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In many of J. S. Bach’s cantatas, passions and oratorios, the oboe – and its various relatives such as the oboe d’amore and oboe da caccia – plays a prominent role. Using it as his preferred obbligato instrument, Bach obviously cherished the versatility of the oboe and selected it to accompany arias that deal with grief and heavenly joys, repentance and pastoral calm. It is therefore odd that no major concertante works for oboe by Bach have survived – or have they? Researchers have for a long time thought that his keyboard concertos were originally composed for other instruments, and much evidence points to certain of them being intended for the oboe, or oboe d’amore. Four such works have been gathered here, together with the Adagio from the composer’s Easter Oratorio, in performances by Alexei Ogrintchouk, one of today’s outstanding oboists. Starting to perform internationally at the age of 13, Ogrintchouk is currently principal oboist of the Royal Concertgebouw Orchestra, combining the position with solo engagements around the world. On his first solo disc for BIS he also directs the Swedish Chamber Orchestra himself, and is joined by dazzling young violinist Alina Ibragimova in the well-loved Double Concerto in C minor.


  • Wykonawca Ibragimova Alina , Ogrintchouk Alexei
  • Data premiery 2010-11-01
  • Nośnik SACD
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Tracklista:1. Trouble In Store: I'd Like To Put On Record (That I Love You, Love You, Love You) 2. London Melody 3. Where's Charley: Once In Love With Amy 4. Beware 5. Trouble In Store: Don't Laugh at Me 6. Narcissus, "The Laughing Song" 7. The Heart Of A Clown 8. My Little Dog (Where's He Gone) 9. Young At Heart 10. Just To Be With You 11. They Didn't Believe Me 12. You Were Meant For Me 13. So Nice To Dream 14. One Good Turn: Please Opportunity 15. One Good Turn: Take A Step In The Right Direction 16. I'll Always Love You 17. Boy Meets Girl 18. Impossible 19. Two Rivers 20. I Don't 'Arf Love You


  • Wykonawca Various Artists
  • Data premiery 2016-03-11
  • Nośnik CD
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Tracklista:1. Political Animal2. Listen to the World3. White Gold in the Aral Sea4. Scratch the Surface5. Obsession6. What Are You Gonna Do?7. Synthetic Sin8. Calvary9. I Rode That Tide With the Starry-eyed


  • Wykonawca Fialka Karel
  • Data premiery 2016-01-29
  • Nośnik Płyta Analogowa
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In a very short time, Yannick Nézet-Séguin has become one of the most sought-after young conductors in the world, popular with orchestras and audiences alike. Recently named as Music Director Designate of the Philadelphia Orchestra, he succeeded Valery Gergiev as Music Director of the Rotterdam Philharmonic Orchestra in 2008, and has since then taken the orchestra on acclaimed tours to Asia, the USA and his native Canada, as well as making a high-profile appearance during the BBC Proms in London and undertaking a residency at Théâtre des Champs-Elysées in Paris. For the first of four projected discs with BIS, Nézet-Séguin and his Rotterdam players have recorded Hector Berlioz’ masterpiece Symphonie fantastique, in a full-blooded and luxurious performance which at the same time respects the work’s classical proportions: the conductor himself has described the work as being the last Classical symphony as well as the first Romantic one. The first performance of the largely auto-biographical Symphonie (originally entitled ‘An Episode in the Life of an Artist’) formed the composer’s great break-through, and was applauded by luminaries such as Franz Liszt. In his Memoirs Berlioz relates how the closing movements, March to the Scaffold and the Witches’ Sabbath, in particular caused a sensation. The work is here followed by the ‘lyrical scene’ Cléopâtre (often referred to as La Mort de Cléopâtre), composed shortly before as Berlioz’ entry in the competition for the prestigious Prix de Rome. The dramatic potential of the text – Cleopatra’s farewell to the world before committing suicide by snakebite – led the young composer to write music of the highest possible drama, which thoroughly scared off the academicians of the Prix de Rome-jury from awarding it a prize. Performing – or rather embodying – the part of Cleopatra is the electrifying soprano Anna Caterina Antonacci, in one of her rare appearances on disc.


  • Wykonawca Antonacci Anna Caterina
  • Data premiery 2011-01-10
  • Nośnik SACD

Tracklista:1. Life During Wartime2. Kick Out the Jams3. Chatterbox4. Careful5. Blank Generation6. Slow Death7. I Can't Stand It8. Out of Control9. Psychotic Reaction10. All for the Love of Rock 'N' Roll11. All By Myself12. California Sun13. Caught With Meat in Your Mouth14. I Got Knocked Down (But I'll Get Up)15. Get Outta My Way16. Sunday Girl17. I Wanna Be Your Dog18. Sonic Reducer19. Roxanne20. Birds and the Bees


  • Wykonawca Various Artists
  • Data premiery 2014-06-01
  • Nośnik CD

Tracklista: 1. Rooting for You2. Big Picture3. Wild Eyed4. Oh Woman Oh Man5. Hell to the Liars6. Everyone Else7. Non Believer8. Bones of Ribbon9. Who Am I10. Leave the War With Me11. Truth Is a Beautiful Thing


  • Wykonawca London Grammar
  • Data premiery 2017-06-09
  • Nośnik Płyta Analogowa
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Rezet świętuje swój debiut w wytwórni Metalville Records swoim najbardziej zróżnicowanym do tej pory albumem. Czwarty studyjny album chłopaków z północnych Niemiec, znacznie przewyższa poprzednie ramy Thrash i pokazuje Rezet jako dojrzały zespół pod każdym względem. Album został wyprodukowany przez nikogo innego, jak Eike Freese z Hamburg Chameleon Studios. Tracklista: 1. Behind Glass 2. Treadmill To Hell 3. Deal With It! 4. No Plan B 5. Thunder Raiders 6. Alone 7. Chaos In My Mind 8. MDPV 9. Dead Or White 10. Spiral Down 11. Pile Of Shards    


  • Wykonawca Rezet
  • Data premiery 2019-01-25
  • Nośnik Płyta Analogowa
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Tracklista: 1. Till the World Ends2. Hold It Against Me3. Inside Out4. I Wanna Go5. How I Roll6. (Drop Dead) Beautiful (Feat. Sabi)7. Seal It With a Kiss8. Big Fat Bass (Feat. Will.i.am)9. Trouble for Me10. Trip to Your Heart11. Gasoline12. Criminal


  • Wykonawca Spears Britney
  • Data premiery 2011-03-28
  • Nośnik CD
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The association of Denis Gaultier with Apollo in a 17th c. lute manuscript is not as audacious as it might at first appear: the lutenist was held in great esteem by his contemporaries; indeed, for many he was the embodiment of genius on the lute, the “nonpareil”, and one of the very few capable of “speaking” to his listeners. At first glance, his compositions seem little different from those of his collegues, but further examination reveals a sophistication unparalleled in any other lute music of the period. One is immediately struck by the economy of the writing, in which no note is superfluous and the musical structure reduced to its essence. This minimalist approach is even more apparent in later, published versions which show subtle traces of revision. Denis Gaultier exploited the instrument to the full, and in doing so take the art of lute-playing to a realm undreamt of by elder colleagues. His music placed great demands on the lutenist, lute and listener alike for, knowing what could be achieved, Gaultier chose to push the instrument to its limits, and everyone else along with it.


  • Wykonawca Dubreuil Pascal
  • Data premiery 2008-07-07
  • Nośnik CD
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