierali oczy ze zdziwienia kiedy 2 lata temu wyszła na scenę i bez tremy ani zająknięcia zaśpiewała niezwykle trudną arię "O mio babbino caro" Pucciniego. Odebrała owacje na stojąco i z dnia na dzień stała się światową sensjacją - nad głosem Jackie rozpływały sie programy informacyjne pod każdą szerokoscią geograficzną. Mimo iż nie wygrała programu (zajęła 2. miejsce), stała się najbardziej rozpoznawalna uczestniczką show i jego najlepszą wizytówką. W 2011 roku ukazała się płyta Jackie 'Dream With Me', która właśnie trafia na polski rynek. Znalazły się na niej duety z Susan Boyle i Barbra Straisand, wspomniana aria Pucciniego od której zaczęła się jej kariera a także znane światowe tematy filmowe: "Someday", "Mi Mancherai", "The Impossible Dream" czy "A Time For Us".tracklista:1. When You Wish Upon A Star2. Nella Fantasia3. A Mother's Prayer (With Susan Boyle)4. Nessun Dorma5. Angel6. O Mio Babbino Caro7. Somewhere (Featuring Barbra Streisand)8. All I Ask Of You9. Ombra Mai Fu10. Lovers11. Imaginer12. The Lord's Prayer13. To Believe14. Dream With Me


  • Wykonawca Evancho Jackie
  • Data premiery 2012-03-20
  • Nośnik CD
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